Tag: the tale of the tribe

  • Enhance reverse obsolete flip

    Enhance reverse obsolete flip



    This DJ thinks that the language of turntables (here hallucinated from Udio data dust) hold keys to the DJ mosaic methodology: Hologrammic prose/jazz. A Part of the Deep Scratcher’s Code. Generative AI presents a new set of data points. #taleofthetribe #tribetablemethod #TetradOfMediaEffects #McLuhan

    Marshall McLuhan‘s tetrad of media effects uses a tetrad – a four-part construct – to examine the effects on society of any technology/medium (that is, a means of explaining the social processes underlying the adoption of a technology/medium) by dividing its effects into four categories and displaying them simultaneously.–TOME

  • Maybe Day 2021 – Lapsed Maybe Logician Blues

    “The future is already here, it’s just not evenly
    distributed.”–William Gibson.


    July 23rd, 2021 is a day I’ll remember for several reasons, some of which I’d like to drag you through on my sled. The dog days begin when the star Sirius (a.k.a the dog star) and the Sun, appear to rise together as observed from Egypt. The DD’s also coincide with high temperatures in summertime and so it follows with an increase in cases of fire in the head and cases of fire on the land. Who prescribes free public swimming facilities as an antidote to a rise in violence and faith-based thinking following a rise in global temperatures. Give them clean water, they will drink, swim together, be merry and civilize? 

    “Fuck off you moron,” I said, “stay the fuck away from me, you fucking idiot,” followed by, “I don’t see your lab jacket or Doctors I.D,” it was 9 a.m. I was at work with my colleague, my first day working with him, and I was unleashing harsh language, insulting and in retrospect immature. Rather than blame the dog days, it was probably a number of factors, it was early in the morning, I’m carrying large antennae–early moron warning radar system–and this kid walked right into it . I won’t and can’t get into the details as it’s my workplace and I want to keep my job. What he said triggered me to erupt like a volcano, “you’re a fucking moron, stay the fuck away from me.” To my mind I was insulting him so as to be moved away from him.

    This is hardly the way to remember Robert Anton Wilson (RAW) and Maybe Day 2021, I thought to myself while working the rest of the day. Maybe I lost my center, showed too many teeth and hurled a cheap insult? Maybe this was required to get me away from him (he was showing symptoms of a dry-cough, while claiming Corona Virus was a hoax and that 90% of test results were false-positives). My response hardly reflects our current predicament as initiate Maybe Logicians, tasked with communicating clearly in a nuanced language, reflective of the uncertainty and incompleteness of our inner and outer world-views. I had nose dived into the brown hole of circuit one, “Fuck off!”

    The guilty English poet living in Amsterdam was put with another colleague, my plan worked. If repeated attempts at nuanced language and gentle nudging fail to awaken whomever you are addressing, to the probability they might be wrong about absolute convictions, some other tactics may be deployed. In particular when protecting their own physical health, and the health of others around them, this was my excuse.  

    To move away from my personal experience, to propose broader questions and challenges facing those bravely exercising pluralistic coms, philosophy, methods of Maybe Logic in a world divided by culture war and language wars of the words…in some sense. My sense of urgency remains in forwarding the works of our late great wizard of nuanced language, Robert Anton Wilson. From the most far-out edges of semantic wilderness, where Ben Goertzel and Bruce Sterling hang out, to the gritty journalistic realism of Democracy Now or Byline Times, to the playful mystical mutualist syndicalist anarchist defocused realism of Alan More.

    Okay, I’m gushing. RAW’s non-fictional Maybe Logic, which includes his unique sit-down philosophy stand-up performances, reflect a species of semantic hygiene unparalleled in writers of both fiction and non-fiction in equal measure. As I’ve stated before, RAW’s prose and performance–written and spoken words–are well archived in audio, video and on the page. The RAW data set is a finite set unless you consider the tale of the tribe as an open system, purposefully unfishished, producing a Maybe portal to infinite recycling, editing, deletion and reversal? RAW’s complete works, plus the incomplete–tale of the tribe–capture the general heart of Maybe Logic.

    As like with the traditional interpretation of the tale of the tribe–an epic poem including history from a single author– some problems facing AGI research can be processed and enriched by RAW’s Maybe Logical responses to the conundrum and paradox of being and non-beingness and how to communicate meaningful messages about it. As far as I can see, and having met Bob a number of times, he lived his whole life in a Maybe Logic state of being/non-beingness. He confronted the infinite flux of beingness on and off the page, that’s really saying something when you look around today, and when I look all the way around and back to myself. “Maybe just fuck off.” Would have been a better choice of words for sure [bites thumb].

