Tag: John sinclair

  • JOHN SINCLAIR RADIO SHOW 871 – LET’S TALK ABOUT LOVE

    Episode 871 is coming from Radio Free Amsterdam’s Detroit headquarters at 55 Peterboro St. where I’m continuing my recovery from open heart surgery and featuring an hour of new music from guitarist Lurrie Bell’s album Let’s Talk About Love—including Let’s Talk About Love,” “Chicago Is Loaded with the Blue,” “Earthquake and Hurricane,” “Cold Chills,” “Feeling Good,” “Directly From My Heart To Yours,” “Turn To Me,” “Missing You,” “Why Am I Treated So Bad,” “Winehead Woman,” “You Ought To Be Ashamed,” and “My Dog Can’t Bark”—interspersed with conversational segments with Robert Jr. Whitall & Sugar Mae Owens of Big City Rhythm & Blues magazine.

    The John Sinclair Foundation Presents

    LET’S TALK ABOUT LOVE

    JOHN SINCLAIR RADIO SHOW 871

    Cass Corridor, Detroit, July 7, 2020 [20453]

    Yusef Lateef: Happyology

    Lurrie Bell: Let’s Talk About Love

    Lurrie Bell Conversation with Robert Jr. Whitall & Sugar Mae Owens

    Lurrie Bell: Chicago Is Loaded with the Blues

    Lurrie Bell Conversation with Robert Jr. Whitall & Sugar Mae Owens

    Lurrie Bell: Earthquake and Hurricane

    Lurrie Bell Conversation with Robert Jr. Whitall & Sugar Mae Owens

    Lurrie Bell: Cold Chills

    Lurrie Bell Conversation with Robert Jr. Whitall & Sugar Mae Owens

    Lurrie Bell: Feeling Good

    Lurrie Bell Conversation with Robert Jr. Whitall & Sugar Mae Owens

    Lurrie Bell: Directly From My Heart To Yours

    Lurrie Bell Conversation with Robert Jr. Whitall & Sugar Mae Owens

    Lurrie Bell: Turn To Me

    Lurrie Bell Conversation with Robert Jr. Whitall & Sugar Mae Owens

    Lurrie Bell: Missing You

    Lurrie Bell Conversation with Robert Jr. Whitall & Sugar Mae Owens

    Lurrie Bell: Why Am I Treated So Bad

    Lurrie Bell: Winehead Woman

    Lurrie Bell: You Ought To Be Ashamed

    Lurrie Bell: My Dog Can’t Bark

    Charlie Parker: They Can’t Take That Away From Me

    A JOINT PRODUCTION

    Hosted by John Sinclair for Radio Free Amsterdam

    Program produced, edited, assembled & annotated by John Sinclair

    Executive Producer: Steve Pratt

    © 2020 The John Sinclair Foundation

  • JOHN SINCLAIR RADIO SHOW 870 – KILLING JIVE

    Episode 870 is coming from Radio Free Amsterdam’s Detroit headquarters at 55 Peterboro St. where I’m featuring another hour of music from the vast archive of reefer songs I received from a listener called Paul Paul, who says “I collect songs about marijuana and I have about 5000.” He sent them to me on a USB stick and I’ll be featuring this week another hour of reefer and related music from the 1920s & 30s, with contributions from Tampa Red & The Chicago Five, Blind John Davis, The Cats & the Fiddle, Willie Bryant, The Harlem Hamfats with Rosetta Howard, The Ink Spots, The Four Clefs, The Meltone Boys, Bea Foote, Cab Calloway, Whistling Bob Howe with Frankie Griggs, Memphis Minnie & Kansas Joe, Bessie Smith, Trixie Smith, Frankie “Half Pint” Jaxon, Richard M. Jones & His Jazz Wizarda, and The Mills Brothers.

    The John Sinclair Foundation Presents

    KILLING JIVE

    JOHN SINCLAIR RADIO SHOW 870

    Cass Corridor, Detroit, June 23, 2020 [20433]

                           

    Yusef Lateef: Happyology

    Tampa Red & The Chicago Five with Blind John Davis:We’re Gonna Get High Together

    The Cats & the Fiddle: Killing Jive

    Willie Bryant: A Viper’s Moan

    The Harlem Hamfats with Rosetta Howard: If You’re a Viper

    The Ink Spots: That Cat Is High

    Tampa Red & The Chicago Five: You Can’t Get That Stuff No More

    The Four Clefs: The Jive Is Jumpin’

    The Meltone Boys: Mary Jane

    Bea Foote: Try and Get It

    Cab Calloway: The Man From Harlem

    Whistling Bob Howe with Frankie Griggs: The Hottest Stuff in Town

    Memphis Minnie & Kansas Joe: I’m Wild About My Stuff

    Bessie Smith: I’m Wild About That Thing

    Trixie Smith: My Daddy Rocks Me

    Frankie “Half Pint” Jaxon: Down At Jaspers Bar-B-Que

    Richard M. Jones & His Jazz Wizards: Good Stuff

    Cab Calloway: The Jumpin’ Jive (Hep! Hep!)

