Category: Ezra Pound

  • Quotes from Ezra Pound Guide To Kulchur

    I am currently reading Ez’s guide again and find it very stimulating with great ball of genius striking in the direction of the 2008-2013 global recession, music, painting, sculture and poetry. –Steve fly

    Full text at Scribd.

    Quotes from…

    EZRA

    POUND

    GUIDE
    TO
    KULCHUR

    “To put it another way: it does not matter a two-penny damn whether you load up your memory with the chronological sequence of what has happened, or the names of protagonists, or authors of books, or generals and leading political spouters, so long as you understand the process now going on, or the processes biological, social, economic now going on, enveloping you as an individual, in a social order, and quite unlikely to be very “new” in themselves however fresh or stale to the participant.”

    “I suggest that finer and future critics of art will be able to tell from the quality of a painting the degree of tolerance or intolerance of usury extant in the age and milieu that produced it… That perhaps is the first clue the reader has had that these are notes for a totalitarian treatise and that I am in fact considering the New Learning or the New Paideuma… not simply abridging extant encyclopedias or condensing two dozen more detailed volumes… May I suggest (not to prove anything, but perhaps to open the reader’s thought) that I have a certain real knowledge which wd. enable me to tell a Goya from a Velasquez, a Velasquez from an Ambrogio Praedis, a Praedis from an Ingres or a Moreau…”

    “Ideogram is essential to the exposition of certain kinds of thought. Greek philosophy was mostly a mere splitting, an impoverishment of understanding, though it ultimately led to the development of particular sciences. Socrates a distinguished gas-bag in comparison with Confucius and Mencius… At any rate, I need ideogram. I mean I need it for my own job…”

    “Usura rusteth the chisel It rusteth the craft and the craftsman It gnaweth the thread in the loom None learneth to weave gold in her pattern; Azure hath a canker by usura; cramoisi is unbroidered Emerald findeth no Memling… Usura slayeth the child in the womb”

    “Dante uses che sanno in his passage on Aristotle in limbo. He uses intendendo for the angels moving the third heaven… Our Teutonic friend, what’s his name (Vossler is it?), talks about schwankenden Terminologie des Cavalcanti’s. I believe because he hasn’t examined it. Till proof to the contrary overwhelms me, I shall hold that our mediaevals took much more care of their terms than the greeks of the decadence.”

    “This book is not written for the over-fed. It is written for men who have not been able to afford a university education or for young men, whether or not threatened with universities, who want to know more at the age of fifty than I know today, and whom I might conceivably aid to that object.”

    http://modernism.research.yale.edu/wiki/index.php/Guide_to_Kulchur

  • Ezra Pound and the tale of the tribe in 2013.

    Ezra Pound and the tale of the tribe in 2013.

    Today, Easter Sunday 31st March 2013, I am here at home in Amsterdam, switching between facebook, blogger, youtube and Wikipedia, and my copy of Pound’s Cantos. And I cannot resist pulling out some examples of Pounds relevance, coloured by the texts analysis by Pound/Joyce scholar Dr Robert Anton Wilson.

    First off there is the poetry, the straight up imagist prose that is juxtaposing natures forms with man’s sensory experiences, bashing the mind with species and etymology through metaphor. Just on the surface, when revisiting Canto’s CXVII & CXVIII without pretending to be able to decode the strange new scripts intermingling on the page, there is an aesthetic appeal, an instant wonder and sense of the unique, nothing else in literature exits anything like this, to this day. And so I imagine the wonders and messages hidden away, what I don’t know is always in my face, highlighting what I can read and make inferences about, like little villages of recognizable action and meaning surrounded by a huge forest of mystery and unknown symbol systems.

    Due my acknowledgement of what I don’t know about the Cantos, it proves difficult to state a case about the text, and about what Pound means by any particular fragment or ideogram. However, there is a long line of scholarship and decoding of the texts, along with extensive biographical commentary on Ezra Pound to help the lone rambler stumbling into the forest. Like Joyce’s equally dense work Finnegans Wake, Pounds Cantos…works its hidden magic most effectively with an accompaniment of skeleton keys, supportive texts and internet search engines, or if you are fortunate a good teacher.

