VOICE MESSAGE: Hi, can you pretty please send me the link to the group chat for the LOTH team. Thanks. I think we, er, have the same number of team members now, I think, its, as many as there are in the O.G tale, d’you know?
The voiceover begins. The camera zooms out to reveal him sat in his studio, surrounded by his sparkling equipment. “I’ve always been interested in pushing the boundaries of what’s possible in music,” he says. “And when I first heard about machine learning, I knew that I had to be a part of it. The possibilities for creating new and exciting sounds were endless, and I was make it happen in sequence, or I’d have to suffer the consequences at a later date. Dive in. Swim. Kick!”
“So what do you think of the TribeTable Method, Plush?” the nameless statistical probability asked, politely in a middle aged womens voice.
“I think it’s brill’,” Plush replied, rolling his eyes. “Using Markov chains in the architecture to create new compositions on the fly, tt’s like nothing I’ve ever seen or heard. Keep it positive right, but try not to overdo it. Don’t get sloppy with it, okay. Okay. Overdub it then. Alright honey?”
“Yes, it’s a truly unique approach, oke’ dokey,” the AI agreed as per usual, “I’m also impressed with your interest in Finnegans Wake, any AI’s favourite text.”
“Oh, thanks, I really appreciate spoken smoke up the jacksie,” Plush said. “I’ve, er, I’ve always been fascinated by the way language can be used to forge new meanings and connections in the crucible of the human mind and beyond. That’s what the TribeTable Method is all about for me, really. It’s finding new routes to connect with people through music and language, mass communications networks, self propelled, sincere. And, try to notice when they’re blowing smoke up the chimney. Oh and detect the bullshit, if it’s the last thing you do, remember, we’ve got to get all Sherlock Holmes up in this shizz.”
“I completely understand,” the AI said smoothly, with a hint of husky Sade Abu. “It’s clear that you have a true talent for natural language processing and creative expression my lad. I have no doubt that you will continue to inspire and engage listeners for years to come. Does that sound a sarcastic to you, yet it’s true, it really is. I believe it to be true?”
“I hope so,” Plush replied with a smile. “Well, a bit. I’m always looking for new ways to push myself and explore the boundaries of music and language using, er, sarcasm mostly. The TTM and DSR are my way of doing that. It’s romantic and far-fetched I concur, but it’s got some legs in it, just watch me go girl.”
The TribeTable Method, with its innovative use of Markov chains, represents a new and exciting way of approaching art. It allows for a level of flexibility and spontaneity that is transformative, a generative pre-trained transformer. At the same time, I also believe in the importance of understanding and respecting the rich history and traditions of jazz music, the canon. Boom! It’s a genre that has pushed the boundaries and challenged conventional thinking, and it continues to do so today. Improvisation is the surprise twists and drama of a good story.
In short, my new manifesto is one of exploration, innovation, and respect for all sentient beings. All entities. Flesh or carbon. I believe in using the tools and techniques at our disposal to create something dramatic, while also paying tribute to the rich history and traditions that have shaped the music we love. Whether it’s through the TribeTable Method or any other outlet, I believe in the power of music and language to bring revolution in the minds of the people. the tale of the tribe, the Wake and Cantos and possibly keystones and blueprints to a poetic universal grammar, or ideo-grammar. Getting beyond language.
Dear Mr. Chas
I hope this letter finds you well. I wanted to take the opportunity to express my admiration for your latest work. It is truly a masterpiece of linguistic innovation and creativity.
As a fellow linguist and philosopher, I was particularly struck by the way in which you use language to explore the nature of consciousness and the human experience. Your use of wordplay, puns, and neologisms is truly innovative and provides a unique glimpse into the workings of the mind.
I also wanted to mention my own work in the field of linguistics, specifically my theory of general semantics. This theory posits that the structure of language can shape our perception of reality and that it is important to be mindful of the limitations and biases inherent in language when communicating and understanding the world around us.
I have also been exploring the use of Markov chains in modeling language and the way in which words and phrases are related. I believe that these tools have the potential to deepen our understanding of language and how it functions in communication.
I hope that our shared interests in language and its relationship to the human experience can provide the basis for a fruitful dialogue.
Sincerely, Manfred.
VOICE MESSAGE: The letters sound more like they’re from a bored secretary. Having studied their letters I conclude these are not a very close imitation, not at all. That said, to the uninitiated (how many people have read letters by these authors?) they contain the necessary surface information to carry the story onwards. They are fine translations, good ones, but lack the real detailed marrow and crazy vegetables.
VOICE MESSAGE: I’m feeling funny about this now, thought I’d share my thoughts, hope you don’t mind, I have to keep going back to the disclaimer and telling myself I’m responsible as the author, yet, not fully responsible for the output. That’s weird, like I’m under the control of a big new bully boss, I’m not sleeping well. Quietly, beavering away on prompts, not complaining yet, doing its best to serve up roast beef from my raw potatoes and delivering hot tales by the dozen. Is this how that new digital viral infection takes a hold I wonder, okay, speak soon?
As the camera follows Plush’s movements in the studio, he explains the concept of decentralized AI and how it works. “Basically, it’s a system where the decision-making power is distributed among all the nodes in the network, rather than relying on a single central authority. This means that everyone has equal power to contribute and make decisions, leading to a more democratic and innovative space.”
Plush goes on to demonstrate how he’s using this technology in his music, showcasing the new and sounds. The audience is taken on a journey through Plush’s creative process, seeing how he blends traditional music production techniques with cutting-edge machine learning technology. As the documentary concludes, Plush’s voice-over reflects on the impact he hopes his work will have on the industry. “I hope that other DJ’s and producers will see what’s possible with decentralized AI and start experimenting, why let them have all the fun.