    Bessie Smith: You Gotta Give Me Some

    The Mills Brothers: Chinatown My Chinatown

    A JOINT PRODUCTION

    Hosted by John Sinclair for Radio Free Amsterdam

    Program produced, edited, assembled & annotated by John Sinclair

    Executive Producer: Steve Pratt

    © 2020 The John Sinclair Foundation


    https://radiofreeamsterdam.org/

  • FLY BY NIGHT 367 – ODUM’S CAVE

    Recorded by Steve The Fly at Fly Agaric Studios, Amsterdam, with recordings by The Drifters, Lambert Hendricks & Ross, The Moonglows, The Larks, Eddie Jefferson, Miles Davis, Rahsaan Roland Kirk, Sun Ra, Akhon, Marcus Belgrave, John Sinclair, and Jay McShann.

    The John Sinclair Foundation Presents
    ODUM’S CAVE
    FLY BY NIGHT 367
    Steve The Fly, Fly Agaric 23 Studios, Amsterdam, May 24, 2020 [20336]

    The Drifters: Saturday Night At The Movies
    Lambert Hendricks & Ross: April in Paris
    The Moonglows: The Beating of My Heart
    The Larks: Margie
    Eddie Jefferson: Yardbird Suite
    Miles Davis: Pee Wee
    Rahsaan Roland Kirk: inflated tear
    Sun Ra: The Lady With the Golden Stockings
    Akhon: Sun Ra
    Marcus Belgrave: Odum’s Cave
    John Sinclair: Beatnik Youth
    Jay McShann: T’ain’t Nobody’s Bizness

    A JOINT PRODUCTION
    Produced by Steve “Fly” Pratt for Radio Free Amsterdam (#19)
    Edited & annotated by John Sinclair
    Executive Producer: Steve Pratt

    (c) 2020 Steve Pratt. Used with permission.

    https://www.patreon.com/stevefly

  • Warriors Of The Rainbow 2020: A Trip Back To Novelty Wave

    Warriors Of The Rainbow 2020: A Trip Back To Novelty Wave

    A Little Introduction (approx. 7 min. read)

    Hi, the following essay sprawled out of control into a what I now call a woo-woo piece. A densely packed linked up trans-media story, riddled with facts, methodology and research based thinking, yet considering epoch sized, call em’ cosmic-ramifications, or woo-woo. I’d like to thank everybody who crossed my path along the way and above all to wish readers a strong, resilient and joyous 2020 as we shuffle toward the lights. After a number of perceived synchronicities recently, charged by the universal sense of existential dread flowing through the species at the moment, I’m reflecting on 44 days that impacted my life in 2012 and what I can learn in 2020. If you get tired of my tales you can skip to video and music links.

    My story begins around 1996, when I was living in Stourbridge UK and experimenting with psychedelic drugs and trip poets. I discovered two authors simultaneously, thanks to close friends, that had a deep and lasting impact on my life: Terence McKenna and Robert Anton Wilson. When I discovered the chapter, Law Of Acceleration, in Wilson’s popular work of non-fiction Cosmic Trigger (1977) and his inclusion of McKenna’s Timewave-Zero theory, the penny dropped, or my voice dropped, something dropped. Wilson’s model of information doubling and onward to distinguishing exponential growth, including McKenna’s model and his love for entheogens and magic mushrooms was precisely what I needed to hear. Since then, I’ve followed the 2012 stuff and chimed in now and then with my 5c contribution to what I think it all means. As I said, woo-woo, to mean BIG ideas about complex processes and esoteric knowledge, a bit like criticism of Finnegans Wake by James Joyce. These were the wild and out-there things this young apprentice shaman pined for. Indeed, these are the conditions that led me to adopt the artist name: Fly Agaric 23 around 1995.

