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DSR 6 – THE MARKOV FINN
The letters sound more like they’re from a bored secretary. Having studied their letters I conclude these are not a very close imitation, not at all. That said, to the uninitiated (how many people have read letters by these authors?) they contain the necessary surface information to carry the story onwards. They are fine translations,…
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DSR 5 – CHARACTER RECOGNITION
I’m feeling funny about this now, thought I’d share my thoughts, hope you don’t mind, I have to keep going back to the disclaimer and telling myself I’m responsible as the author, yet, not fully responsible for the output. That’s weird, like I’m under the control of a big new bully boss, I’m not sleeping…
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DSR 4 – AI COMPOSING AI COMPOSING AI
The point I’m getting at here is like a good analyst GPT listens and gives a response that takes you seriously and gives you the benefit of the doubt, that you were truly interested in what you asked, or sincerely invested in your imagination. The gift of this attention, or sense of attention, when GPT…
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DSR 3 – DEEP SCRATCH ARCHITECTURE
Me thinks we’re getting closer to documentary film with the research. I think that the, er, three way relationship between audience, subject and filmmaker is critical. Call you in a bit.
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DSR 1 – DISCLAIMER
The strawberry clouds were setting behind the foreskin mountains, casting a red glow on the glass concrete and plastic city below. Wild poet and programmer, Jake, sat at his desk, surrounded by books and computer screens. He was in the midst of writing his latest work of historical fiction, but something was bothering him. He…
DEEP SCRATCH 