Category: cosmic trigger

  • tale of the tribe and the sirius mystery

    The tale of the tribe contact high.

    Fuck off, and welcome to another installment of my blog–a tale of the tribe–that aims to offer a resource of specific information related to the great complex and generally hidden project (unfinished) tale of the tribe, by the late Robert Anton Wilson.

    Since a recent positive explosion of interest in Robert Anton Wilson across the United Kingdom due, in part to the brilliant book by John Higgs about the the KLF featuring much RAW wisdom and context for a UK audience. Plus, the Cosmic Trigger stage play looks to make agents sweat when it launches in Liverpool, November 23rd 2014. Revisiting Cosmic Trigger the book, the current author was bowled over again by gazillions of new connections, and a new deeper love for RAW and his life story, and a willingness to look at the tale of the tribe from a new angle, which sets the basis of the following piece of writing i gathered onto the paper page a few hours ago, here in Vondel Park, Amsterdam.

    Fire!
    x

    pg. 1

    TTOTT and the Sirius mystery

    what if
    RAWs great unfinished symphony
    the tale of the tribe
    were more than a guide to 13 of
    the greatest human minds
    who helped humanity find
    peace
    through communication

    what if
    TTOTT
    were also a guide to contacting
    higher intelligences
    from alternate dimensions
    or wherever
    what if the tale of the tribe
    were really a key
    to the sirius mystery
    and itself a cosmic trigger?

    pg. 2

    take Girodano Bruno
    his new languages
    for new communications with
    higher intelligence
    development of angelic languages
    so called

    foundations of
    enochian vision magick
    contemporary with John Dee and
    Edward Kelly

    maybe
    Bruno and his works hold keys
    to early contact with E.Ts
    angels entities as you wish
    and denizens of the sirius
    triple star system

    strange holy guardian angels
    but somehow
    communicating through timespace
    through the nervous system of
    Robert Anton Wilson
    into the tale of the tribe
    a modern critique
    of scripture
    holy binding contractual poetic
    does it work?

    pg. 3

    Yeats Joyce and Pound
    also made
    contact
    in some sense with higher
    intelligence
    some might say muse
    others artistic inspiration
    but what

    if Yeats…
    (a butterfly landed with all six mittens onto
    the page while writing this
    two antenna
    deep burnt orange and woody
    choco’ brown hairs with dashes of
    white)

    what if
    William Butler Yeats
    picked up on the magickal hermetic
    current and methods for contacting
    higher intelligence
    either from his own study of Bruno
    Dee Kelly Ficino
    or

    from Aleister Crowley
    the great beast
    who diligently practiced
    enochian magick

    pg. 4

    and so
    maybe Yeats passed on the
    invisible bug or knowledge
    a tiny magickal starseed
    to his associates
    James Joyce and
    Ezra Pound?

    the Chinese written character
    and ancient imagist sensibility
    in resonance with contacting
    higher intelligence
    how did that language strike up from the past?

    (contact between the widow of
    American scholar of Japanese arts and
    oriental culture: Ernest
    Fenollosa and Ezra Pound cc. 1912)

    the hermetic current
    tirelessly innovating culture
    art and science with
    humanitas

    pushing out beyond language
    into total communication
    magick keys to open invisible doorways
    geometry poetry mathematics
    and good will

    pg. 5

    and a will to power
    to the people
    special languages of poetry
    to awaken the reader
    to the ignorance in knowledge
    firm trust in the universe to provide
    flying on the wings of
    imagination

    what if
    contact with higher intelligence
    disguises itself as creative impulse
    and the spark of ingenuity?

    Joyce and Pound each
    made a revolution in
    communications scripture
    and systems

    a good guide to contacting your
    own deeper shadow self
    your private muse
    angel
    or sirian servant
    invoked for good intentions
    on behalf of all around the world
    humanity
    a doorway for friendly ET intervention
    ummm…

    pg. 6

    deeper still we have
    the Polish genius who contacted
    higher intelligence through the
    intensive work and innovation of
    language:
    general semantics

    a refinement of language structure
    toward a science of meaning
    contact with multiple entities
    a lesson for self centered
    naive realists
    in non-Aristotelian language systems
    of limited communications
    Alfred Korzybski

    key to magickal workings
    a 20th century extension of core
    hermetic wisdom
    scientifically presented as
    a system

    deployed by William S. Burroughs
    a possible way to interpret the nova mob
    practiced and mastered by
    Robert Anton Wilson himself
    the epic vortex
    of imagination and good
    willed humour

    pg. 7

    what if
    Buckminster Fuller were a
    primary key figure to
    understanding and making use of the
    hermetic wisdom in
    contacting higher intelligence

    innovation of geometry
    so as to benefit all humanity
    design science revolution
    in the hermetic tradition
    not for weapons of war
    but knowledge systems and new
    communications languages
    for peace

    toward universal abundance
    of technology in the
    minds of the people
    the natural abundance of
    carbon 60
    or bucky balls
    throughout the universe

    serious cosmic economics
    extraterrestrial technology
    and contact
    through the medium of geometry
    maybe some Giordano Bruno
    wisdom
    geodesics and dymaxion
    architecture for the people
    buckyballs and the mad
    carbon 60 mystery of the
    universe:
    ubiquity of c60 throughout it!

    pg. 8

    what if
    the father of information sciences
    and the mathematical theory of
    communication
    Claude Shannon
    were perceived as another
    unforeseen link to opening the
    invisible doorways through which
    higher intelligence
    crept

    to lead much of humanity in 2014
    into contact
    with everybody and everything
    imaginable:
    the global internet of things

    a basically hermetic ideaspace:
    shared knowledge and a
    scientific tool for discovery
    and information processing
    and
    feedback

    Shannon dangles keys
    to as yet undiscovered
    rooms without walls
    mind boggling complexity
    negentropy
    building a new cypher language
    to help deduce and evaluate
    information
    through innovating the equations
    binary electrical switching circuit
    contact

    pg. 9

    what if
    the tale of the tribe
    by Robert Anton Wilson
    defines another order of
    methods and systems
    required for any thinking individual
    who really wants to make contact
    with higher intelligence
    here it is
    cosmic trigger
    study it

    and with luck ideas and inspiration
    may emerge to lift up humanity
    and instigate newer and faster
    technological innovations
    of the living
    livingry

    once contact is established
    how the to ask
    a meaningful question
    how to interpret the information

    quantum mechanics
    and taoism
    both
    systems for deeper study
    on contemplating a holy
    guardian angel
    entity
    shadow self
    how to?

    pg. 10

    magickal workings in the
    enochian language seem
    to me to be more effective
    way to contact higher intelligence
    without tears
    with good reason healthy skepticism
    and a playful soul

    based upon evidence from
    RAWs books such as Cosmic Trigger vol. 1
    and from RAW himself in my interviews
    i now feel today that
    there exists a particular contact
    procedure
    based on RAWs experiments detailed in his
    book
    methodology that includes
    magickal occult ceremony
    and tantric rituals
    together with strange drugs

    Aha
    i hear the skeptic shout accusingly
    drugs!
    i knew it
    all this babble about contact and angels
    he’s high on acid

    well yes what you thought
    the psychedelic experience
    mimics the magickal experience
    and the experience of art too
    getting beyond language
    into epiphany and cosmic coincidence
    or better yet synchronicity

    pg. 11

    to innovate the priest craft
    while keeping two feet
    grounded on earth
    in the sewer
    maybe the message from the stars
    seeds is to evolve and mutate?
    get back to the primary source of
    a kind of
    decentralized (Bruno)
    perception

    unlimited and unbounded by belief
    beliefs unlimited
    freedom of thought
    as Crowley and Leary
    and Philip K. Dick demonstrated

    we are not alone but
    surrounded by a network of sentient
    beings
    a love macrocosm
    teaming with life and things to
    communicate and
    probably not in english

    simply tune in
    RAW tuned in while also turned on
    and quickly got dialled into
    sirius.raw broadcasting network 23

    since getting in touch
    RAW crafted ingenious magickal
    communication devices
    or books
    utilized to help
    other make contact
    and possibly take the plunge and
    attempt the tale of the tribe
    for themselves

    pg. 12

    TTOTT
    a modern verse epic
    an epic including history
    a global epic for the entire
    human race
    from the perception of
    an individual stuck in time
    space

    a spirited attempt to
    redeem oneself from the
    mostly violent
    wreckage of history
    the history of men
    empire warfare greed
    and nightmare bushit’ whirl

    a new book of the day
    contact for all who read
    to provoke freedom of thought
    and sympathy and forgiveness
    for all mankind

    the gods never left us’
    we must knuckle down and
    create this kind spirit of open
    communication for all entities
    both gods and insects
    we must become the
    magick
    we wish to see manifest
    in the word/world

    pg. 13

    two examples of
    the tale of the tribe
    the cantos of Ezra Pound
    &
    Finnegans Wake by James
    Joyce

    both epic and encyclopedic
    global
    tragic comic
    multi lingual
    crated a whole new style
    ideogrammic prose
    hologrammic prose

    both in the hermetic tradition
    heavy on math
    geometry and esoteric symbol
    systems innovated and
    unified in the minds of
    the people who read them

    keys to holding a kind sanity
    in the facebook of a
    pop culture apocalypse
    love and light of acknowledgement
    that nothing is what it first appears to be

    pg. 14

    and slowness is beauty
    good access to the data for all
    helps build a clearer picture
    global webnet search engines
    unleash much occulted information and
    wisdom hidden within the cantos
    and the wake
    even today

    and so the global
    hermetic revolution is underway
    and has been for thousands of years
    artists
    scientists
    hackers
    magicians

    untied against fundamentalist
    materialists
    religious and scientific dogma
    state sponsored bully boy tactics

    and against mean spirited
    greedy actions for the exclusive
    benefit of the few

    a planet spaceship earth
    with 7.6 Billion passengers
    using over 750 languages
    requires a certain sympathetic
    and tolerant individual
    who attempts unity in verse
    including history
    without loosing sight of
    the guiding principle of compassion
    and kindness for all sentient beings

    –Steve Fly Agaric 23
    Amsterdam. 6.50 P.M, 11th June, 2014.


    (on my way back from the park this afternoon i made a decision that when i got home i would google “Yeats and “butterflies” to see what might turn up. Of course, in 1934 Yeats wrote a drama titled ‘Wheels and Butterflies’ adding some spice to this mini-drama unfolding within a drama triggered by a butterfly landing on my open page as i wrote the word Yeats.)

  • Starseed Transmissions intersection point: July 23

    Starseed Transmission intersection point

    The following are some notes i made while revisiting the RAW high weirdness around the date July 23, 1973, and some of the influences and experiments he mixed together during those weeks.

      

    EXHIBITS

    EXHIBIT: Crowley book 4.
    “It is impossible to lay down precise rules by which a man may attain to the knowledge and conversation of His Holy Guardian Angel; for that is the particular secret of each one of us; a secret not to be told or even divined by any other, whatever his grade. It is the Holy of Holies, whereof each man is his own High Priest, and none knoweth the Name of his brother’s God, or the Rite that invokes Him.–One star in sight, Book 4.
     