    To give at least some idea of what I had read at this point in my life, yet not necessarily understood correctly! I’ll list a few titles: Food Of The Gods, True Hallucinations, The Invisible Landscape by McKenna, Cosmic Trigger I, II and III, Sex Drugs And Magick, Quantum Psychology by Wilson.777  and The Book Of Thoth by Aleister Crowley, The Cosmic Serpent by Jeremy Narby, I-Ching And The Genetic Code by Martin Schonberger, plus dipping my toe into Graham Hancock, Robert Bauval and even a taste of David Icke (spits over shoulder, ugh). During this time (1996-2000) I was drumming, learning to DJ with Jungle/Drum and Bass, Hip Hop, Trip Hop music, plus discovering the diverse UK underground cultural melting pot, leading to collaborating on nights and events locally.

    Jump forward 16 years, after living in America for five years, attending McKenna’s Wake in San Francisco, interviewing Wilson and contributing to his biographical film: Maybe Logic, and helping to found The Maybe Logic Academy (see MaybeLogic Quarterly). I was working at the 420 Coffeeshop, Amsterdam, collaborating closely with poet John Sinclair. It’s the 19th of November, the 25th High Times Cannabis Cup  is opening.

    John Sinclair And His Amsterdam Blues Scholars At The Cannabis Cup

    As an unofficial, satellite performance, celebrating cannabis and hemp culture during the High Times Cup, John Sinclair And His Amsterdam Blues Scholars performed at Club Aknaton on November 19th, 2012. John Sinclair, Leslie Lopez, Esther Croez, Mark Ritsema, Vicente Pino, Rebbecca Waller and myself played two sets of reefer jazz, one with Sinclair front and center.

    During the show, Steven Hager (of High Times) and Fantuzzi (Of The Fantuzzi Band) turned up, danced and fluffed-up the aura of the party. At the end, Hager stepped on stage and invited the band to join his Temple Dragon Band: the official High Times 2012 house band. Half the band accepted his offer. Rebbecca, Esther and I joined up for a week of creativity, chaos and a wild path to the Kukulkan pyramid, four weeks later.

    At some point late in the week Fantuzzi asked me if I wanted to join him, to play drums at Synthesis 2012, taking place in Chichen Itza. It didn’t take me long to decide. One song I played with both The Temple Dragon Band and with Fantuzzi is called Warriors Of The Rainbow, and is his interpretation in song format, of the Hopi Prophecy.

    (more…)

  • John Sinclair To The World

    HI, this is Steve the fly writing you from Amsterdam, in celebration of the 15th anniversary of Radio Free Amsterdam. Founded on November 22nd, 2004, RFA has kept the blues, jazz and roots music alive, thanks to John’s heroic efforts to keep it all going, editing the shows, posting them.

    In 2019, the people within the state of Michigan clearly voted to legalize, and free the weed. Finally, after more than 50 years of campaigning local activists can pin this one up as a win. A victory in the perpetual war on (some) drugs. However, the cultural-political battle over cannabis continues, and thankfully John has joined with attorney Matt Abel, and others of the Cannabis Council, who are fighting the good fight for a fairer and more equal society boosted by cannabis, and all its beneficial qualities, personal and social. Justice!

    There from the beginning, John rolled with the vanguard of artists and cultural organizers who included the liberation of Cannabis in their bold vision for a better world. John currently lives and works in Detroit, enjoying the myriad of benefits from the herb that he helped contextualize, celebrate and liberate. We have come full circle, John and his fellow pot activists are vindicated and perhaps we should pause for a moment to consider all those who risked life, and love to stand up to authority, and fight for the freedom of others to enjoy what they enjoy.

    John and friends organized the Michigan chapter of LEMAR, (LEgalize MARijuana), a network including Allen Ginsberg, Ed Sanders and other legendary poet provocateurs. (Poetcateurs?) LEMAR was the precursor to today’s organization NORML, and the steady flow of movements across the world that campaigned and organized in different ways, toward the common goal of legalization of the healing herb.

    If you missed the story of John’s set-up and bust and the campaign to free him, building up to the legendary John Sinclair Freedom Rally, you can get the full picture from the documentary movie: 20 to life: The Life And Times Of John Sinclair. As a side-effect of John’s freedom came the added benefit of less harsh punishments for Marijuana possession in Michigan, effectively a ticket and/or fine. The recent decision to legalize cannabis in the state stands as evidence that activists and artists who promoted the virtues of the plant, and art, were justified and correct. Before their time, in some sense prophets of the new cannabis age. Coupled with state of the art music, poetry, painting, activism and the cannabis sacrament, these brave men and women affected a cultural shift in the collective consciousness of the whole fucking planet.

