John Sinclair – “Mohawk” cd
Released Monday 24th March 2014 by Iron Man Records
Big Chief: Getting High With John Sinclair And The Fly
by Steven James Pratt et al.
Link: http://a.co/czUbrSA
John Sinclair – “Mohawk” cd
Released Monday 24th March 2014 by Iron Man Records
Big Chief: Getting High With John Sinclair And The Fly
by Steven James Pratt et al.
Link: http://a.co/czUbrSA
…and when the mode of the
music changes
the walls of the
city shake
a perspective from relative place
humbled individual to their part
in universe and other
single individuated mind
in time
gathering tales and knick knacks
of history into a trick bag
do you feel melody and riddim’
in verse
word sound image sandwiches
attention to source
to _____ and just story
word jazz s c r a b l e m and
recontext’ of everything
in John Coltrane and
James Joyce
Pound’s eccentricity flows
to American in Europe, Joyce’s concentricity
circulates the planet
two sides of a new shiny coin
ideograms on side a
hologrammic prose on the flip
two torrential rivers of ink
bleeding shared currents
liffissippi
Joyce’s Be-Bop and
Pound’s symphonic compositions
cut and mixed together
Homeric history and Ulysses
in a conch shell sunset
and a Dublin street fight
the inner
Joyce and the
outer
Pound dynastic index
Irish American tell all tales
The Cantos awake
a wake Cantos:
a dream/nightmare from
which I am trying to awake
(not)
sleepwalking giants leave
footprints in the mud
trackers reverse the prints
into beasts
explicit Cantos give us facts
weights and measures, the dates
places, names and flames to wit
implicit Finnegan offers us
truer ficts, rubber inches,
neurological realism and the funnies
…like J.C’s Ballads versus
Stellar Regions
it’s a whole different thing
consistent in its genius
‘FW is psycho-archaeology
Dr Wilson said.
‘no mystery about the Cantos,
Pound said.
they are the tale of
the tribe
http://en.wikipedia.org/wiki/Finnegans_Wake
http://en.wikipedia.org/wiki/The_Cantos
http://en.wikipedia.org/wiki/Tale_of_the_Tribe
–Steve Fly
Amsterdam, 9th June, 2013
http://www.radiofreeamsterdam.com/john-sinclair-radio-show-282/
Fly Agaric Studio > Bohemian National Home –
Friday, September 18, 2009 @ 1:00-2:00 am [
20-0982]
Amsterdam, NL. > Detroit, US.
This episode is a birthday salute to John Coltrane and a bow to the Vernal Equinox with music by John Coltrane selected by Steve “Fly” Agaric 23 at his Oosterpark studio in Amsterdam and programmed by John Sinclair at the Bohemian National Home in Detroit. As Fly says, “Happy Vernal Equinox, or around about, please enjoy this good energy mix in celebration of the music and birth of John Coltrane. Thanks, John!”
Playlist #282
[01] John Sinclair & His Blues Scholars: Welcome
[02] John Coltrane: Equinox
[03]. John Coltrane: Blues Minor
[04] John Coltrane: Crescent
[05] John Coltrane: All or Nothing at All
[06] Miles Davis: ‘Round About Midnight
[07] John Coltrane: The Drum Thing
[08] John Coltrane: Spiritual
A JOINT PRODUCTION
Hosted by John Sinclair for Radio Free Amsterdam
Music selected in Amsterdam by Steve “Fly” Agaric 23
Produced, recorded, edited & assembled by John Sinclair in Detroit
Posted by Larry Hayden
Executive Producer: Larry Hayden
© 2009 John Sinclair. All Rights Reserved.
http://www.radiofreeamsterdam.com/john-sinclair-radio-show-282/
The epic & encyclopedic – back catalogue – of music and writings from John Sinclair, will soon be available for – digital download – and SHARED’ availability. Many of his works have been tragically lost, to both personal and national disasters of one kind or another; other works have been miss-placed and kept in storage for a long long time, and, like any other great archeological anthropological discovery from the African heartlands – the opening of the JOHN SINCLAIR archives and vaults provides a rich resource of counter-cultural gems and treasures, useful feedback for all humanity to process.