    EXHIBIT: Starseed
    “Kohoutek will have a pale blue and yellow tail stretching out for somewhere between 75,000,000 and 100,000,000 miles — the yellow portions of it in the shape of a scimitar. It will first be seen by the naked eye in mid-November and will look dull. But since it will be approaching the Sun at 250,000,000 miles an hour, it will brighten and from mid-December to Dec. 28 the peoples of the world will have the finest Christmas star ever.”
        How about that, Chump? Do you still believe everything out there “just happened by accident.”
        —From a “memo to a friend who is an atheist” in Bob Considine’s September 16 column in the San Francisco Examiner & Chronicle. The quoted paragraph is from a release by the American Museum, Hayden Planetarium.–http://www.lycaeum.org/books/books/starseed/starseed.shtml

    EXHIBIT: SUN RA
    Composer, keyboardist and bandleader Sun Ra’s intimate connection with the cosmos is well documented, but it was rare that Ra was given cause for real celestial celebration. That opportunity did come in 1973 however, when Ra and his orchestra played a show in celebration of Kohoutek, a comet whose sighting was billed as the “Comet of the Century.” Though the comet was ultimately a visual disappointment, the concert was an aural success; the Arkestra is in a loose and comfortable realm on Concert for the Comet Kohoutek, whose release only came in the early ’90s before being reissued.–http://www.allaboutjazz.com/concert-for-the-comet-kohoutek-sun-ra-esp-disk-review-by-henry-smith.php#.U4ZioCgUpwF

    EXHIBIT: Enochian
    Enochian magic forms the backbone of both the Crowley and Golden Dawn systems of magic. Latest theories include that John Dee knew of the Slavonic Book of the Secrets of Enoch, as well as the Ethiopic Book of Enoch. Many individual magicians or very small groups prefer Enochian magic to other forms as the ceremonial scale required is smaller than needed for Masonic style ritual work. On the other hand, elaborate equipment is required to perform Enochian magic properly, including correct copies of the various Tablets and diagrams, and other apparatus (see “Enochian Temple Furniture” above).
    http://en.wikipedia.org/wiki/Enochian_magic

    EXHIBIT: LILLY
    Note that when Lilly writes, “To transcend one’s limiting set, one establishes an open-ended set of beliefs about the unknown,” he doesn’t give any indication of what those open-ended beliefs should be. That’s all up to you. I also find it significant that he suggests a “set of beliefs” rather than “a belief” about the unknown.
    I remember Lee Perry, of the Samadhi Tank Company, telling me that John told them when giving orientations to first time users of the floatation tank to take extreme care to NOT give them any kind of programming or suggestions about HOW to use the tank, what to do or expect in there.– http://oz-mix.blogspot.co.uk/2011/08/beliefs-unlimited.html

    EXHIBIT: Beliefs Unlimited
    “This exercise is useful when one attempts to move beyond one’s current belief structures. Record the the following in a soothing and authoritative manner five times into a tape recorder.
    (start of belief unlimited tape)
    In the province of the mind, what one believes to be true either is true or becomes true within certain limits, to be found experientially and experimentally. These limits are beliefs to be transcended.
    Hidden from one’s self is a covert set of beliefs that control one’s thinking, one’s actions, and one’s feeling.
    The covert set of hidden beliefs is the limiting set of beliefs to be transcended.
    To transcend one’s limiting set, one establishes an open ended set of beliefs about the unknown.
    The unknown exists in one’s goals for changing one’s self, in the means for changing, in the use of others for the change, in one’s capacity to change, in one’s orientation towards change, in one’s elimination of hindrances to change, in one’s assimilation of the aids to change, in one’s use of the impulse to change, in one’s need for changing, in the possibilities of change, in the form of change itself, and in the substance of change and of changing.
    There are unknowns in my goals towards changing.There are unknowns in my means of changing. There are unknowns in my relations with others in changing. There are unknowns in my capacity for changing. There are unknowns in my orientation towards changing. There are unknowns in my assimilation of changes. There are unknowns in my needs for changing. There are unknowns in my possibilities of me changing. There are unknowns in the forms into which changing will put me. There are unknowns in the substance of the changes that I will undergo, in my substance after changes.
    My disbelief in all these unknowns is a limiting belief, preventing my transcending my limits. My disbelief in all these unknowns is a belief, a limiting belief, preventing my transcending my limits.
    By allowing, there are no limits; no limits to thinking, no limits to feeling, no limits to movement. By allowing, there are no limits. There are no limits to thinking, no limits to feeling, no limits to movement.
    That which is not allowed is forbidden. That which is allowed exists. In allowing no limits, there are no limits. That which is forbidden is not allowed. That which is not allowed forbidden. That which exists is allowed. That which is allowed, exists. In allowing no limits, there are no limits. That which is not allowed is forbidden. That which is forbidden is not allowed. That which is allowed, exists. That which exists is allowed. To allow no limits, there are no limits. No limits allowed, no limits exist.
    In the province of the mind, what one believes to be true either is true or becomes true. In the province of the mind there are no limits. In the province of the mind, what one believes to be true either is true or becomes true. There are no limits.
    (end of Belief Unlimited tape)
    (from The centre of the cyclone an autobiography of inner space by John C. Lilly,M.D.)
    When listening to the tape, lie in a comfortable position on the floor with the lights very dim and just allow the words and meaning enter you without any resistance. DO IT SOON, DO IT REGULARLY.
    http://metaprogrammers.tribe.net/thread/62170597-3051-4625-b925-8068b67a5671

    EXHIBIT: RAW GUARDIAN LSD LILLY ANGEL ZEN
    Robert Anton Wilson shares his thoughts about the experience of what seems like contact of a profound nature with some kind of external intelligence. His experience began after taking LSD and listening to a tape recording of John Lilly’s Beliefs Unlimited, followed by Aleister Crowley’s Liber Samekh, which is a version of the Bornless Ritual used to invoke the Holy Guardian Angel. Wilson followed this initial experiment with the performance of additional rituals and sex magick, also including the previously mentioned tape recordings, but without the LSD.

        “On June 6, 1973, the Neurologician took a programmed trip on something an underground Alchemist told him was LSD. The program was in two parts, basically: I remained in a dark room, eyes closed, lying on a bed, during most of it. Part one was the playing back, on a tape recorder, of Dr. John Lilly’s “Beliefs Unlimited” hypnosis-tape; this was repeated several times during the first three hours of the experiment. During hours 4 to 5, a tape of Aleister Crowley’s Invocation of the Holy Guardian Angel was played.
        …
        The next day, and in the following weeks, my yoga meditations were vastly enriched, and I occasionally went for days on end conscious of the two minds thinking, my mind and the “hornless” Mind, or, as Suzuki Roshi used to say, Little Mind and Big Mind.
        On July 22, 1973-six weeks after the trip-the Wizard was ready to try again, without the supposed LSD.
        This time, I used the Lilly tape and the Crowley invocation again, without drugs, but with prolonged and holy rituals or Tantric sex-trance involving the cooperation of the Most Beautiful Woman in the Galaxy.
        (pg.83-86 Cosmic Trigger)
    http://www.blastedtower.com/robert-anton-wilson-on-conversation-with-the-holy-guardian-angel/
     Relevant link:
    A biography of Suzuki, titled Crooked Cucumber, was written by David Chadwick in 1999. —http://en.wikipedia.org/wiki/Shunryu_Suzuki
    Relevant link:
    http://www.erowid.org/entheogens/writings/entheogens_writing1.shtml

    EXHIBIT: Timothy Leary on Starseed
    “Einstein’s equations. Nuclear energy. The revelation of DNA code as literally a code to be deciphered. Neurological imprinting. Anti-matter. Mankind clings to the old myths, avoiding the new truths. It happened before.
        “Towards the end of the sixteenth century, Giordano Bruno aroused the groggy world, asking it to fling its mind far beyond the planets. He speculated that the cosmos extended to infinity.
        “This in itself was not so shocking; but Bruno went considerably further—he postulated a multiplicity of world: suns and planets with life, unseen companions for the race of man. He toyed with man’s conception of himself; for this, and for magical claims and political entanglements, he was burned in 1600.” The Discovery of Our Galaxy, Charles Whitney.
    http://www.lycaeum.org/books/books/starseed/starseed.shtml

    EXHIBIT: Liber Samekh

    “The Word that goeth from
    (A) Free Breath
    (U) through Willed Breath
    (M) and stopped Breath
    (GN) to Continuous Breath,
    thus symbolizing the whole course of spiritual life. A is the formless Zero; U is the six-fold solar sound of physical life, the triangle of Soul being entwined with that of Body; M is the silence of “death”; GN is the nasal sound of generation and knowledge.
    http://www.bibliotecapleyades.net/crowley/liber/libers/liber800a.pdf

    being the Ritual employed by the Beast 666 for the Attainment of the Knowledge and Conversation of his Holy Guardian Angel during the Semester of His performance of the Operation of the Sacred Magick of ABRAMELIN THE MAGE.
    http://hermetic.com/crowley/libers/lib800.html

    EXHIBIT: Guardian Angel
    The Bornless Rite takes about half an hour to perform start to finish, and it involves a certain amount of visualisation, statements of intent, and a whole lot of resonating ‘barbarous names’ (i.e. words which don’t mean anything but which help you focus or meditate on the energy you are trying to evoke).  If you want to read Crowley’s text about how to go about the rite you can read it here.  However, as with most text by Crowley it isn’t always as clear as it might be.
    Performing it the first time I wasn’t terribly competent – there’s a lot going on, a lot to remember, and frankly barbarous names are a pain in the backside.  Just exactly how are you supposed to pronounce AR-O-GO-GO-RU-ABRAO without feeling slightly self conscious?  But it rapidly became apparent there was something to this – if the goal of a magickal ritual is to shift the consciousness of the magickian, then this worked a treat.  By the end of it I felt like I was buzzing with energy, and I did, indeed, feel a certain ‘divine authority’ had come upon me.  Cool, I thought, this is something to do again.
    The history of the Bornless rite is pretty interesting.  First of all, the title seems to be a mistranslation – it should be the Headless Rite.  But that sounds a lot less cool.  There’s an argument to suggest it means head as in the beginning or start, therefore headless means without beginning, and Bornless might be a reasonable parallel for that concept.
    http://www.weirdshitnotbullshit.com/getting-to-know-your-holy-guardian-angel-the-bornless-riteliber-samekh/

    Exhibit: from wikipedia: July 23, 1973 (Monday)

