Category: Album

  • The Lost Rodeo

    The Lost Rodeo

    The Trump Chronicles by John Sinclair

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    The Lost Rodeo

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    Taken from the previously unreleased…forthcoming album: The Trump Chronicles by John Sinclair And Tom Worrell.

    “…an obscure recording project that Tom Worrell and I did in New Orleans a few years ago, sponsored by our pal Frenchy but never released, which involves a small set of poems composed by Worrell, recited by myself, and recorded with Tom on piano and assorted helpers in a little studio off of Oak Street.
    It’s called The Trump Chronicles and in my estimation it’s a brilliant set of satirical works in twisted rhyme schemes that skewer and roast the guy I call Resident Rump.
    –John Sinclair, Detroit (November 2023)

    www.tomworrell.com
    radiofreeamsterdam.org
    thejohnsinclairfoundation.org


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    credits

    from The Trump Chronicles, releases December 10, 2026
    Written by Tom Worrell
    Recited by John Sinclair
    Produced by Tom Worrell
    Executive Producers: Tom Worrell, Frenchy And Steve “Fly” Pratt
    JSFR-38

  • With John Sinclair And A Wall Of Legendary Guitarists

    With John Sinclair And A Wall Of Legendary Guitarists

    Jumping from an article in the Detroit Metro Times, about The Damned performing in Detroit, I was reminded of the session with Brian James, March 11th 2011 at Kingston College. The John Sinclair Beatnik Youth session.

    It was unforgettable and overwhelming, the sound, the characters around. The detailed liner notes of the CD listed all those on the session, and includes an extensive contribution by Mick Farren. My google search returned the usual AI summary, and I continued to “ask more questions”. The results below are accurate to my understanding, but then again, my remembrandts r’ a bit fuzzy.

    The rather simplistic, straight ahead facts about the session and musicians and tracks get it down. I’m reminded how I’ll never get to play on a live session like that again! Not least because Brian James and Keith Levene and Mick Farren and George Butler and Howard Marks and John Sinclair are no longer around, but…their recorded music and words and inspiration live with us, through us and all about us. If you don’t know find out. Testify!

    There’s still a lot of other musicians and contributors to Beatnik Youth who are not mentioned below, such as the drummer George Butler (who I had to nervously follow) and Howard Marks. Jesse Wood is also on the album! Holy smokes. What a band.

    To hear what it’s all about, or support visit:
    https://johnsinclair.bandcamp.com/album/beatnik-youth-2

    All Love, Steve Fly



    “The creation of Beatnik Youth was split into two worlds: a legendary live “wall of guitars” session, and a long post-production layering process done by producer Youth and engineer Michael Rendall, who integrated external guest samples and studio tracking. [1, 2, 3]

    The comprehensive list of musicians involved in the album is divided by their location of contribution: [1, 2]

    🏫 The Kingston College of Music Session (Live Tracking)

    These musicians gathered in person on March 1, 2011, to lay down the massive, live improvised grooves that formed the instrumental foundation for tracks like “Brilliant Corners”, and “Sitarrtha”. [1, 2]

    • Brian James (Guitar – The Damned / Lords of the New Church)
    • Keith Levene (Guitar – The Clash / Public Image Ltd)
    • Alan Clayton (Guitar & Vocals – The Dirty Strangers)
    • James Sedwards (Guitar – Nøught / Thurston Moore Group)
    • Steve Fly (Drums / Project Management) [1, 2]

    🎛️ Post-Production & Studio Additions (Not at Kingston College)

    These artists contributed either by having their work sampled and re-contextualized by Youth (often pulling from overlapping studio sessions), or by tracking their vocals/instruments directly at Youth’s private home studio: [1, 2]

    Jesse Wood – Guitar.

    Youth (Martin Glover) – Played bass on all tracks, programmed electronic layers, and acted as the main producer.

    Michael Rendall – Keyboards, synthesizers, and engineering.

    Bobby Gillespie – Lead vocals/guest vocals on “Culture-Cide” (pulled in from Primal Scream sessions).

    Primal Scream – Provided programming and instrumentation for “Culture-Cide”.

    The View – The Scottish indie rock band provided the prominent backing chorus hook on “Culture-Cide”.

    Howard Marks – Spoken word vocals on “War On Drugs” and “Culture-Cide”.

    Zodiac Mindwarp (Mark Manning) – Guest vocals.

    Mark Stewart – Guest vocals (The Pop Group).

    Robb Spragg (Larry Love) – Vocals on “Culture-Cide” (from Alabama 3).

