John Sinclair – “Mohawk” cd
Released Monday 24th March 2014 by Iron Man Records
Big Chief: Getting High With John Sinclair And The Fly
by Steven James Pratt et al.
Link: http://a.co/czUbrSA
John Sinclair – “Mohawk” cd
Released Monday 24th March 2014 by Iron Man Records
Big Chief: Getting High With John Sinclair And The Fly
by Steven James Pratt et al.
Link: http://a.co/czUbrSA
Matt Black – Cosmic Trigger crowdcapering appeal by Complexity Productions
Jim Broadbent – Cosmic Trigger crowdcapering appeal by Complexity Productions Douglas Rushkoff – Cosmic Trigger crowdcapering appeal by Complexity Productions The Cosmic Trigger Play – A taste of Alan Moore by Complexity Productions Cosmic Trigger Play Indigogo Crowdfund https://www.indiegogo.com/project/cosmic-trigger-play/embedded
His philosophy was one of multiple model agnosticism – not just simply about the existence of God but agnosticism about everything. With MMA, there is no point getting hung up on the models themselves because that’s all they are – models.—John Higgs, KLF. pg. 258.
by Steven James Pratt
Flyting: Selected Writings
by Steven James Pratt
Link: http://a.co/f5pSkqP
Ninja Jamm is here: Enter the mix http://ninjajamm.com/
“In marketing terminology, a killer application (commonly shortened to killer app) is any computer program that is so necessary or desirable that it proves the core value of some larger technology, such as computer hardware, gaming console, software, a programming language, software platform, or an operating system.—Wikipedia, killer app.
Let Us Play—Coldcut
“Ninja Jamm is a free music app that lets anyone instantly remix Ninja tunes using touch control, state of the art effects and killer music from Ninja artists.”—Ninjatune.
Summer 2012 sees a new ear-ra in sound mixing, DJ performance and mashability’. IMHO the art and crafts of the disc jockey started with the hand-to-eye-to-ear skill set when the first vinyl manipulators started their experiments in the mid 1970’s, through to the new touch sensitive ‘tablets’ that respond to touching, tickles and scratch motions in a notable return to physical hand movements that trigger audio and visual media.
Yet for a moment there I thought that the CD-DJ phenomena flourished, and reduced the touch of a vinyl record platter to buttons and sliders with awkward looking LCD displays. I had a personal love of vinyl, and traditional vinyl turntablism and up until (May 18th 2012) i held firm to my beliefs by only spinning vinyl records for nearly 20 years.
The new interactive touch surfaces combined with real time, latency free, control bring some excitement in hands on DJ’ing back into a new sense of what DJ artistry consists of, technically. I feel its important to remember that the equipment remains only a part of the art. The content, the music, the samples and the tasteful synthesis (mixing) help define comprehensive and information rich DJ’s from predictable ones.
Enter Ninjatune as a case in point. The rare example of sampling and software innovation running simultaneously, and keeping a consistently underground and forward thinking philosophy, today probably best summed up as an Open Source and Mash-up sensibility. Personally, when I discovered Ninjatune and their music back in 1993, I gushed at the mixture of sample based instrumental Hip Hop and experimental electronica.
The new Ninja Jamm APP makes sense in the age of mash up culture, remix-mania and digital culture gone feral. Ninja have a 22 year history that stands testament to their visionary and somewhat prophetic outlook on music culture, DJ’s, VJ’s and electronic music. Now in the summer of 2012 I believe their shareable, mashable philosophy fits perfectly with the new global APP village orgy.
“Instant remixing functions in push-button form let any music lover dive right in, yet Ninja Jamm is deep enough to engage DJs, musicians and producers. This one is fun.”—Ninjatune.
Ninja Jamm by Fly Agaric 23.(Amsterdam, September 2012.)
“Killer Apps”–Juice Aleem. (New Flesh For Old)
Ninja Jamm Ninja Jamm
It’ll unhinge you man, unhinge you man
Sneakin out the window and down the drain pipe
on a Saturday night, tonight’s light is ripe, rip reeeep, rip, write ripe.
Like a cat or a panther I creep near the curb
My mind is kept calm as it swims in the herb
Ahead I spy the Ninja Shop right next to the dock
So I pull out my microphone from my hemp sock
I said, “Yo, what’s up, I’m here to get me some APPS
Shinobi at the counter looked at me and said “perhaps’
Perhaps you have some killer apps to help set riddim traps
Turn LP’s into maps, escape the beat through cat flaps?
Take a look around, tap-tap, listen understand,
Bring what you found and leave it here in a mound,
I’ll mix it up in an APP and Zap Zap, a tech-cloud sound.
I stand dumbfound.
I walked around the store and picked up some stuff,
Weapons, clothing, instruments and a gold Ninja tooth.
Throwing stars and pentagons, knives and darts
All made with the greatest skill and crafts of the arts
Hemp rope and ladders and invisible dust
Swords, chords and passwords to a remix by Krust
Flags bags and stealth drone kite banners
And Ninja shop staff with big heart and kind manners
Telescopes microscopes and spectrocilloscopes
Hidden microphones, speakers and unstable isotopes
A Shapeshifting manual of style on blue tile
Bungee ropes unravelling for mile after mile
I walked to the counter and gave Shinobi a smile
“Put all this into an APP from the top of the pile.
