A selection of AI generated tunes, some with lyrics, mixed, blended, curated and produced by Steve Fly. All original music, on a Tax Wealth Not Work tip.
Tag: AI Summer
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Tardifable Waterbear Productions
Amsterdam, 2012. DJ-poet Plush, reeling from attacks that shattered his face and his career, forms TRB with Max and Percy. Inspired by Robert Anton Wilson, they fuse turntablism, magick, and literature into the chaotic TribeTable Method, accidentally plugging into Wilson’s unfinished “Tale of the Tribe” and a brewing historical conspiracy centered on the 1936 Berlin Olympics.
As they juggle invoked entities (“The Sixty”), time-traveling tardigrades, and messages channeled through experimental beats, they attract the attention of a ruthless cabal manipulating reality through AI, populism, and bizarre rituals involving peanut butter. From Amsterdam coffeeshops and secret bases beneath the Malvern Hills to the decks of a reality-bending DJ battle, TRB must decode the “Hologrammic Prose” of the universe, hijack the narrative, and fight the “Prick Populist” threat before the singularity hits endgame.Deep Scratch is Vanta Black science fiction comedy.
It’s Burroughs cut-ups slammed into Pynchon paranoia, fueled by hip-hop aesthetics and occult theory. Expect prophetic visions, weaponized memes, sentient technology, talking books, exploding jellyfish, and the desperate search for the perfect beat in a deep fake universe. The tables are turning. Which side are you on, are you on, hello, check check…?
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dj mantis
Lyrics by Fly
Give me a D.J!
Give me an M
Give me an A
Give me an N
Give me an T
Give me an I
Give me an S
MANTIS! Yeah....
It's the return of the Mantis,
From out of your dreams,
Scratching and cutting up the beats, so it seems...
This is no D.M.T. trip, (oh no)
This is deep scratch and fly lyrics straight off the lip. (trippa trip trip trippa trip trick-nology.
Flip it Mantis...
Pray. Who's ready to eat? -
dj flai mix of original deep scratch music
After nearly two decades under development, Deep Scratch is here/over there. The interplay of audio and text and image as I first envisioned it in the early 2000s. The audio side of this equation has been lacking due to various reasons, including limited access to instruments, equipment and recording facilities. New generative a.i., tools (Udio) have allowed me to produce music to precisely fit the narrative I have constructed in the novel Deep Scratch. A collaborative, self-replicating magical code that generates audio from text. This year, Udio made science fiction into fact.
After constructing over 160 separate pieces of music, I mixed the Deep Scratch tunes together into 4 separate mixes, or audio chapters. Over 3 hours of original music that only exists here, a kind of science “sonic” fiction. Cuts selected from the Deep Scratch Universe, that reflect the sounds, styles and arrangements of classic DJ mixtapes and beat tapes from the mid to late 1990’s, and early naughties.
(A third book in the Deep Scratch Universe will be released sometime during late summer 2024, further contextualizing and organizing the multimedia multiverses.)
Thanks to everybody at my patreon page, who has stuck with me over the last 6-7 years as I’ve been going on and on about this Deep Scratch Universe, without truly launching any Deep Scratch Audio. Now, the soundtrack to the novel is established via a new series of DJ mixes (all add free).flai mix chapter one
FLAI MIX CHAPTER TWO
FLAI MIX CHAPTER THREE
FLAI MIX CHAPTER FOURThe fourth chapter features raps, of which I’m conscious sound nothing like my own voice, and/or rap cadence or delivery. These are my own words, taken from my book of collected poems (to be published) spanning 2004 – 2024. As a fan of hip hop, rap and hip hop DJ styles and productions, mixtapes and live eclectic DJ sets, I’d like to give a shout out to all the artists, MCs and producers, that some of these tracks sound like (to my ear). That’s besides the thousands of artists and musicians who came before, those who innovated, originated and recorded the music: blues, jazz, soul, funk, gospel, rock and roll, folk, bluegrass, film music, classical music, vocal harmony music, world music, from the 20s through to the 2020s. All the music within the data sets or set (?) that the generative AI has been trained on.