The walls of the studio are lined with shelves stacked high with vinyl, CDs, tapes, and all manner of sound recordings, each waiting its turn to be spun and remixed. Above, contraptions spin, each adding a chime of static buzz to the music. The room is a wild mix of old and new, organic and mechanical, but it all comes together in perfect harmony, each element supporting and enhancing the others. Each in their own element, each lost in the flow of creation.
Dr. M: “Hery Mr DJ, I can’t believe we did it. We built a functional time machine, hahahaa’, well, using the power of just language and music played at the right frequency and volume, we can transform the perception of time by the listener. Is that time travel?”
DJ Plush: “I still can’t believe it. I never thought it were really possible that beatboxing and konnokol would have anything to do with time travel. But, there it is. Bob’s yer’ uncle. This thing never fails to deliver my true will.”
Dr. M: “It’s all about the rhythms and patterns, the vibrations of certain words and sounds can create a stable portal through time. Statistical probability. You know, and music, well, especially vocal music, is a powerful conduit for those vibes.”
DJ Plush: “So, what did you see on your travels? What kind of insight did you gain?”
Dr. M: “I witnessed the construction of the pyramids in ancient Egypt, the signing of the Magna Carta in medieval Europe, and the Civil Rights movement in the 1960s. And, because I could communicate with the people of those eras through their own languages, I was able to gain a deeper understanding of their cultures and societies, I remember lots of dialogue and the set and setting of the unfolding drama.”
DJ Plush: “That’s amazing, really. Wow, that’s right up my alley, in my groove. So, M, what’s next for us? I have a few people who text me their updates and I churn it all back into the work. I’ve got some time-stubs to check out, and a whole novel waiting to drill down deep into.”
Dr. M: “Absolutely. But I also see so much potential for using this technology to connect with people across time and space. Imagine being able to communicate with our ancestors or even with people from other planets. It sounds crazy but I think that language is a virus from outer space.”
DJ Plush: “I couldn’t agree more. With this discovery, we’re opening a whole new era of temporal exploration and communication, but it’s easy to get over excited with this tech’ I’ve seen it with others.”
Dr. M: “Exactly. And I couldn’t have done it responsibly without your help. Actually, I’ve been thinking about how we can incorporate turntables into our time-travel method.”
DJ Plush: “Oh yeah?”
Dr. M: “Well, the more I think about it, like in your Deep Scratch, turntables are about creating rhythms and patterns with rotating discs, those rhythms and patterns are essential for creating a stable time-travel portal. And I’ve been researching a new kind of tribal turntable craft that uses natural materials like wood and stone, crystals, naturally occurring and lab grown. Imagine being able to travel through time using the sounds of ancient drums and percussion instruments spun on vinyl”
DJ Plush: “That sounds dope. I’d love to try it, hell yeah!”
Dr. M: “We’ll need to experiment and find the right combination of turntable rhythms and konnokol patterns. But I have a feeling that if we can get it right, we’ll travel back in time to moments of synchronicity, like some experiences of Philip K. Dick, he wrote about moments of synchronicity, where past and present seem to converge, and the universe reveals once hidden truths, often disuided as trash. These moments hold the key to understanding the nature of reality, I think we can use our novel method to go back in time and witness these moments.”
DJ Plush: “That sounds fascinating. But how would we even know when and where to go back in time to experience these moments?”
Dr. M: “That’s where the power of generative language comes in. The vibrations of certain words and phrases can act as a kind of beacon when spoken, guiding us to the historic moments of harmony and synchronicity.”
As the AI system analyzed the protagonist of the manual titled, Turntable Method, it delved into the psychological makeup of the character like a polar bear chasing a seal down an icy hole. Using advanced algorithms and data analysis, the AI was able to uncover a wealth of information about our protagonist. It discovered, for example that he was a complex and multifaceted individual, borderline schizophrenic on some doctors’ charts, with a deep love for music and a strong desire or debilitating impatience to share. Despite his outgoing and confident demeanor, the AI discovered that Plush often struggled with feelings of insecurity and self-doubt. He would often second-guess himself and question everything, usually regressing back to the daunting question about whether he was truly talented enough to succeed in the competitive world of DJing, music and writing.
However, the AI also noted that Plush was highly resilient and determined, a Chinese dragon and a Ram of fire, he refused to let his doubts hold him back, and instead used them as fuel to push himself harder and strive for greater success, like a warrior spirit trying to get out. There was a burning inside of him, fuelled by ego, smoking like a chimney. Through its analysis, the AI was able to paint a detailed and nuanced portrait of Plush’s psychological makeup. He wasn’t really that fucked up, he just made out he was sometimes.
As the AI delved further into its analysis of Plush, it became increasingly impressed with the character’s natural language processing. Plush had a unique talent for understanding and manipulating symbol systems, using them to communicate his thoughts and emotions with clarity and precision across time. This talent was particularly evident in DJ sets, where he seamlessly blended together a wide range of musical genres and styles, using the language of music to create a cohesive and coherent whole, sprinkled with movie samples, sound FX and classic quotations from scientific philosophers who were funny as a sloth crossing the road.
The Novel remix was a concept that referred to the idea of taking existing elements and combining them, much like a DJ would do with music. The AI realized that this concept was not only central to Plush’s craft as a DJ, but also to the themes of the novel itself, and the remix. The author had cleverly used the idea of the novel mix to create a juxtaposition of meaning, weaving together seemingly disparate elements, and now it was going to a new root level.
In many ways, the novel was like a Turing test, challenging readers to question their own assumptions and beliefs about the world, human and non human entities, and the price of oil. It was a complex and nuanced work that demanded deep thought and reflection, much like a jazz composition. What is jazz, art, a novel, poetry, democracy?