So, i thought i could contribute a little something in the way of a hyperlinked guide to John Sinclair in cyberspace, and the places and spaces you can find his footprints and fresh air. I will also begin the work on his recommended reading/listening list from the back of GUITAR ARMY.
http://www.radiofreeamsterdam.com/
http://johnsinclair.us/10for2/
http://www.youtube.com/user/johnsinclairtv
http://en.wikipedia.org/wiki/John_Sinclair_(poet)
http://www.luminist.org/archives/marijuana.htm
http://arborwiki.org/city/John_Sinclair
DETROIT LIFE: JOHN SINCLAIR AND HIS MOTOR CITY SCHOLARS.
IT’S ALL GOOD: A JOHN SINCLAIR READER
FATTENING FROGS FOR SNAKES: DELTA SOUND SUITE. (BOOK)
DON’T START ME TO TALKIN’: FATTENING FROGS FOR SNAKES.
F.F.F.S. REVIEW IN ROLLINGSTONE.
recordings:
Detroit Life with the Motor City Blues Scholars (No Cover Records, 2009)
Tearing Down the Shrine of Truth & Beauty with the Pinkeye Orchestra (LocoGnossis Records, 2008)
Fattening Frogs For Snakes, Volume 3: Don’t Start Me To Talking (Big Chief/Electric Catfish Records, 2008)
crisscross with Mark Ritsema (Big Chief Records, 2006)
Fattening Frogs For Snakes, Volume 2: Country Blues (No Cover Records, 2005)
No Money Down: John Sinclair’s Greatest Hits, Volume 1 (Big Chief Records, 2004)
Peyote Mind with Monster Island (Book Beat, 2003)
Knock Out with Lange Frans & Baas B (420 Café, 2002)
Fattening Frogs For Snakes, Volume 1: The Delta Sound (Okra-ToneRecords, 2002)
It’s All Good with Fluxedo Junction (Fluxedo, 2000)
Underground Issues (Spy Boy Records, 2000)
White Buffalo Prayer with Wayne Kramer & the Blues Scholars (Spy Boy, 2000)
Full Circle with Wayne Kramer & the Blues Scholars (Alive Records, 1997)
thelonious:a book of monk—volume one (New Alliance Records, 1996)
If I Could Be With You—John Sinclair & Ed Moss with the Society Jazz Orchestra (Schoolkids Records,1996)
Full Moon Night—John Sinclair & His Blues Scholars (Total Energy Records, 1995)
“flyright”—a monk suite,with pianist Ed Moss (1991, unissued)
books & publicationsIT’S ALL GOOD: A John Sinclair Reader (Headpress, 2008)
GUITAR ARMY (2nd Edition, Feral House/Process Books, 2007)
GUITAR ARMY (Italian Translation, Stampa Alternativa, 2007)
Va Tutto Bene / It’s All Good (Stampa Alternativa, 2006)i mean you: a book for penny (Palomar Press, 2005)
Peyote Mind & After (Book Beat, 2003)
Fattening Frogs For Snakes: Delta Sound Suite (Surregional Press, 2002)
Full Circle (Minimal Press,1997)
“flyright”—a monk suite (1991, unpublished)
“We Just Change The Beat”: Selected Poems (Ridgeway Press, 1988)
thelonious: a book of monk—volume one (1985, unpublished)
GUITAR ARMY: Street Writings/Prison Writings, Douglas/World, 1972Music & Politics (with Robert Levin), Jazz & Pop/World, 1971
Meditations: A Suite For John Coltrane (Artists Workshop Press, 1967)
The Poem For Warner Stringfellow (Artists Workshop Press, 1966)
FIRE MUSIC: a record (Artists Workshop Press, 1966)This Is Our Music (Artists Workshop Press, 1965)
http://www.headpress.com/JohnSinclair.aspx
“John Sinclair is a huge lover with masses of curly black hair flowing all over his head and shoulders. . . He and his White Panther brothers and sisters from Ann Arbor, Michigan are the most alive force in the whole Midwest. They turn on thousands of kids each week to their own beauty and build them into warriors and artists of the new Nation. . . For this some bald-headed judge named Columbo sentenced John Sinclair to nine-and-a-half to ten years in the penitentiary at Jackson, Michigan.”
