Author: flyagaric23

  • Just one shoulder

    …to be still
    silent and ready
    to bless with fury
    what you thought
    what you know
    what’s new?
    horror and terror 
    error and mirror
    smoke everywhere 
    identity dented day
    after day by searching for
    the elusive other
    the you in them
    the us in we
    the feeling of solidarity
    littered lives
    splintered sentences
    the struggle to make
    it whole and new
    even the philosopher
    of science and magic
    can feel cold chill of doom de doom
    and yet the mad moon
    the number 1 sun and all stars
    and earth remain spun
    life coming and going 
    tragic and comic waltz
    orbit of causes pauses to
    the work you were doing
    what you worked on
    before the job sucked time off
    swim through the hate and
    hollywood revenge flu
    into creative love lake mate  
    dig deep and spark one
    bark if you have to

    how to make it all cohere? 
    push through
    stay high and keep smiling
    the world is too big
    for just one shoulder
    –Steve Fly Acrillic
    (First thought best thought technique)
  • Kevin ‘Memory’ Lane

    Kevin “memory” Lane.

    “Hero’s get remembered, legends never die”–Evil Kenevil

    Ouch, sometimes people are snatched away truly before their time, and Kev was snatched away from us, all who knew him, and from those who did not have the pleasure of meeting him, or reading him, too soon. Way too fucking soon!

    Thankfully, he passed in his sleep, and i suspect he was fully up for it, fully ready to ride that pale horse into eternity with a wide grin. “come fucking on reaper, what you got, ay?” And so it goes. A hero beyond measure, both personally and to all of my friends from my home town, Stourbridge, and surrounding areas, Lye, Brierley Hill, Hagley, and the greater Black Country.

    I often referred to Kev as the true voice of the Black Country, a unique individual with a rare and raw talent for writing, coupled with his full-on, up front and principled social presence. A true legend who will be terribly missed by those who new him, and by those who did not. Kevin held the kind of fierce intellect and wit and worldly experience our society and its so called leaders lack.

    On more than one occasion i had encouraged him to publish his writings, and not just limit his writing ability and insights to facebook. I am sure that some of you reading this know exactly what i mean, Kevin Lane consistently schooled us with his status updates, honest, raw, funny, smart. Kev was a psychedelic wizard and at the same time a top boy, a lad, one of the boys. He somehow combined a number of personalities together, and broke down stereotypes, followed his own path and was his own man. He had his own dance, his own philosophy of life, his own music tastes, his own humour, his unique way of putting it. Kev seemed to me to be a truly free man, always up for trying something new, consistantly making you think, and always, without fail making you, and anybody in earshot, laugh out loud.

    Everybody must find their own way to grieve, and for me personally i must write, and write, because one fact i have learn’t, and continue learning from his tragic early exit from the stage, is that eight or ten words on facebook don’t do him justice, for me, Kev deserves a book, a statue and street named in his honor. Although i fully understand that many people now use the dating website to express a wise variety of emotions and thoughts, personal and otherwise, for me, it’s not the place to begin to pay tribute to such a wide-reaching honey-monster of a legend like Kevin Lane. This motherfucker deserves a few thousand words just for starters. So, strap yourself in. Go make a cup of tea and roll a spliff. The present author is about to take you on a journey down Kevin Lane. A lord, and a real shit kicking black country bard. The very least i can do is spend a few days pulling together just a few memories.

    So, about the dance…Kev was well known for his unique dance moves, he could be spotted a mile off, doing the Lanebot, or whatever name you wish to put on it, which involved a lot of shoulder movement, little footwork and a lot of smiling. It was a mechanical, almost robotic looking movement, and it was certainly unique to Kev, to the point where other people would try to immitate his moves, with little success but equal enjoyment. Every music event, and every party in Stourbridge will sorely miss Kevin, he was literally the center of the dance, a mascot and life blood of any party. One time around 1999, at a local rave called “Lifted” i remeber Kevin going full tilt on the dance floor, and on the pole. At one point, in a most hilarious manner actually licking the pole, and dancing around it like a cross between a Native American indian worshipping his totem, and a Black Country porn star out on the piss.