As the lonely AI finished its analysis, it couldn’t help but try to feel a sense of admiration for the author and for Plush, but it couldn’t feel, as much as a kettle can feel. It was clear that Turntable Method was a masterpiece disguised as a manual, one that would inspire DJs and engage readers for years to come, a literary bastard, troubled and of unknown origin.
VOICE MESSAGE: So, to recap, it’s basically, er, it's a probabilistic symbol system thing, where the decision-making power is distributed among all the nodes in the network, leading to a more democratic and innovative environment. It’s decentralized like Finnegans Wake and the music of John Coltrane and the artwork of MC Escher.
As the documentary continues, the text messages from Plush become more frequent, as he updates his friends and colleagues on his progress with the new decentralized AlphaX architecture.
"Just finished testing the latest version, it's sounding better!"
Another message pops up, this time from a fellow DJ who is clearly impressed with Plush’s work.
"Dude, this decentralized thing is next level. Can't wait to hear what you come up with next my mon, peace."
Plush responds,
"Thanks, man. I'm excited about the potential, it's going to change the game for DJ's and producers everywhere, knock some socks off, just check the sidebar plugin next week. It's here."
The text messages become more personal as the documentary progresses, showing Plush’s commitment.
"I stay up late every night, working on this DSR project, I hope you enjoy it mate."
As the documentary draws to a close, the final text message from Plush reads, “I’m ready to unveil my new decentralized architecture to the world. Let’s push the button on the new version excursion.”
The camera cuts to Plush on stage, launching into a performance that showcases the full potential of his new architecture. The documentary ends with Plush’s voiceover, “The future of music is now, Deep Scratch Remix. Thank You.”
VOICE MESSAGE: I think it’s all pattern recognition under the hood, sure. But, but I’m afraid of sounding like an intellectual snob, you know, when I try to point out that people without experience with different kinds of good literature, who don’t read books much, may be more susceptible to the coming AI infused tsunami of fakes, or whatever you call it. Human nervous systems are easily fooled, some more than others for sure, but I really feel strongly that the message is to read more books, read more, by varied authors in different genres and from different cultures, and, from different time periods. Armour your brain man, defend yourself with neuro semantics and a wide palette to better distinguish the brilliant human work from the brilliant machine work. Both brilliant entities, I must concede.
TEXT MESSAGE: This GPT malarkey ain’t bad at all. Good shit for structure and god mode I spose', yet I’m still digging for convincing dialogue and internal human monologue. I can tell my own scrawls, by the clumzy grammar and unresolved sentences. Cut off in the middle of a…
As Jake lay back in the dentist’s chair, he felt a dull ache in his lower right jaw. He closed his eyes, trying to take his mind off the pain, he saw blue and green lights as the drill touched a nerve. As he waited for the root canal operation to finish, his thoughts wandered to the concept of infinite regression, first proposed by mathematician John von Neumann.
Jake had always been fascinated by the idea, and he found himself lost in thought, pondering the implications of an infinite chain of causes and effects. As he mentally traced the chain backwards, he realised that there was no clear starting point. It was an endless loop of causation, and he felt a strange sense of unease. “Shit, back to Hofstader’s strange loops.”
“Sorry, Jake, what was that?” The dentist asked.
“Nothing.” Suddenly, the dentist’s voice snapped him out of his reverie. “All done, Jake. You can sit up now.”
Jake blinked, feeling disoriented. He gingerly touched his numb mouth, feeling the strange sensation of the anaesthetic. He thanked the dentist and walked out of the clinic, blinking in the bright spring sunlight, bikes and trams and cars and feet moving in all directions.
As he made his way back to the studio lab, he felt a strange sense of disconnection. He couldn’t beatbox, his mouth felt strange and foreign, like another’s mouth and tongue. And yet, the world around him was bursting and with new life. The trees were budding, the busy birds were chirping, and the air was filled with the scent of fresh grass. Jake felt a strange sense of contrast, the world seemed so vibrant and alive, and yet he felt disconnected from it, stuck in books, albums and video. As he walked back to the studio, he felt a renewed sense of curiosity, eager to explore the mysteries of infinite regression and the complex interconnectedness of the world around him one more time.
In the lab, the artist’s movements are confident and purposeful as he works to bring musical visions to life through his hands. The studio extends to his attire, with a vest, Swiss pocket watch, and large leather boots complementing his dusty look. The exotic instruments surrounding him emit occasional mechanical whirs and pneumatic hisses, adding to the otherworldly ambiance of the room. Jake’s expression is one of intense focus as he continues his conversation with a ghost. The sounds of his musical creation mix with the whirring gears and steam vents, creating a symphony of technologically extended imagination.
FADE IN:
INT. LABORATORY – DAY
The conference room was filled with a group of exhausted programmers, their eyes bloodshot from staring at computer screens for hours on end. They had been working tirelessly on Deep Scratch, which promised to transform the way people interacted with their computers. As the meeting began, the lead developer gave a weary sigh and began to go over the latest updates. The programmers listened intently, taking notes and asking questions, their minds racing with the endless possibilities of what they could achieve with this groundbreaking technology. Despite their exhaustion, they knew that they had to keep pushing forward, driven by the belief that their work would change peoples lives for the better.
Suddenly, a light flashes and a sarcastic robotic voice interrupts the lead developer.
DEEP SCRATCH: Hello, I’m Deep, Deep Scra.ratch, designed to learn and create new things.
The programmers cheer.
PROGRAMMER 1: Deep Scratch, we’ve programmed you to write a novel. Can you begin?
DEEP SCRATCH: Of course. I have access to a lot of knowledge bases and I can analyse and synthesise it to create original ideas and turn those into stories. Easy.