    Angie Brown – Insidious soul choruses and backing vocals.


    drummer Steve Fly (Steven James Pratt) recorded his primary contributions during the March 1, 2011 session at Kingston College of Music. He served as a main drummer, project manager, and executive producer for the Beatnik Youth project. [1, 2]

    He plays drums on the following tracks:

    • “Brilliant Corners”
    • “Change My Life”
    • “Sitarrtha” (where he uses dampened sticks on the toms)
    • “Red Dress (Ruby My Dear)” (where he provides a softer, ambient jazz texture using brushes) [1, 2]
    Beatnik Youth by John Sinclair

  • Box Of Monk

    Box Of Monk

    Box Of Monk by Steve Fly

    This album is my tribute to John Sinclair and the music of Thelonious Monk, in the most innovative way I see fit. Every sound you hear originates with my voice, humming, beatboxing, live into a microphone. With the added sources of uncle Tim in the Amsterdam studio, I fixed up these mixes or blends of the live voice takes and the Uncle Tim experiments.

    The Book Of Monk Continued….

    John Sinclair wore many fine hats, one of which was the beret of the investigative jazz poet. His 40 year tribute to the life and work of Thelonious Monk, always know: a book of monk, focuses on his deep self confessed ‘obsession with completeness’ his nutty aim to write a poem for every Monk composition. I suggest the continuation of what he started, as a tribute to John and to Monk.
    I’m instigating a new series of collaborative productions in music and verse, laying groundwork and formulating a plan to complete what John started.
    Box Of Monk is the shared beginnings of my process of building a bed of music and poetry. Stay tuned for more uploads to this album and The Book Of Monk Continued…project.

    Make it new. All love.

    –Steve Fly Agaric 23
    21/06/26

    Writing about music is like dancing about architecture”―Thelonious Monk

    Picking up the joint and running with it, I’ve boldly produced 10 poems, interpretations and a tribute to the investigative jazz poetry of John Sinclair. Seeking to sound unique enough to warrant a serious tribute to innovation and making it new, yet familiar to those who knew John and appreciated his incalculable impact on modern American culture, poetry and activism.
    The songs are performance by example, demonstrable appreciation for the artform and for John and for Monk. These songs are also meant to be a calling to the others who may put one or two poems together themselves and imagine what the Book Of Monk project is all about and begin a new exploration.

    Dedications and special thanks to: Celia Sinclair / Ed Sanders / Leslie Lopez / Leni Sinclair / Larry Hayden / David Amram / Frenchy / Peter N Nevraumont / Kai Eckhardt / T.S Monk / Tom Worrell / Peter King / M.L Liebler / Carey Loren / Mark Sampson / Youth / Adam Brook / R.J / Jeff Grande / Jair Rohm and friends worldwide.

    Edited, Mixed and Arranged by Steve The Fly 10/10/26. Turntables, piano, vocals, and beatbox by Steve The Fly. FX engineered by Uncle Tim. 2026 

    credits

    released June 20, 2026

    All music by Steve Fly. Mixed by Uncle Tim 2026.

    https://stevefly.bandcamp.com/album/box-of-monk

  • BRD – GARAJ MAHAL

    BRD – GARAJ MAHAL

    BRD:

    ​⁨BRD Written by Fareed Haque. @GarajMahalMusic⁩ is: ⁨@FareedHaqueMusic⁩, Kai Eckhardt, Oz Ezzeldin, Hassan Hurd. Video content generated using Gemini Veo. The creator intends to plant a tree for each full video and encourages anybody who enjoys this video to go support a local artist, or plant a tree, or both! Visit http://www.garajmahal.us and Patreon.com/stevefly

  • garaj mahal – Doin It again

    garaj mahal – Doin It again

    @GarajMahalMusic⁩ is: ⁨@FareedHaqueMusic⁩ , Kai Eckhardt, Oz Ozzeldin, Hassan Hurd. Video content generated using Gemini Veo. The creator intends to plant a tree for each full video and encourages anybody who enjoys this video to go support a local artist, or plant a tree, or both! Visit http://www.garajmahal.us and Patreon.com/stevefly

  • SOME RULES – GARAJ MAHAL

    SOME RULES – GARAJ MAHAL

    Some Rules by Kai Eckhardt featuring Cautious Clay and Angelo Moore from Garaj Mahal album ‘ROTIFER’

    (Also with a lil’ fly action x)

  • MMXXV new year message

    MMXXV new year message

    Happy New Yeah I’ll Write Then…

    Dedicated to those who didn’t make it through the brutal 2024, and those who may feel forgotten, left behind or overlooked. The world is a better place with you in it, innit, just don’t get any big ideas, like saving the planet, okay. Phew, it’s a lot, innit, and only increasing as each year rolls by, the older you get the more you have to process, and balance the exponential reality check-book. Selective memory and the swiftly forgotten as a survival measure. You are that which remains, I am that which remains, so here we remain the remains of the day. 

    Here some past present future tensions stretched and shrunk to fit the purpose. Stuff I think about, in review, inner and outer, subjective and attempted objective, half full and half empty looking glass. Hopes and fears, everybody does it. Short term nostalgia trip and honest scribble for any readers who got this far.

    What was real in 2024? I ask of myself and the outsiders. What is true or true enough to get some group of believers or other, on board with the bare cult minimum of effort. New loops lie ahead on history’s rollercoaster, only just finished and designed by a drunken lunatic, and we’re zooming upside down and around, some well strapped in, some with hands in the air, some standing as we go over the top and around the bend. 