    Robert Anton Wilson regarded Ezra Pound very highly, although like many other Pound scholars made clear that he did not ascribe to Ezra’s opinions during the 30’s and 40’s which took on a fascist and racist tendency. RAW does not throw the baby out with the bathwater and almost begs us to reconsider Pound and all his contributions and his extensive wonderful works that aim to better humanity, our individual critical minds and refine a globalist taste for common horse-sense in general. RAW’s love and deep understanding of the Cantos is expressed in a series of Cantos commentaries published at rawfans.org, and which inspired this writing today. I recommend them highly, and especially with the Cantos in hand, reading in between the lines and discovering the labyrinth of rich languages running together with the English bits.

    Commentary on The Cantos of Ezra Pound, c. 2001-2002
    Canto III & XX, IIIIVVIII,  IXX,
    XI,  XIIXIIIXIV,  XVXVIIXVIII, XIX,
    XXIXXXIXXXIIXCVIII

    http://rawilsonfans.com/writings/

    “There are six rites for festival
           and 7 instructions
    that all converge as the root tun       pen
    the root veneration (from Mohamed no popery)
    To discriminate things
            shih  solid
    mu  a pattern
    fa  laws
    kung  public
    szu  private
    great and small
           (That Odysseus’ old ma missed his conversation)
    To see the light pour,
         that is, toward sinceritas”—Ez, Canto XCIX

  • TTOTT 2013: Go git’ yr’ pens and pads

    TTOTT 2013 by Steven ‘fly’ Pratt.

    Some of my readers, and a small portion of friends may be familiar with Robert Anton Wilson and his tale of the tribe, but, alas i imagine that most are not. If you stumbled upon this writing, and are out of facebook well done, I dearly wish you might give me a chance to turn you on.

    I have shared the continued relevance and impact that the individuals and ideas from ‘the tale of the tribe’ have had, and are having on global humanity through a network of blogs and posts. I am also resending the same simple message here: read Robert Anton Wilson’s books and try out his ideas, again! This post consists of a short review of his ideas from TTOTT and current 2013 events and breakthroughs that have a direct correspondence to the characters.

    Swooping from the global banking and credit circus to ‘open source’ software ‘The tale of the tribe’ forms a unique doorway into a coherent system, running from the renaissance to the present day, that helps frame some big questions pertaining to our times, a bawdy bunch and global cross-section of individuals and their works selected by Dr Wilson for an equal balance of high-brow and low brow, art and science and mysticism, all innovators and ahead of their time.

    “Art as TRANSACTION / Information as TRANSACTION—RAW”

    Most of them, worryingly to me, are still understudied overlooked and almost forgotten in the majority of mainstream Academic institutions, yet, together in synchrony and as the TRIBE, they bootstrap their influences and coherence into a group of 13–relatively unknown–super geniuses. A kind of renaissance super hero-gang. I think that Dr Wilson picked these characters very very very carefully, and of course, they still hold infinite potential for anybody crazy enough to begin studying em’ and carefully scaffolding between ideas, and, furthermore, I am certain they will be important for the future scenarios and technological breakthroughs during 2013 and ahead, in the spirit of the poet as early warning missile defence system.

    “Pound & Joyce supplement each other
    like Jefferson & Adams
    each created a NEW non-aristotelian
    language
    for the tale of the tribe”–RAW

    In one sense, the tale of the tribe includes some of the most complicated and scholarly works known to man: Finnegans Wake, Information Theory, General Semantics, Pound’s Cantos, Cybernetics, Ulysses, Media Studies and Quantum Mechanics. On the other hand, I think that Dr Wilson recognized this ‘too complicated’ factor, and might have been hinting, in part, that in the age of internet search engines and masses of shared data, translation software etc. the once esoteric works and ideas available to the select few, can now be read, decoded, studied and poured over, even when high…by anyone and everyone who can connect to the net. You don’t need no stinking Yale or Cambridge library, or even their professors, in many cases, you require a connection and whole lot of time, will and energy to invest in things that at first may not seem worth your while pursuing. I hope to persuade you otherwise.

