Category: Our Historys Back

  • A tribal Tale play. By fly.

    MPHDJ Plush, and his new friends Percy Yu, and Max produced a new play with words, cutting.

    FADE IN.

    Hollywood Studios – Dark. Night: Dr. FRANKENSTEIN says: “These machines will have an input, and an output. The input will be an infinite sequence of binary digits.

    CUT TO: John Coltrane saying: “This definition is extended to infinite sequences, as follows…

    CUT TO: Film footage of Jesse Owens at Berlin Olympic Games 1936.

    NARRATOR: “Think ‘infinitely’ to see the paradox of writing about paradox.

    SUBTITLE: To appear in the cosmology of the infinite.

    CUT TO: Studio Engineer: “And hence the rate should probably be defined with respect to a machine whose tape is infinite dimensional.

    CUT TO: Old man in library reading book. We pan into the book and see the chapter heading: Infinito – De l’infinito, universe et mondi.

    CUT TO: Tight close up of map with red, blue and green dots on it:

    SUBTITLE: “He had seen as in a glass darkly.

    SOUND: A shot rings out. Narrator falls dead in studio.

    Camera pans back to Announcer with gun.

    CUT TO: Announcer saying: “Musictime & Sporthistory (An introductory fable) to cable.”

    SUBTITLE on screen: A survey of the music, painting, sculpture, and poetry of the decade as seen by a vorticist.

    DISSOLVE TO: Close shot of young female Italian Gymnast at the Games saying: “We imitate this geometry in our art, music, and architecture, and express it in the symmetry of our own bodies.”

    SUBTITLE: A discussion of geometry; musictime’ and the dissociation of ideas.

    Camera Pan around a class room, An old GREY BEARDED SCHOLAR says: “…Ending with a piece of music, this chapter also helps explain that a work of art, architecture, music, or literature should proceed linearly and logically, with harmony, symmetry, proportion, and concision,

    NARRATOR: “That was the rule laid out by Aristotle in his poetics.”

    CUT TO: The ocean, Aristotle is seen by children on the beach, far-out swimming with a porpoise.

    SUBTITLE: Accidental music providently arranged by L’Archet…

    NARRATOR: “Garments were adorned with the figures of suns, moons, and stars, interwoven with those of fiddles, flutes, harps, trumpets, guitars, harpsichords, and many other instruments of music, unknown to us.”

    Camera pans around the Apollodelphi theatre, as the band play their decorative instruments and the actors play out the last scenes of Mcgraff’.

    CUT TO: Four men sitting back in the eighth row with speech bubbles hanging over their heads full of mathematical equations, musical notation and more.

    CUT TO: Man in audience turning to his neighbor and saying: “In that music I thought I heard an earthquake letting loose a primeval life-force that had been dammed up for ages.”

    Zeppelin flying over Berlin plays ‘Beethoven’s Opus 109’ on massive speakers.

    CUT TO: Obi Wen Kinobe to Luke Skywalker: “Use their ways and their music, keep form of their charts and banners.”

    CUT TO: Man behind cell-bars: “T’ao Ch’ien heard the old Dynasty’s music as it might be at the peach-blossom Fountain.”

    CUT TO: Photograph of Ira Pod, Giles Chase and Cutler Bates sitting at the Oilympic fountain in the village.

    INTERCUT: A Talking turntable character on the telephone saying: “The ear analyzes a sound wave into its component frequencies.

    NARRATOR: Question, what is music?

    MAN:“The pregnant recurrence of domination notes in the melody and chords in a harmony.”

    WOMEN: “The separation of words and music by the print technology was no more decisive than its separation of visual and oral reading.”

    CUT TO: close up of a painting – Acrylic on canvas – depicting the musical stave with notes in black and white, with red paint dripping through the scene, swirling toward a download Icon in the bottom right hand corner.

    CRIMINAL ARTIST: “You have a music magazine. You have a magazine on economics. Why? Because the advertiser pays for the magazine.

    DISSOLVE TO: PLUSH, responding to BBC radio interviewer: “Sound effects and music are essential to any air drama; we are using all the equipment that radio offers. Economically and intelligently. We are smuggling implements of music.”

    CUT TO: POV of automobile passneger passing a Billboard on L.A’s sunset strip for ‘Radio hobbyhorse: All music when you come to think.”

    DISSOLVE TO: Still shot of LP cover art saying “Music rots when it gets too far from the dance.

    SOUND: Sequence of voices recorded from Tape reel and new acetate disks:

    CUT TO: Young musician: “Words were printed with the music?”

    CUT TO: On a TV screen we see three Nordic, leotard-clad, full breasted girls swinging exercise clubs decorated with symbols, in union.

    RADIO NEWSCASTER: “…and there was a failure to supply music for those entering the Oilympic stadium.”

    NARRATOR: “Question, what scale of values, what preferences in music, for example?

    Newspaper headline in Rapalltown: “All that Italian florid music.”

    MAN ON STAGE: “But let gentle silence wrought with music flow.

    CUT TO: Guinness TV add, Einstein flying/falling through a clockwork Universe.

    CUT TO: PLUSH asking: “How confident did my dream look on this finite world?