— Abbie Hoffman
Woodstock Nation (1969)
JAMS (FROM GUITAR ARMY BY John Sinclair)
KICK OUT THE JAMS – MC5 (Elektra)
CHEAP THRILLS – Big Brother and Holding Company (Columbia)
ARE YOU EXPERIENCED? – Jimi Hendrix Experience (Reprise)
SMASH HITS – Jimi Hendrix Experience (Reprise)
FREAK OUT – The Mothers of Invension HIGH TIME – MC5 (Atlantic)
DETROIT – Mitch Rider (Paramount)
OZONE – Commander Cody and His Lost Planet Airmen (Paramount)
STOOGES – stooges (Elektra)
FUN HOUSE – Stooges (Elekra)
GRIS-GRIS – Doctor John (Atco)
BABYLON – Dr. John (Atco)
BRINGING IT ALL BACK HOME – Bob Dylan (Columbia)
HIGHWAY 61 REVISITED – Bob Dylan (Columbia)
BLONDE ON BLONDE – Bob Dylan (Columbia)
JOHN WESLEY HARDING – Bob Dylan (Columbia)
BEGGARS BANQUET – Rolling Stones (London)
LET IT BLEED – Rolling Stones (London)
STICKY FINGERS – Rolling Stones (Rolling Stones)
REVOLVER – Beatles (Capitol)
SERGENT PEPPER’S LONELY HEARTS CLUB BAND – Beatles (Capitol)
BOOGIE WITH CANNED HEAT – Canned Heat (Liberty)
SUNSHINE SUPERMAN – Donovan (Epic)
MY GENERATION – Who (Decca)
SAFE AS MILK – Captain Beefheart & his Magic Band (Buddha)
THE FUGS (2nd Album) – Fugs (ESP-Disk’)
WHITE HEAT WHITE LIGHT – Velvet Underground (MGM)
JEFFERSON AIRPLANE TAKES OFF – Jefferson Airplane (RCA)
VOLUNTEERS – Jefferson Airplane (RCA)
THE GRATEFUL DEAD (1st Album) – Grateful Dead (Reprise)
ELECRTIC MUSIC FOR THE MIND AND BODY – Country Joe & the Fish (Vanguard)
LOVE (1st Album) – Love (Elektra)
DA CAPO – Love (Elekra)
THE DOORS (1st Album) – Doors (Elekra)
FRESH CREAM – Cream (Atco)
WHEELS OF FIRE – Cream (Atco)
BLUESBREAKERS – John Mayall (London)
VINCEBUS ERUPTUM – Blue Cheer (Phillips)
SUNSET – The Rationals (Crewe)
TRAVELLERS TALE – SRC (Capitol)
MONGREL – Bob Seger (Capitol)
SURVIVAL – Grand Funk Railroad (Capitol)
E PLURIBUS FUNK – Grand Funk Railroad (Capitol)
CREEDENCE CLEARWATER REVIVAL – Creedence Clearwater Revival (Fantasy)
BAYOU COUNTRY – Creedence Clearwater Revival (Fantasy)
SANDERS’ TRUCK SHOP – Ed Sanders (Warner)
SPIRITS KNOW AND UNKNOWN – Leon Thomas (Flying Dutchman)
EDGAR WINTER’S WHITE TRASH – Edgar Winter (Epic)
LIVE – Johnny Winter and (Columbia)
JOHNNY WINTER (1st Album) – Johnny Winter (Columbia)
SLY & THE FAMILY STONE’S GREATEST HITS – Sly & the Family Stone (Epic)
BERKELEY CONCERT – Lenny Bruce (Straight)
AIN’T NO AMBULANCES FOR NO NIGGUS TONIGHT – Stanley Crouch (Flying Dutchman)
SOUL AND SOLEDAD – Angela Davis (Flying Dutchman)
HOWL & OTHER POEMS -Allen Ginsberg (Fantasy)
A NIGHT IN SANTA RITA – Robert Scheer (Flying Dutchman)
MURDER AT KENT STATE – Pete Hamill (Flying Dutchman)
LORD BUCKLEY’S HITS – Lord Buckley (Wolrd Pacific)
MASSACRE AT MY LAI – Pete Hamill (Flying Dutchman)
So, i just continued my research and writing about Sun Ra. Found some new sources and resources, and found myself asking more questions…
More mid-week, enjoy.
