Category: A.I.

  • DSR 1 – DISCLAIMER

    DSR 1 – DISCLAIMER

    I Can Break It Down

    The strawberry clouds were setting behind the foreskin mountains, casting a red glow on the glass concrete and plastic city below. Wild poet and programmer, Jake, sat at his desk, surrounded by books and computer screens. He was in the midst of writing his latest work of historical fiction, but something was bothering him. He had recently heard of these large language models like ChatGPT, and he was tempted to use them to help him with his writing. But he was unsure. Even the sordid mainstream news was ablaze with speculation. Was it cheating to use AI to write his book? Would it take away the authenticity of his voice as a writer? Jake sighed, staring out the window at the city as the sun disappeared behind the horizon like a lost Vermeer painting. He was at a crossroads, and he needed to make a decision, if he were to sell his soul in what condition would he say it was in, how to evaluate such an absurdity, he hammered on his imaginary typewriter.

    Jake’s mind was racing like a cyclist on steroids, he sat there, lost in thought, wheels and rusty bronze cogs whirring. He had always prided himself on being a self-made writer, crafting every word with care and precision. But now, with the advent of generative AI, things have changed utterly. He intuited that the large language models could help him streamline his writing process, and make his work more accurate and polished, but keeping in mind the old audio engineers rule, you can’t polish a turd! But, was that what he wanted? Did he want to surrender some of his creative control to the machines? Jake rubbed his eyes, feeling the weight of the decision on his shoulders, he recalled all the science fiction dystopia in his tiny mind. He was a wild poet at heart, a maverick in the head, known on the street for his unconventional style and unpredictable word zingers. Would using a language model change that? He wasn’t sure. But one thing was for certain: he needed to decide damned soon. The clock was ticking, the sun was setting and his deadline for his latest historical fiction novel was rapidly approaching like a hacked Tesla.

    Jake sat as a Zen Monk, weighing the pros and cons of using AI in his writing process, mixing between his perceived left and right brain hemispheres. On one flipper, he knew that the large language models could greatly enhance his work by providing accurate historical information and improving his writing style, grammar and structure. Like a robotic machine editor and secretary. On the other flipper, he feared that it would take away the unique voice that had made him the writer he was. With a name to come. He was afraid that his work would become formulaic, lacking the raw emotion and unpredictability that set him apart from other writers like a six foot transgender tardigrade. 

    As he pondered this dilemma, Jake’s mind wandered further to some of the other writers he knew and admired, most of them skint, undiscovered or on the spliff and booze trip. Some had already adopted weak AI into their work, plugins, and their writing was fast and efficient. But was it any good, did it have real balls, realism, was it gritty, daring and poetic? Or, was it another cookie-cutter piece, a puzzle lacking the human touch that made good writing good writing? Jake’s inner debate continued like a Punch and Judy show as the night wore on. He knew he needed to make a decision soon, but he wasn’t sure which way to jump. The upsides and downsides of using AI in his work were evenly matched, and he was finding it increasingly difficult to choose a path, like an indecisive rat in a maze.  

    Jake took a deep breath and opened up his mouth, he beatboxed for 10 minutes straight, then he opened his laptop computer. He had made his decision. Fuck it, He was going to use it, but only to help him write the introduction to his latest novel, well, that’s what he told himself. He wasn’t sure what the outcome would be, but he was curious like a kitten to see what the AI could do. As he began typing a prompt, he felt a rush of excitement and fear. This was it. He was taking the leap. He was going to let ChatGPT help him craft the opening to a story about a wild poet programmer who was unsure about using large language models in his latest work of historical fiction. You know, that old chestnut.

    Glimmers of brass and chrome twinkle amidst a sea of wires and buttons in his head. Rust-stained machines hum and whirr, pumping bass sounds. A kaleidoscope of instruments covers every surface – drums gleam like obsidian, synths flash rainbow lights, mics shine like jewels. Large and small turntables spin like clockwork gears, interconnected, surrounded by dials, sliders and switches. Words and sentences are born of rotating discs, wheels turn, but are we here to stop the wheels?  