    SUBTITLE: “The number of words in such a vocabulary, natural for man, is infinite.

    MAN ON STAGE: “Acting in illegal secret, pouring oil on the press, giving nominal loans on inexistent security.

    Close-up Photograph of piece of tape, with caption: “Fly-catchers of the moon,

    STAGE ACTOR in McGraff: “It is time I wrote my will; I chose upstanding men.”

    CUT TO: Max typing the words: “Sonny did not set out to discover prejudices; he did not even set out to criticize our conceptions of space and time.”

    CUT TO: Door to door time-machine salesman: “We may question and revise our conception of timespace. Opening new adventures in literature for our time, space machine. Read this…”

    NARRATOR: Question, Tell me, who made the world?”

    MONTAGE: Vincent Quarantino saying: “The real film-maker is a writer. He or she makes the world.”

    INTERCUT to Lisa Simpson on skype: “I think the maker Transforms in Hilbert space.”

    CUT TO: Photograph of a Turntable with the slogan: “The technical revolution of our time.”

    CUT TO: Inside the Temporal Institute, three scholars discuss a timespace machine, reading the transcripts of voices recorded earlier that afternoon.

    BILL LASWELL: “Axioms, provide an overview of the evolving concepts of geometric space and form that have impacted the literary imagination throughout western history. In a sense, for any input situation including past history, E’ merely looks up in a “dictionary” the appropriate response.”

    VOICE 3: “That changed endocrine history.”

    FLASHBACK: Percy passing Max a photograph of an MRI scan of his brain.

    DRUNKEN HISTORICAL ENGINEER: “A period of history of a process. A period of History defined by the prevalence of some particular state of things. Like the Glowball Illumage defined by Mclure.”

    NARRATOR (Voiceover): “An event ‘E is representable by a property of the state at time ‘p of a finite automaton with an infinite past, only if E is definite.

    CUT TO: Realistic film of a singing Bard riding a comet to earth: “The phenomena of the idea, arise and pass away in time like fleeting dreams.

    VOICEOVER of TV ad for an ‘Elvis’ DVD: “He offers a history of philosophy from the beginning to our own time.”

    NARRATOR: “But he had not solved the problem of how to include novelistic realism and history in a modern literary work, especially a poem.”

    CUT TO: Back blurb of a Novel: “Social and political issues, religion, British History, advertising, and naturally enough the conflict between art and economics.”

    CUT TO: Photograph of an Andy Warhol Obama button on the orange jacket of a prison inmate.

    CARTMAN from South Park: “The time has also become ripe for a conception of human knowledge, history, and the human condition.”

    CUT TO: Man receives fax from his fax-machine reading: …And they ran into debt to keep up appearance, they were there busy with sciences, poetry, history, dancing.

    MAN at the Butchers: “Persecution, says he, all the history of the world is full of it. Perpetuating national hatred among nations. Can I have some chicken wings mate?

    CUT TO: Old man in a libarary:“…so pay tribute to the Confucian tenets found in shu jing or the Book of History.”

    NARRATOR: “Question, what is history?

    James T. Kirk: “All history is the experimental refutation of the theory of the so called moral order of things.”

    CUT TO: Hannibal Lector in Berlin saying: “There is reason in History?”

    DISSOLVE TO: Photograph of Newspaper headline reading: ‘Economics and national security?

    LONG SHOT: Data screen showing wiki page, from inside a Prision cell: “…This stupendous double antithesis seems to me the most significant fact in all history, certain ideas and theories placed the history of civilization in an unusual light…”

    CUT TO: Swiss Sports coach shouting: “Rules involve interpretation, and to escape the infinite regress there seems to be no escape from the necessity of considering agreements concluded outside the game.

    INTERCUT: Max saying into his phone: “Different meanings for different specialists?

    SUBTITLE: “Von Noman’s response was similar to that in his formalization of quantum mechanics: just expand the formal character of the ‘space’ in which the model would reside.

    CUT TO: Bard on a hill: “Sing, O you little stars.

    SUBTITLE: “Infinite-valued, process orientations.

    BARD on hill: “About the stars and moon and sun…

    SUBTITLE: “All statements made about them stars are only probable in various degrees.

    CUT TO: Studio engineer: “We may think of a Turing machine as having three parts: a control element, a reading and writing head, and an infinite tape.

    CUT TO: Percy saying into his phone: “He was trying to write an epic poem.

    CUT TO: Man holding Koran and Bible in hand saying: “This book can’t be the whole of history.”

    TV SPORTS COMMENTATOR at the 2012 games opening: “Berlingham provided a suitable backdrop for the greatest spectacle ever seen in the history of sport.”

    MAN WITH A MEGAPHONE: “Men and their business took the soul’s unchanging look. An epic is a poem including History. Increase their flow, throw flower at histories feet, when will we meet?”

    CUT TO: M.I.T Professor: “Well, Santa Monica was a point of reference to those working on Game theory.”

    CUT TO: Bankman, the economic superhero shouting: “Merchants will not confess over trading nor speculators. Do they pour national revenue into banks of deposit in seasons of speculation?…

    CUT TO: Hadron super-collider firing lottery balls against different currencies and Scientists and economists gathered in the lab, measuring the scatter patterns left by the collisions.

