Category: Art

  • Art and money, how?

    Art and Money?

    How is it, who issues it
    creative and yet counterfeit
    for nothing

    a second look
    double take
    the time space
    inversion with

    value?
    empty things in time space
    filled with space time
    what do you call it
    money or art?
    artney/moart?

    which technical abilities
    aesthetic reflections
    information content and
    originality

    in economics
    the painted euro
    fabricated pound
    sculptured dollar
    projected bit

    coin from paper to
    data and back to the newest
    paper cash

    canvas
    mini illustrated notes
    of limited beauty
    money as counterfeit art
    art as counterfeit

    money
    draw you notes now
    to Elmyr and twenty Bob
    what’s unique and rare art

    what value system is held
    in s/place my numbers
    5, 10, 20, 50, 100
    limited proportions
    artistic value

    distortions
    Art & money raise
    question:
    what is money,
    who issues it
    how?

    Steve ‘Fly’ Pratt
    (Amsterdam)

  • CI for COPENHAGEN INTERPRETATION 2009: What Poetry?

    http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fflyagaric23%2Fshannanigums-wave-book-iii-chapter-xii& Shannanigums Wave Book III Chapter XII by flyagaric23

    Us clams must stick apart” –Feudal Baron Periwinkle III.

    Aphrodite rose from sea foam in film. Merry Mermaid and love goddess surfinn her scallop chariot through twisted arms of godsoilmen and sludge.

    She has risen to meet the supermajors to balance scales and dance to the finnance seers circe song.

    Gulf scoop. Venus Arise! Awake. Hail Eris! Drink snail wine and toast to King scallop, loops.

    Sail up Botticelli’s shell birth canal, known by cockle, hat and staff, Cruz’ past oily Slick Cheney news. We roe under the sign, past energy task force positions.

    The Galloping Scallop clad man of greek myth. The Knights bejewelled in clam lips and kisses. Rich blue Oil spill or mother of pearl? Like blended parrots and dead plankton, mixed emulsions. Beautiful Miss. Oil Spill?

    Crude awakening to the spill-age. A Collosal squid princess riding old Jakobsschelp to help a Hutch load of old scallops rise out the Seafloor Blues. Deep sea things speak! Lo! Scallops of the ocean down by the great rising Chiefs.

    Take Big Periwinkle into your earshell. Smell the sign, touch the symbol, has it got ridges? Dreams cast to sea to see in a Venus shell in a mother of pearl breast. Dead Plankton in the paint painted on Saints of the swamp.

    And the city sewers flow. Heed the clam of commerce and the cockle-shock shimmy. A shell of transfusion, what sea-shell sign symbol confusion.

    Emerging on a horse covered in Scallops? Yes, Prince Periwinkle gallops-up stream like Salmon. Skullops for one shelling a dollop. Sea wave-wind Mussels flex into fossils. Oh, more yet, invisible smell of oilamp from the limpet.

    The Penis of Mr. Big Periwinkle is swelling, a telling sign of the times. Lets Oil the Oystery of Oil, and stir with a staff, lets foil Big sharks, get shocked, struck coil! Row roe with the Tide Swell batter and salt.

    Swim with the titanic Sementic shift, up out the shell, again, to tell a snail tale of the planetary shaft.

    Son’s of Thunder Juice, Snel, quick up to defend the word. A sea slug with untold feet, runs with you. Hoily Tools of the Big Petrol scoop and scope scheme, wallops the marine scene with unclean oil sheen. Another spellage.

    Ocean deep n’ blue, packed full of shell-rooms, true teachers of petrochem generation X. Drill here. Rise up like foam, Alexthunder Oil the Shah Cockle and the unseen shellhand scoop, arise fortuna.

    Waxy Parrot Snot in the sea banks, how to dress up a death spill? Casting Shells – The wavy lines trace swellmighty calm. His Loch’ Holiness the Buddhaclam Caliph of Pearl of the Santiago Shell mound gate tell us, what fate?

    Great clam emperor of the Mollusca lineage, Big Up your shelf. By nature the sign, 500 Million years of geometry spun, sings in holy brine water, the Duke Periwinkle Clam tissue of ivory Sheen?

    Look down the well. Oily DEA and ivory salt newspaper scalps litter our vessel, truth and beauty from underwater vents, meanwhile oilmen pollute the ocean-Green with sculpted Pipe lines, crime waves of DEA projects, No Oildea how sticky their handshells.

