Category: fly agaric 23

  • Some Limericks and War Business

    There was a dumb dotard called Trump
    who looked like a BBC flump
    his future seems stormy
    and wig rather tawny
    and mouth like an old camels rump.
    The was an old lady Theresa
    who lied and stole and she fleeced ya’
    she lived on young blood
    and come to no good
    I hope that the jail don’t release her.

     

    War Business?
    get a good education from your nation want to win all, and leave competition to annihilation? Business as war and war as business, into battle, into rivalry with your laws of mischief. For the win, the last man or women standing to have beat all the others, even sisters and brothers, to watch them squirm in a looser booze life, to show them who’s the boss. To have no thought for the loss. The majority are beat down. Beat down, and yet still breathing some how. So singing and dancing, working and working and dying of dichotomy. Dying a looser in a war competition. But with everything at stake, life itself business war-machine stealing food off the shelf,
    how lucky and fortunate the 1st world countries are, with lawyers and bankers and sales and PR Sell a bomb, sell a man, sell a story, fuck it, limerick bro. Fair?

     

  • Some real fresh shit

    …what does it all mean?

    …watch out kid, watch yer’ back, keep it on point. Wobble, but come back to your center. Make it count, everything counts. All our days are numbered, and littered with the lettered. Let us play. rewind,  forward, future calling, humming your song, calling, singing, shouting you. Oi, listen, look, read, engage with me, these thoughts, those days and weeks, years flowing on, all remembered in this, the moment of come and go. A jig before the drilling, a swig before the shelling. Oh, the shelling, the mourning and the morning, the nights of sean and of shem, of Alice and Molly. All of our night if we want them, do you want it? have to be headstrong for revelations, for transformation, translation, change.

    Do you want change, or status quo? young or old, conservative or liberal, break out. Bust loose. Get out from under the boot and toot your toot. Time is running out, the sand falls, the planet spins, seasons change, birds chatter and call, bears road, crickets rub theIR lil’ legs together, wolves howl and howl, can you hear them? do you hear the calling? the pipes of old, the ocean and wind and flames and tectonic plates grinding, pushing and pulling, tidal waltz. This energy boosts the boots, to get out and walk, face the rain and cold. get up, get out, Stand, shout, dance, sing. This is the time for humans to be human and walk, talk, laugh and move. Now.

    On the island, the tension builds in cycles, resolving and catching up with each other, falling and rising together at once, hope and fear, spiralling out, truth and lies, beauty and the ugly spun into threads, moving through the dawn branches of the trees, the silhouette of a city falls away, the sun bursting through the smoke and haze, the noise of traffic lost in the music of branches, leaves, grass and bird song. The force stronger the further away one gets from the bank, the earth and soil greet the feet like royalty, the mystery builds, flowers bloom and die, fungus creeps, night and day pass, the twilight and mi-light, the Toa and the sung from the dung, the Witch elm and the sheep song, the monolith and the megalith, the stone, the page and the hieroglyph. Descending underground.

    Facing facades, haunting sleep people, shades and blotches of men, women, pets, objects, connected by a force including Tesla and Einstein. Mad scientists and visionary artists, skipping down the lanes, through the blooms and blossoms, wind in hair, hand on heart, flute and cello, oboe and turntable darting through the body, across the moors, up out the clouds, into outer space, back to the mantle, the waves, the deep sea sinkholes and as yet undiscovered caves. The arctic tundra, the desert hot songs of rivers lost to man, to the unseen pathways cut by ants and clever rodents, to the homing pigeon, dolphin sonar and tardigrade I raise my hat. Signed, sealed delivered I’m yours, most earnestly, Steven Pratt. Trumpets and French horn fade out to repeating theme. Time, love, family, action. truth beauty, health, satisfaction. Fiction, narrative, justice, language, hope, dope, divinity, clarity.

    On closing, all channels are open. International, all beings, spirits, demons, angels and entities. Land close by, I’ll see you good. No need to sweat it, take it easy, let the intuition guide the ladder and the slide, snakes, take a ride. Ups and downs all the way, left-brain, right brain let the sea sway the river bank pay. Rudderless, fearless, the boat powers on, land after land, island after island, in service of harmony, fuck the money, I want life. I want truth and heart, shared resources, good sources, well meaning folk. From every inch of this cosmic yolk, for this place I bow and give thanks, I wish I could change war tanks into fish tanks. I want to turn guns into walking sticks, bombs into gardens, chemical weapons into clean drinking water. With the help of new technology the world can evolve into an artists paradise, where goats play jazz and we visit art openings in the forest by mice.