    SCIENTIST: “Terminology continues to be traditionally magical, covered in the writings and signs of the past, and with these signs over-painted with new signs in a cyclic nervous chain, interconnected in a bewilderingly complex way.”

    SUBTITLE: Clouded silence : Silence that is the infinite of space.

    CUT TO: Max saying: “The fourier transform of a function vanishing exponentially.

    CUT TO: Studio Engineer: “The term ‘finite’ is used to distinguish these automate from Turing machines, which have an infinite tape, permitting them to have more complicated behavior than these automata.

    CUT TO: Film of Rotating figure eight – Mobius strip – made of magnetic tape.

    FLASHBACK: Plush, reading in the wave the words “Infinite swell in unfitting induments.”

    CUT TO: Photograph of guitar covered in the world’s currency symbols and signs.

    CUT TO: Percy: “All we shall have to do is unveil it, to simply remove the political cloak. The Olympics and other competitions exist partly for this purpose – to wave their cloaks and flags.

    LONG SHOT of Max running with a flag bearing the symbols of the other flags at the games, flags of nations on one side and as he runs past, corporate logos combined with the symbols of the stock and bond worlds, and currencies from around the world.

    CUT TO: Close-up of Max saying: “The most striking result of this cloak-research, by von Norman, elaborated his theory of ‘Olympic games and economic fluxuations’ after his 1928 paper: “Time, and the Oyl Race: The political use of the Olympic games, time and money.”

    CUT TO: Tight close up of paper by von Norman, being inspected by Plush and Percy.

    CUT TO: Man at speakers corner, London: “To have shortage neither in time nor in place but to have money there ready for sailing of ships, wangles of merchants and for the due pay for soldiers.

    CUT TO: Max speaking of Geo Runoh: “The notion of a group is transformation and invariance. For these are not on terms, they twain.

    PLUSH saying into his skype headphone: “This is the multiplicity inherent in his rhetoric. To weave and share. To approach the infinite by form, he was revolting against art.

    INTERCUT: PERCY replies on a cell phone: “He demanded more wood alcohol to pitch in with.”

    CUT TO: Artist in the dock: “I’m drawing on the methods of Imagist lyric, of drama, of narrative poetry, the realistic novel, cinema, to create a synthetic form capable of including the scope of modern consciousness, sir.

    CUT TO: Computer screen froze during ‘Prose-tools’ session. Message flashing Reboot!

    LIBERAL JUDGE: “But the results of human acts and decisions are alterable by acts and decisions.

    COURT HECKLER: “This statement is equivalent to the assertion that it is the product of two functions; ‘ren or virtuous human nature and ‘Jing, Respect.

    CRIMINAL ARTIST: “A precise language of sharing can be built up of stable, visually perceptible signs.

    CUT TO: Looping footage of Angel falls.

    NARRATOR: “Nature, image and sound play significantly interlocking parts. These parts are now altered, and augmented with a cyclical view of history.

    Plush: “That history proceeds through corsi and ricorsi.

    Percy: “The method of construction is roughly as follows;

    CUT TO: Plush, Max and Percy in the studio.

    PLUSH: saying to his friends: “We design a rhythm machine with an alphabet of ‘m letters (symbols used on the tape) and ‘n internal states,

    PERCY repies: “We design a machine with two internal states, a rhythm-sharing machine.

    NARRATOR: “Both man and Universe are indeed complex aggregates of motion.

    CUT TO: Ezra Pound asking: “What could save infinite time and labour for pore mutts trying to learn a little Chinese.

    SUBTITLE: “The overtones of words, the halos of secondary meaning, are struck among the infinite terms of things.

    CUT TO: Peruvian Shaman, translated: “You won’t really need all that money.

    NARRATOR (VOICE OVER): “Question: In What sense does the infinite universe radically modifies the relationship between God and the world, between God and human beings.

    CUT TO: Frank Zappa: “Let us suppose that f(z) is measurable, and of summable square over any finite interval.

    SUBTITLE: “Representability in a finite automaton with an Infinite past.

    CUT TO: Jesus on the cross, the hill crowded with bitter faces, the wounds in palm and side, the vinegar heavy sponge.

    CUT TO: Tour guide, as she folded the phone into her untidy bag and snapped the catch: “The Egyptians finally used abbreviated pictures to represent sounds.”

    CRITIC: “Well, I cannot swallow all the sacrosanct principles and accepted truths underlying the writings of people who try to deal seriously with the problem, that is, the expression of the wave.”

    BEARDED CARTOON PIRATE: “The great new tool of this age is information, from which has been born sharing.

    CUT TO: Screen shot of computer running a Bit Torrent download.

    VOICE 1: “The infinite which it superficially concealed in the notion of “any”.

    VOICE 2: “It cannot be elsewhere, since its coincidence of spirituality with infinite matter means that ‘elsewhere’ does not exist.

    CUT TO: Backstage at Rapalltown Hall, a Woman is responding to a question: “I did not catch the words, so I couldn’t respond to what he just asked. Mechanics represents an average of…the total weight of values…what?”