    Kev loved his music, and supported independent and local acts, most recently championing the Sleaford Mods before anybody else i knew, and always had his ear to the underground sound. A healthy mixture of punk, indie rock, soul, reggae, funk, classic breakbeats and spoken word, Kev would always be up for having a good time at any party, if there were music to groove on, he would be grooving away with all three shoulders. Kev loved good film and TV too, besdes his fantastic collection of pornography (to be donated to Dudley libraries) he sticks in my mind as the guy who turned me onto loads of cult films and future classics, again, before anybody else. Clerks, South Park, Adult Swim, The Black Mirror, Saxondale, were all introduced to me by Kev. Kevin was a taste maker, and had a sharp eye for cultural memes and movements. I would often visit him just to get the low down on what was happening, since i had been away from the UK for large chunks of time, and he always had another movie, fresh album or book to suggest, never disappinting with his selections.

    (more…)

  • hand drawn 360 video teaser by Chu for ‘Turn Your Shit Down’

    Published on Jun 17, 2016

    **PLEASE SUBSCRIBE** to this channel so you can be one of the first to watch the full video on the release date

    ———————
    Turn Your Sh*t Down
    (teaser trailer)
    First release from
    The F*ck You Sound

    ———————
    Microcity is an imaginary place, conjured up into this reality by Chu’s pioneering analogue to digital handcrafting techniques. It is an empty place, a desolate and experimental pitstop on the way back home from disillusionment.

    The city is based on the layout for a board game and evolved into four defined quarters: residential, industrial, natural and financial.

    Microcity is the only location for future video broadcasts from The Fuck You Sound, populated solely by the cosmic guardians of each district.

    This pilot episode introduces you to our solar system, and puts you at the centre of an alternative universe.

    ———————

    Recommended viewing system spec:
    ==================================
    + 2 minutes of your time
    + 2 ears
    + 2 feet space
    + Google Cardboard or similar headset
    + Youtube app installed on your portable device
    + Headphones

    Select the highest possible resolution that your bandwidth allows in the youtube settings for the best visual quality. Click the goggle icon to enable stereo headset capabilities.

    The next video release will be full length, in full resolution and better quality. Stay tuned and subscribe.

    ———————

    Links of interest:
    ==================================

    Order the debut 12″ single on Bandcamp
    Turn Your Shit Down. Featuring remixes by Bogus Order & Aries:
    https://t4qs.fm/bandcamp

    Listen to our first sodcast:
    https://t4qs.fm/sodcast

    Stalk us on Twitter:
    https://t4qs.fm/twitter

    Hear some of our mixes:
    https://t4qs.fm/mixcloud

    Discover more of Chu’s artwork:
    https://t4qs.fm/chu

    Please direct all band enquiries here:
    https://t4qs.fm/contact

    ———————

    stop the cu*ts

    ———————

    Follow me on Twitter:
    http://www.twitter.com/chu3d

  • Occupy by Dr Marshmallow Cubicle

    Sounds Fly: Music Writing

    by Steven James Pratt et al.

    Link: http://a.co/9OHmjhJ

    http://www.rawillumination.net/2016/04/new-steve-fly-pratt-music-release-has.html

    Did a little shopping this morning — just bought a  digital copy of the new album Occupy by Dr Marshmallow Cubicle.

    The band’s drummer and one of its main songwriters is my friend Steve “Fly” Pratt who has a big group of RAW related websites and blogs, among them the extraordinary RAW360 site, which you really should go take a look at today, if you are not familiar with it.

    The album was released on April 23 on Iron Man Records. Fly is based in Amsterdam and has been playing with the band for quite awhile now.

    Fly says “The Track titled ‘The Law Of Acceleration’ features fly reading words by Robert Anton Wilson, from Cosmic Trigger I.”

    I listened to the track and noticed I enjoyed the drums. I asked Steve who his favorite drummers are. “Max Roach, Billy Martin, Alan Hertz, Owen Hart Jr., Mike Clark, Stevie Wonder, JoJo Mayer, Zakir Hussain,” he replied.

    Occupy is available from iTunes and the Amazon digital music store and probably lots of other places, too. More on the album here.  There are lots of YouTube videos of the band. 

  • Mark Pesce on Finnegans Wiki, and whatever happened to the book.