        A member of the Japanese Red Army and four members of the Popular Front for the Liberation of Palestine hijack Japan Air Lines Flight 404, a Boeing 747-246B with 140 other people on board, shortly after it takes off from Amsterdam Airport Schiphol in the Netherlands for a flight to Anchorage, Alaska, en route a final destination of Tokyo International Airport, Tokyo, Japan. One of the PFLP members is killed when her hand grenade explodes during the hijacking, also injuring the airliner’s chief purser. The surviving hijackers force the plane to fly to Dubai in the United Arab Emirates; after a long stay there, they force it to fly to Damascus, Syria, and Benghazi, Libya, where they release the passengers and crew 89 hours after the hijacking began and blow up the airliner.
        Ozark Air Lines Flight 809, a Fairchild Hiller FH-227, encounters windshear in a thunderstorm and crashes at Normandy, Missouri, while on approach to land at St. Louis International Airport in St. Louis, Missouri, killing 38 of the 44 people on board.
        The Avianca Building in Bogotá, Colombia, suffers a serious fire.
    http://en.wikipedia.org/wiki/July_1973#July_23.2C_1973_.28Monday.29

    Exhibit 2: From wikipedia:
    1829 – In the United States, William Austin Burt patents the typographer, a precursor to the typewriter.– http://en.wikipedia.org/wiki/July_23

    EXHIBIT: Book 4, One star in sight.
    Liber 185 need not be quoted at length. It is needful only to say that the Aspirant is trained systematically and comprehensively in the various technical practices which form the basis of Our Work. One may become expert in any or all of these without necessarily making any real progress, just as a man might be first-rate at grammar, syntax, and prosody without being able to write a single line of good poetry, although the greatest poet in soul is unable to express himself without the aid of those three elements of literary composition. —http://hermetic.com/crowley/book-4/app2.html

    EXHIBIT: Secret Chiefs
    Several 19th and 20th century occultists claimed to belong to or to have contacted these Secret Chiefs and made these communications known to others, including H.P. Blavatsky (who called them the “Tibetan Masters” or Mahatmas), C.W. Leadbeater and Alice A. Bailey (who called them Masters of the Ancient Wisdom), Guy Ballard and Elizabeth Clare Prophet (who called them Ascended Masters), Aleister Crowley (who used the term to refer to members of the upper three grades of his order, A∴A∴ ), Dion Fortune (who called them the “esoteric order”), and Max Heindel (who called them the “Elder Brothers”).
    http://en.wikipedia.org/wiki/Secret_Chiefs

    The Enochian Calls or Keys (the angels refer to them by both titles) are 48 spirit evocations delivered to Dee and Kelley in the Enochian language and then translated into English word for word by the angels. The overt purpose of the Keys, the angels declared, was to enable Dee to establish ritual communication with the spirits of the 30 Aethers or Airs who rule over the tutelary spirits of the nations of the earth. There are actually 49 Keys, but the first, the angels said, is too sacred and mysterious to be voiced. The first eighteen explicit Keys are completely different in their wording; the last 30 are similar save for the name of the Aether inserted in the first line. The angel Raphael declares the expressed purpose the Keys to Dee: —http://www.bibliotecapleyades.net/bb/bluebook418.htm

    Pull my ring:

    Back in the mid to late 1990’s while reading the first ‘Cosmic Trigger’ by RAW, i was struck by a perceived synchronicity when reading the section about Dr Timothy Leary and the starseed transmissions, due to my recent encounter with Sun Ra and the concert for comet Kahoutek, which is the same comet that Dr Timothy Leary mentions in his starseed transmissions, as the cosmic trigger, in some sense a literal cosmic trigger from the skies, perhaps you could say. I would say, and i picked up on this synchronicity and made an early association between, RAW synchronicity cluster fucks from his book Cosmic Trigger,and my own feelings about special kinds of free jazz, out there experimental jazz, the later works of Coltrane, the strange worlds of Sun Ra, and of course my own experiments with altered states of awareness, a little Yoga, some Magick and strange drugs, mostly of the organic and local variety.

    Almost 20 years ago i turned on to what was happening and within only a few short years i was lucky to be immersed in channeling interests based around RAW and his tribes that unfold from his books. A memorable moment that tipped me into a slightly more receptive state to mystical happenings, or strange synchronicity, was when the tripper was reading the book ‘Design for Dying’ by Dr Timothy Leary and R.U Sirius (Ken Goffman), and listening to to ‘the bottle’ by Gil Scot Heron, when the music and text synced up together upon the word ‘John Coltrane’, Leary was using his music as a metaphor to describe the sub-atomic world of quantum mechanics, clouds of probabilities.

     I like the idea of a constellation’ of harmonic vibrations, cohering to the individual mind-body conduit making it all happen, with luck on behalf of all the tribe, the global epic, in this case the music of John Coltrane and/or Sun Ra. ‘Cosmic’ in the best sense of that word. And, it was comet Kahoutek that first struck me with a strong enough synchronicity to break me out from my conditioned rigid reality constructs into a new world, with my own spirit, off and out billions of light years away, entering chapel penniless.

    New ideas flew out from my head and a few others around me, and a rising tide of terrible popular assimilation’s and degradations of everything and anything that could be purchased, thanks, in the most part to the Thatcher/Reagan invasion, and move toward an unrestricted global finance capitalism, a true monster that swallowed up anything original, churning out cheap imitations and co-opting the signals, signs, music and culture of rebellion to simply extend the universal brands. Enough moaning.

    Getting back to today, i just returned from a Sun Ra centennial celebration concert with the Sun Ra Arkestra under the direction of Marshall Allen, held at the Barbican theater. I was fortunate to be the guest of poet John Sinclair, who performed with the Ra esque, out jazz cats Flounder Effect, reading a freshly composed ode to Sun Ra, and introducing the Arkestra itself. I met Marshall after the show briefly, shook his hand, said ‘beautiful, thankyou’ and saw his friendly spirited greetings and loving vibes for John.
    The plot thickens a little more when you consider that John Sinclair introduced me to the great Michael Ray (Galactic tone scientist) and driving force of the Sun Ra Arkestra and formations since 1978. Michael kindly managed to slip into the studio in Amsterdam while visiting with Kool and the Gang, and incredibly improvise a special language for trumpet, to fit snug with Johns 23 poems all taken from his great work in verse dedicated to Thelonious Monk: I mean you.

    I had previously seen Michael Ray in the context of his Kosmic Krewe when living in new Orleans 2004, and his band often criss-crossed with the touring band ‘Garaj Mahal’ who i was fortunate to ‘jam’ with between 2000-2005 across the U.S. I have a fond memory of seeing his band at the Blue Nile in 2004 at the rather strange time of 2.00 P.M on a mid-week afternoon. The new language of responsive improvisation struck me at that gig, the outness of some parts, and then leading into loverly swinging epic masterpieces.
    That was a decade ago, today, i sit at the kitchen table with John Sinclair, Tuesday 3rd June, 2014. Only a few hours ago John recorded his new poem dedicated to Sun Ra here in Blackheath studios, London, thanks to Caleb Selah. Who knows what will conjure itself up from this collaboration, but it will be certain to lift a few Whigs and air out a few earlugs, not least illuminate with the condensed special language of poetry deployed by John Sinclair.

    The other piece to this puzzle, and perhaps the main driving force that led me to write this blog-post, whathaveyou, is my recent role as musical director for the ‘Cosmic Trigger’ stage play.

    Compiled by Steve Fly

  • Cosmic Trigger, steve fly agaric 23 and acrillic figa

    Hi,
    In 2009 Eric Wagner crafted an stimulating on-line class, hosted by the Maybe Logic Academy and titled ‘Chapel Perilous’ The class was based around the book ‘Cosmic Trigger’ by Robert Anton Wilson, and during the class i contributed a number of posts and items. One of which i will reproduce here for the purpose of describing my own cosmic coincidences when encountering this text. Enjoy.

    Steve Fly
    Cosmic Trigger Play: Musical Director

     

