Category: Album

  • BRD – GARAJ MAHAL

    BRD – GARAJ MAHAL

    BRD:

    ​⁨BRD Written by Fareed Haque. @GarajMahalMusic⁩ is: ⁨@FareedHaqueMusic⁩, Kai Eckhardt, Oz Ezzeldin, Hassan Hurd. Video content generated using Gemini Veo. The creator intends to plant a tree for each full video and encourages anybody who enjoys this video to go support a local artist, or plant a tree, or both! Visit http://www.garajmahal.us and Patreon.com/stevefly

  • garaj mahal – Doin It again

    garaj mahal – Doin It again

    @GarajMahalMusic⁩ is: ⁨@FareedHaqueMusic⁩ , Kai Eckhardt, Oz Ozzeldin, Hassan Hurd. Video content generated using Gemini Veo. The creator intends to plant a tree for each full video and encourages anybody who enjoys this video to go support a local artist, or plant a tree, or both! Visit http://www.garajmahal.us and Patreon.com/stevefly

  • SOME RULES – GARAJ MAHAL

    SOME RULES – GARAJ MAHAL

    Some Rules by Kai Eckhardt featuring Cautious Clay and Angelo Moore from Garaj Mahal album ‘ROTIFER’

    (Also with a lil’ fly action x)

  • MMXXV new year message

    MMXXV new year message

    Happy New Yeah I’ll Write Then…

    Dedicated to those who didn’t make it through the brutal 2024, and those who may feel forgotten, left behind or overlooked. The world is a better place with you in it, innit, just don’t get any big ideas, like saving the planet, okay. Phew, it’s a lot, innit, and only increasing as each year rolls by, the older you get the more you have to process, and balance the exponential reality check-book. Selective memory and the swiftly forgotten as a survival measure. You are that which remains, I am that which remains, so here we remain the remains of the day. 

    Here some past present future tensions stretched and shrunk to fit the purpose. Stuff I think about, in review, inner and outer, subjective and attempted objective, half full and half empty looking glass. Hopes and fears, everybody does it. Short term nostalgia trip and honest scribble for any readers who got this far.

    What was real in 2024? I ask of myself and the outsiders. What is true or true enough to get some group of believers or other, on board with the bare cult minimum of effort. New loops lie ahead on history’s rollercoaster, only just finished and designed by a drunken lunatic, and we’re zooming upside down and around, some well strapped in, some with hands in the air, some standing as we go over the top and around the bend. 

    The challenge to keep one’s head, while seemingly others lose theirs to some ideology or other, some big dada or saviour, some scam, yet it’s all many have. A rude and crass “i told you so” or “you’re very wrong” does not help, the result is the same. Creeping insanity, don’t call it genocide, the feeling that you’re the only one who thinks this or that way, locked off, isolated in a world of self doubt and a lack of confidence, well shit, pick up that pen, that brush, that instrument, that rhyme, get it down and out. Now. 

    Write, draw, play, speak, now’s the time. It’s for your own good, don’t expect fame or fortunes, go for sanity and therapy. Order, chaos, complexity, disorder, in various ratios, plus harmony, sense, knowledge, understanding, try to figure it out for yourself first. Test it. Take it easy, the world is not all your problem. Start small, be thankful for what you’ve got, try to make it make sense. Be the altruism and benevolence you wish to see in the world. Yes, these are positive reinforcement messages from my toilet wall. 