    RAW’s Maybe States resonate with fields of current AGI research, to my mind. As I’ve said before. In natural language for the most part, RAW drills through traditional borders between academic categories, testing his decentralized Maybe Logic using physics, mathematics, biology, psychology, economic models, art, poetry and satire. Testing, feeding back, updating. If a broad question for AGI was something like, “How can you help us to help ourselves process information and uncertainty, how can we save the planet and the human mind-body interface so we can live in peace together.” I’d guess that RAW gives an exemplary data-set (his life’s work and life lived) to evidence why any AGI should care for humans and the planet despite widespread examples of greed, cruelty, ignorance and inhumane culturecide.

    RAW’s Maybe Logic Method is exquisitely and carefully crafted, behaving like a hologram in some sense, to get the whole picture using words and their meanings on a page (hologrammar), or in the air (holo-harmolodic?), rather than a special photonic arrangement to produce 3D images (hologram). Combined with RAW semantic hygiene and inclusivity for all-human beings and events, or better yet the ‘human interacting processing of non-simultaneously apprehended events’, it’s easy to forget we’re all inextricably entangled in billions of ways. RAW’s Maybe Logic Method is not limited to being described in one field, it’s a particular RAWish’ mish-mash of semantic tools and language experiments, investigative journalism, Sufi parable, operationalist language, jokes, deduction and induction, Zen Buddhism and satire. Uniquely Robert Anton Wilson. Praise Bob!

    RAW faced the daily challenge of distinguishing non-fiction from fiction and shared his findings openly, in his published work and remarkably, in his public appearances. This leads me to another thread that bootstraps RAW’s life and work together and which makes his lifework critical for AGI studies: his speech. Having witnessed him perform–and more notably answer questions from his audience including my own questions–RAW exhibited (using performance by example) all of his virtuous knowledge, keeping a cool head when many around him seemed to be hot headed. We could all use a dose of RAW in our daily lives to remind us of the possibility to live happily and optimistically in a world of inner and outer uncertainties and incompleteness.

    This may be why RAW, like Marshal McLuhan, Claude Shannon and Terence Mckenna prescribe Finnegans Wake by James Joyce, as a guide for all-around-the-world-humanity to wake up. A Finnegans awakening to the infinite flux of beingness and the tale of the tribe, coming together to save each other and the planet, perhaps the entire multiverse? This is a prospiracy, the coming together of powerful forces for good, good due to the obvious benefit to all-around the world-humanity, and around-the-world ecological environments. Covid has raised the stakes in this prospiracy, and to vaccinate or not to vaccinate is a practical challenge to all-around-the-world-humanity. By definition, its a form of globalism, which by definition implies a coming togetherness of global citizens. Through the lens of prospiracy, this new health world order or global movement to protect the planet and it’s stewards, requires individuals to act and think with the interests of others (strangers) at heart. There are adjacencies with the telling of the tale of the tribe here, a new global epic poem including history. Inclusive and global in its vision and reach, local in it’s idiosyncratic style.           

    This new global perception of altruistic togetherness is like the tale of the tribe with Buckminster Fuller sauce on top: Critical Path, Operating Manual For Spaceship Earth by Fuller. Other RAW flavoured toppings include, The Open Society And Its Enemies by Karl Popper, The Chinese Written Character As A Medium For Poetry by Ernest Fenollosa, The Mathematical Theory Of Communication by Claude Shannon, The New Science by Giambattista Vico, Science and Sanity by Alfred Korzybski, The Gutenberg Galaxy and Understanding Media by Marshall McLuhan, The collected works of Nietzsche, William Butler Yeats, Giordano Bruno, Orson Welles, Ezra Pound, James Joyce and RAW himself. These are books and texts and authors at the tribal gathering, these are some of the innovators in scientific and artistic paradigms, that help define Maybe Logic Method. Individual human beings who’ve had a lasting effect on the global human condition, the general heart, or the general intelligence, in some sense. In a global prospiracy context, the tribe, in the phrase ‘the tale of the tribe’ is to signify all-around-the world humanity. The tale signifies the narrative, story, an epic one including history and the ideosyncratic aesthetic styling of an individual author. See James Joyce, for example. 