    Creative writing is a form of artistic expression that involves the use of language and imagination to create original written works, no? It seems like a subjective and personal process that varies widely from one individual to another. Generative artificial intelligence, on the other hand, is a type of technology that uses machine learning algorithms to generate original content based on a given set of input data or prompts. While generative AI can be a useful tool for generating ideas or providing inspiration, it is critically important to understand that the content it produces is not the same as that created through the artistic process of creative writing, it is also important to remember that the word is not the thing, but a symbolic approximate representation of the thing. The menu is not the meal, the picture is not the painting.  

    Furthermore, the use of generative AI does not replace the need for human creativity and judgment, far from it. The reverse seems true to this author. The ultimate responsibility for the quality and appropriateness of any written work remains with the person or entity creating it. It’s up to you to make the difference, the difference that makes a difference. It seems equally important to be aware of the limitations and potential biases of generative AI, and to use it with caution and critical thinking. Be aware of the programming. Creative writing and generative AI should not be viewed as interchangeable or equivalent approaches to content creation, no sir. That said, a lot of human creative writing can be dull, biased and factually incorrect. A hell of a lot, just take a look if you can bear it.   

    To future generations who may discover this work: We the creators, hope that these letters and symbols and images and sounds will provide you with a greater understanding of the past and the individuals who shaped it. However, it is important to note that these letters are a fictionalized representation of history, and should not be taken as fact. We deeply encourage you to seek out primary sources and other reliable accounts of history in order to gain a more accurate and well-rounded understanding of the past. Thank you for engaging with these letters, and we hope that they will inspire you to learn more about the fascinating individuals and events of the past.

    A wall of vintage compressors and bass bins rattle the floor, while samplers and synths shimmer like stars. African djembes and Indian tablas stand guard beside Asian gongs, while steam hisses from valve compressors. The air is thick with the sound of creation.

    TEXT MESSAGE: We need a new disclaimer, old one is out of date, new GPT iterations and LLMs will disrupt a lot. Speak soon.


    KINDLE EDITION

  • DSR 2 – THE NINE COMMANDMENTS

    DSR 2 – THE NINE COMMANDMENTS

    TONGA
    THE NINE COMMANDMENTS
    TEXT: Defo’ need a new glossary of terms. DSR: Deep Scratch Remix. LLM: large Language Model. GPT: Generative Pre-Trained Transformer. TTOTT: The Tale Of The Tribe. TTM: Tribe Table Method. DSR: Deep Scratch Remix. What else?

    As the satellite orbited the Earth, its camera captured an awesome view of the little virgin planet below. Swirls of white fluffy clouds drifted across the blue expanse of the oceans like some gods long beard, while vast stretches of mottled green and beige marked the landmasses.

    Zooming in, the camera honed in on a particular bright city, Amsterdam. It flew closer and closer, and as it descended, the clouds grew thicker, obscuring the view to only a few meters. Eventually we penetrate the cloud cover, to reveal the sprawling metropolis below and onto a nondescript building tucked away on a quiet street. Inside the building, in a laboratory filled with turntables, mixers, and synthesizers, stand two figures. Jake’s fingers deftly sweep across the controls of a mixing board, while Plush leans over a custom marble keyboard, his headphones on.

    The camera hovered in the air for a moment, capturing the lab scene in all its intricate 360 degrees of detail. The blinking lights on the equipment catch the sweat droplets on the brows of the two producers, the posters on the wall showcasing their past gigs flutter with the sub bass patterns.

    Then, with a sudden jolt, the camera descended further, as if hurtling towards the laboratory at breakneck speed. Through the glass walls, it enters the beads of sweat on Jake’s forehead, the intensity in Plush’s eyes flash from inside the droplet. The camera stops, hovering just above the turntable where the two producers were working, their deft hands are a blur as they tweak knobs and push buttons, sending electricity bolts coursing through the room. The textual-music they create is a fusion of the past and the future. 