    And try to remember, after covid, 80% of incumbent candidates, those currently in office, lost in 2024 elections, worldwide. Change, in a political sense, swept across the chess board like a powerful haunting super fart, turning over unprepared governments like bowling pins, upsetting apple carts and causing distress to many rational thinking people. Populism, powered by collective post-covid, post-truth psychosis, rears its ugly head, in the spirit of vulture capitalism, or disaster capitalism, these ravenous birds of prey snatch away the hungry, disenfranchised, vulnerable and angry into their clutches. Bejewelled birds of prey, covered in priceless diamond rings, rubies and emeralds, the richest birds paid up by the richest apex predator: Musk. 2024 is his year, the year of the Musk man, emotionally derelict, money talks and bullshit walks all over what tatters of the constitution remain after the feeding frenzy by sharks and hyenas, lawyers and crooked supreme justices over decades. And the climate and the climate. Wars and war, arms and arms. Don”t call it genocide, follow the rules of war, arms sales but fly no flags. Arms race, race race. Too many still profit from disaster, from disaster too many turn away. Union strong, truth and honesty strong, small is beautiful, stronger together in 2025. Deeee escalate. What of the tribe and the tale of 2024, the tech fash bros and lurch toward theocracy, a second coming closer, a fake saviour, devil in tanned disguise, as Elvis said. 

    Yet, here we are. So, what’s next you lot? What text, image, sound, video, real, fake, co-created or hallucinated? What what what. Our new duty, or one of em’, is to cohere, to pull it all together into digestible chunks of a bloody big healthy cake, a slice of bitter sweet 2024, on the flipper side there’s Crypto Fash Hyper Crime Family Strokes, or some such new U.S sitcom. United States drama mind creep, season two of the worst unreality TV show ever. Trump, the convicted felon and adjudicated rapist in chief. What now my cuddlies, what now? Well, let the suicide squad enter a hate induced coma. 

    Continue as you were, poet, artist, philosopher, wit, romantic. Forget about the chicken hawk show, conceive of a kind of Buddhist reality construct, where all human beings are like equally coming Buddhas, full compassion for all sentient beings, including them, they, the Trumpers and worse. It’s inside us all somewhere, maybe misplaced or misidentified, the love is there. One way forward, truly, but not so popular in a rage and rant world, is forgiveness, albeit, coated in L.S.D. Love harder and deeper, more broadly. Keep a grip of yourself. Hold onto others tight. Thou shall not kill or swindle others out of their neurons. More self help slogans for your uncle’s garage wall.

    2025 will be a year of pulling away from social media and unpublishing some work, closing accounts and encouraging others to do the same. The time and energy saved will, with luck, funnel into alternate avenues to reach people based on analogue media. Art, craft, performance, workshops, hanging out.

    The AI is not to be feared or rejected, we must organize and use every means at our disposal to build that better world of abundance for all, attained without lies, violence and threats. Continue the work and don’t expect any recognition or thanks because such expectations may cause you to want to quit. Never give up. Work on kindness and sharing, tolerance and spreading love, there’s enough people already working on the opposites to these virtues. 

    Sincerely wishing you all a piece of peace pie, success, health, healing, learning, giggles and clarity in 2025. 

    www.deepscratch.net

  • FLAI

    FLAI

    Some fly audio escapades back from a deep scratch generative DJ future past.

    https://stevefly.bandcamp.com/album/flai

  • DEEP SCRATCH REMIX

    DEEP SCRATCH REMIX

    This album is a part of the soundtrack to Deep Scratch Remix (The Book). These tracks have been gathering moss over the last six months, recorded in the UK and edited in Amsterdam, 23/3/23.

    Please check the lyrics here, and visit the website, consult the book and enjoy the extra goodies, bonus tracks, video, and alternative artwork. Check back here for weekly updates.

    https://stevefly.bandcamp.com/album/deep-scratch-remix

    Enjoy

    https://stevefly.bandcamp.com/album/deep-scratch-remix

  • Mohawk Reviews

    Mohawk Reviews

    Review In High Times Magazine by Michael Simmons.

