DEEP SCRATCH

Category: acrillic

  • Just one shoulder

    …to be still
    silent and ready
    to bless with fury
    what you thought
    what you know
    what’s new?
    horror and terror 
    error and mirror
    smoke everywhere 
    identity dented day
    after day by searching for
    the elusive other
    the you in them
    the us in we
    the feeling of solidarity
    littered lives
    splintered sentences
    the struggle to make
    it whole and new
    even the philosopher
    of science and magic
    can feel cold chill of doom de doom
    and yet the mad moon
    the number 1 sun and all stars
    and earth remain spun
    life coming and going 
    tragic and comic waltz
    orbit of causes pauses to
    the work you were doing
    what you worked on
    before the job sucked time off
    swim through the hate and
    hollywood revenge flu
    into creative love lake mate  
    dig deep and spark one
    bark if you have to

    how to make it all cohere? 
    push through
    stay high and keep smiling
    the world is too big
    for just one shoulder
    –Steve Fly Acrillic
    (First thought best thought technique)
    Steven James Pratt

  • Introducing Islam in Finnegans Wake

    A Fragment from “Introducing Islam in Finnegans Wake” By Aida Yared

    While writing Finnegans Wake, Joyce jotted down abbreviated entries in some fifty notebooks1 that he took great care to preserve. The entries are mainly fragments of sentences from books or newspapers that Joyce was reading – or that were being read to him, scraps of conversations, and personal thoughts or commentaries. Their study is essential to our understanding of Joyce’s last published work.

    When a given Notebook entry was incorporated into his Work in Progress, the Irish writer was in the habit of crossing it out with a colored crayon. Pages 103-110 of VI.B.45, that deal with Islam, are among the Notebooks pages most heavily marked in this fashion: they can be deciphered only when viewed through an orange-red filter, the color of the crayon used by Joyce in deleting the entries. Their source can be traced back to The Story of Mohammed, a biography of the Islamic Prophet by Edith Holland.2VI.B.45 was compiled, according to Danis Rose, in Jan-Feb 1938.3 By that time, Joyce was very familiar with Mohammed and the Mohammedan religion. His reading on the topic, as evidenced by his note-taking, spanned the period during which he was working on Finnegans Wake.

    He owned a copy of the Koran in a French translation by J.-C. Mardrus,4 and took notes from its first few pages in 1926 (VI.B.12.137).5 Other works he had closely read include the Encyclopædia Britannica (article Mecca, VI.B.24.209-216) in 1929-31; The Speeches and Table-Talk of the Prophet Mohammad by Stanley Lane-Poole (VI.B.31.45-69)6 in April-November 1931; and Sir Richard Burton’s The Book of the Thousand Nights and a Night,7 which has extensive marginalia on “the manners and customs of Moslem men,” and to which Joyce intermittently turned from 1922 to 1939 (Notebooks VI.A, VI.B.28, VI.B.32 and VI.B33). Additional notes on Islam are scattered throughout the Notebooks, and include a sizeable cluster on Islamic rituals (VI.B.31.180-182), taken from a source that is still untraced.

    Joyce inserted numerous details of Mohammad’s life and creed – including the origin and structure of the Koran, into Finnegans Wake, where they appear as important components of the framework and collective unconscious of the book.8 The notes from The Story of Mohammed were the closest in time to the publication of Finnegans Wake (1939). Joyce probably took them in the first half of January 1938, as they were used in the revisions of II.3§4-5 for transition (January 18, 1938; JJA 54.253), the second set of Book I galleys (received by Harriet Shaw Weaver on May 16, 1938; JJA 49.287-288), and II.1-II.3§1 galleys.
    http://www.antwerpjamesjoycecenter.com/Holland99.htm

  • OPEN SOURCE HISTORY (3RD EDITION)

    http://www.lulu.com/viewer/embed/EmbeddablePreviewer.swf?version=20101215113558

  • CONSTRUCTIVIST SYNCHRONICITY: Steve vs. Fly?

    Fillosofly

    FLY AGARIC 23:

     

    I attribute most of my early independent consciousness research to Dr. Robert Anton Wilson and his book ‘Cosmic Trigger’ in particular; combined with my will to contact some of the entities from that book, and share my findings with friends, family and local community. What happened changed my life forever, and I trace it all back to Jung’s ‘Liverpool’ dream.

    (more…)

  • SNIPPED and Re-ripped’ FROM MY FORTHCOMING NOVEL

    A TALE OF A TRIBE: OUR HISTORYS BACK.

    SNIPPED and Re-ripped’ FROM MY FORTHCOMING NOVEL CONFESSION:
    OUR HISTORYS BACK.