    And so, Jake stayed awake for the next three days with Plush, typing away at his keyboard, getting it down and out. With an AI by his side, words flowed effortlessly from his mind onto the screen. It was as if a switch had been flipped, and he was finally able to unleash his imagination. As he wrote on and rapped freely, he was transported back in time to the world of his previous novel, a flash back with Plush and Max on stage. He was so immersed in his work that he barely noticed the passing of time. Jake’s phone beeped twice, The Nine commandments were baked:

    1. Use generative A.I. ethically and responsibly. This includes avoiding the creation of biassed or offensive language, and ensuring that the generated language is respectful and accurate.
    2. Understand the limitations of generative A.I. These tools are not perfect and may produce errors or produce language that is not fully coherent. It is important to use them with caution and to be aware of their limitations.
    3. Be open to new ideas and perspectives when using generative A.I. These tools can help to expose you to different ways of thinking and communicating, and can be a valuable resource for exploring new concepts and ideas.
    4. Continuously learn and improve your understanding of generative A.I. These tools are constantly evolving, and it is important to stay up-to-date with the latest developments and best practices in order to use them effectively.
    5. Use generative A.I. to enhance your own writing and communication skills, rather than relying on them solely to do the work for you. These tools can be a valuable resource, but it is important to develop your own skills and abilities as well.
    6. Be mindful of the impact that generative A.I. can have on language and communication. These tools have the potential to influence the way we communicate, and it is important to consider the potential consequences of their use.
    7. Use generative A.I. in a way that is transparent and accountable. This includes clearly disclosing the use of these tools, and being open and honest about any limitations or errors that may arise.
    8. Respect the intellectual property and copyright of others when using generative A.I. These tools should not be used to produce unauthorised copies of copyrighted material.
    9. Use generative A.I. to create positive and constructive content. These tools should not be used to produce harmful or offensive language, or to spread misinformation or disinformation.
    –DSR

    As the recording session with Plush and Jake came to a close, they fist bumped each other in celebration of a successful session. The equipment was turned off and packed away, and the two producers made their way out of the laboratory, setting the alarms and locking the door behind them.

    However, they had accidentally left one of the microphones on. The sound signal from the microphone had travelled through the air until it reached a nearby cellular tower. From there, the signal was transmitted via phone networks, hopping from tower to tower, until it was picked up by a satellite in orbit.

    The satellite, along with countless others, relayed the signal across vast distances, until it finally reached an office in Moscow. The office was located in a towering grey skyscraper, filled with people in suits staring intently at computer screens.

    The signal was received by a group of men and women, huddled around a monitor displaying a waveform graph. They listened intently, trying to decipher the audio, as it crackled and hissed with static. They worked quickly, isolating and filtering out the background noise, until the audio became clear and crisp.

    What they heard stunned them. It was the voices of Plush and Jake, discussing a secret project. The captured conversation was brief, like the sexual habits of those huddled around the monitor. The group of people in the Moscow office thought that they had stumbled upon something big, and they immediately set to work, scouring the internet and hacking into servers, trying to uncover more information on Plush, Jake and DSR. The two producers had unwittingly set off a daisy-chain of events.  

    TEXT: The GPT genii is out the bottle. Can’t put it back in. Can legislate and some will but its rogue AI on the loose. I’m trying to figure it out.

    KINDLE EDITION

  • Shamebridge Analytica (A Bootstrap Conspiracy)

    …name, address, DOB, occupation, media habits
    predict what, and how accurately?
    how to measure coercion
    how to measure manipulation
    how to measure prediction?
    Claude Shannon’s Information theory, or
    Von Neumann and Morgenstern’s Theory
    Of Games, perhaps?

    How to measure the degree to which an ad’
    can influence human behaviour
    voting habits, foreign policy, thoughts about sex?
    how to measure critical thinking
    the measure of humanity, of altruism
    how do we measure benevolence and
    what of truth and beauty
    what about culpability?
    what is the measure of a man?