    Together with his contemporaries, John set the scene, built the soundtrack, and floats within the cosmic ambience everywhere and anywhere…cannabis is consumed. Ingrained deep into the tissue and the foundational roots of American, and by osmosis, world cannabis culture. The measure of which remains elusive, but in my view terribly under-acknowledged, you have to dig for it.

    I’ve worked for 8 years at a busy cannabis coffeeshop in the centre of Amsterdam and witnessed first hand what the blueprint for a John Sinclair coffeeshop would be. The combination of good music, a selection of refreshments including coffee and tea, and a steady flow of international cannabis enthusiasts dropping in to sample the menu, get high and soak up the vibe. A modest example of music, cannabis and the open society in unity, a safe space to help heal the individual and societal divides. Coffeeshops bring people together and present the common ground needed for such healing.

    I’ve heard John express feelings about the power of music and art and listened to the evidence of those statements, read the textual evidence, admittedly produced with the influence of cannabis in one form or another. His work makes for a continuous explicit demonstration, celebrating the health packed herb via the culture of art and activism surrounding it.

    John agitated on behalf of the cannabis legalization movement by excelling in the face of adversity, obsoleting the opposition with superior intelligence: poetry, improvisational jazz, rock and roll music, art all born of experiment and a kind of autodidactic approach. To cut your own path, and offer the others a route out of the depressingly violent, dumb, and watered-down mainstream culture.

    His work spans the underground like a system of rivers deep beneath the surface, before everything was splattered across so-called social media, and available at the swipe of a finger, back when movements of a few dedicated people impacted the greater society and  a global culture: the beat movements, the Lower East Side collectives, the Black Arts Movement, the Black Mountain Arts movement, The Underground Press, Love-In’s, Be-In’s, the Detroit Artists Workshop etc.

    From my own limited study of these movements, most but not all guided by John and his rich literary taste buds, I’d like to draw attention to how they synthesize international cultural elements into a dazzling display of new art/activism. From beat writers sucking up Hindu and Indian scripture, Chinese poets, African rituals and rhythms, to John Coltrane and hundreds of Jazz innovators synthesizing traditional music from India, Africa and Asia into new forms, new directions, new harmonics.

    Alike the history of the Cannabis plant and Cannabis culture, the story includes India, Africa, Asia, Europe, the Americas and Indonesia. A mighty juxtaposition of world culture, through the lens of jazz and blues music, beat poetry, street-level intellectualism. John is a walking encyclopedia of these global influences and movements, native histories, traditions, rebellions, poetic tongues, swirling within the hologrammic field of his lifework, simultaneously blooming, bloomdido, bloomdido.

    Good music, to me, like art and literature, and cannabis culture, seems to stem from a wide array of influences, John curates his musical offerings on his radio shows, in a similar fashion to how his writing curates his experiences. The challenges of how to make it new, while showing origins, and providing standards by which to interpret, both historically and aesthetically, the new creation, are satisfied by John’s excellent curation.

    Every town, city and village worldwide should enjoy the benefits of a relaxing space to enjoy a little cannabis, listen to some music, read, leave your political differences at the door and experience the vibe and do easy. Music is the message, cannabis is in the message, and the message is the message too.

    Please tune into www.radiofreeamsterdam.org and lock into John’s own radio shows, plus his curation of shows by DJ’s within the jazz, blues, soul, funk, reefer zone. Including your humble author. Grow some new ears.

    The John Sinclair Foundation acts as a repository for writings, music, film, devoted to the proper archiving and administration of these works. The foundation is set up to include ongoing projects such as Radio Free Amsterdam, organize workshops, performances, recordings and publications. The JSF provides a blueprint and strategy for the realization of John’s collectivist vision, practical plans for a future full with creativity, tolerance and excellence.

    “Won’t you care for John Sinclair?”–John Lennon.

    Track down John’s “Free The Weed” Columns
    Listen to his Radio Show’s, he’s kicking em’ out for you!

    love, steve the fly.
    Radio Free Amsterdam.

    Steve Fly and John Sinclair at Red Light Radio.

    Sinclair & Steve Fly

  • For Paul Krassner Zen Bastard 1932-2019

    For Paul Krassner Zen Bastard 1932-2019

    On hearing the sad news I have rushed this post. More memories will follow. I hope this goes some way to paying my respects. Much love, and my condolences to his closest family and friends.