So I booted up my Ninja APP and went for a walk
Soon I started to talk, then I wrote in chalk:
Ninja fingers and 2 gold Buddha thumbs
Touch the Scruff of the head nod
Multi-channel suite with
Two Fingers sounds hyper-Tobin
Snug as The Bug inna’ Slugabed,
Poison dart in heart of the beats
exquisite 23 course serving of DJ Food/
Cold-cutting the cheese
Brain thaw and brain feeder for the Coldcuts
Atomic Moog, RE:volution and sound mirrors
NJ Beats back in a Bogus Order
Dextrous like the Bonobo
Lush audio visual synthesis:
The Cinemeatic Orchestra
Cutting hard candy and acid squelch
DJ Kentaro rotation
A labyrinth of rhythms unlocked
from Daedelus feather soft
Innovative trans-genre tempo flux
of the Funki Porcini
Phat chunky Herbaliser grooves
for the mother board.
Slicing knife blade voices of Skalpal
Jazzy chops, picked and Chris Bowden
Flight path and charter for Airborn audio.
Lingua dicing dancefloors
A polished solid audio spark Plug
To power the Wagon Christ
Vibe medicine and beat pharmacopeia
for Qemists and Juice Aleem
Parts and pieces for the ferocious
cutting teeth of King Cannibal
Fender Bending gloves for scratching claws
of the pause of Kid Koala
Blending harmony and beauty with gravity
and touch: the Irresistible force
XY ‘floating points’ FX
Hand cushion for Antibalas
percussion
Steve ‘fly agaric 23’ Pratt
www.raw360.net
handcrafted study
in every direction:
Robert Anton
Wilson’s 360
fresh crafted platforms
state-of-the-art in house
to look around use fingers
gyroscope, arrows or mouse
visit Washington cash spill
illuminate, cool off
cook listen wash-up
go to pot or
grill, open calendoor
playback answer
machine
to zoom: pinch or use the + & – icon
aim beyond language
Into SPACE, go on
explore rich n’raw media
behind hots-pots
cooking
panorawma views
you choose
–Steven ‘fly’ Pratt. 23rd January 2013.
www.raw360.net
Reflections on my trip to Chichen Itza: (a prose introspective streaming dollop) http://acrillic.blogspot.nl/2012/12/reflections-on-end-of-mayan-long-count.html
“And greater grown then in the trifle of her days, a mouse, a mere tittle, trots off with the whole panoromacron picture”–James Joyce, Finnegans Wake. pg. 318
Terence Mckenna awakens from a long sleep, an extraterrestrial mycelim strain enters his corpse and reanimates him.
T starts a journey across california to sprinkle the magical mycelium onto the ashes and corpses of Timothy Leary, Ken Kessey, Robert Anton Wilson and Bill Hicks.
Together, the group travel across the USA to Washington in a yellow bus, taking on the presidential race, the war on some drugs, immortalists, scientologists and fundamentalists of all denominations under the sun.
Upon reaching Washington the group of countercultural zombies stage a psychedelic rock concert. Soon drawing the attention of government officials, the zombies have a stand off with the police, arguing their case on human rights, zombie banks, the war on some drugs, and the death of satire.
The group retires to a new Millbrook in 2013, so developing Artificial General Intelligence and a new open source school for hopen learning, O’pen research. A radiodio show, open-circuit TV, broadercasting services, alive performance space, study area squared, Kitchen Itza, Mu-music rooms.
–Steven ‘fly agaric 23’ Pratt.
Maybelogic
Dr Marshmallow Cubicle
Radio Free Amsterdam
Temple Dragon Band
Garaj Mahal
Synthesis2012
“Novelty of scene, the inexperience of the actors
against paying for things we haven’t ordered” J.Adams (Canto LXVIII)
Over ocean wave and round bend of bay
John Adams with his wooden stump,
missing eye, parrot and hat
arrived at Amsterdam Central Station.
From the land of Mars rovers
Google and the CIA
John Adams changed the game
together with George Washington
buying cannabis retail outlets
and hemp factory unions.
Bringing it all to Europe,
hemp seed, oil mills, guns
and the wah-wah pedal
‘we must agree on something’
he said.
And new loans from Holland
to buy guns and dope
and give em to the people
some truffles are a valuable
currency here’
he said.
John Adams bought a house
on Princengracht and opened
a foundation ‘Unistat
cannabis culture’ along with west
coast sexmagic and free jazz.
Necklaces bore the motto
JOHN ADAMS FOR PEACE
bongs and rolling tins donned more
slogans: KEEP OUT OF EUROPE, and
IGNORANCE OF COIN, CREDIT
AND CIRCULATION!
John Adams cycled along the Gracht
like Albert Hoffmann, a stranger in a
strange new land, pipe ablaze with the
finest East Indian charas and Haze.
“and the Farben works still intact”
he said to the polite officer who stopped
John and issued an ‘on-the-spot’ fine
due to insufficient illumnated seers
or simply (no bicycle lights)
J.A came to Amsterdam and unified bankers
in support for CANNABIS
the British and French found this to be
a bitter ball to swallow, at first
“J.A will provide” said Washington, sweating.
“I have been in the most curious country among the most incomprehensible people and under the most singular constitution of government in the world” J.A