    To the Great Old One’s, please hear us and help a sign-sailor resist a supermajor temptress, blackmailing a redesign.

    Each cell on the Shell glitters and does not glisten. Clamco on our sex organs. Oil spill, pipe-line, spoil, Usury, coercion, interference with the flow.

    Oyster Gods of ancient oceans sculpt the wave and weave pearls for serpents teeth to sew. WWII elixir prohibition, in the name of thy snakeoil potions, Rise, Oh.

    Sea-meat wonders with one hundred eyes that dwell upon Old heraldic shields, Rise up like bubbles and show us your shape. If only Molluscs could grow wings?

    Dutch English American statistics, more scallops? Roam the ocean wide with the Sigil of Galloping shells tells a whale of a trial of a clam, with snapping hinge teeth. Big Blood and loot (bleep) swinging from the Scallops pole, I and Shelly, and our Seal: Koninklijk.

    A Toast to Scallops and the food of Godzilla, and the marvel of Clam propulsion.

    Venus come surfing on a scallop, leading with a shell in hat and staff in hand. Scholar. Mussel Swimming down Saint James’s glory-gate to stealth Oil Cow and coo. Scoop it. And the church Redlips TTOTTAL Informollusc. Sculp. Crude awakening.

    Cockoily and Crude Millions scalloped out of the earth’s. Intimidated pilgrims raise a Church shoal. To the Botticelli Shell-mex, mix, to the – Supermajor – noGods’ and the shall he, Shall he not trotter. Heart of calcite, home of crystal. Toil to swim with the ASA Esso sponsors. Pick a Shell and drink James Juice.

    The sacred periwinkle proportions, now sea gold. Periwinkle Cockle and aragonite Shillyshellying, on land we’re all out of gas? Gaia Scalp flaking, dry rot and sun burn, Crashing oil and Blood in similar waves, Half-mollusc, half man with a vulva Cuthulu cult riding a Periwinkle to shore, to soil on past British Patrolingmen.

    Deep Rejoice – Skol – of the sea leagues 93’000 species of Mollusc, calcium from sea, Saint James Juice “No thankyou.” Oh, resurrecting Periwinkle is forbidden? Greenwash be damned, HOLY Scollop of truth Swim on your way!

    Oh, Mollusc gas around pilgrims Hands. Scooping the word. Praise the Count of cockles who calculates the calcium content. Re-shore em’ that Oystery has Pearls. Barons to protect the crust. Don’t drill, hear! The silver pink flesh remaining of ocean Sheild.

    What pearls lie in the sign. Schaaldrake Unreeled from the Well, winds blowing above the abyss of humanity.

    A clamber of underwater James shimmer “What the devil’s covering you, old directors?” The Hat clamp too. Holy floor, must be peak oil time! Shall we use our gills to push? Praise oceans Brand waves. The fisherman on fire, Oil brigade, fire brigade.

    What Sustenance? Entangled oil pipline artery of earth rot? Well well well, Oil be damned! eyel. The stolen dead plankton. The dead seamen-oil-blood transfusion.

    The Tectonic shifts and shafts. Swallow the shilly-shally sea and go a’ rumaging. A mussel bound wisdom tongue in a Dutch pit. Venus in shell, that feminine Scallop.

    Beware the starfish and oystercatchers and Condi Rice. Our boat enters the earshells of Leviathon. Seers are feeding, so meditate on bivalvia underground and grow new ears. Total germs. Sea worms fight back.

    Please dive off the Euro board and Rejoice for James Juice. Hoily Houses Haunt Oystery sauce. The currents of Oysery in the Musselmen’s. How to Oil the machine and then stir, sir?

    Scallop filtration of nature Mouth pit. Hermaphrodite Samuel of the black-gold waters. Global eyes of the oceanic gleam where Ibskal speak of sea diamonds, pearls and disturb the Calm mud.

    Look Deep, look well , lick the James Juice-oil, drink the poison and ride the snake to the pit of Saint DEA, to planet Exo-Clamboil. Elders send word of hope, inducing Amanita Mollusca.

    Sometides wash nutrients up Ripples of the great allrudy wish-ways prepear’d with proportions of Baron periwinkles dimples. Chevrollop, clamswallop, wham. Big Shh’ galaxy, in silence. And inside the noble clam chamber Mr. Mussel finds shelter from transfusions and Cockledoom on a dinner plate.