    The challenge to keep one’s head, while seemingly others lose theirs to some ideology or other, some big dada or saviour, some scam, yet it’s all many have. A rude and crass “i told you so” or “you’re very wrong” does not help, the result is the same. Creeping insanity, don’t call it genocide, the feeling that you’re the only one who thinks this or that way, locked off, isolated in a world of self doubt and a lack of confidence, well shit, pick up that pen, that brush, that instrument, that rhyme, get it down and out. Now. 

    Write, draw, play, speak, now’s the time. It’s for your own good, don’t expect fame or fortunes, go for sanity and therapy. Order, chaos, complexity, disorder, in various ratios, plus harmony, sense, knowledge, understanding, try to figure it out for yourself first. Test it. Take it easy, the world is not all your problem. Start small, be thankful for what you’ve got, try to make it make sense. Be the altruism and benevolence you wish to see in the world. Yes, these are positive reinforcement messages from my toilet wall. 

    And try to remember, after covid, 80% of incumbent candidates, those currently in office, lost in 2024 elections, worldwide. Change, in a political sense, swept across the chess board like a powerful haunting super fart, turning over unprepared governments like bowling pins, upsetting apple carts and causing distress to many rational thinking people. Populism, powered by collective post-covid, post-truth psychosis, rears its ugly head, in the spirit of vulture capitalism, or disaster capitalism, these ravenous birds of prey snatch away the hungry, disenfranchised, vulnerable and angry into their clutches. Bejewelled birds of prey, covered in priceless diamond rings, rubies and emeralds, the richest birds paid up by the richest apex predator: Musk. 2024 is his year, the year of the Musk man, emotionally derelict, money talks and bullshit walks all over what tatters of the constitution remain after the feeding frenzy by sharks and hyenas, lawyers and crooked supreme justices over decades. And the climate and the climate. Wars and war, arms and arms. Don”t call it genocide, follow the rules of war, arms sales but fly no flags. Arms race, race race. Too many still profit from disaster, from disaster too many turn away. Union strong, truth and honesty strong, small is beautiful, stronger together in 2025. Deeee escalate. What of the tribe and the tale of 2024, the tech fash bros and lurch toward theocracy, a second coming closer, a fake saviour, devil in tanned disguise, as Elvis said. 

    Yet, here we are. So, what’s next you lot? What text, image, sound, video, real, fake, co-created or hallucinated? What what what. Our new duty, or one of em’, is to cohere, to pull it all together into digestible chunks of a bloody big healthy cake, a slice of bitter sweet 2024, on the flipper side there’s Crypto Fash Hyper Crime Family Strokes, or some such new U.S sitcom. United States drama mind creep, season two of the worst unreality TV show ever. Trump, the convicted felon and adjudicated rapist in chief. What now my cuddlies, what now? Well, let the suicide squad enter a hate induced coma. 

    Continue as you were, poet, artist, philosopher, wit, romantic. Forget about the chicken hawk show, conceive of a kind of Buddhist reality construct, where all human beings are like equally coming Buddhas, full compassion for all sentient beings, including them, they, the Trumpers and worse. It’s inside us all somewhere, maybe misplaced or misidentified, the love is there. One way forward, truly, but not so popular in a rage and rant world, is forgiveness, albeit, coated in L.S.D. Love harder and deeper, more broadly. Keep a grip of yourself. Hold onto others tight. Thou shall not kill or swindle others out of their neurons. More self help slogans for your uncle’s garage wall.

    2025 will be a year of pulling away from social media and unpublishing some work, closing accounts and encouraging others to do the same. The time and energy saved will, with luck, funnel into alternate avenues to reach people based on analogue media. Art, craft, performance, workshops, hanging out.

    The AI is not to be feared or rejected, we must organize and use every means at our disposal to build that better world of abundance for all, attained without lies, violence and threats. Continue the work and don’t expect any recognition or thanks because such expectations may cause you to want to quit. Never give up. Work on kindness and sharing, tolerance and spreading love, there’s enough people already working on the opposites to these virtues. 

    Sincerely wishing you all a piece of peace pie, success, health, healing, learning, giggles and clarity in 2025. 

    www.deepscratch.net

  • FLAI

    FLAI

    Some fly audio escapades back from a deep scratch generative DJ future past.

    https://stevefly.bandcamp.com/album/flai

  • DEEP SCRATCH REMIX

    DEEP SCRATCH REMIX

    This album is a part of the soundtrack to Deep Scratch Remix (The Book). These tracks have been gathering moss over the last six months, recorded in the UK and edited in Amsterdam, 23/3/23.

    Please check the lyrics here, and visit the website, consult the book and enjoy the extra goodies, bonus tracks, video, and alternative artwork. Check back here for weekly updates.

    https://stevefly.bandcamp.com/album/deep-scratch-remix

    Enjoy

    https://stevefly.bandcamp.com/album/deep-scratch-remix