GENRES: Mutant jazz. Little big band. Large Language Modal jazz. Beep Bop. Big Soul. Deep scratches. Tribetablism. MPHDJ cuts. Rainshroom rap. Token word. Slick, tight, funky drums. Updown beat. Sinnermatic soundscapes. Wake boxing. Canto tott trott. Blues, redefined: Tanmoy blues. Spew jazz bursts. Cosmic trigger word punctuations. Data set sax solos. Optihop energy. Optical street soul. Fly funk. Movie soundtrack vibe. Axiomatic jazz structures. Geometric classical elegance. Non von neumann swing. Non-being core philosophy. Data dust crew sound.
credits
released January 8, 2025
All music by Steve Fly + Udio + Gemini AI. Tanmoy 2025. MPHDJ.
GENRES: Mutant jazz. Little big band. Large Language Modal jazz. Beep Bop. Big Soul. Deep scratches. Tribetablism. MPHDJ cuts. Rainshroom rap. Token word. Slick, tight, funky drums. Updown beat. Sinnermatic soundscapes. Wake boxing. Canto tott trott. Blues, redefined: Tanmoy blues. Spew jazz bursts. Cosmic trigger word punctuations. Data set sax solos. Optihop energy. Optical street soul. Fly funk. Movie soundtrack vibe. Axiomatic jazz structures. Geometric classical elegance. Non von neumann swing. Non-being core philosophy. Data dust crew sound.
credits
released January 8, 2025
All music by Steve Fly + Udio + Gemini AI. Tanmoy 2025. MPHDJ.
GENRES: Mutant jazz. Little big band. Large Language Modal jazz. Beep Bop. Big Soul. Deep scratches. Tribetablism. MPHDJ cuts. Rainshroom rap. Token word. Slick, tight, funky drums. Updown beat. Sinnermatic soundscapes. Wake boxing. Canto tott trott. Blues, redefined: Tanmoy blues. Spew jazz bursts. Cosmic trigger word punctuations. Data set sax solos. Optihop energy. Optical street soul. Fly funk. Movie soundtrack vibe. Axiomatic jazz structures. Geometric classical elegance. Non von neumann swing. Non-being core philosophy. Data dust crew sound.
credits
released January 8, 2025
All music by Steve Fly + Udio + Gemini AI. Tanmoy 2025. MPHDJ.
GENRES: Mutant jazz. Little big band. Large Language Modal jazz. Beep Bop. Big Soul. Deep scratches. Tribetablism. MPHDJ cuts. Rainshroom rap. Token word. Slick, tight, funky drums. Updown beat. Sinnermatic soundscapes. Wake boxing. Canto tott trott. Blues, redefined: Tanmoy blues. Spew jazz bursts. Cosmic trigger word punctuations. Data set sax solos. Optihop energy. Optical street soul. Fly funk. Movie soundtrack vibe. Axiomatic jazz structures. Geometric classical elegance. Non von neumann swing. Non-being core philosophy. Data dust crew sound.
credits
released January 8, 2025
All music by Steve Fly + Udio + Gemini AI. Tanmoy 2025. MPHDJ.
My first dive into UK politics (besides protesting the closure of some local swimming pools) was on my return to Stourbridge, after 5 years living in America. I was drawn to the river Stour, which the town lends its name. On my first trips down the Stour in October 2005 I noticed some nasty looking rusty-coloured liquid coming out of a small but significant pipe, plus various foam formations where the river picked up pace. This is all besides the bicycles, car tires, and shopping trolleys, littering the river. Perhaps I was more sensitive to this, as I’d just been swimming in the feather river, Lake Tahoe, Pyramid lake, and dozens of other waters while in America. All crystal clear, inviting and beautiful.
The river stour is beautiful, don’t get me wrong, it just depends on the distance you are from it when making such an observation. You really have to get in there to know what’s going on. Analyze the water, run tests and perhaps try a small glass, see what happens. I’m kidding, do not drink a glass of Stour water, it’s mucky and you’ll be on the bog for a wik.
So here I was, back in town, after a remarkable American adventure. And I’m full of the spirit of protest and confidence, what can I do? I didn’t have a job, had just rented a room, and was at a loose end. I decided to begin a campaign to clean up the river Stour. I took a crappy video camera and got some footage of the river, together with some shots of Stourbridge, and edited it together with a tune I’d made using Reason software. (see blurred video below)
I made several phone calls to Severn Trent Water Authority, the Environment Agency and the local rivers and canals organizations, trying to find out who I need to talk to about the probable pollutants running into it, and the litter strewn through the relatively small section of river leading from Lye to Stourbridge (approx 2-3 miles of river).
Remember that in 2005 it was still a Blair Labour government, whom I was generally speaking, furious and angry at, for dragging us into the so called “War On Terror” with George Bush Jnr. However, in a moment of clarity, I decided to reach out to the local MP for Stourbridge, at that time, Linda Walthrow. I arranged a meeting and turned up at the church in Wollaston to put myself out there. I was unemployed at the time, claiming housing benefits and living rather frugally to say the least.