    Prose Tools, Tribe Table’s and MPHDJ method.

    DURING THE AEONS SPENT developing a new MPHDJ method for novel novel composition and historical research nicknamed – tribetablism – Plush has been keeping detailed notes and detailed writings on the subject mutter, which after seven weeks of research and development had become one rather lush Volume if i do say so meself. Plush presented the other two mental patients with a hand bound and illustrated copy of his new workbook.
    Tribtable Biomemicry 1.0PLUSH MPHDJ Productions. 12/11/2012.

    Stylus: Sword, beak, tusk, claw, antennae, sting, tip, crystal.Cut/splt/ ax, knife-blade, Cutting head, NOSE-AIR. East.
    The cutting and etching function of the styli’ combines with the electromagnetic turntable pick-up stylus making a read/write sword/pen that – encodes – all things, made available from the internet of things, with its groove signiture or scratch pattern. The Rhythm, the sound and the colour. Within the realm of biological nature we may find cutting ants, pecking birds, clawing mammals, A walrus tusk stabbing at the ice, beavers teeth knawing wooden logs and trees. All this within the detectable human sensory range. Landscapes can be read/written and interpreted – processed in novel turntriblist ways – with the wax disks and MPHDJ method. Now, using an elaborate system of optics and mirrors that can map, translate and calculate the truly cosmic equations of Universe subtracted from tself, we have a new interface with the reality behind the masks, in some sense.

    Traces made upon the surface of a lake by a aquatic finn, or impressions in the mud or wet clay left by a foot or hoof, hair or finger. Artefacts impressed into the planetary landscape. Recordings left for us to reinterpret, left for us by energy fields – spacetime binding creatures – cutting their way through a given medium. All of these traces made by objects are recorded by the objects that made them, the equation always balances itself within regenerative Universe. Balance. Tone. Volume. Yeah yer right! Which always relates back to the 5 elements in one way or another, or the interplay between the five. Within tribetable land, a kind of electromagnetic orgone field permeates everywhere, everywhen. Just like the way the internet of things covers everywhere and everywhen. The intelligence field is within and without itself. Moving on from the question of who owns the reflection, we find Information waves can travel faster than light and so backwards and forwards through our individual perception of linear time, always seemingly moving forwards, at the moment.

    One day, or NO-DAY, maybe linear time will become non-linear time and the improbable will become the probable. We work on the other side of time. MPHDJ Pattern identity and resolution of opposites. In flux. In Vortex. In spiral time. In spacetime binding BOOTSTRAPS the sweaty feet of industrious DJ’s tap dance music.

    Disk: Shells, Stones, eyeballs, tree trunk-cylinder, flat-fish, lilly pad, Ice-Plate, MountainSigil Graph. Earth, Touch pade. NORTH, Turntable Platter.

    Disks of Earth are a part of the complex interface between the symbolic wheels/Sigils and, the manifested language objects within the Tribetable Universe and – INTERKNOTWERK of TINGS – When the Tribetable functions the sigil-disks are rotating, both reading and writing at the same time, effectively. DJ manipulated Blogjects order the components on AMAZON to construct themselves, writing themselves off and onto more conventional data storage devices. Some picture/symbols and images upon the rotating discs are manifest in hologramic form, raised somewhat from the plane of FLAT view.
    Disk Templates:
    Astrological Charts
    Harmonic Musical Intervals and Chords
    Enochian
    Chinese Ideogramic
    CNS RNA/DNA Genetics
    Periodic Table
    Mayan Dresden Codex
    Beth Luis Nion
    Wildstyle.
    Disk Mediums:
    Wax
    Clay
    Wood
    Glass
    Metal
    Stone
    Flesh
    Papyrus
    Fungus
    Etching Chemicals:
    Saliva
    Water
    Dyes
    Blood
    Sperm
    Dew
    Coconut milk
    Chalk
    Toad-slime

    Microphone: Hairs, Stems, Veins, Penis, snake, tongue, neck, limbs,Brush, Wand of fire. Totem. Table legs, SOUTH.

    The tubular wand is a scale invarient model of the Tribetable Universe, a elongated donut. Tube. Hollow infinite string. Within the chamber well of each nerve, worm-hole, root, string, cable, tree trunk, we find conditions and Oscillation rates, that, are exploited and modified in various was by the microwand-phone of fire. To take the word higher. The great totem macrophone contains the tribatable Universe within its endless tube. The Butterly microphones (microphones with wings) fitter about largely unoticed, until they plug into a lillypad disk, by way of the tongue of the turntaopool toad and explode into a cosmology of things. A Finnegans Wake of stuff and things. A collide-o-scope and phalanx of objects, as you will.

