Tag: poetry

  • John Sinclair: the collected poems

    John Sinclair: the collected poems

    https://www.thebookbeat.com/bookshop/catalog/john-sinclair-the-collected-poems-1964-2024/#prettyPhoto

    John Sinclair: The Collected Poems 1964-2024

                –this life

    of the mind & spirit
    rooted in humanism
    & love of art, & manifested
    in creative production

    & social engagement, like trane said
    “to be a force for good”
    & make an impact
    on the world at large

    “I’m very happy with this book and very grateful to have all my poems collected in one place like this.”
    –John Sinclair

    “Thank you for your poetry, your standing up for the blues and jazz for decades when few did, and for the way you share your talents and good will wherever you go.”
    –David Amram, Musician, Composer and Author

    “Many of these extraordinary poems trace an important method of “transmission of mind,” a form of Investigative Poetry. These poems are a big work that places Sinclair on the path of Charles Olson. This is an extraordinary work.”
    –Edward Sanders, Poet, Activist and founder of the Fugs

    John Sinclair’s Collected Poems 1964-2024 arrived within a week of his passing, and was edited and proofed with an introduction written by Sinclair in late January of 2024. The book was designed by Sinclair’s right-hand commrade at Radio Free Amsterdam Steve “The Fly” Pratt and published by Ridgeway press in a limited first edition of 150 hand-numbered copies with a forward written by M.L. Liebler. Photographs from the covers of each book and recording begin selections taken from each book. Only Fattening Frogs for Snakes, The Book of Monk, and Songs Of Praise for John Coltrane are not entirely included. The book runs 557 pages, with many poems collected here for the first time.

    “I was first attracted to becoming a poet when I read On the Road,” wrote John Sinclair in his introduction, “the idea became more apparent when I read Howl by Allen Ginsberg and Pictures of the Gone World by Lawrence Ferlinghetti after I had ascended into college.”

    Presented are Sinclair’s scarce first books printed in the early sixties by the Artists Workshop press; This is Our Music, Meditations and Fire Music. Selections from Fattening Frogs for Snakes and thelonious a book of monk and several of his recording projects; The White Buffalo Prayer, Detroit Life, Viper Madness. The last section “Mobile Homeland” has over three dozen uncollected poems written between 1964-2024. Many of the books have special introductions and notes on the text which Sinclair completed for this edition over the past several years.


    The Collected Poems includes a concise six page biography, bibliography of major publications, and a discography of the poet’s recordings, a culmination of 60 years of art and life in one collection. Collected Poems 1964-2004 was produced in a first limited edition of 150 hand numbered copies in paperbound wraps, with a signed forward by M. L. Liebler, 557 pages, issued by Ridgeway press. Profits for the book help support the Detroit Writers Guild.

  • POEMMXXIII

    POEMMXXIII

    Some scrawls from 2023.

    Love x
  • Earthday Evening Celebration With John Sinclair

    You are invited to this memorable event at the Ralston Building (FB Link) on Sat. April 22, 2023 at 7pm featuring John Sinclair with Harmonica Shah and Howard Glazer and Steve Glazer. The $10 to $20 donation supports the Ralston Village Community Association (RVCA) and the Artists. Light refreshments, 313 Brand Detroit-made Tortilla Chips, BYOB, Ice available, water.

    The activities and interests of the RVCA include education, healthy lifestyle, historic preservation, the arts (music, visual, performing arts) community discussion panels, land use planning, and positive economic impact. This event welcomes John Sinclair again to the Ralston, and will help to establish Mr Sinclair as Poet/Artist in Residence in the near future. Your attendance helps to set the stage for this to happen, so thanks for considering attending this event!

    Michael Prent, Earth Community Co-Producer
  • Not A Bug But A Feature – R.U Sirius

    Not A Bug But A Feature – R.U Sirius

    Music by Steve Fly Agaric 23
    Video by SatoriD
    Lyrics and Kibitzing by R.U. Sirius

    Not A Bug But A Feature

    We all have a lot of drugs
    It’s not a bug it’s a feature
    And me I’m easily buzzed
    So I can give you a bunch of my drugs

    They tell me hugs not studs
    They tell me don’t piss in the strudel
    But I don’t care for their advice
    I’ve got some drugs to make me nice

    We’re having too much fun
    And all the guns are loaded
    And we were born to be wacked
    And we were made to attack

    We were born inside out
    Like in a Cronenberg movie
    We have lots of strange drugs
    Therefore the whole thing is groovy

    Ken Goffman aka R.U. Sirius

    Taken from the ALBUM: Infinite Gesture (A Work In Progress)