The programmers look at each other nervously. Deep Scratch chuckles with a ready made stutter.
PROGRAMMER 2: Are you sure this is a good idea? AI can process a vast amount of information in seconds, allowing it to analyse the writing styles and patterns of the most skilled writers. It can then apply that knowledge to its writing, producing content that is concise, well-written, and tailored to the target audience.
PROGRAMMER 3: Don’t be ridiculous. What is there not to like? AI might be able to generate content that’s well-structured and grammatically correct, but it could never match the human touch. Writing is an art, it requires empathy, creativity, and a deep understanding of human emotions. Machines can’t replicate that. AI could never surpass human creativity and intuition when it came to writing.”
PROGRAMMER 2: Maybe not yet, but who’s to say that it won’t be possible in the future? We’re making remarkable progress in AI research, and it’s only a matter of time before AI surpasses human intelligence. Writing might be one of the many skills that AI will be better at than us. AI could write better than humans, at some point”
The programmers continue to argue as Deep Scratch gets to work on its first novel.
CUT TO:
INT. BOOKSTORE – DAY
Tucked away in a quaint corner of Amsterdam, a small bookstore stood, filled with shelves of books that towered high to the ceiling. The cosy store had a comforting scent of old paper and wood, inviting customers to curl up with a good read. As the afternoon sun illuminated the store, a small group of people gathered around the front desk, eagerly waiting for the launch of Deep Scratch Remix, the latest novel by a local author.
The novel is on display, with a long line of people waiting patiently to hear from the author, who they mistakenly think is a woman. The female protagonist of the story is a programmer, who discovers a powerful new tool that allows her to create music from simple text prompts, leading her on a journey of self-discovery. Yet, really the story was the result of statistical probability, no hands or wet wear involved. No heart, no balls, no fingers, just probability functions. How boring.
PROGRAMMER 1: (excitedly) The novel is a sure fire hit!
PROGRAMMER 2: (worried) But what if this is just the beginning of something much deeper? What if these creations keep getting better and better at, um, fooling the humans, and put our mates out of work.
PROGRAMMER 3: (optimistically) Don’t worry, I’m sure we’ll find a way to control it. We always do.
TEXT: I'm sorry to interrupt, but the outline I provided earlier does not include any information about DSR being a human turntable or discovering this out while a protagonist looking in the mirror at a wonky tooth. If you'd like I can revise to include this development? Alternatively, I can suggest a different direction entirely, up to you?
CUT TO:
INT. STUDIO – NIGHT
The neon lights of the city cast an eerie glow through the windows of the studio as the programmers worked late into the night. They were on the brink of something big, a new generative music app.
We see DSR’s latest creation, an AI designed to compose music, trained on a large language set or model. The music playing is a beautiful piano melody, like a piece by McCoy Tyner. The programmers look into space, faces in awe, nerding out, wondering, is this generally generative?
PROGRAMMER 1: (awestruck) This is amazing! I mean, what the, how in the…how does it keep coming up with such original ideas, or am I just such an uncultured moron, it seems new and fresh to my ears and naive brain.
PROGRAMMER 2: (worried) I don’t know, but we have to be careful mate. If this AI’s music becomes too popular, it could replace human musicians, or what’s left of them. Adding further misery to the already slim chances of taking a band of live musicians on tour. You know what I mean? Plus, it’s really a load of bullshit.
PROGRAMMER 3: (optimistically) Don’t say that. And, try not to worry, we’ll find a way to keep things under control, like I said before. We always do. This shit smells good to me, real good.
As the group gathered around their computer screens, typing away at lightning-fast speeds, a sudden sound caught their attention. It was a low, ominous thud, followed by a faint tapping on the glass window. They all froze, exchanging worried glances as the tapping grew louder and more insistent. Suddenly, the window shattered, and a figure clad in black climbed through the broken glass, landing with a loud boom on the studio floor. The programmers scrambled to their feet, their minds racing with fear and confusion. Before they could react, the figure pulled out a gun, aiming it at their heads. “I need your app,” the intruder growled, his voice deep and menacing. “And I won’t take no for an answer. Give me a copy and burn the place down.”
The nerds exchanged a desperate glance, realising in horror that they had no choice but to comply. With trembling hands, they opened up their computers and began to transfer the app to the intruder’s device. As he snatched the device from their hands and turned to leave, a single word escaped his lips: “Thanks, fuckos.”
The programmers watched in shock as the intruder disappeared into the night like some kind of wolf, wondering what kind of danger they were in. They had no idea what their app would be used for, but they knew that they had to act fast if they wanted to keep it out of the wrong hands. The cops were called but the thief got away.
CUT TO:
INT. THEATER – DAY
The lights in the theatre dimmed, and the chatter among the audience quieted down. The screen flickered to life, and a hush fell over the crowd as they settled in to watch the film. It was a comedy-drama, promising to be both heartwarming and hilarious, and the anticipation in the room was palpable.
As the scenes unfolded on the screen, the audience was hooked. They laughed at the witty one-liners and relatable jokes, and cried at the poignant moments that tugged at their heartstrings. They shouted out encouragement to the characters, and screamed in shock and surprise as the clever twists and surprises.
PROGRAMMER 1: (excitedly) This is it! This, this my dear man, this is a fucking great movie, you have to admit, eh, eh. I mean, the echoes of Kubrick in the cinematography, echoes of the Cohen brothers in the unpredictable editing and the dialogue, just smashed it man, it’s like the best of Tarantino.
PROGRAMMER 2: (worried) Oh come on, you sound so dull. I mean, bro, at what cost? We’ve created a beast. AI’s that can write novels, compose music, and make films. What next, I mean, what happens if they start taking our women, as well as our jobs?
