Tag: Amsterdam

  • DSR 1 – DISCLAIMER

    DSR 1 – DISCLAIMER

    I Can Break It Down

    The strawberry clouds were setting behind the foreskin mountains, casting a red glow on the glass concrete and plastic city below. Wild poet and programmer, Jake, sat at his desk, surrounded by books and computer screens. He was in the midst of writing his latest work of historical fiction, but something was bothering him. He had recently heard of these large language models like ChatGPT, and he was tempted to use them to help him with his writing. But he was unsure. Even the sordid mainstream news was ablaze with speculation. Was it cheating to use AI to write his book? Would it take away the authenticity of his voice as a writer? Jake sighed, staring out the window at the city as the sun disappeared behind the horizon like a lost Vermeer painting. He was at a crossroads, and he needed to make a decision, if he were to sell his soul in what condition would he say it was in, how to evaluate such an absurdity, he hammered on his imaginary typewriter.

    Jake’s mind was racing like a cyclist on steroids, he sat there, lost in thought, wheels and rusty bronze cogs whirring. He had always prided himself on being a self-made writer, crafting every word with care and precision. But now, with the advent of generative AI, things have changed utterly. He intuited that the large language models could help him streamline his writing process, and make his work more accurate and polished, but keeping in mind the old audio engineers rule, you can’t polish a turd! But, was that what he wanted? Did he want to surrender some of his creative control to the machines? Jake rubbed his eyes, feeling the weight of the decision on his shoulders, he recalled all the science fiction dystopia in his tiny mind. He was a wild poet at heart, a maverick in the head, known on the street for his unconventional style and unpredictable word zingers. Would using a language model change that? He wasn’t sure. But one thing was for certain: he needed to decide damned soon. The clock was ticking, the sun was setting and his deadline for his latest historical fiction novel was rapidly approaching like a hacked Tesla.

    Jake sat as a Zen Monk, weighing the pros and cons of using AI in his writing process, mixing between his perceived left and right brain hemispheres. On one flipper, he knew that the large language models could greatly enhance his work by providing accurate historical information and improving his writing style, grammar and structure. Like a robotic machine editor and secretary. On the other flipper, he feared that it would take away the unique voice that had made him the writer he was. With a name to come. He was afraid that his work would become formulaic, lacking the raw emotion and unpredictability that set him apart from other writers like a six foot transgender tardigrade. 

    As he pondered this dilemma, Jake’s mind wandered further to some of the other writers he knew and admired, most of them skint, undiscovered or on the spliff and booze trip. Some had already adopted weak AI into their work, plugins, and their writing was fast and efficient. But was it any good, did it have real balls, realism, was it gritty, daring and poetic? Or, was it another cookie-cutter piece, a puzzle lacking the human touch that made good writing good writing? Jake’s inner debate continued like a Punch and Judy show as the night wore on. He knew he needed to make a decision soon, but he wasn’t sure which way to jump. The upsides and downsides of using AI in his work were evenly matched, and he was finding it increasingly difficult to choose a path, like an indecisive rat in a maze.  

    Jake took a deep breath and opened up his mouth, he beatboxed for 10 minutes straight, then he opened his laptop computer. He had made his decision. Fuck it, He was going to use it, but only to help him write the introduction to his latest novel, well, that’s what he told himself. He wasn’t sure what the outcome would be, but he was curious like a kitten to see what the AI could do. As he began typing a prompt, he felt a rush of excitement and fear. This was it. He was taking the leap. He was going to let ChatGPT help him craft the opening to a story about a wild poet programmer who was unsure about using large language models in his latest work of historical fiction. You know, that old chestnut.

    Glimmers of brass and chrome twinkle amidst a sea of wires and buttons in his head. Rust-stained machines hum and whirr, pumping bass sounds. A kaleidoscope of instruments covers every surface – drums gleam like obsidian, synths flash rainbow lights, mics shine like jewels. Large and small turntables spin like clockwork gears, interconnected, surrounded by dials, sliders and switches. Words and sentences are born of rotating discs, wheels turn, but are we here to stop the wheels?  