    Oh, Akhnaton, Ankh, what Egyptian deities drift about my pipe? in the book, under the stairs, in your stares, in these tales, the psycho tempo, the stabbing and double bass violin wounds, nearly horror but then mystery and wonder, moving arpeggios, across scale, through the woods. Into the forest, out the burrow, running, away from the city, blinded by human glutton, leaping against the urban lights, darting past trunks and over barbed wire fences, sweating and striding further out toward the moon, jumping higher, as if pursued by demons with chattering teeth, always just a hair’s whisker behind, our dream hero streams away, the sun rises, the corn fields glow golden, the water can be heard trickling ahead, the birds sing a familiar song again, the pipes lead the low hero home, tuba and french horn greet the intrepid tripperdome. Resolve, dinner, kick off the slippers. Open are the double doors, stars streak in. Open, unlocked, soothing nectar dripping off the spoon. Can I lick it? let freedom reign and ring.

    Flies, can you believe it. octopi and mosses gather, in chorus. An uprising, a tidal movement. pollen on the air. Spores. Oh, my. How they do connect underground. Naturally, blooming. Continents collide, stars fizzle, we breath and find a way out. Out and over around, through, off. My head buried in natural sands of Tulum, under the water with crocodiles, away in the canopy, deaf from the relentless marching bands of New orleans, the elephants and lost rhino, oh, the damage done. Capitalism. Oh, oh, the news, the toxic opposite of just an innocent puddle, of any way out of the muddle, the murk, the constant bickering of the berserk, the loons, all knowing folk of two moons, abuse of the language,  coercion, sewing of hate, divide, the split, the shit of it all. Forget that. The bee is trying to tell me, trying to get through to my thick skull, time is tight, maybe this, maybe tonight? to wrap up, rhyme up, post up, post it. Go on. Fish my bike out the canal, save a mystery.

    –Steve Fly

    Amsterdam, 02.44 A.M. Saturday 19th May, 2018.

     

  • Just one shoulder

    …to be still
    silent and ready
    to bless with fury
    what you thought
    what you know
    what’s new?
    horror and terror 
    error and mirror
    smoke everywhere 
    identity dented day
    after day by searching for
    the elusive other
    the you in them
    the us in we
    the feeling of solidarity
    littered lives
    splintered sentences
    the struggle to make
    it whole and new
    even the philosopher
    of science and magic
    can feel cold chill of doom de doom
    and yet the mad moon
    the number 1 sun and all stars
    and earth remain spun
    life coming and going 
    tragic and comic waltz
    orbit of causes pauses to
    the work you were doing
    what you worked on
    before the job sucked time off
    swim through the hate and
    hollywood revenge flu
    into creative love lake mate  
    dig deep and spark one
    bark if you have to

    how to make it all cohere? 
    push through
    stay high and keep smiling
    the world is too big
    for just one shoulder
    –Steve Fly Acrillic
    (First thought best thought technique)
  • Waywords and Meansigns: Recreating Finnegans Wake [in its whole wholume]

    https://archive.org/embed/waywordsandmeansigns

    Recreating Finnegans Wake [in its whole wholume]


    Published May 4, 1939
    Track listing:
    Finnegans Wake is organized into four books. Roman numerals indicate the book, Indo-Arabic numerals indicate the chapter within that book. Chapter names are italicized, followed by the names of musicians. Finnegans Wake is circular, so you can start listening wherever. Mariana Lanari and Sjoerd Leijten suggest beginning with Book IV. To locate a particular passages of the text, use http://www.trentu.ca/faculty/jjoyce/ and http://fweet.org/


    I.1 – Fall, pp. 3-29 – Mariana Lanari & Sjoerd Leijten, with Erik Bindervoet

    I.2 – The Humphriad I: His Agnomen and Reputation, pp. 30-47 – Robert Amos; Chelidon Frame; Alan Ó Raghallaigh

    I.3 – The Humphriad II: His Trial and Incarceration, pp 48-74 – Greg Nahabedian

    I.4 – The Humphriad III – His Demise and Resurrection, pp. 75-103 – Un monton, torero; with Charlie Driker-Ohren & Walker Storz 

    I.5 – The Mamafesta, pp. 104-25 – Tim Carbone 

    I.6 – Riddles: The Personages of the Manifesto, pp. 126-68 – Kevin Spenst

    I.7 – Shem the Penman, pp. 169-216 – Belorusia

    I.8 – Anna Livia, pp. 196-59 – Dérive


    II.1 – The Children’s Hour, pp. 216-59 – Street Kids Named Desire; with Derek Pyle, Parker McQueeney, Zach Leavitt & Samuel Nordli

    II.2 – The Studies, pp. 260-308 – Liz Longo & Izzy Longo, with Leo Traversa

    II.3 – The Stories: Tavernry in Feast, pp. 309-82 – Hayden Chisholm

    II.4 – Mamalujo, pp. 383-99 – Ryan Mihaly


    III.1 – Shaun before the People, pp. 403-28 – Gareth Flowers

    III.2 – Jaun before St. Bride’s, pp. 428-73 – Steve Fly, with William Sutton

    III.3 – Yawn under Inquest, pp. 474-554 – Peter Quadrino, Jake Reading & Evan James

    III.4 – Humphrey Chimpden Earwicker and Anna Livia Plurabelle: Their Bed of Trial, pp. 555-590 – Graziano Galati


    IV.1 – Dawn: Return to the Beginning, pp. 593-628 – Mariana Lanari & Sjoerd Leijten; with Eloísa Ejarque, Grace Kyne-Lilley, & Erik Bindervoet.