    DOCUMENTARY STYLE VOICE OVER: “The Greeks invented both their artistic and scientific novelties after the interiorization of the alphabet.

    CUT TO: Footage of a man making a cross-word puzzle on his plate, using alphabet soup letters.

    OLD MAN saying: “Masterpieces of art, if they were stated formally in the language of self recursive function theory, and not tomato sauce…

    MONTAGE: BATMAN: “Napoleon has invented a word, Ideology, which expresses my opinion:

    SUPERMAN: Let S be a sequence of symbols. S is to denote the Set of all pairs.”

    SPIDERMAN: “There was a whole will of the people. Knowledge and love collide and coincide with their object in the infinite.

    CUT TO: Old man tapping TV screen with walking stick.

    SUBTITLE: Language poetry, and the transparent slingshot”

    SPIDERMAN: “Then came an adder and bit his throat so that he cried out in pain.”

    CUT TO: Computer screen message:“To Play thou schouwburgst, Game, here endeth.

    (The curtain drops by deep request, the image of a large hand projects onto the curtain, pointing to a sign that reads: The danger of single, absolute, or hegemonic principles or rules can be overcome with awareness of multi-dimensional meanings.)

    CUT TO: Documentary Film Producer: “The above explanation, as well as the neurological attitude toward meaning, as expressed by HEAD, is non-elementalistic.

    TIGHTROPE WALKING PHILOSOPHER: “It is an earthly virtue that I love the hierarchy of being extended between two extremes, pure act and pure potency.”

    CUT TO: Independent 16 year old scholar on youtube: “The 21st’ century renaissance occurred because of a shift in the way the scholars regarded timespace, and linguistic relativity, it seems.

    WOMEN TEACHER: “The limit of the integral of a function of the sequence is the integral of the limit.

    RUPERT MURDOCH high on LSD: “But a visually homogenous mass consists of individuals in a new subjective sense, lecturing mostly on Highgull and Human-bat Spincer. We should be dazed and terror struck. ”

    CUT TO: Plush tossing a coin in the air.

    CUT TO: Percy saying: “Both finite and infinite games are analysed.

    SUBTITLE: “Thus the formulation of the present infinite-valued non-aristotelian system became also an imperative necessity.

    CUT TO: Man: “But what will you do with that money?”

    WOMEN: “The return to the tribe!”

    SUBTITLE: “It was in order to avoid an infinite regress that Aristotle taught we must assume premises that are indubitably true.

    Photograph of M.C Escher’s ‘Reptiles’ with the caption: “Infinite regression of proofs?”

    BARD singing: “In sum an infinite great fall of rain and all refreshed.

    VOICE FROM THE DIRECTORS CHAIR: “When the camera falls in love, what’s begotten is the authentic movie star.”

    A ginger cat walks stiffly around the leg of the directors table.

    YOUNG MAN: “Sewing machines will never come into general use’

    OLD MAN: To study reading-books and history, to cut and sew and be neat at everything.”

    Sound: First notes to ‘So what by ‘Miles Davis’.

    CUT TO: fragment of a letter translated from French: “I Don’t know whether they were right or wrong?

    CUT TO: Film canisters being thrown into an incinerator by Micky Mouse and William Randolf Hearst.

    FADE OUT.

  • BJ is for BERLING JAM

    Berlin 22-25th
    July 2009.07.26

    ”What we cannot speak about we must pass over in silence” – Ludwig Wittgenstein, Tractatus Logio-Philosopicus.

    Hot Coach Eurolines
    To swerve of Olympic Stadium – swimming,
    Yoga, Novel video recording, sunshine
    HemJoymint and fuzz.

    Diving board – splash,
    Out and off on U2 train East!
    To Spittlemarkt and naked lunch.

    Good cheer, Laffta
    Play on (words)
    Drop jokes not bombs.

    Deconstruction of off pist‘ subject matter
    Syntax and form of what we
    Cannot speak about, with friends

    Eye contact, smiles, a mutter
    Who? what? and the wrestler
    Of sense.

    Three became four, five, six and seven, eight!
    BorskyChristyChrisFuzzTonsMacaBogusFly
    Experienced in the life.

    English was spoken and shook up
    Whole societies, people and tribes in the wind
    Of deep sea black smoking thermal vents.

    High City Eyeline, and light pale rants
    Sky, breaks in the digital weather forcast
    The pintter-patter of Blackberry maps.

    Heavens crunched Earshots
    But no damp or gush of wet
    – Sunshine on a rainy day.

    Alreadymade Laptop Pissa’
    Off the net felt good thought
    With web buddies.

    Forgetting Wittgenstein
    In every breath, I want to say
    I love you all, and feel honoured to be
    Present. Flexible minds,
    Distinguished thinkers

    Friends, maybes
    Even my teeth were saved by
    Friends and nutrient knowledge

    And the encyclone’ styles of cutting kickback
    Banter. I, chasing
    Wittgenstein until I look
    Away towards what “is”, what maybe?

    And lifted once more by a friend
    A word, a description of place, time
    Moment.

    A Long Pleasant Day
    Out of time.
    Korzybski in the air,
    So hard to anchor.
    Dillinger Rules Pool.