    Creative writing is a form of artistic expression that involves the use of language and imagination to create original written works, no? It seems like a subjective and personal process that varies widely from one individual to another. Generative artificial intelligence, on the other hand, is a type of technology that uses machine learning algorithms to generate original content based on a given set of input data or prompts. While generative AI can be a useful tool for generating ideas or providing inspiration, it is critically important to understand that the content it produces is not the same as that created through the artistic process of creative writing, it is also important to remember that the word is not the thing, but a symbolic approximate representation of the thing. The menu is not the meal, the picture is not the painting.  

    Furthermore, the use of generative AI does not replace the need for human creativity and judgment, far from it. The reverse seems true to this author. The ultimate responsibility for the quality and appropriateness of any written work remains with the person or entity creating it. It’s up to you to make the difference, the difference that makes a difference. It seems equally important to be aware of the limitations and potential biases of generative AI, and to use it with caution and critical thinking. Be aware of the programming. Creative writing and generative AI should not be viewed as interchangeable or equivalent approaches to content creation, no sir. That said, a lot of human creative writing can be dull, biased and factually incorrect. A hell of a lot, just take a look if you can bear it.   

    To future generations who may discover this work: We the creators, hope that these letters and symbols and images and sounds will provide you with a greater understanding of the past and the individuals who shaped it. However, it is important to note that these letters are a fictionalized representation of history, and should not be taken as fact. We deeply encourage you to seek out primary sources and other reliable accounts of history in order to gain a more accurate and well-rounded understanding of the past. Thank you for engaging with these letters, and we hope that they will inspire you to learn more about the fascinating individuals and events of the past.

    A wall of vintage compressors and bass bins rattle the floor, while samplers and synths shimmer like stars. African djembes and Indian tablas stand guard beside Asian gongs, while steam hisses from valve compressors. The air is thick with the sound of creation.

    TEXT MESSAGE: We need a new disclaimer, old one is out of date, new GPT iterations and LLMs will disrupt a lot. Speak soon.


    KINDLE EDITION

  • Radio Free Amsterdam Now Has ChatGPT

    Radio Free Amsterdam Now Has ChatGPT

    Yesterday, I just had to get a lifetime license for ChatGPT. BoingBoing store was doing a sweet deal, $59 for a lifetime license from Mind2Matter. So I bit the bullet. However, I didn’t do all my homework and it turns out that my current WORDPRESS account is not capable of hosting third party PLUGINS, I need to upgrade to a business account, and that’s a whopping $286 and way out my current price range.

    And then I had a moment of clarity. Sheeet, I can install it over at Radio Free Amsterdam. So I did, and it works. And I think it’s another reason to spread the word about Radio Free Amsterdam: Grass roots music, blues, jazz, funk, soul, all produced by John Sinclair! And now featuring ChatGPT for further entertainment.

    https://radiofreeamsterdam.org/

  • Wormear: The Amsterdam Kollection 2023

    The following collection of experiments with Stable Diffusion 2.1 are dedicated to the great Vermeer, and in celebration of his current show at the Rijksmuesum, right here in Amsterdam, where I’m sitting now. I’ve seen a lot of pretty naff’ posters, and promotional artwork for the show, the girl with the peal earring is all over the place. I wanted to print some of these out in various sizes and formats and scatter them about the exhibition. I wonder what you think about them?

    –Steve Fly.

  • CORONA SLAYER – ALBUM RELEASE

    23 tracks, 1hour and 28 minutes. Corona Slayer is a collection of rhymes spoken over a serving of homegrown music. Since early March 2020 this poet donned a new overcoat belonging to Squintin Quarantino, and begun to fashion a lock-down diary. This album is a defocused adventure, a wild trip to slay the newly returned corona king covid with words and sound-dance.