Love
fly…
Sounds Fly: Music Writing
by Steven James Pratt et al.
Link: http://a.co/9OHmjhJ
TIMUCIN SAHIN: Fretloze Gitaren, Compositions. http://www.timucinsahin.com/home.html
TYSHAWN SOREY: Drums, water, brushes.
JOHN O’GALLAGHER: Alto Sax.
THOMAS MORGAN: Bas
BIMHUIS. PIET HEINKADE 3. AMSTERDAM. http://www.bimhuis.com/
Timucin Sahin, Kai Eckhardt, AND Owen Hart JR. Grew me a nice new set of ears at the Badcuyp, Amsterdam in 2007. So i returned to witness the spacetime technician’s once more, this time at the Bimhuis with his new line up. Out the gate, out the traps, launch, go, straight off i felt i was in the right place for the evening, Timucin weaving his subtle cosmic tones and background radiation with a truly awesome flurry of fingered equations, while Tyshawn instantly abducted my ears to at least 9 simultaneous rhythm patterns, fluxt timespace signatures and all the accent and groove-feel to pull out the lilt and swing of the different junctions, at the phalanx of – intersection points – in the Plutonium jazzy-gass, splitting ears and brain-body barriers with the aroma of no-time, new time. All punching time on the chin. In a nutshell, i felt abducted by the soundscape, and the grooves satisfied by own personal glittered-jazz, drum and bass/jungle tinged taste buds like a well aged Sativa. Mwah! The show in 07 was a trio of sonic magicians, and so Timucin had all the upper register and midrange amidst Owen’s intelligent drum orbits, last night however John O’Gallagher was very much with Timucin – up there – and for me pulled out, and defined like a sharp pencil line; the intricate and beatiful pan-modal Astro-neuro attainments being shared, freely with the Audience. Thomas Morgan moved with the flow and ebb of the swirling vortex, his bass talking the talk and walking up the stairs to Jupiter, Saturn and other planets that seem under investigation by the tribe of timespice engineers and sonic-fiction poets. The undertones and light whispering voices emanating from Time-munchin’s calculations continue to crop up in all the right places for me, the quantum jumping compositions unveiling layer after layer of timespace, like an audio fabrige egg, with each new layer and complete new groove, feel and seemingly mode, to my ears. Now on fire, little flames symboling the tiny hairs in my ears, travelling and movement, verbs and echoes of just past places, remixed live, and brought back again, back to front, in the flickr of an eye or two. And when you think your used to the jumping around and technicolor sheets of sound, Tyshawn introduces another hot pepper, BANG BOOM,

Slamming, out of nowhere, then caress, then hyperbolic jungle-jazz-swing, then a stunning trip hop flex, all comfortable and innovative at each turn, playing snare with a bottle of water, rolling it across the snare getting the plastic crackle and fizz, then twizzling the bottled water through the space just above his set, between the two overhead mics, creating further mysterious sounding artcore entertainment, symbolic gesture, in short, Tyshawn owned everything he touched, my ears and everyone else’s. Abducted by 10’000 variations on the 8 or 9 breakbeats i danced and lost my mind to in the dancehalls of Britain many years ago, which left a trace, picked up again tonight in the hardcore Drum and Bass and Sax and Guitar wisdom language. Like some of the writing of James Joyce, or Finnegans Wake, by the end of the show the 4 had put the Universe back together again, but in a whole different way using music and human ears and brains to their maximal potential, follow this! You dig! Now the street traffic sounds different to me after the show, percussive shards and trace fragments follow me out the Bimhius and down the Damrak, and the clatter of the trams is building something, i am waiting for the next launch date of Timucin (time-munching) to help me put the Universe together again and witness the tearing down, reconstructing and rebuilding of the life of the mind, or the life of the mind as i see it in 2008, fragmented times, bits and pieces and all culture and languages sirred up, whisked and baked into things, soundbites of the 21st century and all those bits and Bobs that have come before, and, i might add, the sense of the things of the future, included. In the sense of spaceways to other worlds, in the sense that vibration and Astro-Neuro attenuation through cosmic tones for cosmic culture, is out there for your to be a part of, if you can listen and trane your earwiggs. The snowballing angular turns and switching sequence puzzles ride. Together on the crest of the wave of expanding Universes, musical red shifting, and counterpointing, intersecting and jump-back assaulting of the equation. The collective whirring and mixing of pattern, rhythm, and polytonal, multiphonics flashes through the sounds spectrum in dashes and stoccato flashes, bewildering pace, slow and fast and everytime inbetween, always inbetween. Through and beyond my own comprehension, and then once more, your abducted again, sucked through a Noh-Wave Wormhole and brought home to your seat, at the show, clapping but keeping very still, but inside your wanting to dive off the roof into the cold Dutch waters below, something, to exstinguish the fires and flares started in my ears by these cats.