    How many words lost?
    And fielded back for another home-base run
    Around of the unspeakable. Wisdom and sincerity (SINCERITAS)
    Humour, (HILARITOOTH) wild trills’ and calm waves of
    Maybe thread-workers.
    Live interknitting. (HUMANITAS)

    Free minds cast into a non electronic
    Stage space,
    My head between a wall
    Of dutch soup beer waffle
    I talked plenty and listened not nearly enough
    And talked of playing and listening
    All-at-once, with PLUCKING AIR
    music.

    Synchonous “aha’s” “wow’s” and
    Names after noons after places after traces
    Of BOB.

    Tales of place and story, mine,
    His, her’s, his and’
    Some of their’s – Belgium, Germany, England, Netherlands

    And loving perceptive feedback.
    differences
    Oh jolly great Europe,
    Here’s Congratulations Elffolk

    Walking and talking
    Sitting and drinking, smoking
    Eating words over delectable food A lifting punk spirit of the street
    Housing Caligraffed Everywhere

    East street art, stickers, overgrown
    Sidewalks of memory
    Graffiti on Churches, in Chapels

    Handmade Chapel Emulsion
    Writing in technicoloured text
    No Starbuck, KFC, Burger King in sight,
    But they are close by rumour has it.

    Heavenly Corporate Exstinguishing
    On the street, on the Street – people and many distinguished
    Bicycles.

    Happy cats and shrubbery blend street corners
    The concrete with glass:
    Light pink and grey, cream of mushroom soup

    B is for Beer H is for Hash
    V is for vegetable
    E is fur’ Escher

    No Skype, No Mouse, No Moustache’
    No connect capatain, but SUN RA played Rings around Saturn
    And (Detroit riots 67′) in the mouth.

    Dillinger Rules pool
    A day out of time, again.
    Sitting in seat number 23.

    Watching mini Norse rockers.
    Time and space changed, I thought
    Each 5 minutes another incredible
    Piece of ‘cannot say speak’
    B’ham, a joke…

    Scrambles image and word, LO!
    TV, movie, book (invocation of foot plot notes)

    Wild cards and spilt beer served back with spin
    Imaginations ping pong
    Bouncing from screen to screen

    Drop names not bombs
    To quote or not to quote?
    Literally – saying and speeching a trunk full of
    Humanitas!

    Suspense, riffing on a whim – truth,
    Sincere, On the edge of eternity, talk and chat,
    With old friends…Sparks dart Walking up and down in the heart

    Norse female rock band one night,
    Rico Loops – a one man music showman the next,
    Beatbox, Synth sampler multi instru’
    – The Iggy Pop of Live electronica – I thought.
    The A-Ha of fembot pop?

    Groove music, Free world word music. Mothman pool table landing.
    Shem and Shen and Iraq
    A stolen wall, dodgy business for
    City Space developers.

    The Phone,
    The loud strange
    Conversations and crossed wired
    Laughter, carrots, strawberries & Tea, coffee and friendlyness.
    The laughter, cracking yokes.

    Pushing temporary clusters of meaning
    Out, up and over my head.
    Temporary Clusters of meaning in the drinks
    To spreek the cake-walk.
    To almost pot seven from a break.

    Us and them became we, maybeee’s
    Most tollerant of each other
    Dylan and The hero’s with a thousand
    Faces.

    Habits, likes, dislikes and rants
    All of them fielded masterfully,
    Snowboarding over the Wiener Schnitzel ridges

    Some Talk of NLP, Joyce and Grant Morrison
    Talk of Arlen – and the many BOB’s
    Had Fun everyone….

    –Steve Fly.

  • CALCIUM RITUAL CHALKING. Chapter 56.

    The right mitten of Plush rubbed the honey-wax disk percussively in backward and forward motions, while QUICKLY lifting the stylus-needle out of, and dropping it back into a groove-path somehwere else within the spiral dance. Like a night-scene from a miniature urban construction camp. The manipulation of the disks and the calendrical languages encoded and pressed into them comes across like one hand clapping for just a brief second or a persistent prod, a horizontal poking action with the hands, wrist, elbow and shoulder. A hammering of staccato like rhythms – pulling his own shoulder and arm into a lurching movement, often on beat with the tone-arms movement. The “BEE HERE” goggles that provided Plush with a third-person platform – AQUARIUM SPACE, also helped Plush attenuate the audio-sensory apparatus to a more refined feeling out of – and into – the ears for a change. Plush was growing himself new ears and listening into other worlds.

    A fiber optic -coral – cable connected Plush with the Alturntable via a face-mask covering his nose and mouth, that monitored his heart and lung activity, eventually synchronizing the respiratory and blood management systems with the altable working. Producing bio-riddimic F-E-E-D-B-A-C-K. Percy walks through the garage door carrying a bright red sack a sack with the words “quicklime movies” printed in bold applewhite text, his face already marvelling at the swaying and sensual dance of Plush at the ALTABLE, gathering our history’s back, road testing the technology.

    “Chalks” Plush said, all of a sudden, breaking the 3 minute silence.
    “Chalks?” Percy replied, crouching near the backwall, busy scrawling coxeter graphs with his assortment of limestone crayons and calcite devices he uses for marble finnishes, and spezzazo graff.