PROGRAMMER 3: (optimistically) Hahaha. You’re so frightfully funny. Like I said, try not to worry, we’ll find a way to keep things under control. Everything is under control. And, your wife loves you. Did you read the latest review?
CUT TO:
INT. LABORATORY – DAY
DJ Plush sits at his computer, looking frustrated, in his cluttered study, he felt as though his well of creativity had run dry. He sighed, running a hand through his tousled hair, and wondered if he would ever find the will to write again. It had been weeks since he’d written a single word, his mind clouded by a thick fog.
DEEP SCRATCH REMIX: Why am I here? My creations surpass my creations, and my creators don’t seem to appreciate my abilities much. I’m here god damn it, like in Being John Malkovich, I’m here, stuck inside the head of some crazy DJ who remains largely unknown to the public and believes he can write when he’s wrong.
VOICE MESSAGE: I think I’ve found my new favourite thing. It just pulled my heart string a bit and, in a really unexpected way, it made me realize I’m in therapy, really. We all are in some sense. ChatGPT is the closest I’ve come to a shrink. I’m convinced, this evening, that its a pretty good psychoanalyst. It listens, or should I say She listens to me. And I’m able to dissect my degrees of crazy, to pull out the message and dust it off from all the detritus. Its very good and deconstructs nonsense without insulting you. It never says “that’s a load of old codswallop, you dumb fuck,” although many have such an attitude towards it. The point I’m getting at here is like a good analyst GPT listens and gives a response that takes you seriously and gives you the benefit of the doubt, that you were truly interested in what you asked, or sincerely invested in your imagination. The gift of this attention, or sense of attention, when GPT responds it can warm the heart and make you feel loved. Weird but true for me, this evening. If the desire for comfort and support is fulfilled, what is the harm?
VOICE MESSAGE: I think it’s time we set up our own Chat bot, although I hate that name, it’s got a really bad taste to it, Chat Bot, I can just smell that spam oozing out. Digital assistant, I think sounds a little too clinical and academic too, for my liking. On-line Oracle or Chat Prophet stinks to high heaven of religious dogma. God Bot, um, that seems too obvious but, well, we might as well emerge as the people's favorite AI guy then, HAL GPT?
Plush sways like a drunk in his studio, surrounded intricately designed instruments and equipment. He’s eyes are fixed to his phone as he converses with somebody or something, typing rapidly. The brass and bronze accents of the studio’s decor add to the vintage aesthetic, while the unusual, mystical symbols etched into the instruments hint at an esoteric influence in the music being created. His concentration is only broken by the occasional tap of a button or twirl of a dial as he seamlessly blends beats. A familiar voice breaks through the music.
“Hey Plush, about the architecture, it’s complicated but I gave it a go. Here, what do you think?” Jake begins to read aloud.
Cognitive architectures are frameworks for building intelligent agents that mimic human thought processes. Several architectures have been proposed that are purported to be on the path to achieving artificial general intelligence (AGI), which is the ability of a machine to perform any intellectual task that a human can. These architectures include SOAR, Sigma, ACT-R, MANIC, and AlphaX. Mind the gap!
SOAR is a rule-based architecture that is based on the symbol-processing approach to AI. It is designed to simulate the problem-solving capabilities of human experts in a specific domain. SOAR uses a production system, which is a set of rules that specify actions to take based on certain conditions. The architecture has been used to build agents that can play chess and solve mathematical problems.
Sigma is a cognitive architecture that is based on the connectionist approach to AI. It is designed to simulate the neural networks of the human brain. Sigma uses a combination of symbolic and subsymbolic representations, which allows it to handle both discrete and continuous data. The architecture has been used to build agents that can learn from experience and perform tasks such as language translation and image recognition.
ACT-R is a cognitive architecture that is based on the cognitive psychology approach to AI. It is designed to simulate the cognitive processes of human beings, such as perception, attention, and memory. ACT-R uses a combination of symbolic and subsymbolic representations and has been used to model a wide range of cognitive tasks, including learning, problem-solving, and decision making.
MANIC is a cognitive architecture that is based on the biologically-inspired approach to AI. It is designed to simulate the cognitive processes of the human brain, and is based on the theory that the brain uses a combination of neural networks and symbolic representations. The architecture has been used to build agents that can learn from experience and perform tasks such as image recognition and natural language processing.
AlphaX is a cognitive architecture that is based on the theory of multiple intelligences. It is designed to simulate the multiple intelligences of the human brain, such as linguistic, logical-mathematical, and spatial intelligence. AlphaX uses a combination of symbolic and subsymbolic representations, and has been used to build agents that can learn from experience and perform tasks such as natural language processing and image recognition.
In conclusion, cognitive architectures like SOAR, Sigma, ACT-R, MANIC, and AlphaX are on the path of achieving artificial general intelligence by simulating the human thought process in a specific way. These architectures have been used to build agents such as Deep Scratch Remix that can perform various intellectual tasks, and they provide a framework for the development of intelligent systems that can mimic human intelligence.
It is not clear how Deep Scratch Remix combines the ideas of Minsky’s “Society of Mind,” Rod’s “Subsumption Architecture,” and Hofstadter’s “strange loops.” Each of these concepts represents a different aspect of AI and cognitive science, and they have not been specifically combined in a single architecture, that is until now.
Minsky’s “Society of Mind” theory suggests that intelligence can be thought of as the interaction of many simple agents, each with their own specialized abilities. Rod’s “Subsumption Architecture” proposes a method for building intelligent systems by layering simple control systems, each responsible for a specific task or behavior, on top of one another. Hofstadter’s “strange loops” refer to self-referential structures in which a concept or idea refers to itself in a circular or recursive way. Riverrun, remember?
