DEEP SCRATCH

Tag: AI

  • BETWEEN THE GROOVE

    BETWEEN THE GROOVE

    ON THE CUTS…

    Amsterdam, 2012. DJ-poet Plush, reeling from attacks that shattered his career, forms TRB with Max and Percy. Inspired by Robert Anton Wilson, they fuse turntablism, magick, and literature into the chaotic TribeTable Method, accidentally plugging into Wilson’s unfinished “Tale of the Tribe” and a brewing historical conspiracy centered on the 1936 Berlin Olympics.

    As they juggle invoked entities (“The Sixty”), time-traveling tardigrades, and messages channeled through experimental beats, they attract the attention of a ruthless cabal manipulating reality through AI, populism, and bizarre rituals involving peanut butter. From Amsterdam coffeeshops and secret bases beneath the Malvern Hills to the decks of a reality-bending DJ battle, TRB must decode the “Hologrammic Prose” of the universe, hijack the narrative, and fight the “Prick Populist” threat before the singularity hits endgame.Deep Scratch is Vanta Black science fiction comedy.

    It’s Burroughs cut-ups slammed into Pynchon paranoia, fueled by hip-hop aesthetics and occult theory. Expect prophetic visions, weaponized memes, sentient technology, talking books, exploding jellyfish, and the desperate search for the perfect beat in a deep fake universe. The tables are turning. Which side are you on, are you on, hello, check check…?

    What?

    BTG


    DS ONE – NEEDLE DROPS

  • FLAI MIX CHAPTER THREE

    FLAI MIX CHAPTER THREE



    All Original music, made and mixed by Steve Fly Agaric 23. Part/slice of the Deep Scratch Omniverse.

  • trugrass

    trugrass


    New Directions. Nothing but the truth, interpreted by data dust.

    I drink Tea Through Gills So I’m Guilty
    Tefelon Don
    Pull Up Your Big Boy Pants
    Crooked The Books

    Support me and more of this:

    patreon

  • scratch lawnmower

    scratch lawnmower


    More sonic experiments on a phonetic scratch tip, inspired by konnakol and beatbox and scratching. Catch up, check out the origins story of this technology: HERE “Deep Scratch Remix”

    deep da BEEp BEEP deep pa' deep scratch (shh, sh)

deep dip it ta, da BEEp BEEP deep pa' deep scratch (shh, sh)

    deep da BEEp BEEP deep pa’ deep scratch (shh, sh) deep dip it ta, da BEEp BEEP deep pa’ deep scratch (shh, sh)

    deep da BEEp BEEP deep pa’ deep scratch (shh, sh) deep dip it ta, da BEEp BEEP deep pa’ deep scratch (shh, sh)

    Scrrrraaaattttcccchhhhhh, drop it

    [verse] Mouth scratchin, sucking beats down the hatchin’ Bwoy-yip, oi-ip, wuha haahe wuha haha phipha fipha haha, apa apa, oh arrrr. Oh, R I’m like a human lawnmower

    [verse] Buzz buzz BUzz, b, Buzz BUZZ, b, Buzz Buzz Buzz Buzz buzz, BUZZ, b, Buzz. Buzz buzz BUzz, b, Buzz BUZZ, b, Buzz Buzz Buzz Buzz buzz, BUZZ, b, Buzz.

    Buzz buzz BUzz, b, Buzz BUZZ, b, Buzz Buzz Buzz Buzz buzz, BUZZ, b, Buzz.

    vb hmm shk hmm vb hmm shk vb hmm shk hmm vb hmm shk vb hmm shk hmm vb hmm shk shwax, wax, wax on rotation, making up beats to rock rock the nation [end]

  • 23 Terra flop baby

    23 Terra flop baby


    23 Terra Flop Baby. Deep Scratch vs Udio (Video) Fresh off the “Data Dust” press. Stay tuned. x

  • FLAI

    FLAI

    Some fly audio escapades back from a deep scratch generative DJ future past.

    https://stevefly.bandcamp.com/album/flai

  • It Feels like (AI) summer

    It Feels like (AI) summer

    You can feel it in the streets
    On a day like this, the heat

    Childish Gambino, (Donald Mckinley Glover) It Feels Like Summer.

    Seven billion souls that move around the sun
    Rolling faster, faster, not a chance to slow down
    Slow down
    Men who made machines that want what they decide
    Parents tryna’ tell the children please slow down
    Slow down

    Childish Gambino, (Donald Mckinley Glover) It Feels Like Summer.

  • Do you feel absolutely sure “Robert Anton Wilson” wrote this and not some gol-danged bot?

    Once again, Wilson reverses and rewires every mental polarity with a illuminated blog post from the date UNIX 1073865600, the good ole’ days.

    UNIX Date 1073865600

    “Maybe” is a thin reed to hang your life on but it’s all we’ve got.
    –Woody Allen

    This may not seem startling to gamers, but it sure woke me up; I learned about it on Law and Order last Sunday.

    A type of program called a “bot ” can play a computer game “just like a human” and in the style of any chosen human, given enough skill on the part of the bot-maker.

    It seems to me this surpasses virtual reality and approaches electronic cloning. After all, the bot can go on playing after the human has “died.”

    A bot can also exist which, like an art forgery, seems to have the style and habits of a certain human but actually emerged from the brain of a clever faker.

    This seems to me like virtual virtual reality and electronic immortality of a sort. If a bot plays chess like Alekhine, in what sense can we call Alekhine totally “dead”?

    More: computer tech in general as brought us to the stage where producing a photo of a crime or even a moving picture of it does not prove a damned thing anymore. “I saw it with my own eyes” has become a bad joke.

    I begin to feel that Maybe Logic will soon replace the Aristotelian either/or, not because of my books or Korzybski’s or von Neumann’s. but because virtual reality and artificial intelligence have destroyed certitude and left us with only degrees of probability.

    BTW, do you feel absolutely sure “Robert Anton Wilson” wrote this and not some gol-danged bot?

    Thoughts
  • Law Of Acceleration

    Law Of Acceleration

    The following is an unreleased track, made for the album Occupy, by Dr Marshmallow Cubicle. Titled “Law Of Acceleration” featuring the present author playing live drums and reading a chapter from Cosmic Trigger by Robert Anton Wilson, one of my favourite authors, most highly recommended books and chapters from that book.

    I’d draw your special attention to RAWs resonance with describing, meaningfully, and not too gloomily, the current explosion in artificial intelligence technology. And, to some of good old Terence Mckenna’s poetic metaphors that ring through time.

    The chapter I am reading from is called The Law Of Acceleration and can be found on page 219. Originally recorded in Amsterdam 2011. Guitar by Vincent Pino. Spread the word.

    –Steve Fly Agaric

    Words by Robert Anton Wilson (Cosmic Trigger)

    Cosmic Trigger I
    DR MARSHMALLOW CUBICLE – ON BANDCAMP
  • What’s Up With That Remix?

    What’s Up With That Remix?

    Video from the album Deep Scratch Remix.
    Listens, looks
    and books.

    –Steve Fly #Beatbox #jammpro #VeedIO #Flow