    Paul Krassner and Robert Anton Wilson. Palm Springs, December 2000.

    Paul Krassner (11th April 1932–July 21st, 2019) passed the final acid test yesterday. After 87 years inside of his flesh puppet, the Zen Bastard has flown free into the infinite flux of non-beingness. Paul was one of my favourite American authors, activists and human beings, partly due to him publishing my first short story in 2003. I hung out with Paul and his wife Nancy, and Robert Anton Wilson in Palm Springs in 2000, and met him in San Francisco at the launch of “Murder At The Conspiracy Convention” and caught him in NYC at the Knitting Factory. 

    Paul was a great American, to mean somebody who consistently challenged authority, and themselves in equal measure, and held a high spirited optimistic outlook on life, love, art, war, and peace. In the Realist, 1959, Paul published Robert Anton Wilson’s first piece: Joyce and Taoism. 

    In December 2000 the DJ flew to Palm Springs to attend the Prophets Conference, and act as Robert Anton Wilson’s volunteer caretaker. Paul and Nancy showed up to see old Bob, who was in a wheelchair at that time. I was invited to join them and treated to an hour or so of a fly on the wall hallucination, it was pure comedy combined with some concerns about G.W Bush and the Butterly ballot. I bought a round of drinks and Bob had a Manhatten, which later, I regret may have led to a few more “fucks” in his presentation than usual. Paul and Nancy sat right at the front for his “Universe Contain’s A Maybe” performance, and I felt that Bob was really performing for Paul, who was roaring with laughter at Bob’s chorus of “Cocksucker” and “Motherfucker,” when describing fundamentalist faith-based organizations and individuals. You can watch the whole thing here:

    An example of Paul’s kindness and attention to detail is reflected by his effort to find me the following day to give me an article he had read in the New York Times about the emergence of multi-linguistic hip hop, something I had rambled on about the previous day. Paul also handed me “The Final Issue” of the Realist“. Wow, I was cheesing hard, and full of gratitude for the guy.

    Shortly after moving to San Francisco the writer got an email from Paul saying that he was collecting stories, or tales of altered states, for his book: Magic Mushrooms And Other Highs: From Toad Slime To Ecstacy. Later that year the writer recieved the delightful news that my story “As If True” would be published in 2003! What a beautiful cat. Man. He reminds me, great movements in art and literature are often self-fueled and stem from a voluntary will to push forward, regardless, not always driven by profit. Here’s paragraph from Paul introduction to Magic Mushrooms. Bless up.

    “Meanwhile, psilocybin has made its way into mythology.  Dr. Ian Edwards, head of education at the Royal Botanic Gardens in Edinburgh, claims not only that the bright color of magic mushrooms may have inspired the traditional red coat worn by Santa Claus, but they may also help Santa Claus to fly.  He told the Daily Telegraph about a story originating in Lapland, where the people used to feed the hallucinogenic fungi to their herd of reindeer. They used to feed red and white fly-agaric mushrooms to their raindeer, then drink the animals¹ urine.  Drinking the urine would give them a high similar to taking LSD. One of the results was that they thought they and their reindeer were flying through space, looking down on the world. speaking of which, you might want to lick the bottom right-hand corner of page 23.  Go ahead, it¹s all right. No one will ever know. And you won¹t be indirectly providing any drug money for weapons to the terrorists, either. ” 

    When interviewing Bob at his home, I asked him about the Zen Bastard dedication to Paul at the beginning of the book: TSOG The Thing That Ate The Constitution. Bob replied.

    RAW:… Paul Krassner – he dedicated the book to me, he sent me an e-mail along with the dedication long before the book was published and asked me if I found it satisfactory and wanted to change anything to make sure I’d be pleased by it. I was so delighted I dedicated my next book to him which is due out any day now, it’s called TSOG: The thing that ate the constitution and its dedicated to Paul Krassner – Zen Bastard. I originally wrote “Paul Krassner – “Zen bastard and all-around good guy” or something like that, and sent it to Paul, and Paul said “Zen Bastard is just what I want,” so some people might think I’m insulting him but that’s what he wants that’s his sense of humour so I let it stand, the book says – “To Paul Krassner – Zen Bastard.”
     