Support your local independent musicians and music venues whenever possible. Respect your artistic ancestors and their struggles and sacrifices made to bring original art into the world. Try to keep in mind that generative A.I. does not sample the music in the conventional sense of that concept, although the process is a kind of sampling, these sounds are made from granulated probability functions, if I understand the process correctly. I hope the turntablist, scratch and juggle and cut-up approach of the eclectic DJ adds a new context to the use of generative AI, a part of the evolution of the art of the DJ and their place in between producer artist and audience. Perhaps better defined as curator, or boss of their own label or catalog of recordings, to be mixed and remixed, blended or released as an album or single. Also consider that all my music using collaborative AI did not use any artist names. Any likeness to artists living or dead is purely probabilistic coincidance.
In no particular order, thanks to: Sample Hooligans: Coldcut and the original 90s Ninja Tune artists, DJs and turntable journeymen. To Mo-Wax records, and the Psychonauts, and their DJ sets and productions. To the Bristol massive, purple penguin records, Massive Attack Soundsystem, Portishead, DJ Andy Smith (the only turntable artist included in a successful UK band), Melankolic records, Cup Of Tea records, and all that dub infused instrumental jazz tinged hip hop, Grand Central records in Manchester, Dorado records and artists, Warp records and artists, Aphex Twin, Square Pusher, Big Dada records, Acid Jazz records, Jazzman records, BBE records, 4th And Broadway Records, Two Lone Swordsmen, Sabres Of Paradise, Black Dog, Future Sounds Of London, DJ Krush music, DJ Shadow music, Invisible Scratch Pickle mix tapes, The Beat Junkies, Lauryn Hill, The X-ecutioners, Ohm records, Amoeba Record shop, Soulsides Crew, The Pharcyde, 3rd Eye Foundation, Hieroglyphics Crew, Del The Funky Homosapien, MF Doom, Wu Tang, De La Soul, Tribe Called Quest, Bill Laswell Productions, Spectre, Lord Finesse, Rakim, Pharoah Monch, LEX records, Kool Keith, Public Enemy, Mr. Liff, Future Primitive Sound, DJ Z-Trip, The Nomadic Massive, We Funk, Funkmaster Flex MixTapes, The Roots Crew, Black Thought, El-P, Company Flow, Saul Williams, New Flesh, Juice Aleem, Rodney P, Scratch Pervert DJs, Jazz Fudge Records, DJ Vadim, Part 2, Invisible Spies, Channel One, Lee Scratch Perry, Ultimate Dilemma, Bentley Rhythm Ace, Roots Manuva, Courtney Pine, Talkin’ Jazz, Charlie Dark, UNKLE, Steve Task and Bear, Stump Juice Wolverhampton, The Steering Wheel Birmingham, Fabric, Cargo, Luke Vibert, DJ Food, DJ Spooky, J Swinscoe, Rockers Hi-Fi, Different Drummer records, Tempest Records, The Plastic Factory records, Swordfish Records, Eddie Otchere, Source Distribution, J Saul Kane, DJ Moneyshot, DJ Yoda, The Jazz Stage Glastonbury, DJ Cheb I Sabbah, Funki Porcini. And those I missed out.
For nearly 3 decades I’ve supported all of the above artists by way of buying their records, tickets to shows and speaking highly of them, turning on other DJs and audiences to their music. This does not necessarily give me any more of a license to use generative a.i., with a clear conscience, but…I’ve paid dues and can trace my evolution toward this moment via my 2 decade Deep Scratch experiment.The next step in the on-going process is to plan for some traditional analogue music recording sessions with musicians and vocalists and videographers, to take back control from the generative AI, bringing it back to the human community of creative beings. Easier said than done, and requiring resources and planning and work. This process hammers home the point that AI can be used to bring human beings together, not divide.
—Steve Fly
Amsterdam.https://deepscratch.net
https://www.patreon.com/stevefly
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It Feels like (AI) summer
You can feel it in the streets
Childish Gambino, (Donald Mckinley Glover) It Feels Like Summer.
On a day like this, the heatSeven billion souls that move around the sun
Childish Gambino, (Donald Mckinley Glover) It Feels Like Summer.
Rolling faster, faster, not a chance to slow down
Slow down
Men who made machines that want what they decide
Parents tryna’ tell the children please slow down
Slow down -
Pause Giant AI Experiments: An Open Letter
A lot of food for thought, I generally agree with the sentiments and without digressing to far from the point, would add that there should also be a pause on giant weapons development and giant financial institutions, for similar reasons.