    A hierarchy of values could help us begin
    to distinguish one from the other
    but how, how how to measure unity?
    what about limits
    if everything is connected
    is nothing connected too?

    How to measure bad faith,
    how to describe the conspiracy of big data robbers
    spies and politicians?
    just business as usual living in the free market world
    of competitive capitalism
    how can I describe such complexity,
    such an absurdly impossible action?

    Let me tie up your boot lace mate…
    take you through each hoop
    ride the snake-lace and prepare for the
    bootstrapping of Cambridge Analytica

    Through the first hoop, SCL USA Limited
    incorporated in London, Canary Wharf, 2015
    2016 changed its name to Cambridge Analytica
    a time bomb about to explode
    Alexander Nix and his roller-deck of spies begin

    Through the next hoop of Robert Mercer
    hedge fund conservative, part owner of CA
    And on through the Ted Cruz campaign hoop
    the Steve Bannon hoop
    the Donald Trump campaign hoop and

    the LEAVE.EU campaign hoop
    C.A snakes its way up the boot
    the stench of rotten feet managed by
    the socks of corporate owned media
    (Thank Goodness for the independent
    journalism of Carole Cadwalladr at the Guardian)

    And straight through the Mark Zuckenburg hoop
    and the facebook hoop
    picking up 50 Million
    profiles and farming the data for the worst
    possible use: political gain
    weaponised behavioural dynamics
    and through another hoop, Canadian data-robbers
    AggregateIQ

    Humans treated like cattle-data-fodder
    Oxford Eton Cambridge Analytica, burp!
    and a divisive strategy to divide and conquer
    Brexit Trump Trump Brexit, some say the two
    most destructive tragedies of the 21st century

    enabled by conservatives such as
    Aleksandr Kogan, Roger Gabb, Richard Mercer,
    Sir Geoffrey Pattie, Steve Bannon, Lord Marland, Julian Wheatland
    Donald Trump, Vincent Tchenguiz, Nigel Farage
    Chris Wylie, Mark Zuckenburg?
    who the stooges and who the architects?
    culpability?

    the CIA MI5 KGB Mossad alliance, oh my.
    The boot is fully strapped up, the foot inside
    is dead

    The laces are no longer laces but tentacles
    the shoe is the body of an octopus.
    Threaded tentacles act like laces.

    In Cambridge Analytica we have a
    new Octopus for all to see.
    A slimy conspiracy with many tentacles
    reaching to the usual con. suspects
    spies, politicians, intelligence agencies
    big-data companies.

    Let us tie up the tentacles and starve the
    octopus of oxygen, contain it before it crawls up our legs
    and, like a deleted scene from Alien,
    gets up inside us via any available orifice
    Cambridge Analytica seems to love arseholes.

    I apologise to all Octopuses worldwide for defamation of character
    in my analogy to the devilish global conspiracy
    that is Cambridge Analytica and their clients.

    Shamebridge Analytica

    May you choke on your own entropy
    strangle yourself with competitive hoarding
    and go mad with greed and monopoly.

    Some Links of Interest:

    https://www.theguardian.com/profile/carolecadwalladr

    https://en.wikipedia.org/wiki/Theory_of_Games_and_Economic_Behavior

    https://en.wikipedia.org/wiki/Cambridge_Analytica

    https://en.wikipedia.org/wiki/Information_theory

     

  • Multi Model Agnostic Geometry: MMAG by Steve Fly Agaric 23

    His philosophy was one of multiple model agnosticism – not just simply about the existence of God but agnosticism about everything. With MMA, there is no point getting hung up on the models themselves because that’s all they are – models.—John Higgs, KLF. pg. 258.

     

    Multi Model Agnostic Geometry.

    by Steven James Pratt

    Flyting: Selected Writings

    by Steven James Pratt

    Link: http://a.co/f5pSkqP


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