for just one shoulder
(First thought best thought technique)
Kevin “memory” Lane.
“Hero’s get remembered, legends never die”–Evil Kenevil
Ouch, sometimes people are snatched away truly before their time, and Kev was snatched away from us, all who knew him, and from those who did not have the pleasure of meeting him, or reading him, too soon. Way too fucking soon!
Thankfully, he passed in his sleep, and i suspect he was fully up for it, fully ready to ride that pale horse into eternity with a wide grin. “come fucking on reaper, what you got, ay?” And so it goes. A hero beyond measure, both personally and to all of my friends from my home town, Stourbridge, and surrounding areas, Lye, Brierley Hill, Hagley, and the greater Black Country.
I often referred to Kev as the true voice of the Black Country, a unique individual with a rare and raw talent for writing, coupled with his full-on, up front and principled social presence. A true legend who will be terribly missed by those who new him, and by those who did not. Kevin held the kind of fierce intellect and wit and worldly experience our society and its so called leaders lack.
On more than one occasion i had encouraged him to publish his writings, and not just limit his writing ability and insights to facebook. I am sure that some of you reading this know exactly what i mean, Kevin Lane consistently schooled us with his status updates, honest, raw, funny, smart. Kev was a psychedelic wizard and at the same time a top boy, a lad, one of the boys. He somehow combined a number of personalities together, and broke down stereotypes, followed his own path and was his own man. He had his own dance, his own philosophy of life, his own music tastes, his own humour, his unique way of putting it. Kev seemed to me to be a truly free man, always up for trying something new, consistantly making you think, and always, without fail making you, and anybody in earshot, laugh out loud.
Everybody must find their own way to grieve, and for me personally i must write, and write, because one fact i have learn’t, and continue learning from his tragic early exit from the stage, is that eight or ten words on facebook don’t do him justice, for me, Kev deserves a book, a statue and street named in his honor. Although i fully understand that many people now use the dating website to express a wise variety of emotions and thoughts, personal and otherwise, for me, it’s not the place to begin to pay tribute to such a wide-reaching honey-monster of a legend like Kevin Lane. This motherfucker deserves a few thousand words just for starters. So, strap yourself in. Go make a cup of tea and roll a spliff. The present author is about to take you on a journey down Kevin Lane. A lord, and a real shit kicking black country bard. The very least i can do is spend a few days pulling together just a few memories.
So, about the dance…Kev was well known for his unique dance moves, he could be spotted a mile off, doing the Lanebot, or whatever name you wish to put on it, which involved a lot of shoulder movement, little footwork and a lot of smiling. It was a mechanical, almost robotic looking movement, and it was certainly unique to Kev, to the point where other people would try to immitate his moves, with little success but equal enjoyment. Every music event, and every party in Stourbridge will sorely miss Kevin, he was literally the center of the dance, a mascot and life blood of any party. One time around 1999, at a local rave called “Lifted” i remeber Kevin going full tilt on the dance floor, and on the pole. At one point, in a most hilarious manner actually licking the pole, and dancing around it like a cross between a Native American indian worshipping his totem, and a Black Country porn star out on the piss.
Kev loved his music, and supported independent and local acts, most recently championing the Sleaford Mods before anybody else i knew, and always had his ear to the underground sound. A healthy mixture of punk, indie rock, soul, reggae, funk, classic breakbeats and spoken word, Kev would always be up for having a good time at any party, if there were music to groove on, he would be grooving away with all three shoulders. Kev loved good film and TV too, besdes his fantastic collection of pornography (to be donated to Dudley libraries) he sticks in my mind as the guy who turned me onto loads of cult films and future classics, again, before anybody else. Clerks, South Park, Adult Swim, The Black Mirror, Saxondale, were all introduced to me by Kev. Kevin was a taste maker, and had a sharp eye for cultural memes and movements. I would often visit him just to get the low down on what was happening, since i had been away from the UK for large chunks of time, and he always had another movie, fresh album or book to suggest, never disappinting with his selections.
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Turn Your Sh*t Down
(teaser trailer)
First release from
The F*ck You Sound
———————
Microcity is an imaginary place, conjured up into this reality by Chu’s pioneering analogue to digital handcrafting techniques. It is an empty place, a desolate and experimental pitstop on the way back home from disillusionment.
The city is based on the layout for a board game and evolved into four defined quarters: residential, industrial, natural and financial.
Microcity is the only location for future video broadcasts from The Fuck You Sound, populated solely by the cosmic guardians of each district.
This pilot episode introduces you to our solar system, and puts you at the centre of an alternative universe.
———————
Recommended viewing system spec:
==================================
+ 2 minutes of your time
+ 2 ears
+ 2 feet space
+ Google Cardboard or similar headset
+ Youtube app installed on your portable device
+ Headphones
Select the highest possible resolution that your bandwidth allows in the youtube settings for the best visual quality. Click the goggle icon to enable stereo headset capabilities.
The next video release will be full length, in full resolution and better quality. Stay tuned and subscribe.
———————
Links of interest:
==================================
Order the debut 12″ single on Bandcamp
Turn Your Shit Down. Featuring remixes by Bogus Order & Aries:
https://t4qs.fm/bandcamp
Listen to our first sodcast:
https://t4qs.fm/sodcast
Stalk us on Twitter:
https://t4qs.fm/twitter
Hear some of our mixes:
https://t4qs.fm/mixcloud
Discover more of Chu’s artwork:
https://t4qs.fm/chu
Please direct all band enquiries here:
https://t4qs.fm/contact
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stop the cu*ts
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Follow me on Twitter:
http://www.twitter.com/chu3d
Sounds Fly: Music Writing
by Steven James Pratt et al.
