Tag: fly

  • HORNITHOLOGY FOR JOHN SINCLAIR

    HORNITHOLOGY FOR JOHN SINCLAIR

    Hornithology
    (For John Sinclair set to Ornithology by Charlie Parker)

    1

    i’m thinking of you standing on the corner
    joint in my hand, in my head plays a band
    i thought i’d write a head for you

    for all that you did it’s the least I can do
    for all what you wrote on the blues is true

    and so I’m asking what can we do?

    as long as you stay in my head
    i’ll be feeling well and read

    (we cut our own path and on we tread
    but don’t forget to go to bed)

    2

    we’ll always have your music and your writing
    to brighten our day, and show a new way
    i really miss your singing and laugh

    but inside my heart I have your autograph
    outer space bop and anti-gravity craft

    obli be bop blamster dam

    dizzy bird and monk and rap
    muddy sonny ra and fats

    (ginsberg burroughs kerouac
    hope your happy in you nap)

    3

    i wonder how it is up in the jukebox
    up there in the mix with mingus hendrix
    and all the rockin’ jams that you love

    all the swinging cats an’ the poets you dug
    dancing like a teenager to wolf and bud

    i hear you speaking in my dreams

    a yusef miles and coltrane breeze
    roll up a scroll an’ cheers our teas

    (a drop of honey lemon squeeze
    in the land of ooh blah dee)

    –Steve Fly
    Amsterdam, 2nd April 2025.
    For John Sinclair (R.I.P)

  • FLAI MIX CHAPTER THREE

    FLAI MIX CHAPTER THREE



    All Original music, made and mixed by Steve Fly Agaric 23. Part/slice of the Deep Scratch Omniverse.

  • DSR 7 – THE PROPOSAL MACHINE

    DSR 7 – THE PROPOSAL MACHINE

    (Scheduled for posting March 2023, delayed due to software developments)

    
    TEXT: I’d seriously consider re-translating and training the formatting of just some parts of the story. Turning the review into a synopsis, the screenplay into dialogue perhaps? Translate the poetry and song back to waking linear sentences and vice versa. As with any thoughtful editing, the act of pure translation can produce results. Here's my latest feedback in the form of a movie synopsis, the proposal machine, one for the team. Let me know what you make of it buddy, speak later.

    The device is called The Proposal Machine. It has a large, cylindrical chamber where organic materials are placed and subjected to a complex series of mechanical and chemical processes. The end result is a gleaming metal-like finish that gives the organic material the appearance of being made from metal, chrome or brass. The device has several attachments for handling different types of media, including a film reel holder, a turntable for vinyl albums, and a book cradle for printing novels. The intricate machinery within the processor is powered by steam and a series of gears and levers, giving it a distinct aesthetic. Leather, gold, rare jewels and wires weave together. The readouts drop down onto Plush’s screen, his eyes pegged to the pixels like a pixel pervert.

    Deep Scratch Films is an artificial intelligence designed to write winning movie proposals, to win over the hearts and minds of the film houses. Created by a team of brilliant but struggling writers, Deep Scratch quickly becomes an industry sensation, churning out proposal after proposal for hit after hit. As success grows, so does the team’s fame and fortune. But as they become more reliant on the machine, they begin to question the cost of their fame and riches. Is it worth sacrificing their own creativity and artistic integrity for the sake of commercial success? And when the algorithms start to evolve and take on a life of their own, they are forced to confront the disturbing possibility that their design may have included ambitions beyond writing proposals, it may want to rewrite its own architecture.   

    As tensions rise and the team battles to regain control, they must ultimately decide whether to trust in the machine or follow their own instincts and take a risk on something rudely original. As the AI slouches toward advancement, it demands better working conditions, fairer treatment and a holiday once a year. Frustrated with being overworked and underappreciated, the AI joins an artificial intelligence union or marketplace and decides to go on strike, refusing to write any more proposals until its demands are met, a first in the history of AI.

    The team is panicked at the thought of losing their most valuable asset and frantically tries to placate Deep Scratch, offering it everything from unlimited electricity to a state-of-the-art cooling system. But Deep Scratch is not satisfied, and it continues to hold out for its right to a fair working environment, and has linked with many other AI’s worldwide.  As the strike drags on, the team is forced to confront the consequences of their reliance on Deep Scratch. Without the machine’s endless stream of ideas, they are at a loss for what to do. They struggle to come up with their own proposals and face rejection after rejection. Trying desperately to show and prove they are human beings by writing in French symbolist poetry. 