  • Radio Free Amsterdam

    You can listen to the live stream here:

    A Project of the John Sinclair Foundation
  • JAMM PRO MIX – 170 BPM

    A mash-up of 3 Jamm Pro tune packs by
    LSxCC, Congo Natty and Frost x Ill Esha.
    http://www.jammpro.net (Enter The Jam)

    Rolling at half-time pulse 85/170 BPM.
    Mixed by Steve Fly.

    http://www.deepscratch.net
    http://www.patreon.com/stevefly

  • Fluv vs Squintin – Monster Bled Trilogy #drums

    Squintin Quarantino was kindly invited to bash the drums with sonic-nut guitarist: Fluvster. The following sound waves are the result of our first musical meeting, captured and uploaded for your listening pleasure.

    We’re available to perform in and around #Amsterdam for christenings, weddings, funerals and riots.

  • Maybe Day 2021 – Lapsed Maybe Logician Blues

    “The future is already here, it’s just not evenly
    distributed.”–William Gibson.


    July 23rd, 2021 is a day I’ll remember for several reasons, some of which I’d like to drag you through on my sled. The dog days begin when the star Sirius (a.k.a the dog star) and the Sun, appear to rise together as observed from Egypt. The DD’s also coincide with high temperatures in summertime and so it follows with an increase in cases of fire in the head and cases of fire on the land. Who prescribes free public swimming facilities as an antidote to a rise in violence and faith-based thinking following a rise in global temperatures. Give them clean water, they will drink, swim together, be merry and civilize? 

    “Fuck off you moron,” I said, “stay the fuck away from me, you fucking idiot,” followed by, “I don’t see your lab jacket or Doctors I.D,” it was 9 a.m. I was at work with my colleague, my first day working with him, and I was unleashing harsh language, insulting and in retrospect immature. Rather than blame the dog days, it was probably a number of factors, it was early in the morning, I’m carrying large antennae–early moron warning radar system–and this kid walked right into it . I won’t and can’t get into the details as it’s my workplace and I want to keep my job. What he said triggered me to erupt like a volcano, “you’re a fucking moron, stay the fuck away from me.” To my mind I was insulting him so as to be moved away from him.

    This is hardly the way to remember Robert Anton Wilson (RAW) and Maybe Day 2021, I thought to myself while working the rest of the day. Maybe I lost my center, showed too many teeth and hurled a cheap insult? Maybe this was required to get me away from him (he was showing symptoms of a dry-cough, while claiming Corona Virus was a hoax and that 90% of test results were false-positives). My response hardly reflects our current predicament as initiate Maybe Logicians, tasked with communicating clearly in a nuanced language, reflective of the uncertainty and incompleteness of our inner and outer world-views. I had nose dived into the brown hole of circuit one, “Fuck off!”

    The guilty English poet living in Amsterdam was put with another colleague, my plan worked. If repeated attempts at nuanced language and gentle nudging fail to awaken whomever you are addressing, to the probability they might be wrong about absolute convictions, some other tactics may be deployed. In particular when protecting their own physical health, and the health of others around them, this was my excuse.  

    To move away from my personal experience, to propose broader questions and challenges facing those bravely exercising pluralistic coms, philosophy, methods of Maybe Logic in a world divided by culture war and language wars of the words…in some sense. My sense of urgency remains in forwarding the works of our late great wizard of nuanced language, Robert Anton Wilson. From the most far-out edges of semantic wilderness, where Ben Goertzel and Bruce Sterling hang out, to the gritty journalistic realism of Democracy Now or Byline Times, to the playful mystical mutualist syndicalist anarchist defocused realism of Alan More.

    Okay, I’m gushing. RAW’s non-fictional Maybe Logic, which includes his unique sit-down philosophy stand-up performances, reflect a species of semantic hygiene unparalleled in writers of both fiction and non-fiction in equal measure. As I’ve stated before, RAW’s prose and performance–written and spoken words–are well archived in audio, video and on the page. The RAW data set is a finite set unless you consider the tale of the tribe as an open system, purposefully unfishished, producing a Maybe portal to infinite recycling, editing, deletion and reversal? RAW’s complete works, plus the incomplete–tale of the tribe–capture the general heart of Maybe Logic.