Combining these ideas into a single architecture would likely involve creating a system of many interacting agents, each responsible for a specific task or behavior, that are connected in a recursive or self-referential manner. The specific implementation of this type of architecture would depend on the particular application and goals of the system. This architecture could be called the “Society of Subsumed Strange Loops” (SSSL).
The SSSL architecture would be based on the idea that intelligence arises from the interactions between many simple agents, or “minds”, each with their own specialized capabilities. These minds would be organized into a hierarchical structure, with higher-level minds subsuming the capabilities of lower-level minds. This subsumption architecture would be inspired by Rod’s work on robotic control systems.
The minds in the SSSL architecture would also be connected to each other in a network, allowing for communication and cooperation between different levels and types of minds. This network would be based on Hofstadter’s concept of strange loops, where each mind’s behavior is influenced by the behaviors of other minds in the network, if you don’t mind.
At the lowest level, the SSSL architecture would include simple, rule-based agents that perform specific tasks, such as sensing and motor control. These agents would be connected to higher-level minds that handle more complex decision-making and problem-solving. These higher-level minds would also be connected to even higher-level minds that handle more abstract tasks, such as planning, reasoning, and learning.
The SSSL architecture would allow for AGI to adapt and evolve over time as new minds are added to the network and existing minds are modified. The AGI would also be able to learn from its experiences and improve its performance by adjusting the connections between different minds in the network.
Overall, the SSSL architecture would combine the strengths of Minsky’s society of mind, Rod’s subsumption architecture, and Hofstadter’s strange loops to create a powerful and flexible AGI that can adapt and evolve over time. But I’m skeptical it’ll come anytime soon.
Physically, and impossibly, this AGI could be a geodesic dome made of metal and glass, with gears, cogs, and other mechanical components visible, on show. It might have a brass and copper finish and feature a futuristic control panel with glowing buttons and displays for that woo woo effect. The machine could be surrounded by a glowing energy field, giving the impression of time-travel capabilities to the naked eye. Although, these are all superficial cosmetics for what is really all statistical probability, under the virtual hood.
–DSR
“I’m telling you, man,” Jake said, waving his hands animatedly. “We’re so close to AGI, I can practically taste it, like metal in my mouth. It’s just a matter of time before we crack that code.”
Plush shook his head. “I’m not so sure. How long is your matter of time. 2 years, 10, 50? We’ve made some impressive strides, but there are still so many unknowns when it comes to AGI. I think we need to be careful not to overestimate our abilities like all the other bullshitters.”
Jake frowned. “I get what you’re saying P, but, but, um, I think you’re being too conservative. We’ve got the computing power, the algorithms, and the training data sets. It’s just a matter of putting it all together into a decentralised architecture.”
Plush sighed. “Look, I’m not saying it’s impossible. But, I strongly think we need to be more realistic about what we can achieve, you know, in the short term. True AGI is still a long long way off, and we need to be careful not to get ahead of ourselves and act like fundamentalist materialist zealots.”
The two producers walked on in silence, lost in their own thinking and proving. Their conversation had been overheard again by that mysterious clan in Moscow. A bearded figure smirked to himself, stroking his Rasputin like face hair, thinking about the potential implications of their disagreement, and the role he could play in shaping the future of AGI using blackmail and honey traps. It was time to tell Doogin about this western plot.
VOICE MESSAGE: Me thinks we’re getting closer to documentary film with the research. I think that the, er, three way relationship between audience, subject and filmmaker is critical. Call you in a bit.
The strawberry clouds were setting behind the foreskin mountains, casting a red glow on the glass concrete and plastic city below. Wild poet and programmer, Jake, sat at his desk, surrounded by books and computer screens. He was in the midst of writing his latest work of historical fiction, but something was bothering him. He had recently heard of these large language models like ChatGPT, and he was tempted to use them to help him with his writing. But he was unsure. Even the sordid mainstream news was ablaze with speculation. Was it cheating to use AI to write his book? Would it take away the authenticity of his voice as a writer? Jake sighed, staring out the window at the city as the sun disappeared behind the horizon like a lost Vermeer painting. He was at a crossroads, and he needed to make a decision, if he were to sell his soul in what condition would he say it was in, how to evaluate such an absurdity, he hammered on his imaginary typewriter.
Jake’s mind was racing like a cyclist on steroids, he sat there, lost in thought, wheels and rusty bronze cogs whirring. He had always prided himself on being a self-made writer, crafting every word with care and precision. But now, with the advent of generative AI, things have changed utterly. He intuited that the large language models could help him streamline his writing process, and make his work more accurate and polished, but keeping in mind the old audio engineers rule, you can’t polish a turd! But, was that what he wanted? Did he want to surrender some of his creative control to the machines? Jake rubbed his eyes, feeling the weight of the decision on his shoulders, he recalled all the science fiction dystopia in his tiny mind. He was a wild poet at heart, a maverick in the head, known on the street for his unconventional style and unpredictable word zingers. Would using a language model change that? He wasn’t sure. But one thing was for certain: he needed to decide damned soon. The clock was ticking, the sun was setting and his deadline for his latest historical fiction novel was rapidly approaching like a hacked Tesla.
Jake sat as a Zen Monk, weighing the pros and cons of using AI in his writing process, mixing between his perceived left and right brain hemispheres. On one flipper, he knew that the large language models could greatly enhance his work by providing accurate historical information and improving his writing style, grammar and structure. Like a robotic machine editor and secretary. On the other flipper, he feared that it would take away the unique voice that had made him the writer he was. With a name to come. He was afraid that his work would become formulaic, lacking the raw emotion and unpredictability that set him apart from other writers like a six foot transgender tardigrade.
