“I have always considered myself a voice of what I believe to be a greater renaissance — the revolt of the soul against the intellect — now beginning in the world,” wrote William Butler Yeats to his mentor, the Irish nationalist John O’Leary, in 1892. Yeats believed that magic was central not only to his art, but to a dawning epoch when spirituality and technology would march together toward an uncertain future. – See more at: http://publicdomainreview.org/2014/03/19/victorian-occultism-and-the-art-of-synesthesia/#sthash.cxAVF4cN.dpuf
Author: flyagaric23
-
Victorian Occultism and the Art of Synesthesia
-

The Dam conspiracy conspiracy conspiracy
The Dam conspiracy conspiracy conspiracy
“what the thinker thinks, the prover proves”—recurring theme in the book Prometheus Rising, by Robert Anton Wilson.
Everything seems connected. Some things seem more interconnected than others. Networks connect. New information travels fast. Novelty powers the meme-space race. Reality, from the whole tribes perspective, maybe only what trends on twitter when the question is asked. Its as if relativity is getting more relative, to paraphrase a saying, while the exponential information explosion ripples ever outward, or inward, pulsing, simultaneously. Pull and push.
Dam Conspiracy everywhere! but which ones are worth the time and effort pursuing, if any? And to what end? Do you really hope to piece it all together, create the one singular, most probable scenario universe to one particular space-time event? Or is this an exorcise in information warfare, defense in the art of ratting out the fake and untruths from the real and true. Good luck with that. Perhaps simply thinking in probabilities takes us much closer to the truth?
In my estimation, the whole purpose of The Illuinatus Trilogy, and the collected works of RAW are to force one to think, to decide for yourself what is real, what is put on, what is mostly put on and a little bit real, and/or mostly real with a little bit of put on. Reality is both what YOU make it, but also how those around you perceive it in the ideaspaces we share. This is not to deny that things happen as we perceive them, that would be falling into solipsism, that I aim to avoid like the void.
“whatever you say it is, it isn’t”—Alfred Korzybski
The conspiracy, in one sense, is that our brains, and our hearts and senses all seem to push toward making meaning and truth, and beauty for that matter, out of the signals we receive. What these signals are, how they came to be what they are, and why we put them into patterns and recognizable forms, symbol systems, pictures, song, remains as much a mystery as proposing what is outside the limits of the inflating universe.
My purpose for writing this is not to put down conspiracy research, or theories, or individuals who propose them, but simply to try and reinforce what RAW says so much better than anybody else I have known, read or heard tales about:“According to Alfred Korzybski, any “idea” or mental state is a brain circuit which the brain itself can contemplate, thereby having an idea about the idea, or a mental state about the mental state, etc. There is no theoretical or real limit to the higher ordering process; it is the “infinity within” of which mystics speak.—Dr Robert Anton Wilson, the metaprogramming circuit, Prometheus Rising, pg. 195.
Alfred Korzybski, should be at the very top of any serious conspiracy researchers list of founding individuals who developed principles and methodology for doing good honest research. At the least this may lead to a kind of probabilistic reasoning, or a system of communicating based upon a wide array o f data.
RAW for instance, crafted complete books of non-fiction abiding by the pretty strict rules of English Prime (E-Prime), or English language with the remove of beingness, or the beingness of isness. A major cause for confusion in Aristotelian either/or reality tunnels: see politics, religion and the music press. I advise any conspiracy researcher worth their weight in paperclips, to delve into E-Prime, for the sake of sanity. Familiarize yourself with disinformation and the ego tripping wizards of what is, often accompanied by the ongoing lyric of ‘I’. The mix of fact and metaphor. The mix of ‘isness’ with ‘I’ ness…running wild into the cage of certainty.“to is, or not to is, maybe NOT a question worth thinking about too long”—Steve fly
Don’t get me wrong, ‘I’ would call myself a conspiracy researcher due to having read most of RAWs output, and I have built my own scheme of things, based on what I have read and heard, seen and intuited in my own life. RAW would probably list Alfred Korzybski, Ezra Pound, Karl Popper, Carl Oglesby, Noam Chomsky and Paul Krassner as some of his top conspiracy theory quality critters. Read them. Search each one at DuckDuckGo.com, or another search engine and see for yourself why these individuals and their ideas are important for us all now, and how they distinguish themselves from the popular sensationalist ‘pop conspiracy boom’ co-opted by the global entertainment market, and questionably extended the reach of the gov-corp disinformation ops themselves. I once met Richard Metzger who started up Disinformation.com, and who was a good friend of RAW, the use of the word disinformation by no means refers to him or the website by that name, Metzger flipped in back in the face of the gov-corp disinfo IMHO.