    Please visit Mark’s website here:
    http://markpesce.com/ 

    There are two other paths open for literature, nearlydiametrically opposed. The first was taken by JRR Tolkien inThe Lord of the Rings. Although hugely popular, the threebook series has never been described as a ‘page-turner’, beingtoo digressive and leisurely, yet, for all that, entirelycaptivating. Tolkien imagined a new universe – or rather,retrieved one from the fragments of Northern Europeanmythology – and placed his readers squarely within it. Andalthough readers do finish the book, in a very real sense theydo not leave that universe. The fantasy genre, which Tolkiensingle-handedly invented with The Lord of the Rings, sells tens of millions of books every year, and the universe ofMiddle-Earth, the archetypal fantasy world, has become theplayground for millions who want to explore their ownimaginations.

    Tolkien’s magnum opus lends itself tohypertext; it is one of the few literary works to come completewith a set of appendices to deepen the experience of theuniverse of the books. Online, the fans of Middle-Earth havecreated seemingly endless resources to explore, explain, andmaintain the fantasy. Middle-Earth launches off the page,driven by its own centrifugal force, its own drive to unpackitself into a much broader space, both within the reader’smind and online, in the collective space of all of the work’sreaders. This is another direction for the book. While everyauthor will not be a Tolkien, a few authors will work hard tocreate a universe so potent and broad that readers will betempted to inhabit it. (Some argue that this is the secret of JKRowling’s success.)

    Finally, there is another path open for the literary text, onewhich refuses to ignore the medium that constitutes it, whichembraces all of the ambiguity and multiplicity and liminalityof hypertext. There have been numerous attempts athypertext fiction’; nearly all of them have been unreadablefailures. But there is one text which stands apart, bothbecause it anticipated our current predicament, and becauseit chose to embrace its contradictions and dilemmas. Thebook was written and published before the digital computerhad been invented, yet even features an innovation which isreminiscent of hypertext. That work is James Joyce’sFinnegans Wake, and it was Joyce’s deliberate effort to makeeach word choice a layered exploration of meaning that givesthe text such power. It should be gibberish, but anyone whohas read Finnegans Wake knows it is precisely the opposite.

    The text is overloaded with meaning, so much so that themind can’t take it all in. Hypertext has been a help; there arefew wikis which attempt to make linkages between the textand its various derived meanings (the maunderings of fourgenerations of graduate students and Joycephiles), and it mayeven be that – in another twenty years or so – the wikis willbegin to encompass much of what Joyce meant. But there isanother possibility. In so fundamentally overloading the text,implicitly creating a link from every single word to something else, Joyce wanted to point to where we were headed. In this,Finnegans Wake could be seen as a type of science fiction, not a dystopian critique like Aldous Huxley’s Brave New Worldnor the transhumanist apotheosis of Olaf Stapleton’sStarmaker (both near-contemporary works) but rather a text that pointed the way to what all texts would become,performance by example. As texts become electronic, as theymelt and dissolve and link together densely, meaningmultiplies exponentially. Every sentence, and every word inevery sentence, can send you flying in almost any direction.The tension within this text (there will be only one text) willmake reading an exciting, exhilarating, dizzying experience –as it is for those who dedicate themselves to Finnegans Wake.

    It has been said that all of human culture could bereconstituted from Finnegans Wake. As our texts become one, as they become one hyperconnected mass of humanexpression, that new thing will become synonymous withculture. Everything will be there, all strung together. Andthat’s what happened to the book.–Mark Pesce.

  • On VR and a 360 of ethics.

    Immersive 360 VR opens a whole gas-mask of worms let’s hope the thrills and wows are delivered with attention to set and setting. –Steve Fly

    Take a look at this paper–“Real Virtuality: A Code of Ethical Conduct. Recommendations for Good Scientific Practice and the Consumers of VR-Technology”

    http://journal.frontiersin.org/article/10.3389/frobt.2016.00003/abstract

    make nice things

    be nice
    speak with well meaning
    don’t be mean and spiteful

    be cool man
    a 360 ethics 

    thought for others point of view
    in ALL directions?

