“Borrisalooner” – James Joyce, Finnegans Wake, Chapter 23. (Page 337)

The future prophesy reported to surround the highly weird book, Finnegans Wake (1939) can be evidenced here: Chapter 23, page 337. Sounds a lot like Boris Johnson to me, and my sentiment asking for buds, and order. John Bercow anyone. I am incorrigible too. Boris the LOONER, and Boris Johnson the loner. Spot on jim.

 

We want Bud. We want Bud Budderly. We want Bud Budderly
boddily. There he is in his Borrisalooner. The man that shunned
the rucks on Gereland. The man thut won the bettlle of the
bawll. Order, order, order, order!

http://www.trentu.ca/faculty/jjoyce/fw-337.htm

p.s Joyce wore a Borsalino hat.

Bloom Jamm (July Update)

DOWNLOAD HERE: BloomPack

DOWNLOAD NINJAJAMM HERE: NINJAJAMM

For more info go here: https://flyagaric23.com/bloomjamm/



Bloomjamm
: A Finnegans Wake NInjajamm Pack

 

Steven Fly: Drums, Guitar, Turntable, Samples

Karl Frisby: Bass Guitar

Robert Anton Wilson: Vocals

Tom Grashion: Pack Programming 

Tim Egmond: Sample Assistance

A sneaky funk expedition through jungles, over oceans and across savannahs, with daubs of electronica. A synchronistic Samba of Coincidance. A new tribal soundtrack with a global village stomp to boot. Bloomjamm sucks you into a wonkyworld of audio, like something David Attenborough might hallucinate. Raise the tempo, bring up the sub bass, get the party jumping and your trotters shaking.  

Bloomjamm is an experimental musical investigation into Finnegans Wake. Crafted for a performance and give-away, at the 26th International James Joyce Symposium, Antwerp, on Bloomsday.  

This pack features Robert Anton Wilson reading from Finnegans Wake, and singing the ballad. For more information about BloomJamm and more free download packs by Steve Fly, please visit:

www.flyagaric23.com/bloomjamm

Special thanks to all NinjaJamm heads, Matt, Tom, Aneek. Derek @ Waywords and Meansigns, Rasa @ Hilaritas Press, Karl, and all Joyce and RAW Ninjas worldwide. Jamm on. 

Multi-Fractal Structure Of Finnegans Wake

probably one of the best descriptions
of Hologrammic Prose i have read
in yonks. Quoted from the Guardian Newspaper
by Alison Flood. Noyse wairk.

–Fly

“The absolute record in terms of multifractality turned out to be Finnegans Wake by James Joyce. The results of our analysis of this text are virtually indistinguishable from ideal, purely mathematical multifractals,” said Professor Stanisław Drożdż, another author of the paper, which has just been published in the computer science journal Information Sciences.
Joyce himself, reported to have said he wrote Finnegans Wake “to keep the critics busy for 300 years”, might have predicted this. In a letter about the novel, Work in Progess as he then knew it, he told Harriet Weaver: “I am really one of the greatest engineers, if not the greatest, in the world besides being a musicmaker, philosophist and heaps of other things. All the engines I know are wrong. Simplicity. I am making an engine with only one wheel. No spokes of course. The wheel is a perfect square. You see what I’m driving at, don’t you? I am awfully solemn about it, mind you, so you must not think it is a silly story about the mouse and the grapes. No, it’s a wheel, I tell the world. And it’s all square.”
The academics write in their paper that: “Studying characteristics of the sentence-length variability in a large corpus of world famous literary texts shows that an appealing and aesthetic optimum … involves self-similar, cascade-like alternations of various lengths of sentences.”
“An overwhelming majority of the studied texts simply obey such fractal attributes but especially spectacular in this respect are hypertext-like, ‘stream-of-consciousness’ novels. In addition, they appear to develop structures characteristic of irreducibly interwoven sets of fractals called multifractals.”

http://www.theguardian.com/books/2016/jan/27/scientists-reveal-multifractal-structure-of-finnegans-wake-james-joyce 

A.I AND JAMES JOYCE. Venter and Earwicker Bachwords

“TO LIVE, TO ERR, TO FALL, TO TRIUMPH, TO RECREATE LIFE OUT OF LIFE.” – from James Joyce’s A Portrait of the Artist as a Young Man.