    “Distinguish also between faith-based programs [NO FEEDBACK]
    and research-based programs [MAXIMUM POSSIBLE FEEDBACK].–RAW

    For me today, the tale of the tribe boils down to the concept of humanity. The problems confronting everyman man, women and living system on planet earth today. Dr Wilson stressed a comprehensive strategy, a GLOBAL view, and he was known for having at least seven models for explaining anything. This wish to communicate and show compassion to all-around-humanity remains a goal of ‘TTOTT’ and at the same time liberate humanity, consciousness and our  daily doings from the boot and chains and guns of the oppressors:

    Those who champion closed systems, surveillance, secrecy, violence, war and clandestine attacks on the emotional and physical strings of a mostly innocent humanity-as-a-whole. Those that fan the flames, do damage to names, switch the rules, the sneaky pundits and spin doctors, the war advertisers and the TV Mirage salespeople, those that wish the majority of us live in fear and in debt, be it to Gods or States-entities, they’re surely watching you even now. I hear you, and I think ‘TTOTT’ provides an historical current that runs counter to the above trending towards centralized control and secrecy, to shallow pools of bullshit passing as news and bad, wrongheaded single mindedness and bullying throughout the mediasphere. The decentralized universe of the mystics, poets, shaman & shawomen, neuro-scientists, design scientists and information theorists pushes against centralized control, both psychological and political (via. The digital hacktivist revolution) these are new forces that we have all heard about, if not felt in our daily life.

    “can we see this emerging in psychedelics & internet?
    or in Leary & McLuhan at least?”–RAW

    Fly On The Tale Of The Tribe: A Rollercoaster Ride With Robert Anton Wilson

    by Steven James Pratt

    Link: http://a.co/gOGNKyV

    (more…)

  • 1922 year 1 of MODERNISM (Book review)

    A new age dawned on October 30 1921, said Ezra Pound, who claimed that the Christian Era ended on the day that James Joyce finished the final paragraph of Ulysses. Three months later Joyce’s book was published on the palindromic date of 2/2/22 – his 40th birthday —http://www.telegraph.co.uk/culture/books/historybookreviews/9712690/Constellation-of-Genius-by-Kevin-Jackson-review.html

  • Preface to ‘The Mayan Letters by CHarles Olson.

    For me, and my world right now (9th December 2012) Charles Olson and his book ‘The Mayan Letters’ makes perfect sense.

    Here’s the preface:

    Preface to Mayan Letters

    by Charles Olson

    Sometime toward the end of 1950, it was in December I think, but the letter isn’t dated, I heard that Charles Olson was off to Yucatan. A sudden “fluke”—the availability of some retirement money owed him from past work as a mail carrier—gave him enough for the trip, “not much but a couple of hundred, sufficient, to GO, be, THERE. . . .” By February I had got another letter, “have just this minute opened this machine in this house lerma. . . .” From that time on I heard from him regularly, and so was witness to one of the most incisive experiences ever recorded. Obviously it is very simple to call it that, that is, what then happened, and what Olson made of his surroundings and himself. Otherwise, it is necessary to remember that Olson had already been moving in this direction, back to a point of origin which would be capable of extending “history” in a new and more usable sense. In his book on Melville, Call Me Ishmael , he had made the statement, “we are the last first people . . .”; and in his poetry, most clearly in “The Kingfishers,” there was constant emphasis on the need to break with the too simple westernisms of a ‘greek culture.’
    Yucatan made the occasion present in a way that it had not been before. The alternative to a generalizing humanism was locked, quite literally, in the people immediately around him, and the conception, that there had been and could be a civilization anterior to that which he had come from, was no longer conjecture, it was fact. He wrote me, then, “I have no doubt, say, that the American will
    Charles Olson, Mayan Letters (Bañalbufar, Mallorca: Divers Press, 1953).

