Tag: jazz

  • scratch lawnmower

    scratch lawnmower


    More sonic experiments on a phonetic scratch tip, inspired by konnakol and beatbox and scratching. Catch up, check out the origins story of this technology: HERE “Deep Scratch Remix”

    deep da BEEp BEEP deep pa' deep scratch (shh, sh)
    
    deep dip it ta, da BEEp BEEP deep pa' deep scratch (shh, sh)

    deep da BEEp BEEP deep pa’ deep scratch (shh, sh) deep dip it ta, da BEEp BEEP deep pa’ deep scratch (shh, sh)

    deep da BEEp BEEP deep pa’ deep scratch (shh, sh) deep dip it ta, da BEEp BEEP deep pa’ deep scratch (shh, sh)

    Scrrrraaaattttcccchhhhhh, drop it

    [verse] Mouth scratchin, sucking beats down the hatchin’ Bwoy-yip, oi-ip, wuha haahe wuha haha phipha fipha haha, apa apa, oh arrrr. Oh, R I’m like a human lawnmower

    [verse] Buzz buzz BUzz, b, Buzz BUZZ, b, Buzz Buzz Buzz Buzz buzz, BUZZ, b, Buzz. Buzz buzz BUzz, b, Buzz BUZZ, b, Buzz Buzz Buzz Buzz buzz, BUZZ, b, Buzz.

    Buzz buzz BUzz, b, Buzz BUZZ, b, Buzz Buzz Buzz Buzz buzz, BUZZ, b, Buzz.

    vb hmm shk hmm vb hmm shk vb hmm shk hmm vb hmm shk vb hmm shk hmm vb hmm shk shwax, wax, wax on rotation, making up beats to rock rock the nation [end]

  • FLAI

    FLAI

    Some fly audio escapades back from a deep scratch generative DJ future past.

    https://stevefly.bandcamp.com/album/flai

  • John Sinclair: the collected poems

    John Sinclair: the collected poems

    https://www.thebookbeat.com/bookshop/catalog/john-sinclair-the-collected-poems-1964-2024/#prettyPhoto

    John Sinclair: The Collected Poems 1964-2024

                –this life

    of the mind & spirit
    rooted in humanism
    & love of art, & manifested
    in creative production

    & social engagement, like trane said
    “to be a force for good”
    & make an impact
    on the world at large

    “I’m very happy with this book and very grateful to have all my poems collected in one place like this.”
    –John Sinclair

    “Thank you for your poetry, your standing up for the blues and jazz for decades when few did, and for the way you share your talents and good will wherever you go.”
    –David Amram, Musician, Composer and Author

    “Many of these extraordinary poems trace an important method of “transmission of mind,” a form of Investigative Poetry. These poems are a big work that places Sinclair on the path of Charles Olson. This is an extraordinary work.”
    –Edward Sanders, Poet, Activist and founder of the Fugs

    John Sinclair’s Collected Poems 1964-2024 arrived within a week of his passing, and was edited and proofed with an introduction written by Sinclair in late January of 2024. The book was designed by Sinclair’s right-hand commrade at Radio Free Amsterdam Steve “The Fly” Pratt and published by Ridgeway press in a limited first edition of 150 hand-numbered copies with a forward written by M.L. Liebler. Photographs from the covers of each book and recording begin selections taken from each book. Only Fattening Frogs for Snakes, The Book of Monk, and Songs Of Praise for John Coltrane are not entirely included. The book runs 557 pages, with many poems collected here for the first time.

    “I was first attracted to becoming a poet when I read On the Road,” wrote John Sinclair in his introduction, “the idea became more apparent when I read Howl by Allen Ginsberg and Pictures of the Gone World by Lawrence Ferlinghetti after I had ascended into college.”

    Presented are Sinclair’s scarce first books printed in the early sixties by the Artists Workshop press; This is Our Music, Meditations and Fire Music. Selections from Fattening Frogs for Snakes and thelonious a book of monk and several of his recording projects; The White Buffalo Prayer, Detroit Life, Viper Madness. The last section “Mobile Homeland” has over three dozen uncollected poems written between 1964-2024. Many of the books have special introductions and notes on the text which Sinclair completed for this edition over the past several years.


    The Collected Poems includes a concise six page biography, bibliography of major publications, and a discography of the poet’s recordings, a culmination of 60 years of art and life in one collection. Collected Poems 1964-2004 was produced in a first limited edition of 150 hand numbered copies in paperbound wraps, with a signed forward by M. L. Liebler, 557 pages, issued by Ridgeway press. Profits for the book help support the Detroit Writers Guild.