    Plush’s resiliant skin flashed green-lozenge, like mottled lime peel whenever the altable lights flickered up onto his face, revealing his chlorophyll complexion, thought Percy, tackling the SU7 group of crystallagraphic structures. Almost like a crocodile green, he went on, but smoother like velvet, almost like the indelible Swamp Hulk. Percy smiled.

    “Ch all ksss” Plush chanted aloud, turning 180 degrees to the left and then to right, like the way Theolonious Sphere Monk used to spin, looking up 120 degrees above the horizon. Swaying, maybe holding a sacred breath?

    “Len tic u lar!” Plush said slowly, with a sense of pax. Half communicating with an extraterrestrial cuttlefish within his aquarium about Iridophore plates: shells composed of tiny, calcium carbonate plates called “coccoliths”, a term coined by Thomas Huxley and Coccolithophorids roughly translating into English as (“round-stone-bearers”). (See end NOTES and wiki links).

    Mike walked methodically over to where Plush stood and presented him with the modified saxophone mouthpiece to try out, while noticing the luminous beads of salted sodium crystals dripping down the side of his now minted playhouse face. Percy gazes across the garage space at Mike’s hands, they’re surrounded by the exoskeletal lattice, reaching out approximately 6 inches in all directions and supporting the G-matrix membrane suit which Percy had designed and built this last year based largely upon the modified genetic engineering and biomimicry studies of the cuttlefish and some of the newer Cybertectural extensions of geodesic and dymaxion design science principleslike thise developed by the master – R. Buckminster Fuller.

    “Orthosis is a device which attaches to a limb, so now the MPHDJ suit behaves like a total Orthosis skin and it proves that i know what i am doing.” said Percy, drawing patterns in the airspace spinning around his head with his drumstick wand brushyamacallit.

    “And now the teleportation out of my skin, and into a new skin, skin up! so mote it be.” Percy chanted after spinning in several circles, stepping out in many directions and making elaborate hand-sign language. Not unlike breakdancing and sign-language nurturing a new ideogramic love child.

    “Gypsum megacrystals of Naica. DNA delivery systems. Aragonite. The limestone cowboys calling CaCO3 Rock marble limousine. Mini coccolithophores to White Cliffs and blooming satale-light pics. Cuttlebones and human bones. Whitewash. Calcareous Nannoplankton. Quicklime Apple Flash. Calcium Oxide: mortar. Calcareous endoskeleton made of corals-coats. Bio-Rock. Seacrete! both Calcium carbonate. CHalking of of the altables running on chalk man.” Plush said, avoiding verse. Still putting it all together, temporarily in a strange new way, Mike thought.

    “I may see what you are chalking about, but now the levels of magnitude and orders of abstraction leave me oscillating in chaosmos, Plush. The Third person platform gameplay confuses some of my thoughts” Percy said, in admiration of the de-patterning results.

    “Your most probably right there, Percy, what you say, yeah, i feel my activities and experiences racing along so quickly, i can hardly catch them to drop an anchor, ya know?” Plush said, with an unsure look about him, rather unsure, yes, for the first time this evening, uncertain about why he was continuing this historical altable ritual in an old garage, as some book-lung gills quivered like 100 vaginas in a glass cabinet under the stairs, was this worth it? Plush thought.

    “Even your backbone is mostly made up from a mixtur between chalk and marble in some sense. Ha,” shrugged plush, now smiling again at the interconnection of these things. Percy peers over Plush’s elbow to sneak a better view of the dexterous finger work and palm skidds displayed upon the honey-wax disks revolving upon the altable.

    Plush touched his thumb to his ring finger, drawn a deep breath and made a human five pointed pentagram, his face like that of a petty thief upon a cross.

    -Fly.

    NOTES:

    Batches of pigmented plaster (ground alabaster or gypsum) modified with animal glue are applied to molds, armatures and pre-plastered wall planes in a manner that accurately mimics natural stone, breccia and marble. In one technique, veining is created by drawing strands of raw silk saturated in pigment through the plastic mix. Another technique involves trowelling on several layers of translucent renders and randomly cutting back to a previous layer to achieve colour differential similar to jasper. When dry, the damp surface was pumiced smooth, then buffed with a linen cloth impregnated with Tripoli, a siliceous rottenstone, and charcoal; finally it was buffed with oiled felt; beeswax was sometimes used for this purpose. Because the colours are integral to the plaster, the pattern is more resistant to scratching than with other techniques, such as painting on wood.– http://en.wikipedia.org/wiki/Scagliola

    Calcium carbonate is a chemical compound with the chemical formula CaCO3. It is a common substance found as rock in all parts of the world, and is the main component of shells of marine organisms, snails, and eggshells. Calcium carbonate is the active ingredient in agricultural lime, and is usually the principal cause of hard water. — http://en.wikipedia.org/wiki/Calcium_carbonate