    Cosmic Trigger, fly agaric 23 and acrillic figa. (01/01/10)
    The DJ fly agaric 23 thinks a new extended introduction, describing just a small fraction, a tiny part  concerning the incalculable influence that the 1977 book – Cosmic Trigger by Robert Anton Wilson – has been on him, and, the writer thinks it would be a great chance to share some of his experiences since reading Cosmic Trigger and journeying into Chapel Perilous (USA), to discover the Author of the book – such was the impact the DJ felt that the work was having on his life and those around him – what the researcher discovered there, in the new world led him here today! Trying to figure out why page 109 of the book Email to the Universe requires two entire years of study….
    In retrospect the sceptic seems humble and reserved, the Pratt feel slightly naive and somewhat foolish re-telling the tales as they happened, due to them happening, in some sense to DJ Fly agaric 23 – an avatar and aka the DJ manifested, with some help from a drunk or two, in his local community when he first created an avatar for the new internet email explosion – F.A 23 was the perfect being to work with. DJ fly wanted to spread some of the ideas he discovered in Cosmic Trigger to his friends and his family, as he felt the wisdom to be so profound, “right-on dude” and optimistic for a blossoming post-millennium future for humanity. How can thw world awake to language and reality without Dr. Wilson’s great wisdom and healing knowledge perpetuated throughout the worlds culture. Fly made this a part of his brand. The DJ was in his early 20s and as the writer mentioned – very naive – but this foolishness led the DJ to try new things, read more books and journals to find out for himself if this stuff he was spouting as second-hand wisdom snippets and bites of RAW had a relationship to DJ culture, acid jazz, hip hop and graffiti art? The inquisitive DJ wanted to sample soundbites of RAW and perpetuate that wisdom into the dancefloors and raves he was a part of locally (Stourbridge, Birmingham, Wolverhampton, Dudley) around 1996-2000.
    Millennium trip to Mordor.
    Triggered by a house fire four six before new years day, the 23 year old DJ fly agaric 23 felt like a great adventure, and doing something heroic, something nobody he knew had ever done, and something he decided to do all by himself, for once – take a trip to the Prophets Conference Santa Fe to witness the author of Cosmic Trigger give a lecture titled “The Universe contains a maybe” and check to see if he was what he wrote about he was, the event was synchronisticali’ taking place on the DJ’s 24th Birthday (15/04) so fly figured he should go to see Dr. Wilson on the last day of his twenty third year as the Prattfool. The DJ’s turntables were sold, the tickets were booked, Terence Mckenna passed on (4th Aprill 6000 AL,) and the intrepid dj fly agaric flew to NYC, greyhounded to Santa Fe, smoked a bowl, met two RAW heads from New Orleans who weirdly also shared the 15th of April with the fly agaric as the day they were born out from the mothers womb, wow, the student of RAW synchronicity said to himself, the two brothers of mine were also smokers and had books by Dr. John Lilly that they were speaking highly of to the intrepid tripper.
    Reasonably stoned, and tucked away at the back right had side of the James L. Little Theatre – Santa Fe – the fly agaric 23 sat awaiting the Dr…. suddenly bamboozulu’d by news that Dr. Wilson will NOT be appearing at the conference due to illness! But before he could lift a hand to his mouth in astonishment – everyone – in the theatre, comprising over 500 or so unknown American souls, looked at fly agaric 23 and applauded due to an announcement made to them highlighting my long distance travel from Birmingham; England. 
    The Pratt felt a fool, but humanity and strange forces reached out and influenced the 24 year old young man to continue up the west coast of America – on an adventure into the unknown territory of the DJ’s rave-trip-paradise – the bay area, San Francisco, Oakland and Berkeley, and the journeyman spent the next two months in the Bay Area, California – wondering through an utterly unbelievable universe inhabited by critters from out of Cosmic Trigger, no, i mean some of the real human beings RAW was writing with and about roughly 25 years ago and more in Cosmic Trigger! 
    The most relative part of my first 2 months living in the Bay Area, Berkeley in fact, just off of Telegraph Avenue (a location mentioned in the Sufi-clown tale from Cosmic Trigger), seems to the researcher looking into Chapel Perilous to be – the interview with physicist Saul Paul Sirag, which took place in the kitchen of Dr. Jack Sarfatti, 27th MAY 2000 E.V – Nine years ago (2009). The interview was captured onto a mini-disc, and lay unheard of, or translated for seven years until the DJ  managed to find and translate the wonderfully erudite wisdom of Saul Paul Sirag. Here is part of that days recording, and a little insight into what the Pratt was also thinking of, with the questions concerning superstring theory, cabbala and Dr. Wilson.
    Guilding the Lilly
    The volunteer was invited to a week long symposium honouring the life and work of Dr. John Lilly, where he met and exchanged some very brief ideas with Saul Paul, Brian Wallace, Jack Sarfatti, Kurt Von Meir, Jean Millay, Captain Clearlight, Faustin Brey, Creon Levitt, Amanita Von Meir, and Dr. John Lilly himself – but not more than five words of thanks and greetings, and a signed book – the Dyadic Cyclone. The stunned DJ fly agaric 23 floated for the first time in a Samahadi tank only 20 ft. From the inventor himself. The DJ met other DJ’s, volunteers, beautiful minds, techies’, sound editors and engineers. The editor would like to add that he was a part of a mediation, visualization experiment conducted by Jean Millay, including Saul Paul Sirag, John Lilly and others at the symposium, and the impressions the DJ received were unmistakable and were reported back to Jean “ I saw a group of lizards wearing what appeared to be yellow swimming hats” 
    The DJ found a little more volunteer work at another conference, this time in the Presidio – Planetworkers 2000 A.D – featuring a transcending disembodied Terence Mckenna, Bruce Sterling, Mark Pesce, Peter Russel… and hundreds of information technology meets global ecology masterminds and think tanks meeting to headline the new GREEN revolution in sustainable and alternative, and energy and ideas – the best most mind blowing ideas the DJ had ever heard of, mixed up with DJ Vaja, David Rothenberg and Kai Eckhardt and others contributing music to the conference, encouraging dancing and inter-comingling, yeah the DJ thought, breakbeats and green-beats, global ecology and information technology, the Pratt thought… an intelligent businessman might put some investment into some of these ideas back in Dudley, maybe that would help the poor fuckers back home who have no idea of the possibilities and wonderful new technologies that await us all, all humanity, now, and the skeptic added – NOW – we need to invest now. The writer looks back in astonishment at the amount of criss-crossed material oozing out of Cosmic Trigger into the conferences as seen through the eye of the man with the movie camera working – as a volunteer for Soundphotosynthchess. The metaprogrammer was beginning to wonder what he had invoked over the last three years before coming to America.
    The DJ attended the Howeird 420 street fair, the Terence Mckenna Wake at 1015 Folsom st. And met Dennis Mckenna, and rubbed dance shoes with Erik Davis, Dusty, Mark Pesce, hippies, freaks, scientists, and crystal shrines in memory of the great Terence – whom the DJ dedicated a DJ-mix to 6 days before he left England called “RA HOTEP RECONFRENCE” audio-parts of which are available – with another brief telling of this tale –  at the maybelogic quarterly network. The Fly was smoking bowls, talking about RAW material, entertaining wonderful beautiful people, and couch-surfing upon the crest of good heartedness of Bay Area folk, the half-irish blooded Englishman often felt like a very special human being, treated kindly and with an instant loving warmth and friendship than he was used to from strangers, especially strangers in another strange country so far away from home. 
    The 4 and 20 year old cosmic kid went flying back to lime land with a hell of a story, and also news about internet and stuff and things, hard to put into words, – remember the internet? – well the skeptic heard conversations about wireless-power, dude, and the weed will bake your ideas perfect, thought the dealer. Some of his friends listened for a few hours, but then, the DJ thinks – not having read Cosmic Trigger – how could these tales bear much significance to them? after a while the tourist realized he had better learn to write again, at least if he was to present his travel tales and experiences to the people he most loved and cared for, humanity as a whole, his family and his friends, in a way which they might take seriously, or at least my effort to communicate in a neutral way –  seriously.  
    RAW Springs 2000 A.D.
    Although the dedicated illuminati journalist had failed to see Dr. Wilson in the flesh, the journey had inspired many remarkable meetings with remarkable men and women, an interview, some gigs – as DJ Fly agaric 23, and some links with like minded people on the other side of the Atlantic ocean to which the Pratt was born. Even in 2000 A.D the fool had not yet read the entire Illuminatus Trilogy only part I in awkward situations. The independent researcher felt mostly ignored, which he has come to expect now – by most of those people in his community and the greater external government  who happen to be ignoring what RAW has written, and going so far as to act upon it, as fly agaric 23 has done. Here the tale turns really wild and fanciful beyond the DJ’s headonistic dreams.
    Having helped a painter – a little bit – by setting up his second Graffiti art exhibition in Birmingham, recording new material with his classically trained – Saurang player – Surrinder, and pressing up 200 limited edition 10” vinyl records, using a Princes Trust business grant of 200 Pounds, that was intended to show, after time, the good sense and predictive ability of the business idea and then maybe land some doe to maybe buy some real equipment and make better recordings and manufacture more records, start a record label? This was the lifelong goal of the DJ, the writer thinks. And reading more and more literature on Lilly, Post Quantum Physics, Alan Watts, Saul Paul Sirag, Erik Davis, Hakim Bey and more he still has visions of the DJ vinyl tool he dreamed of…
    One day around October 2000 E.V – the DJ guesstimates – he received an email from the Prophets Conference that said words to the effect of: Get yourself to the Prophets Conference Palm Springs, and get your own lodging and you can be the volunteer P.C helper who assists Dr. Robert Anton Wilson about the conference in his wheel-chair.
    The magician left the library – where he checked his email – and his only steady link with the Cosmic Trigger worlds out there, since getting back from the dreamspace – in a state of high high beyond description. The DJ’s ego had been inflated to the size of a planet – it was true – the magic works, the journey has just begun, the proto-novelist thought – and on the 15th December the independent journalist flew to Chicago, heard John Coltrane in the airport, and connected to Palm Springs airport and literally walked out the airport door with a bag of vinyl records, some cloths and a small box of magic mushrooms hand picked that year from Wychbury Hill, near Stourbridge where the Pratt grew up (Dr. Wilson very politely refused the mushrooms when the Pratt offered them to him in his room two days later) The DJ found a cheap room at 35 Dollars a night, but with only 150 on me person, times were already tight, which leads me to a dinner tale spent with uncle Bob the Pratt shall never forget.
    On the night before RAW’s lecture cunningly titled “The Universe contains a maybe” me and BOB had dinner together at the hotel restaurant – the helper recalls that Bob had crab cakes for starters and a dish called “Snakes in the grass” for his main course. The mood was fine and respectful until the Pratt decided to throw a question concerning some neurotic detail about pancakes or my musical ideas – oh lord. The kicker came when it emerged, after i had left after desert to go to my dish-washing PAID job at the rather quaint Cheecky Monkey Pub, in Palm Springs – so as to be able to stay another two nights, but due to my ignorance the Pratt had left Dr. Wilson with the Bill (which the DJ assumed was on the house, conference tab) and also, though, the task of getting himself back to his room – he of course did not mention this to me as i was leaving and assured me he would make it back in fine form. The writer and independent journalist regrets leaving Dr. Wilson that evening, and will never forget the feeling of every glass, dish, cup and saucer washed that evening, and the next day…     
    A Manhattan with lunch
     The following day included another early lunch with the genius duo of Paul Krassner and his wife Nancy, together we dined and the researcher mostly listened – to incredible dialogue; perpetual jokes and cutting critique upon new age psychobabble. Nancy snapped the now legendary picture of RAW holding up the Manhatten that he had with his lunch, and also a picture of me and RAW together, one of only a few rare pictures of my times in the USA, not having a Digital or other camera most of the time. RAW even had time for an interview with a TV news crew, in which he spiced up the language with his freshly loosened Tongue Fu, warmed up by lunch with Paul. 
    The stoner often wishes he could remember more of what was said that day, the DJ recoded in Bob’s room with permission, but the reporter does recall that Bob repeated his optimism and interest in getting third-world countries on-line, connected through internet.
    Some other Rascals speaking at the Confernece were Steven Greer, Jean Houston, Greg Braden, Edgar Mitchell, and others i forget… but for me RAW clinched the show when launching into the hilarious KING KONG outburst during a panel Q & A session concerning Annunuki E.T.’s.  The journalist did get his private interview with Robert Anton Wilson, in his room on that same evening, and stoned, the Pratt talked mostly of pancakes which RAW expertly turned into koans before my ears. We were interrupted only by the kindred folks from Disinformation.com – Richard Metzger, Brian Jones and another Brian who’s name i forget – and they pulled out the 2000 A.D Cannabis Cup winning Sativa called Williams Wonder – and we all smoked a pipe and once again, the writer wishes he had a better faculty for remembering times such as these. Maybe in the future it will come, but for now i have the transcript of that short interview between us – at the Prophets Con. 2000 A.D.
    DJ Fly to San Francisco
    The DJ left Palm Springs with friends the reporter met in San Francisco, who, were also at the P. Conference – with a keen interest in Steven Greer and the Disclosure project. I spent New Years eve on the back of the Vallejo houseboat (where Kerouac once lived) while tripping acid with a strangely small crowd – and listening to the track “How to disappear completely” by Radiohead on repeat all of that morning. Entering into 2001 – the DJ felt as if the world was opening beneath his feet, he was on RAW’s email list, living in San Francisco and had a new job at a record label called Cosmic Flux – situated on Haight and Fillmore street S.F. and was in love with a Nepali poet and translator, the writer would like to add. 
    The DJ was also playing live shows with some of the best jazz funk and world music – musicians in the world, Kai Eckhardt (bs) Alan Hertz (drs) Fareed Haque (gtr) Tal Morris (Gtr) Liam Hanrahan (bs) Gregory James (gtr) Eric Levy (kys) Ray White (vcl) and many others over the course of the next 5 years, but the band Garaj Mahal and Kai Eckhardt were the heart of the fantastic opportunity t musically express some of the experiences the DJ was having in America, with other musical artists who had between them played with such greats as Dizzy Gillespie, Frank Zappa, John McLaughlin, Chick Corea, Billy Cobham, Nigel Kennedy.
    DJ fly was invited, and sometimes paid to contribute sounds, soundbites and turntablism to the Garaj  Mahal performances and the first 2 studio albums. (Mondo Garaj 2001 and Blueberry Cave 2005 Harmonized Records). The cosmic theme continues with the tune “Cosmic Elevator” taken from the Blueberry Cave album. The DJ only  wd/ also like to add that he once jammed with Paul Godwin and Kai Eckhardt, only to discover Paul has an electronic project called simply – DOGON! 
    2001 somebody tried to blow up America, who?
    The DJ turned 25 years old in San Francisco  – 2001 – and saw RAW twice more giving lectures at “Pantheon Con 2001” and “The learning Annex, in a class on writing science fiction” which the technician helped video record for Soundphotosynthesis, but alas does not have a copy of… The researcher flew home August 2001, to link with his family and friends and pass on more of the wonderful discoveries the investigative journalist had made and some artefacts the prover’ could manifest as proof. Some audio tapes and video’s, contact cards, flyers and CD’s of musicians, artists, physicists, poets and lovers the swimmer had met on his journey into Chapel Perilous, information technologists and global ecologists, virtuoso musicians, and to top it all an interview with Dr. Wilson himself, the unified field of humanitarian intelligence pulling all the other material together – being the magnet that pulled me into the Chapel, and also the guide by which the writer figured he would have to study so as to report back the information gathered in a humanitarian language, without bias, and rid of unnecessary words devoid of meaning, to condense, simplify and balance. 
    By September 10th 2001 the DJ felt ready to launch a revolution in the minds of the European people, to his tiny mind he imagined a new bridge between artists, writers, poets, painters, designers, philosophers, physicists, anthropologists, neuro-scientists, musicians – all getting together to launch the 21st century based upon the emerging free spirit of communication using internet and growing individual communications devices – how could they stop the millions of people around the world bringing the spirit of new community and a new  electronic world to every-people by sharing information and  investing in art and ecology furnished businesses – generally moving away from the private financial interests driving the emerging electronic culture and economy? What could they do the poet thought, while writing about, among other things – an Israli Suicide bomber, on the evening of September 10th 2001. 
    The cynical DJ watched his dreams and ambitions fall down that day, and for weeks afterwards wondered what the hell he was goning to do now, now the Bush administration had struck off a new war on terrorism surely the revolution i imagined would get disrupted, somewhat pulled into the mayhem and chaos of bodies, wires, and cement that highlighted the descent into Bush 2.0 republicanism and patriotic CIA Nazi US foreign policy at its most virulent, and more worryingly with a total and unwavering support by the British government and culture – rejecting the 10’s of millions of people opposed to the invasion of Afghanistan and Iraq as a minority report. 
    The skeptic and conspiricist were both shocked by operation shock and awe – which saw a new global force taking on roughly 2 billion people in the Islamic world with the worst kind of worded religiously motivated military crusade against the sacred centres of the middle East imaginable, Neither side or national leaders looked like they could be trusted to the researcher, Saddam Hussain, George Bush, Osama Bin Laden and Tony Blair seemed all equally stupid, malicious, dangerous and untrustworthy. Voices started to say to the DJ, come on now, you have been in training to make sense of these kinds of disinformation programs, do it, do the work and sideline the music, become the independent journalist once more, pursue the greatest conspiracy of the 21stcentury (The Bush 2.0 administration) and get back into the work, your country and family and community needs you to do this, go, go and find out what the hell is going on. You may never get this chance again.
    Four more years
    Switching gears again the 25 year old investigative DJ flew back to San Francisco, with roughly 50 pounds and another bag of 12” records, and managed to stay in the U.S under the radar, without the proper papers for four long years, way into the  next criminal BUSH era – post November 2004 – another depressing blow to the optimists vision of America, Europe and the rest of the world returning to  the states of relationships in 1999, just before the new wars and the new banking crash and the uprising of surveillance culture en masse crawled out into the world’s streets and neighbourhoods where good people were assaulted and abducted by religious ideology and viral marketing ploys and gimmicks combined to form the war on some terror.
    During the 5 years spent in the United States of America, the – DJ/writer/swimmer – came into orbit with many remarkable people, and the maybelogician has Dr. Robert Anton Wilson and the book Cosmic Trigger to thank/blame for initiating this journey into Chapel Perilous and out again – into Chapel Penniless – and out again, in, out, in, out of various Challenging environments – a labyrinth of experiences – and thousands of synchronicities and seemingly fortunate incidents – the reach of the RAW net…. the non-simultaneously interacting universe of connectivity, communication and hilaritas engine – thought the Pratt.  The egoist wanted to just list some of the people he learned from, and communicated with while in the USA, in no particular order:

    Michael Bowen (painter) Alexander and Sasha Shulgin (pharmacologists), Henry Dakin (philanthropist), Brian Wallace (Musician), George Brooks (musician), Bob Weir (musician), Joe Firmage (scientist, entrapeneur), Buzzy Lindheart (musician), Abigail Lewis (researcher), Tsering Maya (Artist, writer), Carlos Washington (musician), Brian Jordan (musician), Bob Tesch (researcher), Sameer Gupta (Musician), Creon Levitt (scientist), David Ulansey (Philosopher), Jack Sarfatti (physicist), Saul Paul Sirag (physicist), Jack Perla (musician), Fire and Earth Errowid (pharmacologists), Fareed Haque (musican), Dennis Mckenna (pharmacologist), Kai Eckhardt (musician), Benny Reitveld (musician), Herbie Lewis (Musician), Bernie Worrell (Musician), Nicki Skully (Esotericist), Dava  (musician, Artist) James and Sally Redfield (writers), Jim Wilson (Musician), Paul Krassner (Philosopher, Comedian), Robert Anton Wilson (Scientific Philosopher), Cody and Robin Johnson (Reasearchers), Mark Pesce (Technologist), Erik Davis (Writer, teacher) R.U. Sirius (writer), Kurt Von Meir (scientist), Captain Clearlight (pharmacologist), John Babcock (Toxicologist), One Wolf (Shaman), Mike Crowley (Scientist),  Zakkir Hussain (Musician), Dave Holland (Musician), Jerry Goodman (Musician),  Chet Helms (Concert promoter), John Lilly (Scientist), Ray White (Musician), Mountain Girl (Philanthropist), Bobby Vega (Musician), Tom Waits (Musician), Luke Vibert, DJ Logic, Q-Bert, Kid Koala (DJ’s) Jean Millay (scientist), David Boyce (Musician), Micheal Franti (Musician), Gregory James (Musician), and many more the DJ has forgot… the thousands of freaks who came out to support our shows across the U.S.A and all critters the writer has come to know and collaborate with at the marvellous Maybelogic Academy. Cosmic Trigger seems responsible for initiating this entire journey, and for that spark of inspiration the fool will be forever indebted to said book and author – Dr. Robert Anton Wilson. The fly was hooked, line and sinker and has been digesting – ever since returning from the U.S.A, processing the wonderfully strange meetings he had and re-presenting the out-of-this-world experiences.
    Cosmic Trigger 2009 redux.
    The writer started again in England, back home in Stourbridge, started building a basis for communicating this massive reality labyrinth connected with Dr. Wilson, and soon found the challenges tougher than he first thought, having booked the local town hall for the European premier of Maybelogic: The lives and ideas of Robert Anton Wilson – confident all his friends would come out and support him plus others eager to find out the final secret of the Illuminati! The Pratt’s optimism got the better of him, and the show had to be cancelled and moved to a local pub called “The Birch Tree”, here the DJ felt comfortable and liked the Birch – fly agaric symbolism, and so for 20 Pounds the DJ launched maybelogic – the movie – in great Britain, on the 21stDecember 2005. Unfortunately only 3 people watched the movie, two of them already at the pub who seemed interested in the DJ setting up turntables next to an apple laptop for the – after party – which got cooking after we smoked some joints outside and got a few pints of bitter into the DJ engine room.
    Woodstock Europa
    After the movie launch in the Black Country, the DJ met with Lance in London during the audio recordings of Illuminatus Trilogy, and continued work on his first book – of collected writings from the U.S.A and some new work from England titled World Piss: The spore of the woids. (due for a summer 2009 edit) The drummer had a small collection for Pope Bob and was joined by his friend Emily on bass, in his home town centre of Stourbridge, jamming for money to help Bob pay his medical bills, having raised only about 8 Pounds, the unemployed DJ, who was living at his mum and dad’s house – went down to the local pub and continued the drumming and prayer in hope that somehow, the vibrations wd/ reach Bob and help to heal him. 
    Bob passed on the 11th of January 1/11 and the stoner didn’t get the news until the 12th of January (incidentally the day that Alice Coltrane passed over), and quickly started planning a local event to pay tribute to Dr. Robert Anton Wilson, and once more launch the memes into the environment the best and only way the DJ, drummer knew. The day of the Stourbridge tribute to Bob was a mixed success, once again a low turn out led to a lack of interest in the movie playing, the music and the CD’s i had produced with texts and  images as a homage to Bob. Still, those who were there had a fun time, in the skatepark, and the DJ managed to video record some of the event. This event took place on the same day as the London RAW memorial, keeping the Midlands and the North represented, somewhat. The writer also set up a myspace Rawmemorial website, which links up various raw memorial events and footage
    Coldcut and Alan Moore tribute to RAW   
    The DJ’s ego was inflated to the size of a Zeppelin when he heard Matt Black of Coldcut giving him props for helping to put the Coldcut Raw memorial event together, in the small but important capacity of encouraging Ninjatune and Coldcut to link maybelogic, and through the DVD movie Maybelogic, I managed to make a small part of a dream of mine come true, to be a part of a collaboration between Robert Anton Wilson and Ninjatune (in 1999 both of these were the DJ’s favourite things); the movie was released July 23rd2003 – and the associate producer travelled from New Orleans (11thJuly – 23rd) with his friend Ben all the way to Santa Cruz for the premier, the last time i ever saw Bob, in classic fashion getting into a jaguar and speeding off from the theatre, we were outside smoking and met him briefly upon his leaving… The scene actually reminds the DJ of the short video released of Dr. Wilson leaving in a car – shortly after he passed.
    In March 2007 Coldcut and Mixmaster Morris were to produce a giant, experimental multimedia celebration of Bob, including Bill Drummond, Alan Moore, and once again, the genius of Ken Campbell, in a full blown 2 and a half hour tribute. Many from the MLA and the unemployed DJ were present and were all thrilled by the performance featuring a 20 ft. Talking Bob head, manipulated by VJ DJ manipulations accompanied by a phalanx of ambient sounds-escape, soothing beats and intelligence lounge-core. The DJ was impressed and knocked out, in particular by Alan Moores’ poem for BOB, the ginni was on the loose. The DJ attempted to promote the video of the extravaganza with mixed success, eventually finding a web-host after a long drawn out process, but the DVD project still lingers in the air…The DJ still has incredible dreams about putting it all together.
    The day after the London Coldcut memorial the DJ flew to Amsterdam, to meet with the band Galactic who were performing at the great Melkweg’ – musicians he knew from New Orleans, and after only a week living in Amsterdam the DJ had landed a job as a dishwasher at n Irish themed pub, which allowed him to stay a little longer, rent an apartment and build up a better resume’ 2 and a half years later the DJ/drummer is still in Amsterdam, studying…working on some ambitious projects, the long poem: “Shannanigums Wave” and experimental game-novel-screenplay: “OUR HISTORIES BACK” Both experiments of lifting the “The Tale of the Tribe” into a new creative arena and creating a new framework to explore some of the Idea’s and clue’s Dr. Wilson left us to chew over for the next 1000 years…
    Steven (Fly Agaric) Pratt. (01/01/10) 

  • Pull the Cosmic Trigger. Pull It. Pull It.