I hope you get to hear this group soon, too. Get some new ears for the holiday season. New music and new ways of hearing it, Timucin and his band of spacetime explorers, gathering the limbs and languages of outer-planetary entities, i like to think. How else can i put it, i was moved in new ways.
Fly Agaric 23. September 2005.
San Francisco.
http://player.soundcloud.com/player.swf?url=http%3A%2F%2Fsoundcloud.com%2Fflyagaric23%2Fpannonica-john-sinclair-and-his-amsterdam-blues-scholars& PANNONICA – John Sinclair and his Amsterdam Blues Scholars by flyagaric23
RAWriental
Fly On The Tale Of The Tribe: A Rollercoaster Ride With Robert Anton Wilson
by Steven James Pratt
Link: http://a.co/gOGNKyV
Halloween 2007.
Amsterdam. Bimhuis with Astro Tempunauts:
Oliver Lake (sx) Reggie Workman (bs) Andrew Cyrille (ds)
American Free-jazz in Europe.
Messages from other galaxies and starbursts.
Gravitationally bound systems of fate
Dragged me to the gig like bossy Angels.
I soon lost myself to the music though…
Steaming passions, omni-directional forces
Multi layered timbre, time, freedom freedom
Star clusters, and various interstellar clouds
How to bring it back? it back again?
Dark Strumming from Workman,
Blowing of shaman pipes, Tibetan sounding bells and
His bow, sawing at the wound strings of his Double Bass.
Searching, always looking,
The Trio Trio Trio questioning everything
Peculiar galaxies, unknown species,
Starbursts, dark matter matters.
The spirit of American music, peering into the void,
Pop was excommunicated this Halloween in Europe.
3 peacemakers of American Jazz, peacemakers for
American Freedom, democracy, information technology,
Philosophy, Science, more than mere music i say.
These are active galactic nuclei from distant galaxies.
Gathered on samhain between nothingness & eternity.
Transformed into 3 Wizards constructing
nNon-Euclidean Jazz Magic, Mystery, ambiguity,
An awakening, masterfully crafted.
Perfect.
Saxes are hurtling into way way deep into Milky space,
Oliver Lake, with the figure of a mighty Morpheus
He serves up Red Pill after Red Pill into strange nebulae
Journey after Journey, painting the Matrix Ultra violet
A precise hurricane, rapid fire scatting Knu new new
Anti-jazz language, as Dolphy, Trane, Ornette, Sonny, Pharoah.
Popping Valve sounds like Dolphin chatter, water tight.
Then a Jungle of tone erupts, hundreds of new tone-species
Chattering,. spirits on the side of samhain
All clambering to get in on this Jam.
Andy Cyrille drums form a sound/light-house
Past Alpha proxima, towards a ring galaxy,
Seemingly able to jump quarter/half/ and full bars
Ahead or behind the isolated pulse, in an instant.
Then as if the spirits had conversed long enough
Wrestled long enough and become restless and slipped
Into hypertravel.
On the side, an Anthem of Zigzag’d melody
Accompanied by a seductive Swing, juicy roasting
Roller coaster swing, syrup sprinkled with interstellar dust,
Snap! Purrrrl purrrrl Snapta ta tata purrrrl.