I asked the MP to supply me with some equipment, waders and a hook, so I could become the official custodian of the river…if…I was to clean it up. I also turned her onto a white paper by a media theorist, writer, Douglas Rushkoff, the paper was titled Open Source Democracy.
I can’t help but wonder how different things would be if she would have read and understood and shared this document with all of her Labour party, at that point. The coming Digital Revolution, seemed to me to have been highly weaponized by the Conservatives and the right, taking the left off guard and leading to the 14 years of monstrosities and abominations in the UK. Partly, made possible by the digital media landscape and print media landscape domination. Russian interference? I digress.
I never got my waders of a hook, or a response by email. So I went ahead and started some projects anyway, some of which are documented in film and photographs. This project, started from the river Stour, has expanded and stayed with me on my subsequent travels to Europe. I don’t consider myself an environmentalist or even an activist, for me this was research into poetry and art. Where I pitch my tent. As much as I see the benefits and I admire professional card carry environmentalists, I did not wish to join any political party or movement. I wanted people to see me doing this for another reason, my own selfish reasons.
My campaign was a success, in as far as I got a print media story, and photograph in the local Newspaper, where I was misquoted but pretty fairly represented as saying words to the effect that, if the government isn’t going to do it, then I’ll do it, look. Trying to draw attention to the issue. Look at the state of the river the town is named after, littered literally with shopping trolleys. What better metaphor for our consumer technology boom of the mid to late noughties? Who cares about the river, fill that trolly up!
Jump forward nearly 20 years, and Britain’s rivers, waterways, lakes, seas and canals have been repeatedly, perhaps purposefully, polluted with waste sewage water. Meanwhile the major UK Water companies have been enjoying a financial bonanza, profiting from mismanagement, deregulation and the aroma of unaccountability. But no longer. This is coming to a dam. And we have a new chance to re-green and re-clean our waterways, with a different UK government. Once again, we pick up from where we left off, be the change. Turn the tide.
Feargal Sharkey has become the face and voice of the campaigns to save UK rivers, and lakes, and the sea, and hold those responsible for their decline, to account. I wish him every success, together with George Monbiot and everybody else pushing the good vibes.
Born and rasied in Dudley, can you imagine my delight when discovering that cannabis seeds were used on the grounds of Dudley Castle between 1642 and 1647 by Royalist troops (L. Moffett, 1992). On second thoughts, it’s not so surprising, when you learn that hemp was a major factor in establishing Great Britain as a seafaring power during 16th and 17th centuries.
Archeological evidence proves cannabis has been used in Dudley for over 373 years. Put that in your pipe and smoke it. Umm, it also causes me wonder why, in 2019, any grower needs to jump through so many legal and regulatory hoops to grow hemp, a long long tradition in Dudley and environs for nearly 400 years?
–Silent But Dudley.
“table 5 Selected ancient Cannabis seed evidence, ordered by decreasing age. … Dudley Castle, NLHA/NLH 350 bp Seeds found in a latrine Moffett 1992.” –Robert Clarke and Mark Merlin, Cannabis: Evolution and Ethnobotany.
“During excavations of the mid 1980s at Dudley Castle in the West Midlands the contents of the keep garderobe were recovered intact and processed by sieving and hand-sorting, with samples being subjected to full laboratory analysis. The latrine was sealed during demolition of the castle’s defences in 1647, the intact deposit containing both the domestic and organic remains of the occupying royalist force which defended the castle under siege conditions between 1642 and 1646.”– https://www.tandfonline.com/doi/abs/10.1179/pma.1996.003
Hi I finally got around to posting this, it’s been hanging around for a while. I hope you’ll forgive my errors, any feedback will be well received.
So friends…which events seem important to you? Which would you choose to define any given period of time? How do you make sense of them, what conditions nurtured them, which human interventions and which natural disasters led to the events you pick?
If we are to make sense and meaning of history, and sanity–a risky endeavour in these times of global Internet but one which any poet worth the name might pursue–then a ‘poem including history‘ of the last decade seems a good place to start to me. (after writing this introduction I learned that Mark Zukenburg and facebook plan to release a ‘timeline’ application that allows for a similar chronological study of events. However History also moves in cycles, and non-chronological spirals, it is of my opinion.
The launch of Wikipedia in February of 2001 has impacted this writing a great deal due to the simple list of some events deemed worthy of inclusion by the Wikipedia commons group, that are made available for all to see and make sense of at your own risk. The risk seems to me to be somewhat reduced when attention is paid to the subjective nature of perception, and to methods such as ‘operational language used by some-but-not-all scientists and ‘E-prime’ and its variants, used by some-but-not-all linguists.
When put Into chronological order it becomes increasingly difficult for me to avoid drawing conclusions based on the ordering, one thing leads to another, or so it seems to a linear oriented mind set. The question remains: which ‘events’ should become pivotal ones and which shall be relegated to the footnotes or relegated all together? How did the author or protagonist come to choose such events based on which values and principle, what ordering system, what right knowledge? How many are justified by later events and how many need revision, considering, let’s say; the Wikileaks exposures of the period 2007-2010, or the News Corp. phone hacking racket?