  • DSR 1 – DISCLAIMER

    DSR 1 – DISCLAIMER

    I Can Break It Down

    The strawberry clouds were setting behind the foreskin mountains, casting a red glow on the glass concrete and plastic city below. Wild poet and programmer, Jake, sat at his desk, surrounded by books and computer screens. He was in the midst of writing his latest work of historical fiction, but something was bothering him. He had recently heard of these large language models like ChatGPT, and he was tempted to use them to help him with his writing. But he was unsure. Even the sordid mainstream news was ablaze with speculation. Was it cheating to use AI to write his book? Would it take away the authenticity of his voice as a writer? Jake sighed, staring out the window at the city as the sun disappeared behind the horizon like a lost Vermeer painting. He was at a crossroads, and he needed to make a decision, if he were to sell his soul in what condition would he say it was in, how to evaluate such an absurdity, he hammered on his imaginary typewriter.

    Jake’s mind was racing like a cyclist on steroids, he sat there, lost in thought, wheels and rusty bronze cogs whirring. He had always prided himself on being a self-made writer, crafting every word with care and precision. But now, with the advent of generative AI, things have changed utterly. He intuited that the large language models could help him streamline his writing process, and make his work more accurate and polished, but keeping in mind the old audio engineers rule, you can’t polish a turd! But, was that what he wanted? Did he want to surrender some of his creative control to the machines? Jake rubbed his eyes, feeling the weight of the decision on his shoulders, he recalled all the science fiction dystopia in his tiny mind. He was a wild poet at heart, a maverick in the head, known on the street for his unconventional style and unpredictable word zingers. Would using a language model change that? He wasn’t sure. But one thing was for certain: he needed to decide damned soon. The clock was ticking, the sun was setting and his deadline for his latest historical fiction novel was rapidly approaching like a hacked Tesla.

    Jake sat as a Zen Monk, weighing the pros and cons of using AI in his writing process, mixing between his perceived left and right brain hemispheres. On one flipper, he knew that the large language models could greatly enhance his work by providing accurate historical information and improving his writing style, grammar and structure. Like a robotic machine editor and secretary. On the other flipper, he feared that it would take away the unique voice that had made him the writer he was. With a name to come. He was afraid that his work would become formulaic, lacking the raw emotion and unpredictability that set him apart from other writers like a six foot transgender tardigrade. 

    As he pondered this dilemma, Jake’s mind wandered further to some of the other writers he knew and admired, most of them skint, undiscovered or on the spliff and booze trip. Some had already adopted weak AI into their work, plugins, and their writing was fast and efficient. But was it any good, did it have real balls, realism, was it gritty, daring and poetic? Or, was it another cookie-cutter piece, a puzzle lacking the human touch that made good writing good writing? Jake’s inner debate continued like a Punch and Judy show as the night wore on. He knew he needed to make a decision soon, but he wasn’t sure which way to jump. The upsides and downsides of using AI in his work were evenly matched, and he was finding it increasingly difficult to choose a path, like an indecisive rat in a maze.  

    Jake took a deep breath and opened up his mouth, he beatboxed for 10 minutes straight, then he opened his laptop computer. He had made his decision. Fuck it, He was going to use it, but only to help him write the introduction to his latest novel, well, that’s what he told himself. He wasn’t sure what the outcome would be, but he was curious like a kitten to see what the AI could do. As he began typing a prompt, he felt a rush of excitement and fear. This was it. He was taking the leap. He was going to let ChatGPT help him craft the opening to a story about a wild poet programmer who was unsure about using large language models in his latest work of historical fiction. You know, that old chestnut.

    Glimmers of brass and chrome twinkle amidst a sea of wires and buttons in his head. Rust-stained machines hum and whirr, pumping bass sounds. A kaleidoscope of instruments covers every surface – drums gleam like obsidian, synths flash rainbow lights, mics shine like jewels. Large and small turntables spin like clockwork gears, interconnected, surrounded by dials, sliders and switches. Words and sentences are born of rotating discs, wheels turn, but are we here to stop the wheels?  

    Creative writing is a form of artistic expression that involves the use of language and imagination to create original written works, no? It seems like a subjective and personal process that varies widely from one individual to another. Generative artificial intelligence, on the other hand, is a type of technology that uses machine learning algorithms to generate original content based on a given set of input data or prompts. While generative AI can be a useful tool for generating ideas or providing inspiration, it is critically important to understand that the content it produces is not the same as that created through the artistic process of creative writing, it is also important to remember that the word is not the thing, but a symbolic approximate representation of the thing. The menu is not the meal, the picture is not the painting.  