    103
    more and more repossess himself of the Indian past. . . . If you and I see the old deal as dead (including Confucius, say), at the same time that we admit the new is of the making of our own lives & references, yet, there is bound to be a tremendous pick-up from history other than that which has been usable as reference, the moment either that history is restored (Sumer, or, more done, Chichen or Uaxactun) or rising people (these Indians, as camposinos ripe for Communist play—as ripe as were the Chinese, date 1921, June 30). . . .” The problem was, to give form, again, to what the Maya had been—to restore the “history” which they were. For in the Maya was the looked-for content: a reality which is “wholly formal without loss of intimate spaces, with the ball still snarled, yet, with a light (and not stars) and a heat (not androgyne) which declares, the persistence of both organism and will (human). . . .”
    In editing the present selection, I have tried to maintain a continuity in spite of the limits of space and the loss of some letters which it has meant. I have indicated excisions with dots ( . . .), whenever such were necessary.

  • Ezra Pound’s daughter fights to wrest the renegade poet’s legacy from fascists

     “He made mistakes and we have to take the good part of him, just as he did with others.–Mary De Rachewiltz

    “De Rachewiltz has since fought a lifelong battle to separate Pound the poet from Pound the fascist and antisemite, which is why the emergence of CasaPound – now boasting 5,000 members – is so painful.

    She rebuffs the suggestion that CasaPound’s lionisation of him is no more than he deserves. “Pound just quoted what Mussolini said,” she said. “This organisation is hiding behind Pound’s name for intellectual cover,” she added. “He made mistakes and we have to take the good part of him, just as he did with others. He fell into certain antisemitic clichés that were rampant in Europe and the US at the time.”–http://www.guardian.co.uk/world/2012/jan/14/ezra-pound-daughter-fascism

  • Ez TSOG YALE and SPIES.

    “The scholar who works for a government intelligence agency ceases to be an independent spirit, a true scholar,” stated a Boston Globe editorial in the mid-1980s.

    My Ezra Pound ‘Google Alert’ just alerted me to an article from the Yaledailynews by Ava Kofman that outlines the history of the CIA’s relationships with Academia, and therefore criss-crosses with ‘The Tale of the Tribe’ material and helps to refresh our minds to Dr. Wilson’s brilliant essay ‘TSOG: The Thing that ate the Constitution, 2001′ and information concerning Ezra Pound, James Jesus Angleton and the impact the Spycraft had on Modernism, poetry and the arts. Wilson writes:

    But James J. Angleton was a pathological case of some sort himself; he often hid his middle name because it revealed his half-Hispanic genes. An exceptionally intelligent and sensitive student of modern literature while at Yale, Angleton adored Ezra Pound, Wallace Stevens, I.A. Richards, e e cummings and other SuperStars of Modernism; he met most of them personally. They collectively influenced Angleton’s fascination with multiple perspectives, labyrinthine ambiguity and the eternal uncertainty of all inferences and “interpretations.” These modernist tendencies, which also appeared in science and philosophy at the same time, blossomed into obsessions and, perhaps, raging madness when Angleton systematically applied them to the spy-game. After all, modernism really begins with Wilde’s “The Reality of Masks” and Yeats’s hermetic mystique the world we know emerging from interactions of Mask, Anti-Mask, Self, and Anti-Self: which may or may not fit all of us or all the world but certainly fits the world of spooks and snoops that Angleton created.–http://www.rawilson.com/tsog.html

    Ava Kofman writes in ANNONYMOUS ACADEMICS:

    “James Jesus Angleton ’41, breeder of rare orchids and disputably a paranoiac, founded and edited the short-lived but reputable literary magazine, Furioso, during his time as an undergraduate at Yale. Beginning a series of enthusiastic correspondences with Ezra Pound after the two met in Italy during the summer of 1938, Angleton published Pound’s poems along with the work of Cummings, MacLeish and Williams in his magazine the next year. But more ink has been spilled describing Angleton’s life than those of his beloved poets. Returning to Washington after World War II, Angleton would go on to help found the Central Intelligence Agency.”http://www.yaledailynews.com/news/2012/jan/13/academics-anonymous/

    “Varsity crew coach Skip Waltz recruited for the OSS what he saw as the best of Yale’s white Anglophile protestant males from its population of mostly white Anglo-Saxon protestant males. Following the conclusion of war in 1947, OSS alumnus Walter L. Pforzheimer ’35 contributed to drafting the act that would establish the CIA.