    As like with the traditional interpretation of the tale of the tribe–an epic poem including history from a single author– some problems facing AGI research can be processed and enriched by RAW’s Maybe Logical responses to the conundrum and paradox of being and non-beingness and how to communicate meaningful messages about it. As far as I can see, and having met Bob a number of times, he lived his whole life in a Maybe Logic state of being/non-beingness. He confronted the infinite flux of beingness on and off the page, that’s really saying something when you look around today, and when I look all the way around and back to myself. “Maybe just fuck off.” Would have been a better choice of words for sure [bites thumb].

    RAW’s Maybe States resonate with fields of current AGI research, to my mind. As I’ve said before. In natural language for the most part, RAW drills through traditional borders between academic categories, testing his decentralized Maybe Logic using physics, mathematics, biology, psychology, economic models, art, poetry and satire. Testing, feeding back, updating. If a broad question for AGI was something like, “How can you help us to help ourselves process information and uncertainty, how can we save the planet and the human mind-body interface so we can live in peace together.” I’d guess that RAW gives an exemplary data-set (his life’s work and life lived) to evidence why any AGI should care for humans and the planet despite widespread examples of greed, cruelty, ignorance and inhumane culturecide.

    RAW’s Maybe Logic Method is exquisitely and carefully crafted, behaving like a hologram in some sense, to get the whole picture using words and their meanings on a page (hologrammar), or in the air (holo-harmolodic?), rather than a special photonic arrangement to produce 3D images (hologram). Combined with RAW semantic hygiene and inclusivity for all-human beings and events, or better yet the ‘human interacting processing of non-simultaneously apprehended events’, it’s easy to forget we’re all inextricably entangled in billions of ways. RAW’s Maybe Logic Method is not limited to being described in one field, it’s a particular RAWish’ mish-mash of semantic tools and language experiments, investigative journalism, Sufi parable, operationalist language, jokes, deduction and induction, Zen Buddhism and satire. Uniquely Robert Anton Wilson. Praise Bob!

    RAW faced the daily challenge of distinguishing non-fiction from fiction and shared his findings openly, in his published work and remarkably, in his public appearances. This leads me to another thread that bootstraps RAW’s life and work together and which makes his lifework critical for AGI studies: his speech. Having witnessed him perform–and more notably answer questions from his audience including my own questions–RAW exhibited (using performance by example) all of his virtuous knowledge, keeping a cool head when many around him seemed to be hot headed. We could all use a dose of RAW in our daily lives to remind us of the possibility to live happily and optimistically in a world of inner and outer uncertainties and incompleteness.

    This may be why RAW, like Marshal McLuhan, Claude Shannon and Terence Mckenna prescribe Finnegans Wake by James Joyce, as a guide for all-around-the-world-humanity to wake up. A Finnegans awakening to the infinite flux of beingness and the tale of the tribe, coming together to save each other and the planet, perhaps the entire multiverse? This is a prospiracy, the coming together of powerful forces for good, good due to the obvious benefit to all-around the world-humanity, and around-the-world ecological environments. Covid has raised the stakes in this prospiracy, and to vaccinate or not to vaccinate is a practical challenge to all-around-the-world-humanity. By definition, its a form of globalism, which by definition implies a coming togetherness of global citizens. Through the lens of prospiracy, this new health world order or global movement to protect the planet and it’s stewards, requires individuals to act and think with the interests of others (strangers) at heart. There are adjacencies with the telling of the tale of the tribe here, a new global epic poem including history. Inclusive and global in its vision and reach, local in it’s idiosyncratic style.           