Link: http://a.co/9OHmjhJ
http://www.rawillumination.net/2016/04/new-steve-fly-pratt-music-release-has.html
Did a little shopping this morning — just bought a digital copy of the new album Occupy by Dr Marshmallow Cubicle.
The band’s drummer and one of its main songwriters is my friend Steve “Fly” Pratt who has a big group of RAW related websites and blogs, among them the extraordinary RAW360 site, which you really should go take a look at today, if you are not familiar with it.
The album was released on April 23 on Iron Man Records. Fly is based in Amsterdam and has been playing with the band for quite awhile now.
Fly says “The Track titled ‘The Law Of Acceleration’ features fly reading words by Robert Anton Wilson, from Cosmic Trigger I.”
I listened to the track and noticed I enjoyed the drums. I asked Steve who his favorite drummers are. “Max Roach, Billy Martin, Alan Hertz, Owen Hart Jr., Mike Clark, Stevie Wonder, JoJo Mayer, Zakir Hussain,” he replied.
Occupy is available from iTunes and the Amazon digital music store and probably lots of other places, too. More on the album here. There are lots of YouTube videos of the band.
Please visit Mark’s website here:
http://markpesce.com/
There are two other paths open for literature, nearlydiametrically opposed. The first was taken by JRR Tolkien inThe Lord of the Rings. Although hugely popular, the threebook series has never been described as a ‘page-turner’, beingtoo digressive and leisurely, yet, for all that, entirelycaptivating. Tolkien imagined a new universe – or rather,retrieved one from the fragments of Northern Europeanmythology – and placed his readers squarely within it. Andalthough readers do finish the book, in a very real sense theydo not leave that universe. The fantasy genre, which Tolkiensingle-handedly invented with The Lord of the Rings, sells tens of millions of books every year, and the universe ofMiddle-Earth, the archetypal fantasy world, has become theplayground for millions who want to explore their ownimaginations.
Tolkien’s magnum opus lends itself tohypertext; it is one of the few literary works to come completewith a set of appendices to deepen the experience of theuniverse of the books. Online, the fans of Middle-Earth havecreated seemingly endless resources to explore, explain, andmaintain the fantasy. Middle-Earth launches off the page,driven by its own centrifugal force, its own drive to unpackitself into a much broader space, both within the reader’smind and online, in the collective space of all of the work’sreaders. This is another direction for the book. While everyauthor will not be a Tolkien, a few authors will work hard tocreate a universe so potent and broad that readers will betempted to inhabit it. (Some argue that this is the secret of JKRowling’s success.)
Finally, there is another path open for the literary text, onewhich refuses to ignore the medium that constitutes it, whichembraces all of the ambiguity and multiplicity and liminalityof hypertext. There have been numerous attempts at‘hypertext fiction’; nearly all of them have been unreadablefailures. But there is one text which stands apart, bothbecause it anticipated our current predicament, and becauseit chose to embrace its contradictions and dilemmas. Thebook was written and published before the digital computerhad been invented, yet even features an innovation which isreminiscent of hypertext. That work is James Joyce’sFinnegans Wake, and it was Joyce’s deliberate effort to makeeach word choice a layered exploration of meaning that givesthe text such power. It should be gibberish, but anyone whohas read Finnegans Wake knows it is precisely the opposite.
The text is overloaded with meaning, so much so that themind can’t take it all in. Hypertext has been a help; there area few wikis which attempt to make linkages between the textand its various derived meanings (the maunderings of fourgenerations of graduate students and Joycephiles), and it mayeven be that – in another twenty years or so – the wikis willbegin to encompass much of what Joyce meant. But there isanother possibility. In so fundamentally overloading the text,implicitly creating a link from every single word to something else, Joyce wanted to point to where we were headed. In this,Finnegans Wake could be seen as a type of science fiction, not a dystopian critique like Aldous Huxley’s Brave New World, nor the transhumanist apotheosis of Olaf Stapleton’sStarmaker (both near-contemporary works) but rather a text that pointed the way to what all texts would become,performance by example. As texts become electronic, as theymelt and dissolve and link together densely, meaningmultiplies exponentially. Every sentence, and every word inevery sentence, can send you flying in almost any direction.The tension within this text (there will be only one text) willmake reading an exciting, exhilarating, dizzying experience –as it is for those who dedicate themselves to Finnegans Wake.
It has been said that all of human culture could bereconstituted from Finnegans Wake. As our texts become one, as they become one hyperconnected mass of humanexpression, that new thing will become synonymous withculture. Everything will be there, all strung together. Andthat’s what happened to the book.–Mark Pesce.
Immersive 360 VR opens a whole gas-mask of worms let’s hope the thrills and wows are delivered with attention to set and setting. –Steve Fly
Take a look at this paper–“Real Virtuality: A Code of Ethical Conduct. Recommendations for Good Scientific Practice and the Consumers of VR-Technology”
http://journal.frontiersin.org/article/10.3389/frobt.2016.00003/abstract
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http://scfh.ru/en/news/we-drank-soma-we-became-immortal-/
(Hyperlinks to wikipedia by Steve Fly)