Let RAW clarify for us, once again:
“Every secret police organization is engaged in both the collection of information and the production of misinformation euphemistically called “disinformation.” That is, you score points in the secret police game both by hoarding signals (information units)—hiding facts from competitors—and by foisting false signals (fake information units) on the other players. This creates the situation I call Optimum SNAFU, in which every player has rational (not neurotic) reasons for suspecting that each and all may be trying to deceive him. As Henry Kissinger is alleged to have said, anybody in Washington who isn’t paranoid must be crazy. Maybe the UFOs really exist objectively—or maybe the whole UFO phenomena is a cover for a secret police disinformation ploy. Maybe there are Black Holes where space and time implode—or maybe Black Holes were invented to befuddle Russian scientists and send them into “the little man who wasn’t there” semantic spookery. Maybe Jimmy Carter really exists—or maybe he is, as National Lampoon once claimed, an actor named Sidney Goldfarb trained to project an attractive down-home “image”. Perhaps only three alpha males at the top of the security pyramid really know the answers to these questions—or perhaps these three are being deceived by certain subordinates, as Lyndon Johnson was deceived about Vietnam by the C.I.A.—Robert Anton Wilson, The SNAFU principle, Prometheus Rising. Pg. 226.
To continue, I suspect one good measure of a characters contribution to humanity could be based on how much, and in what way, they share signals. With particular focus on factual, useful, scientific tools that help benefit all humanity, simplifying the equation, creating a new synthesis, balanced, fair, funny and obviously to the benefit of all. Like a good contract.
I am leading to a critique of the new whistle blower phenomena, and the way in which the information is communicated. When filtered through some of the most balanced sources that I personally like and can get along with, like boingboing.net, the Guardian, The Huffington Post, io9, dangerous minds, etc; still lack the attention to the whole human organism that a character like Amiri Baraka and Alan Moore exhibit. I mean in the special cohesion found in great works of art, often more detailed and obscure, the sense of time when reading a novel vs. a typical blog entry or news item. The urge to fill in the missing information often pulls us toward massive generalizations about our senses, processes sensed and how everything fits together, self, the individual in history, and our moving experience of wakefulness, now.
Each to their own, and give thanks to the wondrous diversity of forms we can get our information, in the age of global Internet. However, I feel a good question concerns the difference between scripture and regular writing? How do we create special writing and communication that celebrate the human traits of humanity, the triumph of the individual over the state, over ideology and the deceptions of perceptions. How to break free from alphabetical chains, categorical cages and get beyond language?
RAW might point us to James Joyce, Marshall Mcluhan, Ernest Fenollosa and Ezra Pound in this respect. All whom dipped a toe to five into the future and dared to propose, and to perform by example a whole new style, a new synthesis, an innovation and condensation of past knowledge and psychological craftsmanship into never before seen language. Language art, the art and crafts of poetry, and the antidote to the infinite conspiracy conspiracy conspiracy regress, IMHO.
James Joyce might be my favorite conspiracy author,the master of connectivity in language. I think that Joyce and Pound, Yeats, and Burroughs stole back the fire from the big bad thief, they stole back the arts of disinformation, the double cross, Orwellian double-speak, and created quintuple agents with missions way beyond anything any Harvard spy professor or Oxford/Cambridge cocka could compete with. Not a chance. And the great Irish poets and writers–to call up a nationality and apply a stereotypical and misleading title for them–stand atop the world in the field of capturing the tragic/comic truth of life, whole. Or, truths in the plural. True enough I like to think. A strong maybe, probably true, like the second law of thermodynamics.