    Oh shil, you supermajor logo shystirs. Rumble of waves around scalloped edge – where Venus teleports – to visit ecstatic ten-thousand. And Brand new standards, drink the ocean ink of clam soup. Ingest the Hoily Ocean Extracts from the me-a-ning Well, it’s all for the best.

    Wade through the bauxite, don’t step on our eggshares show foresight. Juice the wellwell markets, be merry, speak into these eggshawls. Schelp, I need some clammy mammy? Muscle and sperm of capitol, testoss and hydrocarbons, Thankyou, the pearls really shine. 500 Million years of Scallop evolution sculpted from chalk with tyme.

    Real Crotch Oil spread and royal Roe Smoothie. The synchro-swimming around the OVA, mixing a schaal alliance. Pink into the black current. Shellfish swim for ecosystem and it’s edges.

    The taste and Zap, filtering compost on sea-bed, the underwater awakening, like Fungus, the Clam infiltrates the swill. Heaven and Hell, the birth of Lucifer von Periwinkle and his Kingdom Oilmen! Lo, the chatter and Swell, the Venus and the Vulva. Marian’s Well. Like a Mermaid’s, always moist.

    Master of devices and of painted Green weeds. Grow. A Pilgrim Artefact slyjacked. Marian! Murmur and maid, with comb and mirror, homeless, Comb exchanged for a clam-pick to pluck Lyre songs. Merry tinkles of shells and deep-blues for heads.

    Oh yeah, to schell the proof to buy the truth. Sea Red and sigil read. Michelle, and her pink mantle. Swimming with our vows to explore the edges of the Sun. Elixir of Baron Periwinkle makes a tasty tipple. A tale maybe a virus. Vile us! With a treacherous hijacked Scallop – snapping – at your toe, out to out brand Oil.

    Way out. Respect the Hoily mollusc of Saint James. These Claims of holy clams clamp down on Baron Periwinkle’s clump, so Dive down and pry benearth. The Venus Mermaiden has risen from the sea to show you her she-sails.

  • 51 DEGREES: AUDIO RESPONSIVE AND RETROSPECTIVE. pt. 2

    http://vimeo.com/moogaloop.swf?clip_id=4372989&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1
    CHU EXHIBITION from Trav on Vimeo.

    http://vimeo.com/travart

    THanks TRAV. Good JOb.

    http://www.schudio.co.uk/blog/2009/360-degree-51-birmingham/

    360 Degree views of the Birmingham show

    | posted on May 12 2009

    Click on the image(s) below to see the fullscreen 360 degree panorama(s):

    53_gallery

    52_gallery

    51_gallery

    (opens in a new page, requires Apple Quicktime)

    For anybody who couldn’t make the show in Birmingham, view the main room from three different angles. You can also view the cube too.

    If you’re interested in having one made, let me know.

    Its possible to create them entirely in Flash too, without the need to download Quicktime, view the high resolution example of the experimental cube.

    Cubic Experiment

    | posted on May 04 2009

    Life is short, the art long, opportunity fleeting, experiment treacherous, judgment difficult
    -Hippocrates

    Nearly my whole creative experience I have been toying around with virtual spaces and thier exploration. Since I began working in CGI (on the ZX Spectrum VU-3D by Psion March 1983) and then into papercrafting and print techniques, I have been on a mission to merge the crafts and techniques and give the user experience more validity, or basically give the onlooker a super-human power, instead of me, the artist.

    For years I had considered the cinema 360 shows at the seaside and the stereoscopic applications, with red/blue glasses etc. that are familiar, hi-tec experiences you can have in many venues in various cities around the world. Six years ago I hit upon a technique that would replicate, or reverse engineer, the effect of a Quicktime VR movie or QTVR. QTVR’s construct an all around photographic experience from a single viewpoint, in the centre of a cubic space. My thoughts caught fire when I considered that it could be a real cube, and the centre was the natural, average height of a human eye level.

    Click this image to see a small version of the demonstration model that you can print out and make:

    For 6 years I believed the object necessary for this centre was to be 12 foot by 12 foot by 12 foot. Just before I had the oppurtunity to practice the concept, it hit me that the natural centre of a cube, a 5 foot 10 inch person, would require an 11 foot 6 inch cube.