“We report the design, synthesis, and assembly of the 1.08-Mbp Mycoplasma mycoides JCVI-syn1.0 genome starting from digitized genome sequence information and its transplantation into a Mycoplasma capricolum recipient cell to create new Mycoplasma mycoides cells that are controlled only by the synthetic chromosome.
http://www.sciencemag.org/cgi/content/abstract/science.1190719

“The genome contains blueprints, in which are encoded the names of the researchers, a website address, contact email and quotes from James Joyce, Richard Feynman and a biography of Robert Oppenheimer. —http://www.guardian.co.uk/science/blog/audio/2010/may/21/craig-venter-synthetic-life-form

“a rude breathing on the void of to be, a venter hearing his
own bauchspeech in backwords, or, more strictly, but tristurned
initials, the cluekey to a worldroom beyond the roomwhorld, for
scarce one —James Joyce, Finnegans Wake, pg. 100

 


Synthetic biology is a new area of biological research that combines science and engineering. Synthetic biology encompasses a variety of different approaches, methodologies and disciplines, and many different definitions exist. What they all have in common, however, is that they see synthetic biology as the design and construction of new biological functions and systems not found in nature. –http://en.wikipedia.org/wiki/Synthetic_biology

http://video.ted.com/assets/player/swf/EmbedPlayer.swf

http://www.ted.com/talks/craig_venter_unveils_synthetic_life.html

Synthetic Genomics is a company dedicated to using modified or synthetically produced microorganisms to produce the alternative fuels ethanol and hydrogen. Synthetic Genomics was founded in part by J. Craig Venter. Venter’s previous company, Celera Genomics, was a driving force in the race to sequence the Human Genome.[1]

The firm takes its name from the phrase synthetic genomics which is a scientific discipline of synthetic biology related to the generation of organisms artificially using genetic material.[2] Currently, Synthetic Genomics is working to produce biofuels on an industrial-scale using recombinant algae and other microorganisms. They are receiving funding from companies like Exxon for this venture. –http://en.wikipedia.org/wiki/Synthetic_Genomics

 


As a development of that ongoing effort, last week Venter announced in the pages of Science magazine that his research team had – by putting together a living and replicating bacterium from synthetic components, inserting a computer-generated genome into a cell – “created life” in the laboratory for the first time. The experiment suggested the possibility of creating bacteria to perform specific functions: as producers of fossil fuels or medicines.

Venter, now 63, is nothing if not a showman and the publication of this revelation and the subsequent press conferences, have polarised opinion in ways with which he has long been familiar. Some authorities, and several newspaper leader writers, have claimed him as our Galileo or our Einstein; others have been notably underwhelmed.

Freeman Dyson, the physicist, captured the full range of academic sentiment in this dry appraisal: “This experiment is clumsy, tedious, unoriginal. From the point of view of aesthetic and intellectual elegance, it is a bad experiment. But it is nevertheless a big discovery… the ability to design and create new forms of life marks a turning point in the history of our species and our planet.”

Venter’s ego and his preference to turn to corporations rather than research foundations as funding partners (Exxon Mobil is a $600m sponsor of his energy experiments) do not tend to endear him to the academic establishment. Steve Jones, professor of genetics at University College London, and a perennial voice of reason, offered me this verdict on the biologist’s latest headlines.

“It’s very easy to mock Venter,” Jones suggests. “When he first appeared, people just kind of sneered at him. But they stopped sneering when they saw his brilliance in realising that the genome was not a problem of chemistry but a problem of computer power. I don’t think anybody can deny that that was a monumental achievement and he has been doing fantastically interesting things subsequently with marine life. Having said that, though, the man is clearly a bit of a prick and one with a serial addiction to publicity.” —http://www.guardian.co.uk/theobserver/2010/may/23/observer-profile-craig-venter

HIGH RESOLUTION PDF OF NEW SELF-REPLICATING LIFE FORM.

lastly but mostly, in
her genesic field it is all game and no gammon; she is ladylike in
everything she does and plays the gentleman’s part every time.
Let us auspice it! –James Joyce, FW, pg. 112

* “TO LIVE, TO ERR, TO FALL, TO TRIUMPH, TO RECREATE LIFE OUT OF LIFE.” – from James Joyce’s A Portrait of the Artist as a Young Man.
* “SEE THINGS NOT AS THEY ARE, BUT AS THEY MIGHT BE.”- a quote from the book, American Prometheus which discusses J. Robert Oppenheimer and the first atomic bomb.
* *“WHAT I CANNOT BUILD, I CANNOT UNDERSTAND.” – attributed to Richard Feynman (physicist, philosopher, badass) as the last words on his blackboard at the time of his death as described in The Universe in a Nutshell by Stephen Hawking (physicist, philosopher, badass).

Stephen Hawking: RIVERRUN ENVIRONS.

Joyce’s ‘pancosmos’
may still yet send shock waves throughout the physics
Cluster community consciousness…may yet, may yet.
(and the global internet by default)
if we would give equal credit to
the inner-space of mind-like spaces,
& the outer-space and external phenomena: still mind-like in fact,
I guess… see our faulty wonky perception, the
Shadows often mistaken for the ‘things’ themselves.

LO! to balance the equation of being, of being, of being
Like how James Joyce seems to balance ‘being’ the equation
With holographic prose, prose writing the tightrope, spun prose;
Innovated, deployed and distributed evenly
Trughout Finnegans Week.

 


Time flows like a river and it seems as if each of us is carried relentlessly along by time’s current. But time is like a river in another way. It flows at different speeds in different places and that is the key to traveling into the future, —Stephen Hawking.

riverrun, past Eve and Adam’s, from swerve of shore to bend
of bay, brings us by a commodius vicus of recirculation back to
Howth Castle and Environs. —James Joyce.