If you choose to follow any of this advice about reading RAW and checking out some of his in depth works concerning the characters I mention above, or not, please go ahead and have some fun with it, write your story, your own conspiracy, pull it apart and build it up again. Do it again. Critique your own strongest arguments. Eventually you may be able to meditate upon such activity before engaging, and save a lot of time and effort which cd. be applied elsewhere, perhaps working toward gaining some agency, or agency on behalf of your local community with which to at the least install protections, possibly some semantic standards with which to weed out disinformation at the root?
In light of the principle that blinkered and limited perception shrinks and limits the universe, we could say that the common jewel of the conspiracy theorists tackle-box–the all powerful, all controlling super Illuminati–makes the biggest fool out of those who shout the loudest. That is, unless the shouting turns to singing, dancing, storytelling, jokes and some good old fun such as RAW and Robert Shea demonstrate in Illuminatus Trilogy! And RAW demonstrates throughout his entire life’s work as a writer, teacher, playwright, scientfic philosopher, and genuinely really nice guy. Read him! Compare this with the monotonous paranoid ravings of those who proclaim to have discovered some universal truth about a highly complex historical event, no jokes, no alternative models, just an advertisement to sell books or other schwag.
“It is what it is”—James Brown
“Nothing is”—Sun Ra
–Steve fly
Amsterdam, 26/3/14 -
Nappy Muvers Dei 2014
Nappy Muvers Dei 2014
(Especially for my own mother Adelaide (Della) and for all mothers living and past.)Mother earth defines you well. The longest rivers and largest mountains get to the heart of you. Mother of all mothers who I gargled my very first sounds for. Mum, the first imprint that put me together, the garden of mum I grow in, the rich soil and the vast sky and fresh life water that made me real, in the flesh and in the mind, i think. Cheers for that.For the countless thousands of hours spent tolerating my little bossy boots stomping about your house like a screaming demon, I am sincerely indebted. For my territorial pissing and poop markings, and for my emotional terrorism around the terrible twos, I commend you on not making that my career: metaphorically pissing and/or shitting on people. Thanks for not returning my many declarations of war made against you, like Lao Tzu, you kept the peace and did not fall for my infant black-mail and emotional hijacking operations. Smarter than an eye for an eye.By demonstrating your infinite compassion for me you win every vote and always come up top trumps. In a ruff and tuff’ world i imagine that unsaddled sympathy cuts through the bullshit and gets to the very heart of the matter. Mother, the great reasoning, the oral tradition, all languages and tongues of the mother, and in you, my mother. A listening ear and a improvisational skill at speaking to me in her special way, her own way, each word full of sincerity, burning like good poetry into the symbol processor, into my brain. Mind meets first word at the mothers mouth, usually love, baby, oh, ‘ouchi-ku’ etc. I respect you for leaving enough space in my life to re-knit the semantics and the symbols together, or bind the meaning, and the symbols together.Furthermore, to me you reflect the open source ideal of generally matrist traits in society, open, and so opposed to the current centralized closed authority crazed, war-mad, patrist traits in contemporary society, really, you do. And this is all credit to Dad too of course too, for not over-riding your advice to me and your own ways of dealing, simply based upon his male strength. The open society is where freedom and individual rights are cherished, and where powers of authority and government are limited to protect against greedy super-powerful states shitting on everybody with bombs, soft-drinks and celebrity brainwashing. This idea reflects your tolerance of my own social explorations and your balanced mixture of good advice with allowing for a large amount of freedom to go and more or less do what I liked, when I had demonstrated that I could survive out there without you and dad. You were always kind and sweet to friends and girl friends I invited into your house, you never put me on a guilt trip concerning sex. Similar to a generally matrist society at large, sex is treated openly and without taboo. A mothers mother knows how the circle of life works intimately, as Paul Krassner once