    And still today, some recent alumni from both campuses include CIA directors Porter J. Goss ’60, R. James Woolsey Jr. LAW ’68, and George H.W. Bush ’48. Now a visiting lecturer at the Jackson Institute, John Negroponte ’60 served as the first Director of National Intelligence under President George W. Bush ’68. William F. Buckley ’50, founder of the National Review, wrote one of the many aforementioned fictionalized accounts of Angleton’s life, and served a stint in the CIA as well.” http://www.yaledailynews.com/news/2012/jan/13/academics-anonymous/

     “Why learn how to write a policy memo on preventing nuclear proliferation if you can’t even convincingly make a case that the human race — much less the United States of America — is a good thing that’s worth protecting,” laments the anonymous source. “Does the U.S. government exist to merely protect us and clothe us and feed us or to foster public and private virtue? These are questions that the Yalies of yesteryear could tackle quite easily and eloquently. Today, almost no one can.” http://www.yaledailynews.com/news/2012/jan/13/academics-anonymous/

    The skills that most Yale majors teach students well — namely, close reading, critical thinking and strong writing — are the same valuable assets that make its graduates good analysts. Or for that matter, good at any job.

    “An analyst job is like writing a paper except its called an intelligence report,” said a senior government official, who requested to remain anonymous citing government policy. “But instead of using a book or a person as your evidence, you’re using classified intelligence.” He points to this as to why Yale turns out so many journalists and policy makers as well. The only difference in what those jobs consist of, the senior official argued, is in the subject matter and sourcing of what they’re writing on. http://www.yaledailynews.com/news/2012/jan/13/academics-anonymous/

     

    “In 2001, following the attacks of September 11, around 750 students expressed an interest in the CIA when they passed through the agency’s career fair booth. For some years thereafter, interest in the agency was at a new high.  http://www.yaledailynews.com/news/2012/jan/13/academics-anonymous/

    “With the rise of cyber-espionage, it would seem that the CIA’s interest in Computer Science and Math majors who can write and break code might balloon.
    Regardless of their background — whether it be in C++, the classics or both — applicants need to be realists and understand, the senior official warned, that for many it’s a “desk job.”
    “Your cover is going to be a dark close-up of the shadow of Nathan Hale’s face,” a senior government official teased, “but the reality is that people [in the CIA] work in cubicles that look like a Proctor and Gamble office — and it’s mostly a bunch of Mormons.” The senior official paused dramatically, letting the reality of his vision of the CIA sink in.http://www.yaledailynews.com/news/2012/jan/13/academics-anonymous/

     Borrowing a phrase from T.S. Eliot’s Gerontion, Angleton often described the inner workings of the agency as a “wilderness of mirrors.” Angleton’s means of ordering the world moved along so many deceptions that it ceased to be real.  http://www.yaledailynews.com/news/2012/jan/13/academics-anonymous/

    One that could recast, for better or worse, the arbitrary boundaries drawn between literature and the classroom, reality and a dream, poetry and analysis. Our fascination with the CIA, with its mythical figures and failures, as a national legend — as a genre of fiction — may be of just as much interest for learning about the intuitions of the modern mind — as it is for learning about the institution itself. http://www.yaledailynews.com/news/2012/jan/13/academics-anonymous/

    The spy world then, turns accident into meaning and so frees us to imagine and presume in broad leaps and strokes.
    “For in [the spy] profession there is no such thing as coincidence,” writes Le Carre in the film Tinker Tailor Soldier Spy.
    And consider an illustration of these two approaches to thinking: Most of the American public would prefer to watch say, Tinker Tailor Soldier Spy, a fictionalized account of the spy world, than read the continually growing number of now declassified documents made readily available, or, for that matter, the adapted book. http://www.yaledailynews.com/news/2012/jan/13/academics-anonymous/

  • Joyce Pound Shaw and Ulysses in Porno-mags

    SNIPPET FROM: An end to bad heir days: The posthumous power of the literary estate

    By Gordon Bowker

    The question of rights in Joyce’s work was a fraught one even during his lifetime. Fearing prosecution, no one would publish Ulysses complete and unabridged until Sylvia Beach, the American bookseller in Paris, bravely did so in 1922. But Joyce’s notoriety attracted pirates , and at one time he was unprotected by good contracts or good law. In November 1925, he found that without his permission Ulysses was being published serially in the magazine Two Worlds by Samuel Roth, the New York pornographer. His protests went unheeded. Roth simply sent a cheque for $1000 which Joyce refused to cash.