    Furthermore, the use of generative AI does not replace the need for human creativity and judgment, far from it. The reverse seems true to this author. The ultimate responsibility for the quality and appropriateness of any written work remains with the person or entity creating it. It’s up to you to make the difference, the difference that makes a difference. It seems equally important to be aware of the limitations and potential biases of generative AI, and to use it with caution and critical thinking. Be aware of the programming. Creative writing and generative AI should not be viewed as interchangeable or equivalent approaches to content creation, no sir. That said, a lot of human creative writing can be dull, biased and factually incorrect. A hell of a lot, just take a look if you can bear it.   

    To future generations who may discover this work: We the creators, hope that these letters and symbols and images and sounds will provide you with a greater understanding of the past and the individuals who shaped it. However, it is important to note that these letters are a fictionalized representation of history, and should not be taken as fact. We deeply encourage you to seek out primary sources and other reliable accounts of history in order to gain a more accurate and well-rounded understanding of the past. Thank you for engaging with these letters, and we hope that they will inspire you to learn more about the fascinating individuals and events of the past.

    A wall of vintage compressors and bass bins rattle the floor, while samplers and synths shimmer like stars. African djembes and Indian tablas stand guard beside Asian gongs, while steam hisses from valve compressors. The air is thick with the sound of creation.

    TEXT MESSAGE: We need a new disclaimer, old one is out of date, new GPT iterations and LLMs will disrupt a lot. Speak soon.


    KINDLE EDITION

  • Radio Free Amsterdam Now Has ChatGPT

    Radio Free Amsterdam Now Has ChatGPT

    Yesterday, I just had to get a lifetime license for ChatGPT. BoingBoing store was doing a sweet deal, $59 for a lifetime license from Mind2Matter. So I bit the bullet. However, I didn’t do all my homework and it turns out that my current WORDPRESS account is not capable of hosting third party PLUGINS, I need to upgrade to a business account, and that’s a whopping $286 and way out my current price range.

    And then I had a moment of clarity. Sheeet, I can install it over at Radio Free Amsterdam. So I did, and it works. And I think it’s another reason to spread the word about Radio Free Amsterdam: Grass roots music, blues, jazz, funk, soul, all produced by John Sinclair! And now featuring ChatGPT for further entertainment.

    https://radiofreeamsterdam.org/

  • Radio Free Amsterdam Poster 2022

    Art and music can heal and unify people, we can feel this intuitively. Good music makes us well. RFA brings together a potent mixture of good music selectors who mix up the musical medicine to be administered by our medicine man: Big Chief (John Sinclair)

    Music for peace. Music for therapy, for all, criss-crossing boundaries and borders, arriving on-time at the ears and headspace of the people. Tune in, soak up the culture. Relax, take a load off. 

    https://radiofreeamsterdam.org/

  • This Artists Response To Eurasianism: Artlandasia.

    Hard questions emerge for us all, since the threat of Putin’s militaristic Eurasianism rears its ugly head on the world stage. I’m compelled to ask myself what I can do and what my worldview is today? What is to be done, today? How can an individual take on the history of the world and make meaningful and useful communications? What defines and distinguishes our values from those of the dictators and fascists, the fundamentalists and genocidal maniacs?  

    Suddenly, we’re refocused on Russian history, Vladimir Putin, NATO and, depending which way to decide to look on a map, the rest of the world. That’s a lot of study and depends in part on the ability to think objectively, putting yourself in other people’s shoes, it also depends on the time you have and the access you have to good information. Be that as it may, this is my part of the war effort, to shout loud: support your independent artists, build a new alternative to the hideous far-right fantasy of Putin and it’s western New Right allies: Artlandasia.  

    Independent artists, to include some independently minded artists who may not be strictly independent proper, are powerful cultural entities and help define what it is about human culture we love and what we view with revulsion. Simply put, there’s plenty of evidence for artist led and artist supported collectives to run a country, such is the broad definition of the artist in 2022. By running a country, I mean both the practical day-to-day operations of the industrial and technological infrastructure already in place, and that good ole’ entertainment demanded by contemporary culture. 

    Besides their extra explicit artistic skills, musicians, for example, may have a good understanding of negotiations, fair-contracts and working together in a team, listening and thinking fast on their feet. This is the kind of mindset and skill set we need to defeat an oligarchic dictatorship, brave skilled individuals able to work in different groups, listen and then harmonize. Indeed, varied experience and credentials and evidence are helpful in determining who plays which roles in this proposed new humanistic society of artists. Leaving Bono aside for a moment, I’d seriously support somebody like Sting as a candidate for president of Artlandasia, if such a public facing leader were required. Who would you suggest?  