    Additional track credits:
    Track 1: Produced and performed by Mariana Lanari and Sjoerd Leijten, with special thanks to guests reader Erik Bindervoet (pp.13-18, pp. 21-24).
    Track 2: Robert Amos recorded by Robert Martin.
    Track 3: Keyboards, Voice, Guitar, Bass, and Drums by Greg Nahabedian. Recorded and mixed by Greg Nahabedian and Paul Schmelz. 
    Track 5: Tim Carbone (fiddle, guitar, drone, tan, keyboards, samples), Andy Goessling (zither), Phil Ferlino (piano). Recorded by Tim Carbone and mixed by Don Sternaker and Tim Carbone. 
    Track 6: Background arrangement by Josh Pitre, featuring a Stravinsky circus polka and two ragtime pieces
    Track 8: Dérive is Greg Nahabedian (keyboard, voice), Paul Schmelz (guitar, voice, keyboard), Noah Jacques (bass, voice), Paul DeGrandpre (drums, voice). Recorded by Paul Schmelz. Mixed by Dérive and Paul Schmelz.
    Track 9: Recorded by Derek Pyle and Zach Leavitt. Sound collage by Derek Pyle, featuring many of the musical allusions found in Joyce’s text. With Derek Pyle (bass, voice), Parker McQueeney (piano, voice), Samuel Nordli (mandolin, violin, and viola) and Zach Leavitt (guitar, bass, voice).
    Track 10: Leo Traversa on bass. Recording by Taylor Roig. 
    Track 11: Recorded by Robert Nacken at Nucamusic Studios in Cologne and by Hayden Chisholm in the Moers Residence house, and at Sant Vicenc beach in Mallorca
    Track 14: William Sutton reads pp. 429-42 469-73; Steven ‘Fly’ Pratt reads pp. 443-68. Drums, turntables, guitar, arrangement, production, recording in Amsterdam by Steve Fly. Mastered by Tim Egmond at Ei-Complex Studios, Amsterdam.
    Track 15: Produced by Jake Reading & Peter Quadrino. Executive producer: Evan James. Recorded and mixed by Jake Reading at Casa de Feelgood. Additional vocals by Evan James and Melba Martinez. 
    Track 17: Produced and performed by Mariana Lanari and Sjoerd Leijten, with special thanks to guests readers Eloísa Ejarque (pp. 610-612), Grace Kyne-Lilley (pp. 613-615), and Erik Bindervoet (pp. 13-18, pp. 21-24).



    Derek’s acknowledgments: 
    Waywords and Meansigns would not be possible without the support of many people. Like the Joycean maxim says: Here Comes Everybody. Thanks to the fwread listserv, especially Peter Quadrino, Peter Chrisp, Roman Tsivkin, as well as Adam Harvey and Mariana Lanari; your collective knowledge of Joyce is astounding. Marie Broadway, Jake Tozer, Sam Nordli, and Emma Pampanin co-hosted the Finnegans Wake parties that inspired this project. Zach Leavitt and Chelsea Westra co-hosted the parties of the future. Elaine Thomas, Dylan Muhlberg, the Amherst Irish Association, Jacqui Wise, Krzysztof Bartnicki, Mike Moran, Mike Medeiros, Jason Gross, Rebecca Hanssens-Reed, Billy Mills, and the James Joyce Gazette played pivotal roles spreading the word about this project, through press coverage and otherwise. Thanks to Mackenzie Libbey, and Michael Robbins, for their support throughout. Thanks to L. Brown Kennedy and Annie G. Rogers for first introducing me to Joyce. Special thanks to Mark Traynor and the James Joyce Centre in Dublin, and to Robert Berry. 

    Infinite thanks to the project contributors, and all who channel the spirit of James Joyce.



    Run time 31 hours, 8 minutes, 11 seconds
    Language und

  • Ernest Fenollosa 2014 and TTOTT

    “Ezra Pound was no starnger to Oriental art when he met Mary McNeil Fenollosa, the widow of the American Orientalist Ernest Fenollosa (1853-1908), in London in late September 1913.”–Zhaoming Qian, Orientalism and Modernism (1994)  pg. 9.