    Audio Interpretation: https://ironmanrecords.bandcamp.com/track/zen-bastard

    Paul featured in the documentary Maybe Logic: The Lives And Ideas Of Robert Anton Wilson. With his full interview on Bob included in the DVD extras. I caught up with him in San Francisco, at the top of Haight street, at a bookshop I forget the name of, which hosted his book release performance and readings from “Murder At The Conspiracy Convention” the book dedicated to Bob. After the rather poorly attended show I stepped up for a book signing, and he signed it “To fly agaric 23, from Paul Krassner, whose body was found washed up on a beach”. Alas, I lost this book on my travels, somebody has it somewhere. I inspired a laugh from Paul with my signing request.

    The last time I saw Paul Krassner was at the Knitting Factory in New York, where he was not promoting a book but doing a straight-up, or to the left, stand-up set, once again to a rather small crowd. I caught Paul on his way to the toilet to tell him about my world piss project, he laughed again but not so hard, probably as he really needed to go and this weird Brit was in his way. I was alone at the gig, and so I was bowled over when this dude in a hat came over and asked me how I was doing, made polite conversation as he saw that I was surely from out of town. This turned out to be the late great Steve Ben Israel, of the legendary Living Theater and hundreds of other art, poetry, activism and Krassner-like, and inspired activities. I mentioned I was a DJ and Steve told me about his son, beatboxer and lyricist Baba Ben Isreal, who I crisscrossed pathways with in Amsterdam, years later. 

    I kept in touch with Paul by email on and off, and he always responded in the positive. He gave me permission to republish his interview with Terence McKenna, for example, in our Maybe Logic Quarterly Magazine. Cheers Paul.  

    I cannot comment on his health condition, but I am sure he lost the ability to type at some point which he more recently gained back. 2 years ago he sent me a very moving article, that I think reflected his own situation, or feelings. “Bringing The Invisible To Life” May 3rd, 2017.
    http://nowiknow.com/bringing-the-invisible-to-life/

    I wrote back:

    “may the ink flow plenty and pages
    scroll on… to infinity
    and the pen swerve
    as you tease it
    keep up the good work’
    love and love”


    Another recent article sent from Paul, dated March 29th, was about Sara Silverman, and her “Last Laugh” podcast interview.  And here’s one of his last published pieces, from Variety, 2018:


    “The current FBI has swung a pendulum from 50 years ago, when the FBI was an enemy of progressive activists. An agent’s poison-pen memo attempted to smear Tom Hayden with the worst possible label they could invoke with fliers: Yep, an FBI informer. Others distributed a caricature depicting Black Panther leader Huey Newton “as a homosexual,” and ran a fake “Pick the Fag” contest, referring to Dave McReynolds as “Chief White Fag of the lily-white War Resisters League” and “the usual Queer Cats — like Sweet Dave Dellinger and Fruity Rennie Davis.” I was described as “a raving, unconfined nut.” I thanked the FBI for that title of my autobiography.

    I recall Paul once landing on Facebook briefly, and leaving again pretty quick, he posted the same sentence over and over again if I remember correctly. A genius, who will be missed. Read him.

    Love, fly.

  • I’LL REMEMBER APRIL – VINYL SELECTION

    Steve The Fly is playing great music this week by Eddie Jefferson, Ella Fitzgerald, Kenny ‘Pancho’ Hagood, Miles Davis, Thelonious Monk, Ella Fitzgerald & Louis Armstrong, The Swingers, Sun Ra, John Coltrane, Thelonious Monk, and Louis Armstrong.

    The John Sinclair Foundation Presents
    I’LL REMEMBER APRIL
    FLY BY NIGHT 313
    Steve The Fly, Fly Agaric 23 Studio, Amsterdam, May 22, 2019 [19322]

    Eddie Jefferson: Parker’s Mood
    Ella Fitzgerald: April In Paris
    Kenny ‘Pancho’ Hagood: I’ll Remember April
    Miles Davis: I’ll Remember April
    Thelonious Monk: Honeysuckle Rose
    Ella Fitzgerald & Louis Armstrong: Can’t We Be Friends
    The Swingers: Love Makes The World Go Round
    Kenny ‘Pancho’ Hagood: But Beautiful
    Eddie Jefferson: Soft And Furry
    Sun Ra: I’m So Glad You Love Me
    John Coltrane: What’s New?
    Thelonious Monk: Played Twice
    Louis Armstrong: La Vie En Rose

    A JOINT PRODUCTION
    Produced by Steve “The Fly” Pratt for Radio Free Amsterdam
    Post-production, editing & annotation by John Sinclair
    Executive Producer: Steve Pratt

    © 2019 Steve Pratt. Used with permission.

    http://radiofreeamsterdam.org/