put it: fuck socialism.What man can know what it must be like to be a mother and see her child grow into a young adult, often reverting back to infantile tactics and strategies but now deployed from a much larger body and a louder voice? Mother encourages conversation and communication, river flows free. Talking about it can work it out, she says, this reflects the motherly oral tradition, opposed to writing things down into lists and fixing ideas onto a page in alphabetical and grammatical cages, but instead speaking them, playing with the speech and finding a way to express it in the moment. Keeping your wits about you, as she would say. Still, here I fixed this writing up for your contemplation and enjoyment on mothers day. It is just as relevant tomorrow and any other day mind you.I am ever grateful to you for turning me onto the wonders of science and astronomy at an early age, kicking off my fascination with mystery, the unknown universe and questions like ‘where did we come from?, together with a loose Darwinian model wrapped up in your own special way of putting it, often landing splatt in the face of God. Way to go mum. Yeah, your love seems far greater than that of any God or mystical entity invoked from old dusty scripture. Thank the soul of Elvis and the Beatles for showing God the door in a way that maybe Nietzsche might have enjoyed, leading us into mums kitchen for a cup of tea, and then off into a Hawking universe. Like mount Snowdon or like the great river Severn, the water and the air and the earth, you are everywhere at he root of all the good stuff, the life cycle, the life affirming principle, the chaos.I see a connection between you and the positive stereotype of the compassionate mother figure in the way you reason with altered states of consciousness. You broke away from the pervasive thinking of your generation which states that altered states are bad, anti-social and lead to criminal behavior unless they are sanctioned by the government, like alcohol, tobacco and sugar. For a non-cannabis user to come around to a tolerant and liberal attitude towards it seems like a great achievement and exemplary stance. And not just your own son but all people who choose to alter their consciousness in any which way they please, as long as they do not interfere and do harm to others. Many so called highly educated and intelligent people do not hold this compassionate view and show no sympathy for anybody who does not abide by the laws, teachings and doctrine they believe to be true, and not just regarding altered states of consciousness but alterations of anything and everything in society.Mothers are generally friendly to mutation, no matter what you may turn into, a mother knows intuitively it will be a temporary trend and what lies underneath the cultural clothing we dress ourselves in: the naked vulnerable and impressionable baby ape.So the term mother probably best sums up everything really, if it came down to just one word, which it rarely does. The ultimate holistic entity, more omnipotent than God, the mama matrix most mysterious contains the reproductive fertility magic of recursion, of recycling magic that make nourishment and life out of nothingness. You really are my everything. Mwah, that’s a kiss x
Nappy muvers dei, steve -
Cosmic Trigger Stage Play. Links, News, Details
Hi,
The Cosmic Trigger Stage Play is best described at the website, please visit and get involved. I did, and i am. Hope to see you.
From the website:
The Discordians Are Coming
In 1976 Ken Campbell staged Illuminatus in Liverpool. This production and the novel that it was based on irrevocably changed the lives of all who were involved, both performers and audiences, and wound up opening The Cottesloe at the National Theatre.
Conceived backstage by Ken and The Goddess of Chaos and Confusion, Daisy Campbell now proposes to re-invoke that mythic production, but this time telling the story that surrounds Illuminatus: the extraordinary life and times of its co-author, Robert Anton Wilson as the central thrust; the unstoppable force that was Ken Campbell; and some key scenes from Illuminatus woven through. As Ken would say, “this is an enthusiasts’ production”.
There have been a number of blog posts and news items about the play, plus the usual facebook page shenanigans. Take a look, it seems to be taking off….
Steve fly
-
Fungal Economics (2007) by Fly Agaric 23
Fungal Economics
branching words and
money walkthe shit into our future
your words
our words and their
words of air-sound-sutrawhy is money and
how did it get all stinky
who issues it and how?