    Headphone-Cups: Blow holes, mouth, coconut shell, jelly-fish, flowers.Pond Water. Mirror. Taste. Tongue. WEST.

    Rotating Platform. Omnidirectional Spirit. Planetary axis. Ball and Socket joint. Slices off the Tube donut.Turntable Tortoise. Tribetable Platter. Tank Turret.

    The rotating platforms within the tribetable Universe’s are the multi-functional junctions for the sound spirit. The PIVOT. The axis itself, the measurable rotational rates. Placed within the context of the magickal elemental pentagram of five elements, the rotational qualities of the tribetable functions enable read/write activity. Astrological, Bio-chemical. Cosmogenetic, Nanoconstructors. Microphone to Macrohome. Built by dope demands. The Tribetables operate across scale, are scale invariant, and rhythm patterns transcend any given medium. VIBRATIONAL elementals ensure a full spectrum of considerations. With the addition of in/out portals for the headphones and microphone, the Tribetable, when HYPERLINKED, consists of the 4 main elements and itself, as the fifth.

    Each component and the tribeable itself are constructed from a sub group of elements, and so on into fields, spirits, winds and stars. Backtoback to gas and air. Change and fluidity. Hence the revolutionary process. Change and becoming. DNA range and re-arrangement of the stars by way of tables of law, dropping beats other than 4 to the floor. 5 to the cosmos.

    PLUSH
    MPHDJ.

    Cutting Ants, Pecking Birds, dog claw’s digging, Walrus tusk’s stabbing, beavers teeth knawing all within the detectable human sensory ranges.

  • Acrillic/Agaric/DJ Fly? Who’s the mother-blogger here?

    What is Acrillic all about? What is this mother-blogger oll about?

    Acrillic is a contraction of Acrillic Figa which is almost an anagram of Fly Agaric (adding an extra letter “I” and a letter “C”). Fly Agaric is one of the names given to the world famous red and white spotted mushroom (Amanita Muscaria) and roughly translates as Fly Killer. I “fly acrillic” hijacked the name “Fly Agaric” to be my DJ avatar around 1995 E.V and i invented the name acrillic around 2001 E.V to be my pen-hand avatar. But i often publish written material as Fly Agaric (usually when accompanied with music) and have used corruption’s of both these names upon many internet message boards.

    The exact date when “The Number 23” joined forces with Fly Agaric to make “Fly Agaric 23” remains a mystery to me, but im guessing somewhere around 1995-6. I decided to use this number too since my birthday digits: 15/04/76, and my full year of birth digits: 1976, both equal 23; using my simple additional math logic. You can add each individual number together and see for yourselfif you like. In 2006 E.V i became aware of other individuals and groups of people who had also “Hijacked” Fly Agaric’ the word-label of (The organic Toadstool itself) to be their production brand name or band name, whatever…and both the noun and adjective “FLY” is a very popular word-meme virus used in marketing these days.

    By creating the avatar identities Fly Agaric 23 and Acrillic i have found help distinguishing myself, Steven Pratt, from the other people and electronic identities who also happen to use a certain species of mushroom for their avatar name. A myspace search will turn up many fly agaric cabals and so the 23 suffix’ has helped identify myself, i suffice to say, synergetically in this big brand name WEBNET soup. On with the games.

    DJ fly agaric 23.

    Maybelogic
    Garaj Mahal
    The Maybes’

    Steven James Pratt

  • The beat the beats the beat

    After Hangin’ up me mouse last night, i dreamt

    Amen, Amen brother. I can sure dig that beat.

    One for the Winston’s.

    Amen and drum nd’ bass culture wave rebellion spirit of uprising

    Dansin’ blayzing chronic times

    Sweaty times and Spaces

    Thunder Bass ([{whu wowu’ womb]})

    And to the Funky Drummer: Clyde

    Amen brother, and the udder drummer

    Bernard Purdie, and the other…

    Drummers a one, two, a one-two-three-for

    Good god’ the Break-bits, is there no school left?

    Once rare Akai now popular Digital sampler software fully-

    Loaded HTML SD

    To King Tubby and Lee Perry , Sly and Miles

    Amen, Peace

    To the funny people who came again and again,

    Paid their fees and maybe ate a few E’s and got down

    On their bare knees

    With Whistles and Horns and lighters

    Amen brother,

    heh heh

    Reconnected with Funk-Soul-Reggae

    Roots Roots

    To the “Amen” break break

    Church of Drum and Bass congregation

    Sweaty jungle orgies of sound,

    My om pom: A sample sample of terms Word word, jams germs

    Credit where credits due

    Thanks bro. NOW-Now

    Let the DJ DJ DJ DJ

    BeeYOU

    Steven James Pratt