    This new global perception of altruistic togetherness is like the tale of the tribe with Buckminster Fuller sauce on top: Critical Path, Operating Manual For Spaceship Earth by Fuller. Other RAW flavoured toppings include, The Open Society And Its Enemies by Karl Popper, The Chinese Written Character As A Medium For Poetry by Ernest Fenollosa, The Mathematical Theory Of Communication by Claude Shannon, The New Science by Giambattista Vico, Science and Sanity by Alfred Korzybski, The Gutenberg Galaxy and Understanding Media by Marshall McLuhan, The collected works of Nietzsche, William Butler Yeats, Giordano Bruno, Orson Welles, Ezra Pound, James Joyce and RAW himself. These are books and texts and authors at the tribal gathering, these are some of the innovators in scientific and artistic paradigms, that help define Maybe Logic Method. Individual human beings who’ve had a lasting effect on the global human condition, the general heart, or the general intelligence, in some sense. In a global prospiracy context, the tribe, in the phrase ‘the tale of the tribe’ is to signify all-around-the world humanity. The tale signifies the narrative, story, an epic one including history and the ideosyncratic aesthetic styling of an individual author. See James Joyce, for example. 

    To put it another way, perhaps consider to begin writing and narrating your inclusive global epic, with the noble aim of reaching out to your own tribe and other tribes, attempting patience and good will when faced with ignorance. Yes, we’re in this together, we, to mean all-around-the-world humanity, and how do you define that? Enter Buckminster Fuller, James Joyce and Marshall McLuhan, updated for the 21st century by RAW’s nervous system and Maybe Logic. Put another way, who can produce the greatest novel of 2021, a novel that captures the general heart, includes world history, and can be considered an epic poem all at the same time? This is a really long-winded way of saying that I have a lot to learn about Maybe Logic, in mind, body and speech, and I’ve a lot of epic novels to read to get a more informed opinion.          

    I got home from work yesterday, after my mini-rupture, and made myself a delicious mushroom omelette, and prepared myself to record some vocals, Squintin Quarantino was itching to record rhymes. Then, like a karmic boomerang, the next door neighbours started to fight, literally wrestling up next to the fence, just 1 meter away from where I was sitting, about to record. The shouting and pushing and shouting went on for over an hour. I made myself a drink and rolled a doobie, waiting for quiet, trying not to formulate negative frustrations as those I’d felt earlier. Suddenly it hit me. Oh yeah, the dog days.

    Next thing I know, it’s 3.00 a.m in the morning, I’d slept on the couch without recording anything and more tragically, missing the Maybe Day Zoom Chat with Bobby Campbell and the other beautifully Maybe Logicians. Those to whom this writing is dedicated.

    I sincerely apologize for missing the chat and hope this writing goes some way to show my appreciation to all the contributions to the 2021 edition of NEW TRAJECTORIES edited, produced, designed and illustrated by Bobby Campbell. Another piece of the puzzle of the 2021 tale of the tribe. A great read for all humans and AGI’s alike. Leave your dogma at the door. Love.

    #MaybeDay #RobertAntonWilson #NewTrajectories

    –Steve Fly    
    July 24th, 2021.


    Postscript (August 1st)
    After writing the above, I made the Squintin Quarantino rhymes available at Bandcamp. They comprise part of my message, performance by example. These rhymes are by no means epic, nor do they contain history, they’re examples of an individual author playfully using spontaneous rhymes with an underlying message to Covid truthers (Branch Covidians). In some parts, the rhymes contain a similar mocking tone to my “fucking moron” outburst, I immaturely dress down those I consider to be anti-vaccine conspiracists. Self criticism and analysis of spontaneous rhymes gives the author insight into their mind, body, speech patterns. I share mine in hope others will do the same. For a straight-ahead collection of thoughts and suspicions on the tale of tribe see my book: Fly On The Tale Of The Tribe.



    “Let them get sick” has evolved into a refrain that was familiar during the Trump years, for different reasons: “My God, these people are going to get us all killed.”–Emma Brockes, Guardian.