I strongly feel that the discussions about policy and regulation should include a wide cross section of people, not all of them AI professionals or computer scientists, or government officials and giant global institutions. A comprehensive open discussion must include a comprehensive array of human beings, their concerns, desires, and alternative solutions to these big problems and paradoxes.
We may all eventually have to confront the AI singularity looming on the horizon, and therefore take this pause period to refresh our explanatory knowledge. Perhaps try reading some Shakespeare, James Joyce and Robert Anton Wilson, discover your inner and outer humanity and embrace the art of language charged to the highest degree. A panpsychist approach would pay respect and honor all entities, everywhere, all the time. Take caution. My 5c.
–SJP“AI systems with human-competitive intelligence can pose profound risks to society and humanity, as shown by extensive research[1] and acknowledged by top AI labs.[2] As stated in the widely-endorsed Asilomar AI Principles, Advanced AI could represent a profound change in the history of life on Earth, and should be planned for and managed with commensurate care and resources. Unfortunately, this level of planning and management is not happening, even though recent months have seen AI labs locked in an out-of-control race to develop and deploy ever more powerful digital minds that no one – not even their creators – can understand, predict, or reliably control.”AI systems with human-competitive intelligence can pose profound risks to society and humanity, as shown by extensive research[1] and acknowledged by top AI labs.[2] As stated in the widely-endorsed Asilomar AI Principles, Advanced AI could represent a profound change in the history of life on Earth, and should be planned for and managed with commensurate care and resources. Unfortunately, this level of planning and management is not happening, even though recent months have seen AI labs locked in an out-of-control race to develop and deploy ever more powerful digital minds that no one – not even their creators – can understand, predict, or reliably control.
Contemporary AI systems are now becoming human-competitive at general tasks,[3] and we must ask ourselves: Should we let machines flood our information channels with propaganda and untruth? Should we automate away all the jobs, including the fulfilling ones? Should we develop nonhuman minds that might eventually outnumber, outsmart, obsolete and replace us? Should we risk loss of control of our civilization? Such decisions must not be delegated to unelected tech leaders. Powerful AI systems should be developed only once we are confident that their effects will be positive and their risks will be manageable. This confidence must be well justified and increase with the magnitude of a system’s potential effects. OpenAI’s recent statement regarding artificial general intelligence, states that “At some point, it may be important to get independent review before starting to train future systems, and for the most advanced efforts to agree to limit the rate of growth of compute used for creating new models.” We agree. That point is now.
Therefore, we call on all AI labs to immediately pause for at least 6 months the training of AI systems more powerful than GPT-4. This pause should be public and verifiable, and include all key actors. If such a pause cannot be enacted quickly, governments should step in and institute a moratorium.
AI labs and independent experts should use this pause to jointly develop and implement a set of shared safety protocols for advanced AI design and development that are rigorously audited and overseen by independent outside experts. These protocols should ensure that systems adhering to them are safe beyond a reasonable doubt.[4] This does not mean a pause on AI development in general, merely a stepping back from the dangerous race to ever-larger unpredictable black-box models with emergent capabilities.
AI research and development should be refocused on making today’s powerful, state-of-the-art systems more accurate, safe, interpretable, transparent, robust, aligned, trustworthy, and loyal.
In parallel, AI developers must work with policymakers to dramatically accelerate development of robust AI governance systems. These should at a minimum include: new and capable regulatory authorities dedicated to AI; oversight and tracking of highly capable AI systems and large pools of computational capability; provenance and watermarking systems to help distinguish real from synthetic and to track model leaks; a robust auditing and certification ecosystem; liability for AI-caused harm; robust public funding for technical AI safety research; and well-resourced institutions for coping with the dramatic economic and political disruptions (especially to democracy) that AI will cause.
Humanity can enjoy a flourishing future with AI. Having succeeded in creating powerful AI systems, we can now enjoy an “AI summer” in which we reap the rewards, engineer these systems for the clear benefit of all, and give society a chance to adapt. Society has hit pause on other technologies with potentially catastrophic effects on society.[5] We can do so here. Let’s enjoy a long AI summer, not rush unprepared into a fall.”
https://futureoflife.org/open-letter/pause-giant-ai-experiments/
DEEP SCRATCH 