    If we include all writers and literature, we Artlandaisians already have the founders of that other, non-Artlandasian space. From Thoth to Plato, from Confucius to John Adams, we the artists can lay claim to their innovation of language, their impact and influence, yet re-directed toward an open-society of self-owning ones, Artlandasians, distinguished from some Unipolar Empire of divine guided mad kings and mad generals. No, we stand united by a literal harmony, our voices make music, we worship synergy, pitch, tone, rhythm, with desire for beauty, truth, meaning, understanding. Inclusion, multicultural synergy, the innovative and progressive forces of world history reunited through art. For example, Jazz and Blues traditions (rhythm, melody, innovation, sincerity), speakeasy traditions (poetry, history, philosophy, literature) hip-hop traditions (turntablism, graffiti, breakdancing and rap) and on and on. Something for everybody, the ability to read the room.

    We acknowledge and celebrate the eastern influence on our western traditions, we pull down our vanity and conceit to meet with the other, excited and hungry to learn and listen and co-create. To explore the wonders of life, language, love, nature, outerspace, inner-space and the human condition. Together, why not all together? Artlandasia is all-around-the-world, and proposes a globalism defined by Buckminster Fuller: around-the-world-connected, around the world trading, around-the-world-sharing. Equally distributed resources and responsibilities. A new global ART alliance. 

    Computer programming and coding is an artform, another fact Artlandasia can exploit to further its cause. be creative with it. Artlandasia encourages open-source universal programming languages such as Python, to be taught and practiced top-to-bottom within the socio-cultural sphere. To borrow a term from Douglas Rushkoff: program or be programmed. Artists have a tendency to be disciplined and many are already prepared to learn a new non-alphabetic language, for instance.

    Many musicians are familiar with the need to adopt and change plans, to update and learn new skills to survive. Both the digitization and exploitation of their artform and marketplace over the last 20 years, plus the global pandemic lockdown has strengthened our grasp of economics, technology and the minds of the people. The general heart of the matter. Global internet and communications infrastructure are our friend, the backbone upon which Artlandasian can fairly function for all-around-the-world technology.

    Artists, not generals, have the means to impact public opinion by way of writing, design, and programming. Artists are the leading edge of the culture war and have empathy, compassion and sympathy essential to a fair and trustable alternative to violence and bullying. Please consider supporting independent artists who you’d like to see more deeply embedded in society and politics, in decision making and representation of your personal and national identity. Fuck war, let’s art.

    –Steve Fly
    03/03/2022
    Trondheim, Norway.

  • All Steve Fly Agaric Recordings At Discogs 1999-2017

    Recordings and releases featuring Steven Pratt a.k.a Steve Fly Agaric 23.

    Fly Agaric 23The Fibonacci Project Presents (Not On Label – none)10″, Single
    New Flesh For OldEquilibrium (Big Dada Recordings – bdcd013)
    21 For Sale from €2.00
    CD, Album1999
    VariousWaywords And Meansigns – First Edition (Not On Label – none)17xFile, MP3, Album2015
    VariousWaywords And Meansigns – Opendoor Edition (Not On Label – none)145xFile, MP3, Album2017
    Garaj MahalMondo Garaj (Harmonized Records – HAR-010)
    6 For Sale from €3.44
    CD, Album2003
    Garaj MahalBlueberry Cave (Harmonized Records – HAR-023)
    8 For Sale from €3.99
    CD, Album2005
    The Gregory James BandCome To Me (Rogue Records – 1080-4)
    4 For Sale from €3.26
    CD, Album2003
    John Sinclair (2)Mohawk (Iron Man Records (2) – IMB6022)
    10 For Sale from €3.00
    CD, Album2013
    John Sinclair (2)Beatnik Youth (Iron Man Records (2) – IMB6032)
    3 For Sale from €11.92
    2xCD, Album2017
    VariousDeath To Fanatics (Iron Man Records Compilation CD 1999-2014) (Iron Man Records (2) – IMB6023)
    3 For Sale from €2.97
    CD, Comp2014
    John Sinclair & His International Blues Scholars*Let’s Go Get’em (No Cover Records – none)CD2011
    John Sinclair (2)Beatnik Youth (Track Record – none)CD, Album2012
    John Sinclair (2)Viperism (Big Chief Records – none)CD, Album, Comp2012
    John Sinclair (2)Conspiracy Theory (Big Chief Records – none)CD, Comp2012
    Garaj MahalLive in Northern California (Not On Label – none)CD, Album2001
    VariousTeaming With Talent (Harmonized Records – none)CD, Promo2004
    Robert Anton WilsonMaybe Logic: The Lives And Ideas Of Robert Anton Wilson (deepleaf productions – none)DVD-V2003

    https://www.discogs.com/lists/Steve-Fly-Agaric-Recordings/921478

  • Radio Free Amsterdam

    You can listen to the live stream here:

    A Project of the John Sinclair Foundation