     

    Fenollosa 2014 and TTOTT

    by Steve Fly

    “Fenollosa [1853-1908], wrote an essay on
    The Chinese WrittenCharacter as a Medium for Poetry” which vastly influenced
    Ezra Pound and, through Pound, modern poetry generally;
    said essay also anticipates some formulations of General Semantics
    and NeuroLinguistic Programming [NLP], and foreshadows
    modern critiques of “linear” and “alphabetical” thinking. –Robert Anton Wilson, Recorsi 2005.

    Ernest Fenollosa (1853-1908) found a place in the chain of human innovation, and the lineage of modernism as defined by Dr Robert Anton Wilson in his unfinished project called ‘the tale of the tribe’. Please read some of my others posts trying to get at TTOTT and what it all means to me.

    Fly On The Tale Of The Tribe: A Rollercoaster Ride With Robert Anton Wilson

    by Steven James Pratt

    Link: http://a.co/gOGNKyV

     

    (more…)

  • The birth claws and death of santa by Steve Fly

    THE BIRTH OF SANTA

    snowdon falls

    king kong is out hunting

    mynah birds

    blizzard strikes

    kong shelters in a barn

    where merry mary

    is giving birth next to

    a mare also giving

    birth to two colts

    the next morning

    kong awakens

    at new-grange

    the barn has gone

    child and colts remain

    child is called santa

    arguments begin

    in the village about

    who will be foster

    father

    a decision is made

    on several dwarfs

    SANTA AND HIS LITTLE WEAPONS

    santa aged 9

    overhears dwarf nick

    speaking to his pals

    about the future police

    state

    santa decides to

    design some survival

    weapons

    kong’s weapon of

    brute strength is the only

    one capable of withstanding

    the santa spasm

    age11 santa returns

    from America where

    he raged for 90 days

    still in his battle fury and

    everyone afraid

    women reveal breasts

    perform bum shaking

    and twerk

    to ease the frothing frenzy

    santa catches

    glance of a large pair

    he stumbles

    and quickly townsfolk

    wrestle him into a

    trash can full of cold

    deer piss

    which explodes

    HOW SANTA GOT HIS CLAWS

    at 14 santa

    begs to join the boy-scouts

    but is refused and runs off

    hiding in chimneys

    and barns

    santa arrives at a

    football field

    he joins the game

    takes the ball to his feet

    and nobody can get it

    back from him

    eventually the other boys

    gang up and attack santa

    he goes into a red

    hulk spasm and

    beats them all upside

    the head

    shortly after

    king kong spots santa

    from the hill

    and invites him to his

    solstice barbecue

    but kong forgets

    after going fuzzy over

    a girl called fay

    and when santa arrives

    at the kong palace

    a guard dog is loose and

    attacks santa

    thinking him a red

    faced intruder

    santa kills the hound

    in self-defence

    throwing the dog down

    a well

    santa makes a vow to take

    the dogs place as

    guardian of the palace

    a druid poet called penny

    announces santa

    will have a new name

    santa claws

    SANTA SCRUBS UP PRETTY GOOD

    his hair was 

    blue at the base

    blood-red crimson

    in the middle and

    a crown of emerald

    green

    a triple helix

    flaying out

    shining strands rappelling

    the shoulder

    78 neat red-blue curls

    around his neck and head

    covered with one

    hundred crimson

    threads encrusted with

    gems and weird fungus

    four dimples in each cheek

    yellow green crimson

    and blue

    seven bright pupils

    eye-jewels in each

    his feet have seven

    toes and each hand

    seven fingers

    his nails shaped

    like a hawks claw

    SANTA CLAWS AT DEATH

    santa was fed reindeer meat

    stolen from reduced food

    isle at Tesco by an old crone

    tired and on the road

    santa dropped his guard and lost

    his magical red

    spasm power

    his reindeer and

    his sleigh-driver were killed

    outright by police horse

    meat poison

    santa was badly wounded

    and entered the death trip

    he tied himself to a rock

    covered in lichen

    he starts the perilous journey

    through the bardo

    questioning death

    and the beyond

    immortality and presents

    flash-backs descend on his brow

    the well

    the dead dog

    suddenly a crow lands

    on his shoulder and whispers

    the word rudolph

    in his ear

    which kills him with grief

    and dispair

    li sao

    for sorrow

    after one brief

    reincarnation in a

    bottle of sugar

    santa came back again

    in a cauldron

    when a group of

    kids started spitting

    and singing to the

    bubble-full elixir

    new santa climbs out

    the cauldron

    only to be attacked

    by more angry dwarves and

    brutally cannibalised

    his blood was drained

    into two separate socks

    frozen and put into storage

    in the old kitchen next to

    a dark wooden barn

    as the snowdon falls

    –Steve fly agaric 23
    Amsterdam

    23/12/13