    Rich Holland was the keen craftsman gifted with the task of building the walls and ceiling on the floor of the Wild Building in Birmingham. It took 3 days and over 2000 screws.

    The cube was launched at the preview night on 23rd April. To aid the viewing whilst the door was closed the very able Peter Dixon fitted a pendant 150W lamp 3 foot down from the centre of the ceiling, evenly casting light into the corners of the cube.

    I have to admit to getting a little cabin crazy whilst I worked inside the cube. After a while I was unsure what was the floor, and what I could rest on whilst I worked on the ceiling and floor. The sheer scale was a little ambitious in the timescale of the show, only two weeks to view this manifestation of a crazy idea I had. I hope to return to the next phase and hopefully bring it to London. In the meantime, enjoy a little version I made of it that you can view on-screen (Apple Quicktime required)

    Click on the image(s) below to see the fullscreen 360 degree panorama(s):

    51cube

    http://www.schudio.co.uk/blog/2009/360-degree-51-birmingham/

  • 51 DEGREES. AUDIO RESPNSIVE AND RETROSPECTIVE.

    CHU ROLLS INTO BIRMINGHAM APRIL 23RD.

    http://www.schudio.co.uk/51/

    New bodies of work on canvas and paper on display in Digbeth, near Birmingham City Centre on Saint George’s day 2009, Thursday April 24th.

    Here’s an extract from the press release:

    Aerosol cans become unstable at 51 degrees, pyramids are built at 51 degrees, secondary rainbows are only visible at 51 degrees, daisies open up to the sun at 51 degrees, and the northern hemisphere begins above the latitude of 51 degrees*. If the graffiti tradition of adopting a number after your tag (similar to Taki 183, from 183rd Street, NYC) then the artist Chu’s number is definitely FIFTY ONE.

    Exploring (literally) new perspectives and embracing computer-aided technologies, Chu’s work has continued to push back the boundaries of graffiti since he first began experimenting with aerosol paint & home computers in the late 1980’s describing his creations as gently reminding us of the everyday conflict between digital and analogue devices.

    This new collection charts a journey in the UK from the town of Walsall to the city of Birmingham, along the A34 road, the flagship route for bus number 51. 12 new paintings and simultaneous, limited edition, screen print releases will be shown alongside a warehouse space containing an installation created specifically for this long awaited comeback show.

    I’ll be displaying all of the studio work I’ve created over the last 12 months, along with a few new vibes aswell. I’ve been working a lot more with tricks-of-the-eye, illusion and site-specific works, aswell as canvases and designs for print.

    http://www.schudio.co.uk/51/

  • NBA is for Noon Blue Apples: DVJCCon.

    THIS TREASURE BELONGS TO DAGOBERT II KING
    AND HE IS THERE DEAD SHEPHERDESS NO TEMPTATION
    THAT POUSSIN TENIERS HOLD THE KEY PEACE 681 BY
    THE CROSS AND THE HORSE OF GOD I COMPLETE THIS
    DEMON GUARDIAN AT NOON BLUE APPLES – http://rawilsonfans.com/articles/mary.htm

    http://www.csp.org/chrestomathy/sacred_mushroom2.html


    http://rawilsonfans.com/articles/priory.htm


    http://rawilsonfans.com/articles/GreatBeast.htm

    http://en.wikipedia.org/wiki/Nietzsche


    http://en.wikipedia.org/wiki/Muscarinic_acetylcholine_receptor



    http://www.skepdic.com/illuminati.html


    http://en.wikipedia.org/wiki/Order_of_St_John

    http://en.wikipedia.org/wiki/Paranoia-criticism


    http://en.wikipedia.org/wiki/Giordano_Bruno


    http://www.dailymail.co.uk/pages/live/articles/news/

    http://quanta-gaia.org/reviews/books/JesusConspiracy.html


    http://en.wikipedia.org/wiki/Amanita_muscaria


    http://en.wikipedia.org/wiki/Manuscript_illumination

    http://en.wikipedia.org/wiki/Ernest_Fenollosa


    http://en.wikipedia.org/wiki/Illuminati


    http://en.wikipedia.org/wiki/Literary_device

    http://www.rawilson.com/metro.shtml

    THE CROSS AND THE HORSE OF GOD I COMPLETE THIS
    DEMON GUARDIAN AT NOON BLUE APPLES

    Acrillic Figa

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