    Among his literary friends and supporters, only Ezra Pound and Bernard Shaw were unsympathetic. Pound said that Joyce had only himself to blame for not registering his copyright in America. He advised him “to write letters to the press denouncing Roth”, or alternatively, “organise a gang of gunmen to scare [him] out of his pants”. But Roth, he warned, was a ruthless capitalist driven by avarice, not easily stopped.

    Joyce was incensed, and with the aid of friends composed a letter of protest which was circulated among writers, attacking unjust American copyright law. Pound refused to sign, as did Shaw, who suspected a Joycean stunt.

    READ ON HERE

    http://www.independent.co.uk/arts-entertainment/books/features/an-end-to-bad-heir-days-the-posthumous-power-of-the-literary-estate-6285277.html

  • McLuhan letter to Ezra Pound Dec.21st 1948

    ON THE EZRA POUND/ MARSHALL MCLUHAN CORRESPONDENCEby EDWIN J. BARTON

    http://projects.chass.utoronto.ca/mcluhan-studies/v1_iss1/1_1art11.htm

    “The only problem with this mode of thinking and presentation, as McLuhan was to discover, lay in the resistance with which it was met, and continues to be met, by Western intellectuals. For, as McLuhan put it in a letter written in 1948, this way of writing and thinking is inaccessible to those whose mentality is “incorruptibly dialectical.”

    The American mind is not even close to being amenable to the ideogram principle as yet. The reason is simply this. America is 100% 18th century. The 18th century chucked out the principle of metaphor and analogy-the basic fact that as A is to B so C is to D. AB : CD. It can see AB relations. But all relations in four terms are still verboten. This amounts to a deep occultation of all human thought for the U.S.A. (21 December 1948)

    It was precisely this structure and action of the metaphorical analogy, of course, that enabled McLuhan and his son Eric, many years later, to arrive at tetradic model of laws with which to study media “scientifically.”–EDWIN J. BARTON.

  • On the run up to the year 2012 (and The tale of the tribe)


    On the run up to the year 2012. by Steven ‘Fly Agaric 23’ Pratt.

    While the domesticated primates enter the Gregorian year 2012, I would like to share some of my thoughts on interpreting the ‘2012’ phenomena , and with a focus upon Bloomsday (16th June, the single day of James Joyce’s novel Ulysses) opposed to Doomsday (the end of humanity and planet earth as we know it). Most but not all of my observations today are highly influenced by the work of Mark Pesce and his conception of the next billion seconds (roughly a giga-second or 30 years) spanning from 1995-2025. Mark’s species of ‘2012’ phenomena, if you like, does not involve any galactic alignments or geological earth shifts, or the return of the space gods it simply involves the facts surrounding humanities collective decent into novelty (connectivity) and proposes answers to the question ‘what happens after we’re all connected?’ (please forgive any miss-interpretations and blunders I may have made in recycling some of Mark’s innovative study).

    Well I interpret what happens after we’re all connected based in part on Mark’s scholarly answers, to follow something along the lines of…your connectivity and your network defines you, and if you are not sharing or prepared to be shared then you may be made obsolete by some superior shared intelligence, wither, and die off quickly.

    With a ‘biological meaning’ concerning the human brain body nervous system: a human health-knowledge network of shared wisdom in real space-time, to the more abstract ‘software meaning’ concerning globalised light-speed computer networks and the resulting tendency for mash-upable, sharable, and free media to flourish, Mark approaches an almost Hermetic principle for the digital age echoing that which is as above, as that which is below. To remove the up/down two valued duality it might make sense to replace up and down with Software and Hardware, to produce that which is software, as that which is hardware, somewhat exstinguishing the distinction between the two by showing their unity and ‘mash-upable-ness’, I am here reminded of Terence Mckenna’s clever inverse of the old saying ‘The flesh made word’ into ‘The word made flesh’, in describing the technological singularity possibly taking place during 2012 and beyond.