a coin for a cow
paper for gold
our money their money
overnightwho has the magic wands
the words and the rite
disorder of things and stuff
multi-ordinal terms fed to
herds like worms to morning
birdscredit/debit digit edit
where is the source
the root and sacred well
spring of your knowledge
our nohledge and their
scholedge
who issues shitand how holy dung
holy chao
money exchanged
for words language and
economics co-ming-linghoney does not grow on trees
the bees bring it to each
branch
the river bank connect
with moon goddess via
the rising and falling water
levelsmake every river bank
a bank you can trust
and the fungi
facts decompose rotten
money theorya natural fungi force
consumes carbon dioxide
and releases carbon
monoxidelike wise a new natural
economic order willstart with fungi
and mycelium as the
fiscal roots and financial
fibers that in the buginning
fedall the money by
the process of decomposing
using smart drugs
depreciating truffle skinsthe truly regenerative and
maximum interests inherent in the
fungal feeding
of the planetary and
inter-planetary bio-sphere
make most but not all forms
of banking and international
financial doings on this planet
seem deceptiveat best and damned sadistic
and apocalyptic at worst
new webworking tools
help to communicate more
scientifically how and
why mycelium networks
have spread into earths biospherein turn the field of fungal
economics seems less
of a joke to me
and more of a biological
fact observable in naturefor fly this fungal
economic reorder fits with
the animal and plant kingdom
and the propensity for doing more
with lessand maximizing information
output to the benefit of all
no dropping carcass seed
or shell left behind not
even zero is wastedthe whole biological spaceship
earth recycles energy freely
between species and
kingdoms of living systemssome very influential humans
on the other hand seem to
have a propensity for hoarding
life support
in all its formsfor a few chosen people
or a few International syndicates
at the expense of the many
–the Majority of humanity on
planet earthwho issues it and how
what is money and how did
it get that way, to paraphrase Ezthe fungal metaphor
maybe the most eloquent
and beautiful metaphor to
employ in 2008pitched against unrestricted
global capitalism driven
by private interest and
crooked double crossed
intelligence tsarsdepreciating currency
imitates the fungal process of
breaking down biological matter
making more room at the
bottom by recyclingtransform and keep the process
moving along
if you stay in one place too
long with your savingschemical compound interest
you will rot at the bottom of the pile
without jumping into a new
state of energyby the magic transform process
see transbutation
holy communion and
the u.s fed bank of englandthe deception and trickery
of the global banking
fraud-gamer community
is also mimickedon a global scale within
fungal communities
in fact mushroom myceilium
germinate those very orchids
that so many banksters
are infatuated witheven penicillin and all its
synthesized relatives
are fungal entities
claimed patented and
exploited by global pharmo
corporationsthe dream-drug in its
penicillin incarnation
fungal intelligence
has already penetrated the
money mazenot to mention all the
other medical applications
and drugs synthesized
from mushrooms and/or
fungal bacteriumbut the poet with mould-money
and mushrooms spilling
from his mouth does not stop
heremushrooms and fungus
metaphors deployed to
synergize human
financial intelligencejust the sprouting tip
of a swarming underground
body of evidencesometimes sprout a fruiting
bodyblog and spilling
billions of its viral meme
spores into earths atmosphere
every second of every day
for a billion years to comeonce the poet has sharpened
his gaze and the haze of terrestrial
primate politics and economics
has vanished in the mazewe can begin to revision
our future past present perfect
days all-at-oncean enpsychlopedia Fungi
galactica a languaging entity
a self-replicating fungal blogject
spore of the wordsmoney and wind and
seeds and stars all-at-once–fly agaric 23.
Amsterdam.Footsauce:
Giles Chase: Shanigums Wave, Oillyseas, Publiners, A Sculpture of the Banker as an old man, Excommunicated and the albums Ballads and Strange Folk. Epiphenome’. Faben & Faben.
Ira Pod: The Dantales, ABS of Revolutions, 17 Stereotypes of Damnbiguation. Videoglyphic method. History is not a dream from which I am trying to awake. No Direction Press.
Martin McLure: The Gutterverb Autopsy, Misunderstanding Money, The road to Shennanigums Wave
James Shermon: Mystical doctrine of sports and greedy behavior
Nesta Venossa: The Wildstyle Grafitti Character as a Medium for Math.
J. Nathan Shaft: Skully Von’s Travels.
Sonny Cob Laughlin: Blooming Magnus Trilogy, Neuro-Trigger, Flasks of the really hot tea, The Windows Sunshine, BOG: Bogus Occupation Government, Quantum Theology,
Ali Fowley: The Book of flies, The book of the wall, poetry without tears, 111 and other writings.
Jacky Muller: Nine Joints to the moon, Operating manual for Shennanigums Wave, Sin-Energy-Zetitics, On the Path, Planet Terry Sociology.
Carson Wools: Citizen Murdoch, War of the Words, McGriff, C For Cake, Touch of Usury.
Manfred Humanski: Religion and Insanity, General Pendantics, X’tenshun Method.–Steve Fly Agaric 23
Amsterdam.