    Matt Black – Cosmic Trigger crowdcapering appeal by Complexity Productions

    Jim Broadbent – Cosmic Trigger crowdcapering appeal by Complexity Productions Douglas Rushkoff – Cosmic Trigger crowdcapering appeal by Complexity Productions The Cosmic Trigger Play – A taste of Alan Moore by Complexity Productions Cosmic Trigger Play Indigogo Crowdfund https://www.indiegogo.com/project/cosmic-trigger-play/embedded

  • Press play. Go. Pull it. The Cosmic Trigger Play.

    http://cosmictriggerplay.com/

    Daisy Eris Campbell and a merry band of Discordians (including Steve Fly) are on a mission to stage Robert Anton Wilson’s auto-biographical musings “Cosmic Trigger” as an original theatre production.

  • Cosmic Trigger Stage Play. Links, News, Details

    Hi,

    The Cosmic Trigger Stage Play is best described at the website, please visit and get involved. I did, and i am. Hope to see you.

    From the website:

    The Discordians Are Coming

    In 1976 Ken Campbell staged Illuminatus in Liverpool. This production and the novel that it was based on irrevocably changed the lives of all who were involved, both performers and audiences, and wound up opening The Cottesloe at the National Theatre.

    Conceived backstage by Ken and The Goddess of Chaos and Confusion, Daisy Campbell now proposes to re-invoke that mythic production, but this time telling the story that surrounds Illuminatus: the extraordinary life and times of its co-author, Robert Anton Wilson as the central thrust; the unstoppable force that was Ken Campbell; and some key scenes from Illuminatus woven through. As Ken would say, “this is an enthusiasts’ production”.

    There have been a number of blog posts and news items about the play, plus the usual facebook page shenanigans. Take a look, it seems to be taking off….

    Steve fly

  • The Late Great Robert Anton Wilson Event Part 1 – John Higgs

    One day before heading down to London on the bus from Dudley, to see the show at the Horse Hospital i had the following experience:

    yesterday, in Stourbridge i had an encounter with an Angel, or what Arthur Koestler calls…’the library angel’ category of coincidence, or in my case the charity shop Angel. Let me explain, i walked into the British heart foundation shop and started scanning the books, and within just 2 minutes i found ‘The Wild Boys’ by William S. Burroughs for a bargain price of £1.50, and on the shelf below a copy of ‘The Trial’ by Franz Kafka for just 50p. A few hours later i opened up ‘Wild Boys’ and on the acknowledgment page i became spooked to discover that the only text mentioned, for permission to quote from is non other than ‘The Trial’ by Franz Kafka. A splendid intersection point and angelic contact coincidance.

    “Published on 3 Nov 2013
    The Late Great Robert Anton Wilson Event Part 1 – John Higgs

    Watch Part 2: http://youtu.be/HsBWj5jNadw

    John Higgs (http://twitter.com/johnhiggs/ http://johnhiggs.com/)
    Daisy Eris Campbell (http://twitter.com/DaisyEris/)
    Hosted By Scott Wood of The London Fortean Society (http://twitter.com/ForteanLondon/ http://forteanlondon.blogspot.co.uk/)

    at The Horse Hospital 23/Oct/2013″

  • 2012 Singularity Feedback and Video’s

    HI everybody. I’ve been following the development of ‘the 2012 phenomena’ and also the more scientific concept of ‘The Singularity’ since I read ‘Cosmic Trigger’ by Robert Anton Wilson and then ‘The Invisible Landscape’ by Dennis and Terence Mckenna, sometime in the mid 1990’s.

    From these references you might deduct that I have a ‘psychedelic’ bias towards the kinds of maps and metaphors I communicate, this is true, in a nutshell I think that ‘psychedelic drugs’ used in the correct set and setting (see Leary and Wilson) IMPACT the individual in a way approximating the IMPACT that ‘The Singularity’ and the ‘2012 Phenomena’ resonate with, if you choose to TUNE IN. (which I hope to define, somewhat, by this multi-media presentation, relaying some fresh video’s and links which I think summarise our entry into 2012.)

    Whatever ‘media or drugs’ you interact with, set and setting are important, those who have experimented with psychedelic drugs (at some period of their life) generally, seem to have a grasp on strange resonance with topics concerning ‘The Singularity’ and the ‘2012 Phenomena‘, somewhat familiar territoy to those who have expored inner space and outer, poetry and literature, psychology, engineering, mathematics, anthropology, futurism, ethnobotany, games, music, painting etc.

    (Please do not ascribe my own ‘Psychedelic bias’ to the ideas and words from those in the following video’s. Just have fun with your thoughts, I’ll be back with more feedback after digesting them again). –Steve fly.

    Computation and the future of Mankind by Stephen Wolfram The Coming war on general computation by Cory Doctorow Mind Share by Mark Pesce Theory Of Everything by Athene. Drugs and Internet by Jason Silva Jumping Jesus by RAW Singularity by Terence Mckenna. Singularity by Jason Silva The Future of Life (Summit 2011) Max Tegmark The Acceleration of Knowledge by Robert Anton Wilson pt. 1. WATSON A.I Perceptions (Summit 2011) by David Ferrucci. http://28c3.chaoscdn.de/mp4-h264-HQ/

    http://books.google.nl/books?id=TRb8UlRIzh0C&lpg=PA17&ots=A8yQp6ier0&dq=korzybski%201%20a.d&pg=PA16&output=embed

  • RAW and PHYSICS CONSCIOUSNESS RESEARCH GROUP (RAW Illumination)


     
    Michael Johnson annotates the new book

    [If you missed it, Michael Johnson posted a long comment to Sunday’s blog post about How the Hippies Saved Physics, which is literally all about the offbeat physicists in the Bay Area who greatly influenced RAW’s thinking. Michael’s comment is a useful annotation to the must-read book of the summer, so I am reposting it here everyone will see it — Tom]

    The Physics-Consciousness Research Group. See:

    Illuminati Papers: 32 (diagram of “context-dependent language model of Nick Herbert); 56 ( Sarfatti on ETI contactees); pp.94-103

    Leary’s Info-Psychology: 33 (and 8th circuit); 49 (note Sarfatti in context); 129-131 (written by Nick Herbert)

    Cosmic Trigger 2: 257 (Back To The Future best artistic expression of quantum logic: Sarfatti model fro Chris Lloyd); 267-268

    Schrodinger’s Cat Trilogy: 242 & 314, 426-427 (Herbert’s QUIP); 274 (Capra’s Tao of Physics); 343-344 (Sarfatti); 345-346 (Sirag’s General Field Theory); 540-545

    Trajectories May 1982 and Fall 1984: Nick Herbert and Bell’s Theorem

    Gnosis, Winter 1988-89:(Sarfatti and Faster-Than-Light ideas FTL); Edwin Harris Walker

    Coincidance: 153-155 (Walker, Honegger, Sarfatti)

    Semiotext(E) SF: 70-72 (Nick Herbert’s wild particle physics story that includes RU Sirius)

    Omni, Dec, 1979, “UFO Update” (Sirag’s conjecture about time travellers)

    Prometheus Rising: acknowledgment page: Sirag, Sarfatti, Herbert, who “clarified (RAW’s) whole comprehension of epistemology;” 41 (and 8CB model); 183 (Barbara Honegger: cave paintings & 5th circuit yogic/shamanic brain: 30K yrs ago); 204 (Honegger’s theory of synchroncity); 267-269 (Bell’s Theorem and Sarfatti, et.al)

    Mavericks of the Mind: 67-88 (Nick Herbert); 124 (Honegger); 125 (Walker)

    Chaos and Beyond: 232-235 (review of Fred Alan Wolf’s Eagle’s Quest)

    Everything Is Under Control: 138 (Sarfatti)

    New Libertarian magazine Interview, 4/10-77: two pages on magick and quantum mechanics. Sarfatti as the head of the PCRG. RAW recommends Space-Time and Beyond, by Bob Toben, but Sarfatti says the ideas are his?

    for another view of Sarfatti, see him as a North Beach denizen (San Francisco) in Herbert Gold’s book on Behemia

    Email To The Universe: 41 (Capra and Herbert); 244 (group mentioned); 223 (Mishlove might have been PCRG)

    Michael Hollingshead interview (High Times?): RAW says he’s the PCRG’s “chief literary spokesman;” RAW talks about physicists who’ve used LSD

    Wilhelm Reich In Hell: 33 (Capra and “fundamental holism”)

    see Sarfatti in Imaginary Weapons, pp.11-14

    see Kripal’s book on Esalen: 291-314 (Capra, Stapp, Sarfatti, F.A. Wolf, Nick Hergbert, Gary Zukav)

    New Libertarian mag, RAW interview, 9/5/76: RAW recommends recent issue of Spit In The Ocean, for Sirag and Sarfatti on quantum consciousness Sarfatti as a “skeptical contactee”

    Eight Circuit Brain by Antero Alli: 293-294 (mentions Saraffti and Sirag at RAW’s salons in Berkeley hills, 1979)

    I could list more if anyone’s innarested.

    Were they related to the SRI group with Targ and Puhoff: Scientologists? Who funded them? What role might Werner Erhard have played? How close was Ira Einhorn to the group?

    How influential was Stapp? How did Barbara Honegger make it into the Reagan Administration? She wrote the first book titled October Surprise.

    RAW had mentioned a few times that he sometimes played with the idea that he had been a “useful idiot” to the CIA or some other group.

    http://www.rawillumination.net/

  • The Tale of the ‘Dog’ Tribe

    The Tale of the Dogon?
    By Steve ‘fly agaric 23’ Pratt, June 21st 2010. Amsterdam

    “First you were Nomad, next you were Namar, now you’re Numah and it’s soon you’ll be Nomon. –James Joyce, FW, pg. 374.

    Introduction.
    After another 24 hours of reflection on my writing and ideas blogged here, how they were formulated, where they came from, and how much ‘value’ they have, how much ‘truth? I have been cast on a whirlwind journey through memories and some forgotten texts, and landed myself in the thick of the Sirius mystery, Cosmic Trigger, Finnegans Wake and the ‘Space’ philosophy and music of SUN RA.