    Today the idea of the ‘word made flesh’ could be ascribed to transhumanism and the impact that ‘information processing or information theory’ reflect on the human genome, neuro-psychology and thousands of other fields that are certainly radically and utterly transformed by the new ‘digital word’ or program made flesh. In this model the network provides the essential bridge between worlds, the vital connection between the two or more opposing forces, resolving them to the satisfaction of the individual, as defined by the group or connected network.

    I see a similar thread of openness and sharability and mash-up-able-ness in the methods and innovations developed by those critters whom Dr. Robert Anton Wilson listed as inspirations and those he recommended attentive study of, in particular the heretics listed in his ‘tale of the tribe’ which consists of approximately Twelve historical geniuses who have had a long lasting positive impact on humanity, and on Bob; and who may still yet emerge like Dracula from the grave to reposes culture in 2012? At least I get excited the more I look into these characters and into Bob’s writings upon them and why I think they are important for all around the world humanity in 2012.

    If this be a conspiracy theory so mote it be. Just consider the efforts to supress and keep out of print so many of the texts and source works cited before the age of bit torrent and pirate bay. The burning of Joyce’s books, and burning of Giordano’s body, the imprisonment of Ezra Pound, the ‘top secret privacy’ assigned to some of Shannon and Weiner’s early papers, the general harassment of Giambattista Vico, Freiderich Nietzche, and Orson Welles, and the ‘crazy stick’ poked at Marshal McLuahan, Joyce, Pound and even ‘Wilson’ himself, that damned old crank’ as he often referred to himself in that somewhat Irish humour of self-mockery. Praise Bob!

    So the conspiracy, if there must be ONE in this article takes into account that the most suppressive and violent censors throughout history, generally authoritarian systems of Church and State. (remember that the first paragraph of Joyce’s Ulysses starts with the word ‘Stately’ and ends with ‘crossed’ to symbolize State and Church crossed, as Bob liked to point out to his readers.) What we see in the current 2011, OCCUPY (world around peaceful revolution of economic intelligence and shared wisdom) echoes through Wilson’s works in the form of writings on Benjamin Tucker, Silvio Gessell, Lysander Spooner, Buckminster Fuller, Marx (and the brothers Marx) and Ezra Pound. Therefore the study of ‘the tale of the tribe’ can give great footholds and anchors for the Occupy movement to expand and feed on nutritious like-minded research into the ‘open source consciousness’ all-around-the-world movement.

    Perhaps if the ‘decentralized cosmology’ of Giordano Bruno were applied to the Mayan cosmology and 2012 calendar conundrum we might begin to see that we are each to our own calendar?, above as so below, and that ‘every man and every women is a star. Or, that in a decentralized cosmology with no absolute centre anywhere at all at all, it follows that the self-centred idea of a single paradigm shift on a single day, on a single typical G-star orbiting the sun in a galaxy among hundreds of Billions seems just slightly, to repeat the phrase, self-centred. So maybe the galactic alignment is up to where you place yourself and the geological shifts are within your body, the super cosmic overmind inside your head? Let’s no forget however that alongside his ‘decentralized Universe’ Giordano Bruno accomplished great innovations in Kabbalistic science experiments, magical programing languages and magical devices (memory wheels, alphabet wheels, symbol systems) all of which can greatly improve the art of protest and IMPACT at any Occupy events.

    McLuhan, like Fuller and like Pound might have us question ‘what is money and how is it?’ How did it get that way, and a deeper somewhat metaphysical look into the chain of values that lead to money, the relationship between credit and money etc., and right now…“No people ignorant of the nature of money can now maintain its rights, let alone attaining or holding to sovereignty. We have in our time two parties: the infamous, which tries to sabotage economic knowledge; the intelligent, which demands full light on the issue of coin, paper means of immediate exchange, and of credit. Credit, from this angle, becomes the privilege of delaying compensation.”—Ezra Pound, ARABIA DESERTA, Guide to Kulchur, pg. 271.