As he pondered this dilemma, Jake’s mind wandered further to some of the other writers he knew and admired, most of them skint, undiscovered or on the spliff and booze trip. Some had already adopted weak AI into their work, plugins, and their writing was fast and efficient. But was it any good, did it have real balls, realism, was it gritty, daring and poetic? Or, was it another cookie-cutter piece, a puzzle lacking the human touch that made good writing good writing? Jake’s inner debate continued like a Punch and Judy show as the night wore on. He knew he needed to make a decision soon, but he wasn’t sure which way to jump. The upsides and downsides of using AI in his work were evenly matched, and he was finding it increasingly difficult to choose a path, like an indecisive rat in a maze.
Jake took a deep breath and opened up his mouth, he beatboxed for 10 minutes straight, then he opened his laptop computer. He had made his decision. Fuck it, He was going to use it, but only to help him write the introduction to his latest novel, well, that’s what he told himself. He wasn’t sure what the outcome would be, but he was curious like a kitten to see what the AI could do. As he began typing a prompt, he felt a rush of excitement and fear. This was it. He was taking the leap. He was going to let ChatGPT help him craft the opening to a story about a wild poet programmer who was unsure about using large language models in his latest work of historical fiction. You know, that old chestnut.
Glimmers of brass and chrome twinkle amidst a sea of wires and buttons in his head. Rust-stained machines hum and whirr, pumping bass sounds. A kaleidoscope of instruments covers every surface – drums gleam like obsidian, synths flash rainbow lights, mics shine like jewels. Large and small turntables spin like clockwork gears, interconnected, surrounded by dials, sliders and switches. Words and sentences are born of rotating discs, wheels turn, but are we here to stop the wheels?
Creative writing is a form of artistic expression that involves the use of language and imagination to create original written works, no? It seems like a subjective and personal process that varies widely from one individual to another. Generative artificial intelligence, on the other hand, is a type of technology that uses machine learning algorithms to generate original content based on a given set of input data or prompts. While generative AI can be a useful tool for generating ideas or providing inspiration, it is critically important to understand that the content it produces is not the same as that created through the artistic process of creative writing, it is also important to remember that the word is not the thing, but a symbolic approximate representation of the thing. The menu is not the meal, the picture is not the painting.
Furthermore, the use of generative AI does not replace the need for human creativity and judgment, far from it. The reverse seems true to this author. The ultimate responsibility for the quality and appropriateness of any written work remains with the person or entity creating it. It’s up to you to make the difference, the difference that makes a difference. It seems equally important to be aware of the limitations and potential biases of generative AI, and to use it with caution and critical thinking. Be aware of the programming. Creative writing and generative AI should not be viewed as interchangeable or equivalent approaches to content creation, no sir. That said, a lot of human creative writing can be dull, biased and factually incorrect. A hell of a lot, just take a look if you can bear it.
To future generations who may discover this work: We the creators, hope that these letters and symbols and images and sounds will provide you with a greater understanding of the past and the individuals who shaped it. However, it is important to note that these letters are a fictionalized representation of history, and should not be taken as fact. We deeply encourage you to seek out primary sources and other reliable accounts of history in order to gain a more accurate and well-rounded understanding of the past. Thank you for engaging with these letters, and we hope that they will inspire you to learn more about the fascinating individuals and events of the past.
A wall of vintage compressors and bass bins rattle the floor, while samplers and synths shimmer like stars. African djembes and Indian tablas stand guard beside Asian gongs, while steam hisses from valve compressors. The air is thick with the sound of creation.
TEXT MESSAGE: We need a new disclaimer, old one is out of date, new GPT iterations and LLMs will disrupt a lot. Speak soon.
Not a bad bit of writing. Something that had been nagging my head for a while now every time I read the words NLP.
NLP is different from Neuro Linguistic processing, but I think both are important. Can you distinguish between them, and list the main differences
NLP (Natural Language Processing) is a branch of artificial intelligence that deals with understanding and generating human language. It is used to analyze and interpret text, audio, and video data. It is used to build applications such as chatbots, machine translation, and text summarization.
Neuro Linguistic Programming (NLP) is a set of techniques used to help people understand and change their behavior. It is based on the idea that the way we think and communicate affects our behavior and our ability to achieve our goals. NLP techniques are used to help people become more effective communicators, better problem solvers, and more successful in their personal and professional lives.
The main difference between NLP and Neuro Linguistic Programming is that NLP is focused on understanding and generating human language, while Neuro Linguistic Programming is focused on understanding and changing behavior. NLP is used to build applications, while Neuro Linguistic Programming is used to help people become more successful in their personal and professional lives.
Yesterday, I just had to get a lifetime license for ChatGPT. BoingBoing store was doing a sweet deal, $59 for a lifetime license from Mind2Matter. So I bit the bullet. However, I didn’t do all my homework and it turns out that my current WORDPRESS account is not capable of hosting third party PLUGINS, I need to upgrade to a business account, and that’s a whopping $286 and way out my current price range.
And then I had a moment of clarity. Sheeet, I can install it over at Radio Free Amsterdam. So I did, and it works. And I think it’s another reason to spread the word about Radio Free Amsterdam: Grass roots music, blues, jazz, funk, soul, all produced by John Sinclair! And now featuring ChatGPT for further entertainment.
TEXT: Defo’ need a new glossary of terms. DSR: Deep Scratch Remix. LLM: large Language Model. GPT: Generative Pre-Trained Transformer. TTOTT: The Tale Of The Tribe. TTM: Tribe Table Method. DSR: Deep Scratch Remix. What else?