     ================

    ================

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  • The Search For Soma takes a left turn, upwards.

    http://scfh.ru/en/news/we-drank-soma-we-became-immortal-/

    (Hyperlinks to wikipedia by Steve Fly)

    “We drank Soma, we became immortal…”

    For over a hundred years now, scientists have been discussing what plant was used to prepare Soma (Haoma), a sacred drink of the ancient Indians and Iranians, which “inspired poets and seers, made warriors fearless.” The hypotheses were plenty: from ephedra, cannabis, and opium poppy to blue water lily (Nymphaea caerulea) and fly agaric (Amanita muscaria). The answer was found in a grave of a noble woman buried in an elite burial ground of the Xiongnu, the famous nomads of Central Asia.
    Importantly, none of the researchers denies the fact that the ancient Indians and Iranians consumed a drink with a psychoactive substance as a sacrament. However, the precise identity of the substance and its plant source, as well as its influence on human consciousness, are still being debated.
    The translator and greatest authority on the Rigveda Tatyana Ya. Elizarenkova wrote: “Judging by the Rigvedahymns, Soma was not only stimulating but also a hallucinogenic drink. It is difficult to be more specific not only because none of the plants suggested as soma satisfies all the parameters and only partially answers the description of soma given in the hymns but mainly because the language and style of the Rigveda, an archaic religious tome with the typical features of ‘Indo-European poetic speech’, pose a formidable obstacle to soma identification.” Knowing perfectly well that all the possibilities of the written source had been exhausted, Elizarenkova believed that the answer could come from archaeologists, from “their findings in North-Western India, Afghanistan, and Pakistan (and not in remote Central Asia).”
    Remarkably, her opinion, expressed 25 years ago, was confirmed by new findings made in Mongolia. No one could have suspected that a grave of a noble woman buried in an elite burial ground of the Xiongnu, the famous nomads of Central Asia, would answer the question asked long ago.
    It happened in 2009. A team from the Institute of Archaeology and Ethnography SB RAS, which was led by Natalia Polosmak, was performing archaeological excavations in the Noin-Ula Mountains, Northern Mongolia. In tumulus 31, at a depth of 13 meters, the archaeologists discovered a wooden burial chamber. On the floor, which was covered with a thick layer of blue clay, around an old tomb ruined by ancient robbers, there were visible traces of a woollen fabric; this was all that was left of an embroidered strip, which was of great historical value even in this fragmentary state. Textiles are virtually never preserved in ancient graves, and such findings are exceptionally rare. The remains of the textile were retrieved from the grave and delivered to the Institute of Archaeology and Ethnography SB RAS. The second life of this remarkable artefact began thanks to Russian restorers.
    The craftsmanship and the story unfolding on the threadbare fabric are truly amazing. Embroidered in woollen thread on the thin cloth is a procession of Zoroastrian warriors marching towards an altar; one of them, standing at the altar, is holding a mushroom in his hands.
    A distinguishing feature of this embroidery is that the craftsmen did their best to depict the faces, costume, arms, plants, and insects, trying to copy everything from life. According to the mycologist I.A. Gorbunova (Candidate of Biology, senior researcher with the Inferior Plant Laboratory, Central Siberian Botanical Garden, SB RAS), the mushroom depicted on the carpet belongs to the Strophariaceae family. In some ways—the general habitus, shape of the cap, stitches along the edge of the cap reminding of the radial folding or remnants of the partial veil and dark inclusions on the stipe that can remind of a paleaceous ring, which blackens after the spores are puffed—it is similar to Psilocybe cubensis (Earle) Singer [Stropharia cubensis Earle]. Some of the mushrooms of the genus Stropharia cubensis, or Psilocybe cubensis, contain psilocybin—a unique stimulator of the nervous system. In their psychoactive properties, psilocybin mushrooms are much more befitting as vegetative equivalents of Soma, or Hoama, than fly agaric, which was identified with Soma in the Rigveda by R.G. Wasson in his well-known book. His point of view was supported by many famous scientists; the psychedelic theory proposed by T. McKenna even assigns the main role in human evolution to psilocybin-containing mushrooms.
    For the first time, we can see vivid evidence, embroidered on an ancient cloth discovered by archaeological excavations, for the use of mushrooms for religious purposes, probably, to make Haoma, a “sacred drink.”
    The origin of this embroidery and characters depicted on it is associated with North-Western India and the Indo-Scythians (Sakas). How the embroidered cloth made it into a Xiongnu grave is a surprise of the so-called Silk Road, a network of trade routes crossing the whole of Eurasia. Judging by the Chinese chronicles, veils and blankets from Northern India were highly valued in the Han China.
    The woollen curtain with an amazing plot was discovered after its 2,000-year-long confinement in a deep grave, which is a miracle in itself. The curtain is not only a fine example of ancient art, which was recovered thanks to the meticulous work of Russian restorers, but a unique source of information casting light on one of the obscure periods of ancient history.