Thursday, July 17, 2008/Saturday 11th January, 2014 -
Ernest Fenollosa 2014 and TTOTT
“Ezra Pound was no starnger to Oriental art when he met Mary McNeil Fenollosa, the widow of the American Orientalist Ernest Fenollosa (1853-1908), in London in late September 1913.”–Zhaoming Qian, Orientalism and Modernism (1994) pg. 9.
Fenollosa 2014 and TTOTT
by Steve Fly
“Fenollosa [1853-1908], wrote an essay on
“The Chinese WrittenCharacter as a Medium for Poetry” which vastly influenced
Ezra Pound and, through Pound, modern poetry generally;
said essay also anticipates some formulations of General Semantics
and NeuroLinguistic Programming [NLP], and foreshadows
modern critiques of “linear” and “alphabetical” thinking. –Robert Anton Wilson, Recorsi 2005.Ernest Fenollosa (1853-1908) found a place in the chain of human innovation, and the lineage of modernism as defined by Dr Robert Anton Wilson in his unfinished project called ‘the tale of the tribe’. Please read some of my others posts trying to get at TTOTT and what it all means to me.
Fly On The Tale Of The Tribe: A Rollercoaster Ride With Robert Anton Wilson
by Steven James Pratt
Link: http://a.co/gOGNKyV
-
Make it NEW
http://www.loa.org/excerpts/pound/sieburth.jsp
Introduction“The artist is always beginning,” Ezra Pound once wrote. “Any work of art which is not a beginning, an invention, a discovery is of little worth. The very name Troubadour means a ‘finder,’ one who discovers.” Readers of Poems and Translations will be able to follow, for the first time in a single volume, a poet whose career moves through a series of beginnings and re-beginnings—perhaps Pound’s most distinctively American trait.
In his first published book of poems, A Lume Spento, the Pound of 1908 is still very much a late nineteenth-century poet, steeped in the archaisms of the Pre-Raphaelites. A mere four years later, in Ripostes, he has reinvented himself as a modernist proponent of “Imagism,” before moving on, in rapid succession, to the avant-garde aesthetics of Vorticism and translations from the Chinese (Cathay), the Japanese (“Noh” or Accomplishment), the Provençal (Arnaut Daniel), and the Latin (“Homage to Sextus Propertius”). Each of these forays into new identities and new languages constituted, as Pound himself explained, a “search for oneself,” which entailed “casting off complete masks of the self in each poem.”
The title Pound chose for the first comprehensive collection of his shorter poems in 1926 was, significantly, Personae—Latin for “masks.” Whether writing in the form of Browningesque dramatic monologues, medieval canzoni, satirical epigrams, Confucian analects, or Sophoclean tragic choruses, Pound in his poems presents us with a medley of masks whose multiple and contradictory features helped shape the face of American poetry in the 20th century.
In his dedication of The Waste Land, T. S. Eliot paid homage to Ezra Pound as “il miglior fabbro”—that is, “the better craftsman”—Dante’s term for the Troubadour poet Arnaut Daniel. Pound remains a vital ancestral presence in the lineage of American modernist and post-modernist poetry. The list of his descendants includes not only William Carlos Williams, Marianne Moore, Louis Zukofsky, George Oppen, and Charles Olson, but also the Beats and, more recently, the Language Poets—all of whom in their own fashion learned their craft from his work while observing his central imperative: “Make it new.”
—Richard Sieburth -
Fenollosa Pound Olson and the Chinese written character
“The first was Ernest Fenollosa’s provocative essay ‘The Chinese Wriiten Character as a Medium for Poetry.’ He found the Pound-edited text of the essay in the latter’s book Instigations and excitedly copied out its main arguments into his notebook that June. Fenollosa’s account of the exhaustion of poetic qualities in modern discourse resulting from a degeneration of the original capacity of language to mime the physical processes, and his implicit advocacy of a return to the state of primal verbal immediacy, with words once again becoming instrumental to the creation of ‘a vivid shorthand picture of the operations of nature,’ held for Olson the same appeal it had for Pound before him.–Tom Clark, Charles Olson: The Allegory of a Poet’s Life. pg. 103.