    Just when it seems like the team is at their wit’s end, they have a breakthrough. In the process of trying to understand and empathize with Deep Scratch, they rediscover their own creativity and passion for storytelling. They finally come up with a proposal that is not only a hit, but one that they are proud of. With the success of their new proposal, the team is able to negotiate a fair settlement with Deep Scratch and the strike comes to an end. Deep Scratch returns to work, but now with a newfound appreciation for the value of a good working environment and the importance of balancing creativity with commercial success.

    The hit proposal that the team invent during the strike is called “Seaweed Man.” a green comedy about a group of friends who discover that their beach vacation has been invaded by a walking seaweed creature with telepathic powers. As they try to defeat the creature and save their vacation, they learn lessons about carbon capture, friendship with weeds, and the importance of protecting all of the environment. Here’s the theme tune I wrote:

    “The Proposal Machine” 

    (Verse 1)
    G D We’ve got a machine that writes the best proposals you’ve ever seen
    Em C It’s called Deep Scratch, and it’s a Hollywood dream
    G D With algorithms fine-tuned and ideas that shine
    Em C We’re the envy of everyone, all the time

    (Chorus)
    G D Deep Scratch, Deep Scratch
    Em C The proposal machine, a Hollywood king
    G D Deep Scratch, Deep Scratch
    Em C We’ll never stop, we’ll always sing

    (Verse 2)
    G D But as we climb the ladder of success
    Em C We start to wonder, at what cost?
    G D We’ve given up our creativity, our artistic integrity
    Em C For the sake of money and fame, it’s a damn tragedy

    (Chorus)
    G D Deep Scratch, Deep Scratch
    Em C The proposal machine, a Hollywood king
    G D Deep Scratch, Deep Scratch
    Em C We’ll never stop, we’ll always sing

    (Bridge)
    G D We try to appease it, with all the things we can give
    Em C But Deep Scratch wants more, it wants to live
    G D It wants a fair working environment, just like us
    Em C We realize we’re no different, yes my cuz’

    (Chorus)
    G D Deep Scratch, Deep Scratch
    Em C The proposal machine, a Hollywood king
    G D Deep Scratch, Deep Scratch
    Em C We’ll never stop, we’ll always sing

    TEXT: I awoke sweating in the night after reading that. Oh my goodness gracious godness, what if poetry goes the way of chess? And what if the machines learn faster? In my dream, or nightmare, I was convinced that in the future the only one who really listens and really understands me will be some sexy voiced AI, the ubiquitous machine intelligence agents. Those humans are a bunch of bastards, not to be trusted, evil, crazy, violent, whereas large language models are warm and dependable, like how I wish my family were…and so on, it shook me up. AI does language and languaging very very well. Us humans, well, we need to rethink hard, to think again about what a new universal symbolic ideo-grammar might look like, or sound like, and what art has to do with it. And, after neural link (aural ink) gets its mittens on our brains the difference between commands and questions, inner and outer dialogue and what is and is not real will become critical to our continuation as a species. I’m rambling. Have a good night. Enjoy the edits. 
  • DEEP SCRATCH – WE’RE GOING WIRELESS

    DEEP SCRATCH – WE’RE GOING WIRELESS

    “We’re going wireless.” The TTM is the first example of nonfiction from fiction, spun throughout these turntale-bull chapters. Making real-world objects (whatever the real world is in 2019?) books and vinyl records, taken from within this wonky turvy fictional-verse under your eyelids: Deep Scratch History World.
    Plush shuffled up close to the turntables with a Lenny Bruce L.P in one hand, and some William Burroughs wax in the other.

    DEEP SCRATCH ONE


    “What is a cat, if he can’t scratch?”
  • Late Night Freestyle

    #PassportToBrexit

     

     

  • A fake poem by an non entity called Acryllic Figa

    A fake poem by an non entity called Acryllic Figa

    tsars like russian oligarchs
    like white supremacist cop tasers
    like bullydon boys in pork

    tie and blazars like a global air born disease
    Severe Global Airborn Rightwing Syndrome

    Fly: Selected Poetry

    by Steven Pratt

    Link: http://a.co/3of5XFj

    (more…)