    “Like many phytoplankters, coccolithophorids can form immense blooms – in this case, the blooms are so distinctive, they can be seen from satellite pictures. When the coccoliths from these blooms settle down to the ocean floor, they create thick deposits which, through geological processes, form chalk – including chalk used for classroom chalkboards! The famous white cliffs of Dover, in southern England, are the result of Coccolithophorid blooms and coccolith deposits. — http://en.wikipedia.org/wiki/Coccolith

    “sewage treatment to reduce acidity, to harden, as a flocculant, and to remove phosphates and other impurities; in paper making to dissolve lignin, as a coagulant, and in bleaching; in agriculture to improve acidic soils; and in pollution control, in gas scrubbers to desulfurize waste gases and to treat many liquid effluents. It has traditionally been used in the burial of bodies in open graves, to hide the smell of decomposition, as well as in forensic science, to reveal fingerprints. It is a refractory and a dehydrating agent and is used to purify citric acid, glucose, dyes and as a CO2 absorber. It is also used in pottery, paints and the food industry. Furthermore, quicklime is used in epidemics, plagues, and disasters to disintegrate bodies in order to help fight the spread of disease. CaO is a key ingredient in the nixtamalization process used to create corn hominy and masa or tortilla dough. In ancient India, before the discovery of soap, it was mixed with sand and used to clean ones body, while it was also used to build houses. — http://en.wikipedia.org/wiki/Quicklime

    “Changing color: Cuttlefish are photochromic, and are sometimes referred to as the chameleon of the sea because of their remarkable ability to rapidly alter their skin color at will. Their skin flashes a fast-changing pattern as communication to other cuttlefish and to camouflage them from predators. This color-changing function is produced by groups of red, yellow, brown, and black pigmented chromatophores above a layer of reflective iridophores and leucophores, with up to 200 of these specialized pigment cells per square millimeter. — http://en.wikipedia.org/wiki/Cuttlefish

    “Calcium concentration in natural seawater is about 420 ppm[4]. When used for this purpose, lime water is also referred to as “Kalkwasser”. Lime water, or some variation of it, is also used in tanning and making parchment. The lime is used as a dehairing agent based on its alkaline solution.[5] — http://en.wikipedia.org/wiki/Lime_water

    “Luciferase is a generic name for enzymes commonly used in nature for bioluminescence. The name itself is derived from Lucifer, which means light-bearer. The most famous one is firefly luciferase (EC 1.13.12.7) from the firefly Photinus pyralis. In luminescent reactions, light is produced by the oxidation of a luciferin (a pigment), sometimes involving Adenosine triphosphate (ATP). The rates of this reaction between luciferin and oxygen are extremely slow until they are catalyzed by luciferase, often mediated by the presence of calcium ions (an analog of muscle contraction)[1]. – http://en.wikipedia.org/wiki/Luciferase

    “It’s a bit like something out of the famous sci-fi horror movie Alien. Before they have even hatched, cuttlefish embryos can peer out of their eggs and spot potential prey. It is the first time any animal has been shown to learn visual images before they are born. Ludovic Dickel and his colleagues at the University of Caen Basse-Normandy, France, made the discovery by placing crabs alongside cuttlefish eggs in a series of laboratory tanks. — http://news.bbc.co.uk/1/hi/sci/tech/7435757.stm

    “A recently-discovered modern gastropod that lives near deep-sea hydrothermal vents illustrates the influence of both ancient and modern local chemical environments: its shell is made of aragonite, which is found in some of the earliest fossil molluscs; but it also has armor plates on the sides of its foot, and these are mineralised with the iron sulfides pyrite and greigite, which had never previously been found in any metazoan but whose ingredients are emitted in large quantities by the vents. — http://en.wikipedia.org/wiki/Gastropod

    “Whitewash, or calcimine, kalsomine, or calsomine is a very low cost type of paint made from slaked lime (calcium hydroxide) and chalk (whiting). Various other additives have also been used. — http://en.wikipedia.org/wiki/Lime_water
  • SNIPPED and Re-ripped’ FROM MY FORTHCOMING NOVEL

    A TALE OF A TRIBE: OUR HISTORYS BACK.

    SNIPPED and Re-ripped’ FROM MY FORTHCOMING NOVEL CONFESSION:
    OUR HISTORYS BACK.

    Prose Tools, Tribe Table’s and MPHDJ method.

    DURING THE AEONS SPENT developing a new MPHDJ method for novel novel composition and historical research nicknamed – tribetablism – Plush has been keeping detailed notes and detailed writings on the subject mutter, which after seven weeks of research and development had become one rather lush Volume if i do say so meself. Plush presented the other two mental patients with a hand bound and illustrated copy of his new workbook.
    Tribtable Biomemicry 1.0PLUSH MPHDJ Productions. 12/11/2012.

    Stylus: Sword, beak, tusk, claw, antennae, sting, tip, crystal.Cut/splt/ ax, knife-blade, Cutting head, NOSE-AIR. East.

    The cutting and etching function of the styli’ combines with the electromagnetic turntable pick-up stylus making a read/write sword/pen that – encodes – all things, made available from the internet of things, with its groove signiture or scratch pattern. The Rhythm, the sound and the colour. Within the realm of biological nature we may find cutting ants, pecking birds, clawing mammals, A walrus tusk stabbing at the ice, beavers teeth knawing wooden logs and trees. All this within the detectable human sensory range. Landscapes can be read/written and interpreted – processed in novel turntriblist ways – with the wax disks and MPHDJ method. Now, using an elaborate system of optics and mirrors that can map, translate and calculate the truly cosmic equations of Universe subtracted from tself, we have a new interface with the reality behind the masks, in some sense.

