The Late Great Robert Anton Wilson Event Part 1 – John Higgs

One day before heading down to London on the bus from Dudley, to see the show at the Horse Hospital i had the following experience:

yesterday, in Stourbridge i had an encounter with an Angel, or what Arthur Koestler calls…’the library angel’ category of coincidence, or in my case the charity shop Angel. Let me explain, i walked into the British heart foundation shop and started scanning the books, and within just 2 minutes i found ‘The Wild Boys’ by William S. Burroughs for a bargain price of £1.50, and on the shelf below a copy of ‘The Trial’ by Franz Kafka for just 50p. A few hours later i opened up ‘Wild Boys’ and on the acknowledgment page i became spooked to discover that the only text mentioned, for permission to quote from is non other than ‘The Trial’ by Franz Kafka. A splendid intersection point and angelic contact coincidance.

“Published on 3 Nov 2013
The Late Great Robert Anton Wilson Event Part 1 – John Higgs

Watch Part 2: http://youtu.be/HsBWj5jNadw

John Higgs (http://twitter.com/johnhiggs/ http://johnhiggs.com/)
Daisy Eris Campbell (http://twitter.com/DaisyEris/)
Hosted By Scott Wood of The London Fortean Society (http://twitter.com/ForteanLondon/ http://forteanlondon.blogspot.co.uk/)

at The Horse Hospital 23/Oct/2013″

Joyce, Bruno, Baudrillard and the coincidence of contraries.

MUSEYROOMS AND MOEBIUS EFFECTS: A RUIM OF HISTORY IN FINNEGANS WAKE
James Joyce

Interestingly, Baudrillard’s collapse of poles operates on dynamics similar to those expressed in Giordano Bruno’s Cause, Principle and Unity, whose coincidence of contraries extends binary values, like macro and micro, to such an extreme that they become equal, like two antithetical objects travelling in opposite directions on a single line that becomes a circle (8). As is well known, Bruno’s theory of the coincidence of contraries plays a substantial role throughout Finnegans Wake. Besides the fact that his name is often referenced and that merging binary values are frequently represented through Shem and Shaun, Issy and her mirror image, between father and sons, and mother and daughter–in all manner of conflicts familial or epic–the paradoxical function of Bruno’s theory surfaces in numerous aesthetic and epistemological issues in Finnegans Wake. The Museyroom, overture and prelude to all that follows, plays a pivotal role in complicating a system of differentials like past/present, factual/fictive, and inside/outside, thus exposing historiography and archive practices to the labyrinthine effects of paradox and inversion. — http://hjs.ff.cuni.cz/main/essays.php?essay=mcfeaters