    To put it another way, perhaps consider to begin writing and narrating your inclusive global epic, with the noble aim of reaching out to your own tribe and other tribes, attempting patience and good will when faced with ignorance. Yes, we’re in this together, we, to mean all-around-the-world humanity, and how do you define that? Enter Buckminster Fuller, James Joyce and Marshall McLuhan, updated for the 21st century by RAW’s nervous system and Maybe Logic. Put another way, who can produce the greatest novel of 2021, a novel that captures the general heart, includes world history, and can be considered an epic poem all at the same time? This is a really long-winded way of saying that I have a lot to learn about Maybe Logic, in mind, body and speech, and I’ve a lot of epic novels to read to get a more informed opinion.          

    I got home from work yesterday, after my mini-rupture, and made myself a delicious mushroom omelette, and prepared myself to record some vocals, Squintin Quarantino was itching to record rhymes. Then, like a karmic boomerang, the next door neighbours started to fight, literally wrestling up next to the fence, just 1 meter away from where I was sitting, about to record. The shouting and pushing and shouting went on for over an hour. I made myself a drink and rolled a doobie, waiting for quiet, trying not to formulate negative frustrations as those I’d felt earlier. Suddenly it hit me. Oh yeah, the dog days.

    Next thing I know, it’s 3.00 a.m in the morning, I’d slept on the couch without recording anything and more tragically, missing the Maybe Day Zoom Chat with Bobby Campbell and the other beautifully Maybe Logicians. Those to whom this writing is dedicated.

    I sincerely apologize for missing the chat and hope this writing goes some way to show my appreciation to all the contributions to the 2021 edition of NEW TRAJECTORIES edited, produced, designed and illustrated by Bobby Campbell. Another piece of the puzzle of the 2021 tale of the tribe. A great read for all humans and AGI’s alike. Leave your dogma at the door. Love.

    #MaybeDay #RobertAntonWilson #NewTrajectories

    –Steve Fly    
    July 24th, 2021.


    Postscript (August 1st)
    After writing the above, I made the Squintin Quarantino rhymes available at Bandcamp. They comprise part of my message, performance by example. These rhymes are by no means epic, nor do they contain history, they’re examples of an individual author playfully using spontaneous rhymes with an underlying message to Covid truthers (Branch Covidians). In some parts, the rhymes contain a similar mocking tone to my “fucking moron” outburst, I immaturely dress down those I consider to be anti-vaccine conspiracists. Self criticism and analysis of spontaneous rhymes gives the author insight into their mind, body, speech patterns. I share mine in hope others will do the same. For a straight-ahead collection of thoughts and suspicions on the tale of tribe see my book: Fly On The Tale Of The Tribe.



    “Let them get sick” has evolved into a refrain that was familiar during the Trump years, for different reasons: “My God, these people are going to get us all killed.”–Emma Brockes, Guardian.

  • DEEP SCRATCH AUDIO BOOK – FREE SAMPLE

    DEEP SCRATCH AUDIO BOOK – FREE SAMPLE

    In this clip from the Audio Book: Deep Scratch, DJ Plush is in the studio developing the tribetable method, compressing the tale of the tribe into scratch verse. Taken from Chapter 7 (DJ Confession). The reading is accompanied by a soundtrack produced using Jamm Pro software, the shape of things to come.  

    To hear the previous chapters, please visit my Patreon page, where for half the cost of a cup of coffee you’ll get exclusive access to the next chapters, plus unlock over 70 other posts featuring exclusive DJ mixes, video’s, tracks, and trans-media mash-ups. Stay safe and mind the others.
    X


    –Love, Steve Fly.

    http://www.patreon.com/stevefly
    http://www.patreon.com/stevefly
  • Deep Scratch Audio Book – Chapter One

    Deep Scratch Audio Book – Chapter One

    www.patreon.com/stevefly

    Chapter One is live at www.patreon.com/stevefly

    The next 25 chapters will follow as I read them.

    Thanks for the support.

    Love, steve fly.

  • Deep Scratch Novel Coming Monday 21st

    Deep Scratch Novel Coming Monday 21st

    I’m happy to announce I’m releasing Deep Scratch on Monday. Available in digital formats, followed by a hard copy edition in 2021.