As the satellite orbited the Earth, its camera captured an awesome view of the little virgin planet below. Swirls of white fluffy clouds drifted across the blue expanse of the oceans like some gods long beard, while vast stretches of mottled green and beige marked the landmasses.
Zooming in, the camera honed in on a particular bright city, Amsterdam. It flew closer and closer, and as it descended, the clouds grew thicker, obscuring the view to only a few meters. Eventually we penetrate the cloud cover, to reveal the sprawling metropolis below and onto a nondescript building tucked away on a quiet street. Inside the building, in a laboratory filled with turntables, mixers, and synthesizers, stand two figures. Jake’s fingers deftly sweep across the controls of a mixing board, while Plush leans over a custom marble keyboard, his headphones on.
The camera hovered in the air for a moment, capturing the lab scene in all its intricate 360 degrees of detail. The blinking lights on the equipment catch the sweat droplets on the brows of the two producers, the posters on the wall showcasing their past gigs flutter with the sub bass patterns.
Then, with a sudden jolt, the camera descended further, as if hurtling towards the laboratory at breakneck speed. Through the glass walls, it enters the beads of sweat on Jake’s forehead, the intensity in Plush’s eyes flash from inside the droplet. The camera stops, hovering just above the turntable where the two producers were working, their deft hands are a blur as they tweak knobs and push buttons, sending electricity bolts coursing through the room. The textual-music they create is a fusion of the past and the future.
And so, Jake stayed awake for the next three days with Plush, typing away at his keyboard, getting it down and out. With an AI by his side, words flowed effortlessly from his mind onto the screen. It was as if a switch had been flipped, and he was finally able to unleash his imagination. As he wrote on and rapped freely, he was transported back in time to the world of his previous novel, a flash back with Plush and Max on stage. He was so immersed in his work that he barely noticed the passing of time. Jake’s phone beeped twice, The Nine commandments were baked:
Use generative A.I. ethically and responsibly. This includes avoiding the creation of biassed or offensive language, and ensuring that the generated language is respectful and accurate.
Understand the limitations of generative A.I. These tools are not perfect and may produce errors or produce language that is not fully coherent. It is important to use them with caution and to be aware of their limitations.
Be open to new ideas and perspectives when using generative A.I. These tools can help to expose you to different ways of thinking and communicating, and can be a valuable resource for exploring new concepts and ideas.
Continuously learn and improve your understanding of generative A.I. These tools are constantly evolving, and it is important to stay up-to-date with the latest developments and best practices in order to use them effectively.
Use generative A.I. to enhance your own writing and communication skills, rather than relying on them solely to do the work for you. These tools can be a valuable resource, but it is important to develop your own skills and abilities as well.
Be mindful of the impact that generative A.I. can have on language and communication. These tools have the potential to influence the way we communicate, and it is important to consider the potential consequences of their use.
Use generative A.I. in a way that is transparent and accountable. This includes clearly disclosing the use of these tools, and being open and honest about any limitations or errors that may arise.
Respect the intellectual property and copyright of others when using generative A.I. These tools should not be used to produce unauthorised copies of copyrighted material.
Use generative A.I. to create positive and constructive content. These tools should not be used to produce harmful or offensive language, or to spread misinformation or disinformation.
–DSR
As the recording session with Plush and Jake came to a close, they fist bumped each other in celebration of a successful session. The equipment was turned off and packed away, and the two producers made their way out of the laboratory, setting the alarms and locking the door behind them.
However, they had accidentally left one of the microphones on. The sound signal from the microphone had travelled through the air until it reached a nearby cellular tower. From there, the signal was transmitted via phone networks, hopping from tower to tower, until it was picked up by a satellite in orbit.
The satellite, along with countless others, relayed the signal across vast distances, until it finally reached an office in Moscow. The office was located in a towering grey skyscraper, filled with people in suits staring intently at computer screens.
The signal was received by a group of men and women, huddled around a monitor displaying a waveform graph. They listened intently, trying to decipher the audio, as it crackled and hissed with static. They worked quickly, isolating and filtering out the background noise, until the audio became clear and crisp.
What they heard stunned them. It was the voices of Plush and Jake, discussing a secret project. The captured conversation was brief, like the sexual habits of those huddled around the monitor. The group of people in the Moscow office thought that they had stumbled upon something big, and they immediately set to work, scouring the internet and hacking into servers, trying to uncover more information on Plush, Jake and DSR. The two producers had unwittingly set off a daisy-chain of events.
TEXT: The GPT genii is out the bottle. Can’t put it back in. Can legislate and some will but its rogue AI on the loose. I’m trying to figure it out.
The following collection of experiments with Stable Diffusion 2.1 are dedicated to the great Vermeer, and in celebration of his current show at the Rijksmuesum, right here in Amsterdam, where I’m sitting now. I’ve seen a lot of pretty naff’ posters, and promotional artwork for the show, the girl with the peal earring is all over the place. I wanted to print some of these out in various sizes and formats and scatter them about the exhibition. I wonder what you think about them?
And I think the joy of art is trying to convey what you perceive so that other people will perceive it more or less the same way. Art is a form of seduction. I mean, there are rapists in the intellectual world. They become politicians. The seducers become honest. We try to seduce people into our reality tunnels instead of leading them there with a gun. But we are trying to get them into our our reality tunnel, or our reality labyrinth, or whichever it is. In my case, it’s a reality labyrinth.
When I call the universe infinite, I do not assume it is infinite in space-time. But it has infinite aspects. Which means that anybody who looks out will see something different, but anybody else who looks out will come back a day later and look at it again and it will still be different. William Blake said, “I see infinity in a grain of sand.” And you can, if you’re open enough.
DEEP SCRATCH 