  • DSR 1 – DISCLAIMER

    DSR 1 – DISCLAIMER

    I Can Break It Down

    The strawberry clouds were setting behind the foreskin mountains, casting a red glow on the glass concrete and plastic city below. Wild poet and programmer, Jake, sat at his desk, surrounded by books and computer screens. He was in the midst of writing his latest work of historical fiction, but something was bothering him. He had recently heard of these large language models like ChatGPT, and he was tempted to use them to help him with his writing. But he was unsure. Even the sordid mainstream news was ablaze with speculation. Was it cheating to use AI to write his book? Would it take away the authenticity of his voice as a writer? Jake sighed, staring out the window at the city as the sun disappeared behind the horizon like a lost Vermeer painting. He was at a crossroads, and he needed to make a decision, if he were to sell his soul in what condition would he say it was in, how to evaluate such an absurdity, he hammered on his imaginary typewriter.

    Jake’s mind was racing like a cyclist on steroids, he sat there, lost in thought, wheels and rusty bronze cogs whirring. He had always prided himself on being a self-made writer, crafting every word with care and precision. But now, with the advent of generative AI, things have changed utterly. He intuited that the large language models could help him streamline his writing process, and make his work more accurate and polished, but keeping in mind the old audio engineers rule, you can’t polish a turd! But, was that what he wanted? Did he want to surrender some of his creative control to the machines? Jake rubbed his eyes, feeling the weight of the decision on his shoulders, he recalled all the science fiction dystopia in his tiny mind. He was a wild poet at heart, a maverick in the head, known on the street for his unconventional style and unpredictable word zingers. Would using a language model change that? He wasn’t sure. But one thing was for certain: he needed to decide damned soon. The clock was ticking, the sun was setting and his deadline for his latest historical fiction novel was rapidly approaching like a hacked Tesla.

    Jake sat as a Zen Monk, weighing the pros and cons of using AI in his writing process, mixing between his perceived left and right brain hemispheres. On one flipper, he knew that the large language models could greatly enhance his work by providing accurate historical information and improving his writing style, grammar and structure. Like a robotic machine editor and secretary. On the other flipper, he feared that it would take away the unique voice that had made him the writer he was. With a name to come. He was afraid that his work would become formulaic, lacking the raw emotion and unpredictability that set him apart from other writers like a six foot transgender tardigrade. 

    As he pondered this dilemma, Jake’s mind wandered further to some of the other writers he knew and admired, most of them skint, undiscovered or on the spliff and booze trip. Some had already adopted weak AI into their work, plugins, and their writing was fast and efficient. But was it any good, did it have real balls, realism, was it gritty, daring and poetic? Or, was it another cookie-cutter piece, a puzzle lacking the human touch that made good writing good writing? Jake’s inner debate continued like a Punch and Judy show as the night wore on. He knew he needed to make a decision soon, but he wasn’t sure which way to jump. The upsides and downsides of using AI in his work were evenly matched, and he was finding it increasingly difficult to choose a path, like an indecisive rat in a maze.  

    Jake took a deep breath and opened up his mouth, he beatboxed for 10 minutes straight, then he opened his laptop computer. He had made his decision. Fuck it, He was going to use it, but only to help him write the introduction to his latest novel, well, that’s what he told himself. He wasn’t sure what the outcome would be, but he was curious like a kitten to see what the AI could do. As he began typing a prompt, he felt a rush of excitement and fear. This was it. He was taking the leap. He was going to let ChatGPT help him craft the opening to a story about a wild poet programmer who was unsure about using large language models in his latest work of historical fiction. You know, that old chestnut.

    Glimmers of brass and chrome twinkle amidst a sea of wires and buttons in his head. Rust-stained machines hum and whirr, pumping bass sounds. A kaleidoscope of instruments covers every surface – drums gleam like obsidian, synths flash rainbow lights, mics shine like jewels. Large and small turntables spin like clockwork gears, interconnected, surrounded by dials, sliders and switches. Words and sentences are born of rotating discs, wheels turn, but are we here to stop the wheels?  

    Creative writing is a form of artistic expression that involves the use of language and imagination to create original written works, no? It seems like a subjective and personal process that varies widely from one individual to another. Generative artificial intelligence, on the other hand, is a type of technology that uses machine learning algorithms to generate original content based on a given set of input data or prompts. While generative AI can be a useful tool for generating ideas or providing inspiration, it is critically important to understand that the content it produces is not the same as that created through the artistic process of creative writing, it is also important to remember that the word is not the thing, but a symbolic approximate representation of the thing. The menu is not the meal, the picture is not the painting.  