    To receive a copy, please support me for the price of a coffee over at my Patreon, I’d prefer 3 Euro, but any support (1Euro) will get you a copy, plus you unlock sixty plus unique posts!

    If you don’t like it, I’ll send you the money back! How’s that?

    I appreciate you. Stay safe and responsible.

    –Steve Fly
    https://www.patreon.com/stevefly

    https://deepscratch.net/

    #DeepScratch #OpenSourceHistory #OurHistoriesBack #Sixty #ScienceFiction #TurntableProse

  • Support Me And Deepen Deep Scratch At Patreon

    Please consider, for a brief moment, supporting me at Patreon for as little as 1 Euro/quid a month, get strapped in as I deploy 26 chapters of Turntable Prose crossplatform, plus hundreds of auxiliary a/v textual treats. See the latest CHAPTER FOUR
    .
    To me, based on bare time-based evaluation, each chapter of Deep Scratch is worth approx. 2000 Euros, I kid you not. For one Euro pledge, you get your name in the book and a digital copy when completed on NYE 2020, that’s about 0.04 cent/pence per chapter! Plus you unlock 123 previous posts and heaps of exclusive material.

    Scrutinize me, feel free to remove your support after one month and retain your full copy of the novel and name drop. Deal?

    Thanks for your consideration, love, Steve fly.

    https://www.patreon.com/stevefly

    #DeepScratch #DJprose #Patreon #SteveFly

  • Letter to Harold Innis from McLuhan, 14th March 1951.

    Letter to Harold Innis from McLuhan, 14th March 1951.

    Within the small and obscure field of those who follow the tale of the tribe, as defined by Robert Anton Wilson will probably already be familiar with this letter by Marshall McLuhan, to Harold Innis.

    In the letter McLuhan more or less drafts the trajectory RAW expands upon, with the addition of Giordano Bruno, Alfred Korzybski, Nietzsche, Claude Shannon and Orson Welles, RAW weaves a landscape of, dare i say, cybernetic post modernism?

    Internet…probably the greatest catalyst, tool, for the evolution of language and human-language interfacing. And so, 12/13 historical characters are selected by RAW to approximate the innovations that took place to bring us here, and the human biographical tales crisscrossing with the design science revolutions and new styles. RAWs tale of the tribe.

    Here is that letter that helped start it all, in some sense.

    –steve fly 

    Letter to Harold Adams Innis
    Toronto, 14th March 1951

    Dear Innis,
    Thanks for the lecture re-print. This makes an opportunity for me to mention my interest in the work you are doing in communication study in general. I think there are lines appearing in Empire and Communications, for example, which suggest the possibility of organizing an entire school of studies. Many of the ancient language theories of the Logos type which you cite for their bearings on government and society have recurred and amalgamated themselves today under the auspices of anthropology and social psychology. Working concepts of “collective consciousness” in advertising agencies have in turn given salience and practical effectiveness to these “magical” notions of language.
    But it was most of all the esthetic discoveries of the symbolists since Rimbaud and Mallarmé (developed in English by Joyce, Eliot, Pound, Lewis and Yeats) which have served to recreate in contemporary consciousness an awareness of the potencies of language such as the Western world has not experienced in 1800 years..

    Mallarmé saw the modern press as a magical institution born of technology. The discontinuous juxtaposition of unrelated items made necessary by the influx of news stories from every quarter of the world, created, he saw, a symbolic landscape of great power and importance. (He used the word “symbol” in the strict Greek sense sym-ballein, to pitch together, physically and musically). He saw at once that the modern press was not a rational form but a magical one so far as communication was concerned. Its very technological form was bound to be efficacious far beyond any informative purpose. Politics were becoming musical, jazzy, magical.

    The same symbolist perception applied to cinema showed that the montage of images was basically a return via technology to age-old picture language. S. Eisenstein’s Film Forum and Film Technique explore the relations between modern developments in the arts and Chinese ideogram, pointing to the common basis of ideogram in modern art, science and technology.

    One major discovery of the symbolists which had the greatest importance for subsequent investigation was their notion of the learning process as a labyrinth of the senses and faculties whose retracing provided the key to all arts and sciences (basis of myth of Daedalus, basic for the dreams and schemes of Francis Bacon, and, when transferred by Vico to philology and history of culture, it also forms the basis of modern historiography, archaeology, psychology and artistic procedures alike.)