    mohawk-review

    Review in Record Collector, April 2014 by Max Bell

    mohawk-review-2

  • Mondo Garaj by Garaj Mahal feat. Fly Agaric 23

    Mondo Garaj by Garaj Mahal feat. Fly Agaric 23

    Mondo Garaj is the debut studio album and fourth album by the jazz/rock/funk/fusion/jam band Garaj Mahal.
    Recorded in late 2000 and early 2001 at In The Pocket Studio in Sonoma County, CA, then subsequently mixed/mastered over 2001 and 2002 at Talcott Mountain Studio in Simsbury, CT, The Plant Studios in Sausalito, CA, Phelps Studios in San Francisco, CA, and Fluffland Studio in San Anselmo, CA, and finally released in 2003 on Harmonized Records as the band’s first studio effort (after three live discs), Mondo Garaj captures Garaj Mahal in its relative infancy. Keyboardist Eric Levy had recently joined, and although he’s prominent on these songs, his contributions have grown considerably since. In fact, only two songs from this album appeared on any of the subsequent live discs. But with musicians of the caliber and experience of bassist Kai Eckhardt, drummer Alan Hertz, and Fareed Haque on guitars, there is nothing tentative about this recording. 
    Sounding like a combination of Return to Forever and the Mahavishnu Orchestra in their ’70s heyday, Garaj’s jazz-rock fusion requires chops and innovation to stay interesting and avoid aimless noodling. They succeed, and even though the primarily instrumental cuts average seven minutes each, they never become repetitious or overstay their welcome. All four musicians are extraordinarily talented, but each adds his own instrumental prowess without hogging the spotlight. 
    Not surprisingly, Haque’s guitar, especially his “sitar guitar,” takes center stage and infuses an East Indian feel to songs like “Beware My Ethnic Heart.” But he leaves plenty of solo space for Levy, whose fleet-fingered synthesizer work — reminiscent of Jan Hammer — trades licks with speed and precision on the opening funky workout “Mondo Garaj.” Michael Kang (musician) of The String Cheese Incident is featured as are DJ Fly Agaric 23 and DJ Roto (a.k.a. musician/journalist James Rotondi) who add turntable scratching, loops, and samples to keep the sound contemporary, but this is really a showcase for the jaw-dropping talents of the four band members. 
    The band gels on all the tracks, but shows what it can do on “Hindi Gumbo,” which features Haque’s acoustic sitar/guitar solo. Nothing takes the place of seeing the band pull this off live, but Mondo Garaj provides a snapshot of how these four gifted individuals — each of whom could be a band leader in his own right — combine into a fine-tuned unit.

    Track listing[edit]

    • Mondo Garaj (Eckhardt) – 5:33
    • Hindi Gumbo (Haque) – 5:31
    • Be Dope (Hertz, Levy) – 6:11
    • Junct (Haque) – 6:22
    • Poodle Factory (Hertz) – 3:51
    • The Big Smack Down (Eckhardt) – 0:35
    • New Meeting (Hertz) – 8:04
    • Beware My Ethnic Heart (Haque) – 9:11
    • Madagascar (Hertz, Levy) – 5:21
    • Gulam Sabri (Haque) – 7:47
    • Bajo (Hertz) – 7:07
    • Milk Carton Blues (Levy) – 3:06

    Personnel[edit]

    Musical[edit]

    • Fareed Haque – Guitar, Guitar (Electric), Guitar (Steel), Sitar (Electric)
    • Alan Hertz – Drums, Art Direction, Mixing, Photography, Cover Photo, Roland Synthesizer
    • Eric Levy – Keyboards, Organ (Hammond), Clavinet, Fender Rhodes, Mini Moog, Oberheim OB8, Prophet 5, Sequential Circuits
    • Kai Eckhardt – Bass
    • Michael Kang – Fiddle, Mandolin
    • DJ Fly – Agaric 23 Turntables
    • DJ Roto – Turntables, Sampling, Effects

    Technical[edit]

    • Garaj Mahal – Arranger, Producer, Art Direction, Mixing
    • Christian Weyers – Producer, Executive Producer
    • Toni Fishman – Executive Producer
    • Justin Phelps – Engineer
    • John Cuniberti – Mastering Engineer
    • Jason Andrew – Assistant Engineer
    • Mark Fassler – Assistant Engineer
    • Theresa Reed – Photography
    • David “Hot Rod” Shuman – Mixing Assistant