    This blog is my attempt to track my thoughts and ideas as they grow, and here I’m writing an introduction to navigate and update my ideas. It may help to know that I first wrote out 3000 words describing my thoughts and experiences on the Summer Solstice, and then went back into some reference books and web searching to add exhibits to my thoughts.

    This process of sourcing out particular areas of interest ‘words’ and ‘phrases’ resulted in a massive influx of new directions and links between my original subject matter. I new of places that I wanted to search because of the words, but the extra information surrounding these investigative nodes, the page numbers and the ‘illustrations’ help to waft my initial sparks, and fan them–like bellows–into a firey synthesis. –Steve fly, 22nd June, 2010. 2.00P.M

    Roots Festival Encounters of the Tuvan kind

    Yesterday, 20th June 2010; I stepped outside my front door into the roots festival held just a few meters away from where I live in Oosterpark Amsterdam. I did not plan going to the festival and more or less stumbled upon the band HANGGAI soundchecking while strolling with a friend around the park, early on in the day. I stuck around for their full performance and this led to a longest day epiphany for me. Triggering a flurry of ideas and connections between my favourite things. Let me try to explain.

    When I lived in San Francisco I was fortunate to be introduced to Tuvan music and culture from two sources, the first was via a close friend describing the enduring story behind ‘Ghengis Blues: a collaborative album between an American Bluesman and a Tuvan throat singer, the high pitched part of the ‘throat singing’ struck my memory nodes, evoking the Massive Attack tune, Karmacoma.

    The second source of my initial interest in Tuvan throat singing and music was Via the great 20th century scientific genius: Richard Feynman, close friends and work associates of mine were friends with Feyman, and I picked up on the ‘Tuvan’ musical interests of his, somewhat. He played drums and had a flare for art, music and poetry that I found attractive for a nanotechnologist and Nobel Prize winning scientist.

    My only other encounter with Tuvan throat singing, or Tuvan anything, since my trip to America ten years ago, was just a month back at the ‘Firey Tongues’ festival, held at the beautiful T.A.Z called Ruigoord. Where I believe that along with a stunning ‘Tuvan Throat singing’ solo performance there was a reading from a newly translated ‘text’ from Tuva, as usual I did not pay full attention to that performance, but was instantly struck by the ‘Tuvan’ meme bouncing back into my mind, that got me to thinking and talking a little about ‘Ghengis Blues’ and Richard Feynman and my experiences.

    Only a matter of hours ago I was once again confronted with that unmistakable sound of ‘Throat singing’ like a whistle into phase shift resulting in an almost electronic ‘ static’ in the air. The band HANGGAI played a full array of instruments, drums, guitar, bass, flute, vocals and various other stringed instruments I am unfamiliar with.

    During the performance I noticed a lady dancing, spinning, leaping and twirling around to the music, who I thought was moving with the music just perfectly, and made me smile, made me think and wish I would have the confidence to get up and dance like that in the early afternoon. When the show came to a close I sat under the Big Top tent, watching the stage and the festival smiles, taking in the good vibes. The dancing lady was close by with her friends and so I said ‘thankyou for dancing and the good vibes’. She kindly then began to explain a little about Tuvan music to me, and that she was from Mali, I did my Ghenghis Feyman rap, and we were sharing our admiration for ‘Tuva’ and ‘Nepal’ and indigenous music in general I suppose.

    After a few minutes of conversation I learn that the lady I am talking with was the wife of the great Ali Farka Toure’ (1939-2006) and the people she is with are some of her family, her words suddenly take on an extra richness and ‘truth’ in describing Mali, and the beauty of ‘travel’. But alas, after a few moments we were swept back into the festival and unable to continue our conversation, and unfortunately unable to catch her name, but ‘Ali Farka Toure’ sure stuck with me, I am familiar with his music in part from playing and spending time with Guitarist Fareed Haque of Garaj Mahal, who incorporates much West African music into his playing, and invariably some critters surrounding Fareed and the band turned me onto Ali Farka Toure’.

    I did not get chance to launch into my Garaj Mahal rap, or any other rap, and due to this my mind was reeling, thinking I must write, write this out out here in a blog as an introduction to the following synthesis between areas of my ongoing research and study into Myth, Magic and Music.

    Shortly after leaving the show I sat alone on a bench rolled a joint and started to read the book I grabbed off the shelf yestermorn’ for any reading opportunities that present themselves: “The Way Of The Sacred by Sir Francis Huxley. Who I once heard lecture on indigenous knowledge and culture at the Prophets Conference, Santa Fe, Ten years ago. While flipping through the book I stumbled upon Dogon, and suddenly right there where I was sitting it all came together in a flash.

    Finnegans Wake and the Dogon Nommo Cosmic Trigger fired by Sun Ra and His Intergalactic Arkestra.

    (*F26*)I forget to) bolt the thor. Auden. Wasn’t it just divining that dog of a dag –James Joyce, FW, pg. 279

    Ah, well not yet, I would like to take more caution when entering into these waters, and try to outline ‘why’ the things I write about here are meaningful to me and ‘why’ I feel they are meaningful and worth communicating to others.

    I have read Cosmic Trigger by Robert Anton Wilson as recently as 2009, and several times before that, and I read Finnegans Wake almost daily, and often aloud. Sun Ra and his Arketra can be found throughout my DJ sets from over the last twelve years, and since being fortunate to build a close friendship with Sun Ra scholar and associate; John Sinclair, I’ve taken on an extra literary, cultural and multimedia appreciation of Sun Ra and got into a good chunk of his prolific output as composer, arranger, bandleader, poet and visionary futurist.

    “Their cosmology is one of the most complicated ever to be recorded in print, and it begins, as does the Hindu cosmogony, with an egg—the Egg of Amma, the name Amma signifying God and meaning “to hold tight,” “to arrange.” –Sir Francis Huxley, The Way Of The Sacred, pg. 94.

    James Joyce, Robert Anton Wilson and Sun Ra are arguably complex individuals of a special genius, and as three individuals I am somewhat familiar with I would like to propose a synthesis of these three artists in the form of a short story. And along the way use extensive footnotes and hyperlinks to exploit some of their ideas, while sticking with my own ‘synchronistic’ encounters and experiments as guides to what to include and what to…

    Dogon.

    “This stone is an ark because it is the foundation stone on which the earth is created. It has its own number, 60, the number of years that elapse between celebrations of the Dogon foundation ceremony. Upon it, in Dogon cosmology, the House of Amma descends as a granary and as a spinning whorl. The granary has a round base and a square top, associated with the numbers four and six respectively. It is the mirror image of its heavenly prototype, which has a square base and a round top. This reversal, in which the inside also becomes the outside, takes place during the descent, which is made down the rainbow, in a sevenfold spiral. Here the spinning whorl enters the Dogon picture. –Sir Francis Huxley, The Way of The Sacred, Pg 166.

    The Dogon are a West African culture with a remarkably refined and celebrated history, mythology, astrology and culture in the west that has led some researchers to propose strong cases backed up by various evidence suggesting that they were visited by advanced beings or that they contacted other intelligences and managed to preserve some of this special advanced knowledge in their language, culture and rituals.

    When I visited Berkeley in 2000 AD, I attended an unforgettable and important conference held in the Presidio called Planetworkers: Information technology and Global Ecology. This event was a kind of nodal point for me, a place where I witnessed presentations and presenters that were ahead of their time, I thought, folks like Bruce Sterling, Mark Pesce, Peter Russel, Ralph Abraham, Erik Davis and many more of that genius calibre, a special combination of West Coast intellectual optimism and techno-shamanism. Terence Mckenna was scheduled to be at Planetworkers 2000 but had died only weeks earlier, his life and work were acknowledged and celebrated at the conference that, thankfully made space for the psychedelic components to ‘consciousness’ research and psychedelic studies. Always a good thing I think, especially when combined with intellectual genius and cutting edge technology, such as ‘the world wide web’.

    Between presentations were a selection of music al offerings, some of which featured a Bass player called Kai Eckhardt who I shared a conversation with in the foyer only to discover that he was playing a show later that week with a pianist called Jack Perla, who’s name and playing I knew from my collaborative musical partner from back home in Wolverhampton called Surinder Sandhu, who had recently worked with Jack. This cool encounter with Kai led me to the show and a meeting with Jack, and later being invited to Kai’s studio, where I met thunderous drummer ‘Alan Hertz’ and Keyboard player and composer Paul Godwin, who had an electronic outfit called DOGON.

    “Because of their preoccupations with the doubleness of things, the Dogon have two signs for each of the four elements. –Sir Francis Huxley, The Way Of The Sacred. pg. 94.

    I was familiar with the name Dogon from reading Cosmic Trigger and this mini little synchronicity burnt into my memory right there. I was invited back to Kai’s studio shortly afterwards to perform with Paul Godwin, Rhiannon and Kai in his ‘Modern Fairy Tale’ spoken word musical opera, and thereafter to perform in many other settings with the great Kai Eckhardt, leading to me playing over fifty shows with Garaj Mahal and recording on their first two studio albums: Mondo Garaj and Blueberry Cave.

    In an email correspondence with Mark Pesce last week I mentioned ‘Dogon’ and Paul Godwin, who Mark had also collaborated with on a music related project, in the context of remembering the Planetworkers Conference, where Mark gave a speech titled “The Real World”.


    Dogon Nommo Hemphill and Roach.

    The above sketches out some of the thoughts I was having yesterday while reading Francis Huxley on the Dogon, sitting in Oosterpark, minutes after a remarkable conversation and musical performance that somewhat helped me tune in the West African ‘Dogon’ tribe in Huxley’s book that has led to my current state of excitement in revisiting the ‘Dogon’ tales in 2010, using both ‘Finnegans Wake’ and the music and art performance of Sun Ra and his Arkestra, as contextual ‘spaces’ and ‘times’ for this new analysis, and a basis for my own interpretations of the data.

    Comet Kahoutek

    A somewhat related theme to the ‘Dogon Mystery’ by way of Cosmic Trigger is the fly by of the comet Kahoutek in 1973 that ties into both the ‘Starseed transmissions’ transmitted by Dr. Timothy Leary from Folsom Prison and with Sun Ra who performed a special concert for the Comet on December 12, 1973. ‘Concert for the Comet Kahoutek’ was the first Sun Ra disk I bought in approx. 1998, in part due to the ‘Starseed’ connection to the Comet.


    Kosmic Trigger.


    “Have real honest to god extraterrestrials from Sirius been meddling in the affairs of this backward planet? – Robert Anton Wislon, CT, pg, 184.

    I should emphasize the impact this book had on me twelve years ago, in my attempt here to record my state of mind and reason back then, when building ‘fly agaric 23’ and navigating my way through the works of RAW and Terence Mckenna, continuing my experimental, Jazz inflected musical journey as a Drummer and DJ, intent on including and sharing some of the wisdom I perceived within these works; the drive that led me to journey to the US and study with Dr. Wilson.