    I have found that like Wilson’s writing on so many varied subjects, McLuhan, Fuller and Pound can radically alter your perception of ‘what is money’ by raising varied and good questions seemingly ‘ignored by the mainstream economists and journalists’ up until only quite recently 2009. Wilson would home in on these grey areas of the counter culture, like alternative economics and alternative systems of distribution, chains of value, intelligence and transparency and weave them into both his fiction (maybe the most scientific of science fiction writers) and in particular into his non-fiction. Hunt em’ down and source out the sources, a treasure trove of workable methods and principles, not least, for example in Bucky’s ‘synergetics’ ‘dymaxion geometry’ and ‘Tesegrity geometry’ lie scattered among Lovecraft’s letters, Einstein’s dreams and Goofy’s nighmares to interpret how you will. READ HIM!

    “It is action at a distance, both in space and in time. In a highly literate fragmented society, “Time is money,” and money is the store of other people’s time and effort.”—Marshal McLuhan, Money: The poor man’s credit card, Understanding Media, pg. 147.

    To return to Mark Pesce and hypereconomics, we can now see the real impact of technology on peoples in real time, making Bucky’s ephemeralization and McLuhan’s Global Village apparent facts of the process of living on earth in 2011.

    Now we have the social networks to use as a parallel to the Global Village imagined out of thin air by McLuhan 50 years or so ago, and we have nano-technology and invisible light-speed information networks crossing the entire planet, imagined by Bucky to bring about an individual revolution of intelligence, as in the open source movement, sharing the tools and methods to then use them to build more tools and more sharable methods (maps, instructions, languages, blueprints).

    McLuahn and Bucky were right on many observations and predictions about the future of technology and how we be living today socially, psychologically, technologically, but Mark Pesce presents detailed new books and fresh video lectures taking these ideas, by way of working examples from the real world, into 2012 and beyond, combining the knowledge and confidence to make it real as Bob made it real in his own literary synthesis, and helped define WHY we should also go back and read the sources and roots of these innovations in sharing and ‘open source consciousness’.

    Bob specialized in this field and has a lifetime spent digging up and translating for those that follow the obscure bridges and links between multiple revolutionary innovations and their place in popular culture, Bob’s open source interests ranged from traditional computer software, political science and currency’s to open source Theology, Magick and Neuro-linguistic programing and open source psychology, and dipping beyond into open source nanotechnology and open source genetic engineering I imagine. Perhaps even contemplating open source atomic reactors for kicks?

    “Of course, my position is based on the denial that money does store wealth. I think it’s a semantic hallucination, the verbal equivalent of an optical illusion, to speak at all of money containing or storing wealth. Such thinking should have gone out with phlogiston theory. The symbol is not the referent; the map is not the territory. Money symbolizes wealth, as words symbolize things, and that’s all. The delusions that money contains wealth is the mechanism by which the credit monopoly hof study. as gained a stranglehold on the entire economy. As Colonel Greene pointed out in Mutual Banking, all the money could disappear tomorrow morning and the wealth of the planet would remain the same. However, if the wealth disappeared — if squinks from the Pink Dimension dragged it off to null-space or something — the money would be worth nothing. –Robert Anton Wilson, Illuminating Discord Interview, 1976. 

    And remember that if your research into the tale of the tribe starts to get a little stale and you feel lost in Korzybski’s giant tome or Joyce’s Wake, or staring at Shannon’s equations in a daze don’t be afraid to grab some stickers, a pen or some paint and go out into the wilderness and connect with your environment in a way that cannot be mistaken as vandalism but viewed as Art, funny, subtle, well placed and meaningful, and from the right place. Start a study group to begin looking into some of these characters and how they resonate with our current affairs on planet earth, make music, write, exorcise, smile, hug, love and live fully awake in 2011 and 2012. Get yourself connected. The writings on the wall, gotta’ get yourself connected, stumble you might fall.”

    –Steven ‘Fly Agaric 23’ Pratt.