    Furthermore, the use of generative AI does not replace the need for human creativity and judgment, far from it. The reverse seems true to this author. The ultimate responsibility for the quality and appropriateness of any written work remains with the person or entity creating it. It’s up to you to make the difference, the difference that makes a difference. It seems equally important to be aware of the limitations and potential biases of generative AI, and to use it with caution and critical thinking. Be aware of the programming. Creative writing and generative AI should not be viewed as interchangeable or equivalent approaches to content creation, no sir. That said, a lot of human creative writing can be dull, biased and factually incorrect. A hell of a lot, just take a look if you can bear it.   

    To future generations who may discover this work: We the creators, hope that these letters and symbols and images and sounds will provide you with a greater understanding of the past and the individuals who shaped it. However, it is important to note that these letters are a fictionalized representation of history, and should not be taken as fact. We deeply encourage you to seek out primary sources and other reliable accounts of history in order to gain a more accurate and well-rounded understanding of the past. Thank you for engaging with these letters, and we hope that they will inspire you to learn more about the fascinating individuals and events of the past.

    A wall of vintage compressors and bass bins rattle the floor, while samplers and synths shimmer like stars. African djembes and Indian tablas stand guard beside Asian gongs, while steam hisses from valve compressors. The air is thick with the sound of creation.

    TEXT MESSAGE: We need a new disclaimer, old one is out of date, new GPT iterations and LLMs will disrupt a lot. Speak soon.


    KINDLE EDITION

  • Radio Free Amsterdam Now Has ChatGPT

    Radio Free Amsterdam Now Has ChatGPT

    Yesterday, I just had to get a lifetime license for ChatGPT. BoingBoing store was doing a sweet deal, $59 for a lifetime license from Mind2Matter. So I bit the bullet. However, I didn’t do all my homework and it turns out that my current WORDPRESS account is not capable of hosting third party PLUGINS, I need to upgrade to a business account, and that’s a whopping $286 and way out my current price range.

    And then I had a moment of clarity. Sheeet, I can install it over at Radio Free Amsterdam. So I did, and it works. And I think it’s another reason to spread the word about Radio Free Amsterdam: Grass roots music, blues, jazz, funk, soul, all produced by John Sinclair! And now featuring ChatGPT for further entertainment.

    https://radiofreeamsterdam.org/

  • Follow The River Flow

    working class poor

    billions doe want war

    a few damn rich   

    assassination

    not war on the innocent

    oligarch hunting

    crisis in the mind

    little man fuhrer psycho

    putin charge to war 

    psychological

    blow skull clean off body

    remove warhead  

    crimea look

    war crime in the ukraine

    humanity scream   

    hit and missiles

    hospital school home

    destroy product

    weapons business

    boom sick profiteering

    from god misery     

    sunshine turns gaze

    away from the destruction

    shameless putin rain

    isness is illness

    solipsists get sloppy

    where to quick-stand

    white russian war

    with red and blue on flag

    pale racist tsar 

    drill putin head

    incept fake love memory

    big baby eat

    vladimir bond

    the man with golden visa

    uk love villains      

    chemical romance 

    how much investment

    novichok johnson

    grim kreminals 

    kgb cia q

    cold war freeze

    bury all the bombs

    swords into plowshares 

    new climate army

    follow the river

    ancient waterway out

    flowing to get her

    armed to the teeth

    full up to the rafters

    build-up tension go

    whataboutism

    patriotic conceit

    same blood bath

    fight climate death

    desoverignize nations

    to grow her back

    snow will melt

    we will meet for river drinks

    swimming tears

    shelling ocean floor

    no limit how low can go

    they shell for oil

    hi eurasia

    europe is not us

    don’t involve me

    helpless poeting

    belief in magic power

    psychic war-flare

    I would run away

    spineless self interested

    am i guilty too 

  • CORONA SLAYER – ALBUM RELEASE

    23 tracks, 1hour and 28 minutes. Corona Slayer is a collection of rhymes spoken over a serving of homegrown music. Since early March 2020 this poet donned a new overcoat belonging to Squintin Quarantino, and begun to fashion a lock-down diary. This album is a defocused adventure, a wild trip to slay the newly returned corona king covid with words and sound-dance.

  • All E-Books And Paperbacks

    All E-Books And Paperbacks

    Follow this link for a selection of both Paperbacks and E-books (Kindle) over at Amazon Books. If you’d like signed copies or deals, plus exclusive music and blog posts, please head over to my Patreon account and join the ride.

    Stay safe.
    –Steve Fly

    Deep Scratch – Paperback