    Like Robert Anton Wilson, the Dogon tribe of West Africa demonstrate an interest in the Sirius double/triple? star system. “Sirius is important to you” and “something about time, the future and infinity” are words that Dr. Wilson saw written on a Black Board by a man with a long white beard, like Mr. Natural (or Dr. John Dee) in an important vision/dream he wrestled into his waking life and book, due in part to the fact that he had this dream/vision on July 23rd 1973. Sirius, the Dogon tribe and the 23 enigma collide or give birth at this point in RAW’s life, experimenting with Astral Projection, Magick and psychedelics and experiencing contact, success and breakthroughs in these areas of Occult research and shared feedback.

    Finnegans Nommo

    Through the cycle of Osiris, Isis plays a number of important roles; she is mother, faithful wife, sister-lover, steadfast widow. The goddess had thousands of names, and many shapes; she might be a divine cow, a bird, or even the star Sothis (Sirius). Her manifest nature is shown at one point in FW as several of these forms, and the search for the parts of Osiris is suggested simultaneously, as a questing crone runs to “sothisfeige her cowrieosity” (14.02). –Mark L. Troy. –http://www.trentu.ca/faculty/jjoyce/mummeries/troybook.htm

    So what are the Dogon Tribe all about and why are they so important to us today, what can we learn from the wisdom they have shared, how does it relate to our present situation on earth? These more objective questions are best tackled by invoking my favourite book and mighty not-so-secret secret weapon in the war on some drugs: Finnegans Wake.

    It seems that much of the great learning and wisdom gathered by the Dogon can be best distinguished by its relationship to modern ideas, scientific findings, cosmological models, BIG uestions about a singularity, self and becoming, causality, prophecy, the future of humanity and planet earth, the cosmos, spacetime and beyond.

    While reading Sir Francis Huxley describe the intricacies and complex ideas of the Dogon I thought of the ‘resolution of opposites’ at work in Finnegans Wake, and in a flash saw every piece of symbolism Huxley mentioned in Joyce’s masterpiece, as if it were itself a tale of the Nommo tribe, or some extraterrestrial multilingual intelligence guiding us into the future of hypertext and hyperculture. Lo.

    Sun Ra and Sirius

    It seems likely to me that amidst Sun Ra’s extensive literary study into African and world folklore and mythology he came across the practices and traditions of the Dogon tribe. And I imagine would have latched onto some of the themes of possible extraterrestrial contact, but more importantly forwarded, retranslated and represented the music, dance, art and culture of these tribes, Sun Ra performed and recorded music. Something that unfortunately most other extraterrestrial theorists overlook as a means of communication with ‘higher’ beings, if you like to use the ‘higher’ label.

    Make it Knu!

    The most economical explanation for all of this seems to be that an Earth-Sirius communication has occurred, at least once, probably several times. –RAW. CT, 1pg. 89.

    That ‘they’ or ‘it’ travel by way of music seems a given to me personally, if you like to adopt a pretty simple model for extraterrestrial intelligence and communication. Yet, we must agree that any advanced form of communication would work throughout all of our recognized mediums and our spectrum of energy waves. But music, music seems like an ancient and relatively simple mode of two-way communication with ‘it’. Maybe it’s better to call ‘it’ hyper-intelligence’ and maybe at this stage propose that ‘it’ maybe ubiquitous throughout spacetime.

    The music and ‘it’ tend to reveal each other on occasion, I think, and something about some music in the Jazz idiom seems to somehow scramble time & space in a way reminiscent of ‘hyperintelligence’ a glimpse into the fututure-presnet-pist side, where everything changes in an instant, and new worlds open up and with them new possibilities, new conversations, new languages and new ideas. Make it Knu!

    ET Net

    Mark Pesce recently exposed the genius of James Joyce and in particular his book Finnegans Wake, and illustrates how Joyce co-opted the future in some sense, co-inventing ‘hypertext’ before programmable computers and co-ordinating some as yet unknown and undefined ‘Hyperintelligence’ into his book, that has managed to withstand the void of literature created by html Hypertext, internet and twitter. I have collaborated on further illustrating his writing.

    To my knowledge Joyce did not report any extraterrestrial experiences in the explicit sense that both RAW and Sun Ra did, ‘RA’ claiming his first encounter in 1936 went as follows:

    … my whole body changed into something else. I could see through myself. And I went up … I wasn’t in human form … I landed on a planet that I identified as Saturn … they teleported me and I was down on [a] stage with them. They wanted to talk with me. They had one little antenna on each ear. A little antenna over each eye. They talked to me. They told me to stop [attending college] because there was going to be great trouble in schools … the world was going into complete chaos … I would speak [through music], and the world would listen. That’s what they told me. –Szwed, John F. (August 21, 1998). Space Is the Place: The Lives and Times of Sun Ra.

    However, anybody who claims that Joyce did not have an Extraterrestrial experience seems to have missed the point of Finnegans Wake, that for me qualifies as a totally ‘alien’ and certifiably advanced language and/or code. Precisely the kind of thing an advanced civilization would want to communicate to earthly humanity: the wonder and epiphany at the interconnectedness of all things.

    For me James Joyce’s FW and the music of Sun Ra and his Arkestra are similar shaped vehicles of extraterrestrial communication, but whereas the music of Sun Ra is explicit and enters through the eye and ear world, Joyce reverses the process somewhat, ringing and jangling songs and tunes, spells and proverbs from dozens of languages, all sensed in the head-space, but with a strange sense of timelessness and transcendence of space, when ‘non-simultaneously apprehended’ with the human eye; jumping about a jungle of earthly hyperintelligence and hilaritas, condensed into nodal clusters of meaning and hyper-connectivity, ringing many bells and scattering connections allwayswords.

    SUN RAW

    “I might mention that Arthur Young, founder of the Institute for the study of consciousness, was the one who originally turned Robert Temple on to the idea of trying to find out how the Dogon tribe knew so much about the dark companion of Sirius. And Arthur Young, in turn, had first heard of this tribal lore from Harry Smith, a film maker who claims to be the son of Aleister Crowley…) –Saul Paul Sirag, CT, pg. 242.

    I am not sure if RAW listened to Sun Ra, but it stand a good chance due to telling me he liked Charlie Parker, Mahler, Thelonious Monk, John Coltrane, Beethoven and Miles Davis, in particular. And Robert first got turned onto the debil’ weed at a Modern Jazz Quintet show, so RAW was certainly Hip to Bebop and jazz, and with his perchance for ‘Classical’ music too one would imagine Big Band Jazz and the sounds of Sun Ra might tickle his fancy.

    Who knows, but I want to show here how the music of Sun Ra links directly into RAWs chapter in Cosmic Trigger detailing Dr. Timothy Leary’s experience with extraterrestrial intelligence and the comet Kahoutek earyh flyby in 1973, an event I chose to magnify here as it had a significant ‘woo woo’ effect on me when I first read Cosmic Trigger and encountered the Sirius Mystery. Nonetheless I like to think that RAW might enjoy a SUN RAW comparative essay with a healthy dose of Finnegans Wake stirred in.

    For more on this please see my essay ‘The Myth Art and Music of Sun Ra’ (Headpress, 2010)

    Back To Earth Frontear.

    “The Dogon believe that everyone is born with eight seeds stored within the collarbones, four coming from the mother’s line and four from the father’s—a prototype, in symbolic terms of modern genetic theory. –Sir Francis Huxley, The Way Of The Sacred, Pg. 166.

    Although the ‘outer space’ theme may often be criticised as leaving planet earth and humanity behind in an escapist trip to the stars, yet on the contrary I will show how the outer space theme in the works of Sun Ra, RAW and James Joyce, or the ‘cosmological’ complexity and ‘chaos’ often inherent in their works transmits a message for earth people, right here right now, that this ‘it’ or ‘hyperintelligence’ exists everywhere and nowhere, invisible and staring us straight in the face, neither here nor there but with us. No we are not alone in the Universe, on any level, we are hyperconnected throughout time and space, on many levels, if we wish to tune into them. Tune in, remember, and find the other worlds?

    Solstice 2010

    “by the tremours of Thundery and Ulerin’s dogstar, you alone, windblasted tree of the knowledge of beautiful andevil, ay, clothed upon with the metuor and shimmering like the horescens, astroglodynamonologos, –FW, 194.

    Looking back at my experience this Solstice I deduce that the Sun, and the sun behind the sun has gently hinted that ‘Sirius IS impotant” and that the African wisdom found in the Dogon tribe can be teased out from Finnegans Wake and the study of Joyce’s special cosmological ‘tribal’ language.

    A New Dogon tale?

    I have found that during my research into these three iconoclast multicultural icons the pull to create a new interpretation of current events and the state of the planet earth in 2010. Using my sense for connectivity and mixing media I present the SUN RA SIRIUS SEED TRANSMISSION sampler, enjoy, love, steve.

    “An whele time he was rancing there smutsy floskons nodunder ycholerd for their poopishers, ahull onem Fyre maynoother endnow! Shatten up ship ! Bouououmce ! Nomo clandoilskins cheakinlevers ! –James Joyce, FW, 370.

    “Circling round Shaun the girls weep, their mourning song echoes, “dosiriously it psalmodied” (470.13). The girls are sadly desirous of Osiris, desirous as Sirius (Sothis). It was in the form of this star that Isis wept for the lost Osiris. The sight of the rising Dog-Star has always coincided with the overflow of the Nile waters, thus it was considered that the tears of the goddess, weeping for her brother-husband, caused the inundation which fertilized the land of Egypt (DRT, p. 22). This idea is expanded at 254.16, “A and aa ab ad a bu abiad. A babbel men dub gulch of tears.” In this watery babbling runs the Nile, which flows (after leaving the Nyanzas and Jebel) as the Abiad or White Nile, until it reaches Abu, the area of the first cataract, at which point the Nile Valley begins (“Nile”, EB, XIX, 695). Thus, a naturalistic explanation is given for the babbling waters flowing down into the valley, which the ancients saw as a vale or gulch of tears. —Mark L. Troy. Mummeries of Resurrection

    Some sources and resources:

    SUN RA: Essays And Interviews – Edited by John Sinclair
    Cosmic Trigger – Robert Anton Wilson
    Finnegans Wake – James Joyce
    The Way Of The Sacred – Sir Francis Huxley
    Mummeries of Resurrection – Mark L. Troy
    Wikiedia

    http://hyperreal.org/~mpesce/
    http://www.vurigetongen.nl/page2/page2.html
    http://www.fotuva.org/music/discog.html
    http://www.amsterdamroots.nl/index.php?id=517
    http://mkzdk.org/francis/index.html
    http://en.wikipedia.org/wiki/Sirius_B#Sirius_B
    http://en.wikipedia.org/wiki/Sothis

    –Steven James Pratt.
    First draught June 21st 2010, Amsterdam, 6.30 A.M