Snap! One massive cracking hit! Snap! once more.
One Louder than the millions of shuffling feet of the beats
Held with Andy’s left hand wand alone, his right meanwhile
Poking spells and open clusters into the alloyed cymbal
With a big “K” on it. A significant Free-jazz Doppler shift swing.
I experienced many moments of Epiphany during the show
Shattered thoughts coming together personal stuff
Getting worked out by these Chirping shaman-doctors
With the sonic Andromedae ambrosia i love so much.
Seeing their most Humble and graceful postures,
Hearing very few WORDS, and those that came were almost
A whisper. Humble. Concise. Humble Informational.
I had much gratitude for the players,
American Peacemakers, real American peacemakers
Here in Europe and roaming the transtemporal Omniverse.
Here now to save the Universe again, and tonight
Here in Amsterdam on samhain, again and again.
They did more than that though,
The Trio transfigured time/space for all of us.
There was JuJu spirit in the air, impressions of cyclic minds
Workman’s hands of plasma tonight, over the Big wooden
Clef leaving no note left behind like an Octopus.
Composure of an Aura murmur.
A Super Nova birth, slapping, thumping Post Drum ‘N Bass
Post all and nothing, this Trio Trio Trio questioning every
Beat, Fast forwarding language computers,
Under masterful control controlling toms.
Everywitch way, every side, globular cluster jazz.
Free. Anti-Pop. Wordless. Epic. And all that.
Andy switches to brushes., suddenly everybody rushes
And rushes and keeps streaming for some future destination
Divisions and divisions, sub divisions, crushing music theory
Smashing every genre, busting walls of sound, and re-building
From a subterranean dreamscape somewhere in Asia Major,
Palaces of fuzzy delicate crystal sculptures,
Creatures chirp from inside them just hatching in proto-song.
Breathing pulses, spinning off like asteroids after a collision
Now a Zoo, different animals calling, insects, mammals,
Strange fish and of course, birds.
Talking, talking in varied angular velocities
Getting through, like a fax machine signal, or a kind of rolling codex, Sheets of sound, phase shifts, whispering ghosts
Building sonic keys signitures with Layers of rhythm,
Layers of timbre, propagation pattern. Pattern,
Turning transparent like giant molecular clouds of Tao.
You build the melody now.
You do it!
The Trio of spacemen, all artificer, mechanic, craftsman,
True American peacemakers , afro-black Futurist Tempunauts,
Carrying the Legacy of the mighty Atom Smasher himself
Workman alone played with Art Blakey, Kenny Burrel
Roy Ayers, Grant Green, Freddie Hubbard, Eric Dolphy
Herbie Mann (R.I.P) Yusef Lateef, Alice and John
Coltrane. The Masters of the Masters of Jazz
Anywhere and Everywhere, and forever.
And so i sing lofty praise in eleven sharps
Love’s still alive and with us, the music lives and loves.
And these cats play their music wherever it takes them
Still today, innovating, improvising, everywitch way,
This jazz moves to a place of chaos until the love
Deep Within the music, deep within outer space suddenly
Brings us back to the earth again, Big bang!
And some healing ritualistic
Post-Bop starts up. Hear! Calls! Everywhair!
Waltz on the surface, dark undercurrents, tension-filled
Cluster fucks of jamming snake rattle jazz,
Soaring high movements of proto-galactic sax compositions,
Entire tunes in several seconds, scales, keys,
Rhythms, poked and screwed and pampered and peppered
A Frenzy of light and dark forces battling
A supercluster scale death match march at mach 4.
Ping Ting of Alloy hats to deep Bass Bass Burrr.
Tap Dancing polyrhythms, self replicating phrases
With rapidly descending intervals between phrases
Phase shifts, sonic booms, scrapping phrases
Scratching, hooting,
Pitter patter, hair whisper, blow, pop.
Wood, steel, brass, reed, through air meeting
Bio-electric interacting humans conduits into space
Mmuscles, tendons, Lungs, lips, fingers, feet:
Code breaking reality, trcik after trick aftrer trick
After treat after treat after beat.
At least temporarily, off off into deep space/time,
And back.