    Retracing becomes in modern historical scholarship the technique of reconstruction. The technique which Edgar Poe first put to work in his detective stories. In the arts this discovery has had all those astonishing results which have seemed to separate the ordinary public from what it regards as esoteric magic. From the point of view of the artist however the business of art is no longer the communication of thoughts or feelings which are to be conceptually ordered, but a direct participation in an experience. The whole tendency of modern communication whether in the press, in advertizing, or in the high arts is toward participation in a process, rather than apprehension of concepts. And this major revolution, intimately linked to technology, is one whose consequences have not begun to be studied although they have begun to be felt.

    One immediate consequence, it seems to me, has been the decline of literature. The hyper-trophy of letter-press, at once the cause and effect of universal literacy, has produced a spectacular decline of attention to the printed or written word. As you have shown in Empire and Communications, ages of literature have been few and brief in human history. The present literary epoch has been of exceptional duration — 400 years. There are many symptoms that it is at an end. The comic book for example has been seen as a degenerate literary form instead of as a nascent pictorial and dramatic form which has sprung from the new stress on visual-auditory communication in the magazines, the radio and television. The young today cannot follow narrative but they are alert to drama. They cannot bear description but they love landscape and action.

    If literature is to survive as a scholastic discipline except for a very few people, it must be by a transfer of its techniques of perception and judgement to these new media. The new media, which are already much more constitutive educationally than those of the class-room, must be inspected and discussed in the class-room if the class-room is to continue at all except as a place of detention. As a teacher of literature it has long seemed to me that the functions of literature cannot be maintained in present circumstances without radical alteration of the procedures of teaching. Failure in this respect relegated Latin and Greek to the specialist; and English literature has already become a category rather than an interest in school and college.

    As mechanical media have popularized and enforced the presence of the arts on all people it becomes more and more necessary to make studies of the function and effect of communication on society. Present ideas of such effects are almost entirely in terms of mounting or sagging sales curves resulting from special campaigns of commercial education. Neither the agencies nor the consumers know anything about the social or cutural effects of this education.

    Deutsch’s interesting pamphlet on communication is thoroughly divorced from any sense of the social functions performed by communication. He is typical of a school likewise in his failure to study the matter in the particular. He is the technician interested in power but uncritical and unconcerned with social effect. The diagnosis of his type is best found, so far as I know, in Wyndham Lewis’s The Art of Being Ruled. That pamphlet is probably the most radical political document since Machiavelli’s Prince. But whereas Machiavelli was concerned with the use of society as raw material for the arts of power, Lewis reverses the perspective and tries to discern the human shape once more in a vast technological landscape which has been ordered on Machiavellian lines.

    The fallacy in the Deutsch-Wiener approach is its failure to understand the techniques and functions of the traditional arts as the essential type of all human communication. It is instead a dialectical approach born of technology and quite unable of itself to see beyond or around technology. The Medieval schoolmen ultimately ended up on the same dialectical reef.

    As Easterbrook may have told you I have been considering an experiment in communication which is to follow the lines of this letter in suggesting means of linking a variety of specialized fields by what may be called a method of esthetic analysis of their common features. This method has been used by my friend Siegfried Giedion in Space, Time and Architecture and in Mechanization Takes Command. What I have been considering is a single mimeographed sheet to be sent out weekly or fortnightly to a few dozen people in different fields, at first illustrating the underlying unities of form which exist where diversity is all that meets the eye. Then it is hoped there will be a feedback of related perception from various readers which will establish a continuous flow.

    It seems obvious to me that Bloor St. is the one point in this University where one might establish a focus of the arts and sciences. And the organizing concept would naturally be “Communication Theory and practice.” A simultaneous focus of current and historic forms. Relevance to be given to selection of areas of study by dominant artistic and scientific modes of the particular period. Arts here used as providing criteria, techniques of observation, and bodies of recorded, achieved, experience. Points of departure but also return.

    For example the actual techniques of common study today seem to me to be of genuine relevance to anybody who wishes to grasp the best in current poetry and music. And vice versa. There is a real, living unity in our time, as in any other, but it lies submerged under a superficial hubbub of sensation. Using Frequency Modulation techniques one can slice accurately through such interference, whereas Amplitude Modulation leaves you bouncing on all the currents.

    Marshall McLuhan

    from Marshall McLuhan — Complete Correspondence,
    edited by Matie Molinaro & Corinne McLuhan