    Traces made upon the surface of a lake by a aquatic finn, or impressions in the mud or wet clay left by a foot or hoof, hair or finger. Artefacts impressed into the planetary landscape. Recordings left for us to reinterpret, left for us by energy fields – spacetime binding creatures – cutting their way through a given medium. All of these traces made by objects are recorded by the objects that made them, the equation always balances itself within regenerative Universe. Balance. Tone. Volume. Yeah yer right! Which always relates back to the 5 elements in one way or another, or the interplay between the five. Within tribetable land, a kind of electromagnetic orgone field permeates everywhere, everywhen. Just like the way the internet of things covers everywhere and everywhen. The intelligence field is within and without itself. Moving on from the question of who owns the reflection, we find Information waves can travel faster than light and so backwards and forwards through our individual perception of linear time, always seemingly moving forwards, at the moment.

    One day, or NO-DAY, maybe linear time will become non-linear time and the improbable will become the probable. We work on the other side of time. MPHDJ Pattern identity and resolution of opposites. In flux. In Vortex. In spiral time. In spacetime binding BOOTSTRAPS the sweaty feet of industrious DJ’s tap dance music.

    Disk: Shells, Stones, eyeballs, tree trunk-cylinder, flat-fish, lilly pad, Ice-Plate, MountainSigil Graph. Earth, Touch pade. NORTH, Turntable Platter.

    Disks of Earth are a part of the complex interface between the symbolic wheels/Sigils and, the manifested language objects within the Tribetable Universe and – INTERKNOTWERK of TINGS – When the Tribetable functions the sigil-disks are rotating, both reading and writing at the same time, effectively. DJ manipulated Blogjects order the components on AMAZON to construct themselves, writing themselves off and onto more conventional data storage devices. Some picture/symbols and images upon the rotating discs are manifest in hologramic form, raised somewhat from the plane of FLAT view.
    Disk Templates:
    Astrological Charts
    Harmonic Musical Intervals and Chords
    Enochian
    Chinese Ideogramic
    CNS RNA/DNA Genetics
    Periodic Table
    Mayan Dresden Codex
    Beth Luis Nion
    Wildstyle.
    Disk Mediums:
    Wax
    Clay
    Wood
    Glass
    Metal
    Stone
    Flesh
    Papyrus
    Fungus
    Etching Chemicals:
    Saliva
    Water
    Dyes
    Blood
    Sperm
    Dew
    Coconut milk
    Chalk
    Toad-slime

    Microphone: Hairs, Stems, Veins, Penis, snake, tongue, neck, limbs,Brush, Wand of fire. Totem. Table legs, SOUTH.

    The tubular wand is a scale invarient model of the Tribetable Universe, a elongated donut. Tube. Hollow infinite string. Within the chamber well of each nerve, worm-hole, root, string, cable, tree trunk, we find conditions and Oscillation rates, that, are exploited and modified in various was by the microwand-phone of fire. To take the word higher. The great totem macrophone contains the tribatable Universe within its endless tube. The Butterly microphones (microphones with wings) fitter about largely unoticed, until they plug into a lillypad disk, by way of the tongue of the turntaopool toad and explode into a cosmology of things. A Finnegans Wake of stuff and things. A collide-o-scope and phalanx of objects, as you will.

    Headphone-Cups: Blow holes, mouth, coconut shell, jelly-fish, flowers.Pond Water. Mirror. Taste. Tongue. WEST.

    Rotating Platform. Omnidirectional Spirit. Planetary axis. Ball and Socket joint. Slices off the Tube donut.Turntable Tortoise. Tribetable Platter. Tank Turret.

    The rotating platforms within the tribetable Universe’s are the multi-functional junctions for the sound spirit. The PIVOT. The axis itself, the measurable rotational rates. Placed within the context of the magickal elemental pentagram of five elements, the rotational qualities of the tribetable functions enable read/write activity. Astrological, Bio-chemical. Cosmogenetic, Nanoconstructors. Microphone to Macrohome. Built by dope demands. The Tribetables operate across scale, are scale invariant, and rhythm patterns transcend any given medium. VIBRATIONAL elementals ensure a full spectrum of considerations. With the addition of in/out portals for the headphones and microphone, the Tribetable, when HYPERLINKED, consists of the 4 main elements and itself, as the fifth.

    Each component and the tribeable itself are constructed from a sub group of elements, and so on into fields, spirits, winds and stars. Backtoback to gas and air. Change and fluidity. Hence the revolutionary process. Change and becoming. DNA range and re-arrangement of the stars by way of tables of law, dropping beats other than 4 to the floor. 5 to the cosmos.

    PLUSH
    MPHDJ.

    Cutting Ants, Pecking Birds, dog claw’s digging, Walrus tusk’s stabbing, beavers teeth knawing all within the detectable human sensory ranges.