Category: Our Historys Back

  • BTG DEEP SCRATCH TIMELINE

    BTG DEEP SCRATCH TIMELINE

    Deep Scratch Universe: Chronological Echoes

    Deep History & Mythic Seeds

    • Ancient Finger (4M years old?), Denisovan Cave connection.
    • Mayan Cosmology: Long Count, Popul Vuh prophecy (Stupidity Disease?), Dresden Codex (miscalculated?).
    • Giordano Bruno: 30 Seals, Decentralized Intelligence ("The Sixty" / C-60 link).
    • Enochian System (Dee/Kelley): Undeciphered tables, “hidden light.”
    • Intellectual Lineage: Vico (Ricorsi), Fenollosa (Ideograms), Korzybski/Sapir-Whorf (Neuro-Relativity), Hermeticism.
    • Prehistoric Events: Comet Phaeton crash (Bavaria, 500 BCE).

    Early 20th Century Echoes

    • Tesla’s visions, suppressed tech/weapons potential.
    • Joyce & Yeats meet (1904), Joyce writes Finnegans Wake (pub. 1939), Yeats explores Gyres.
    • Pound writes Cantos.
    • Formation of key figures’ ideas: McLuhan, Fuller, Shannon, Wiener, Turing, Von Neumann.
    • Malvern Hill Gang established? (Crowley, Lewis, Hess, John Trump link?).

    1936: The Nexus Point

    • Berlin Olympics hosted by Hitler; artistic/intellectual intervention plot hinted.
    • Message Relay: Now Yowlk group -> Bert Wino (Beijing) -> Berlin (Intercepted by Spengleton?).
    • Rapalltown Group (Chase, Bates, Pod) active.
    • Spain holds counter “People’s Olympic Games.”
    • Joyce possibly intervenes (vision?).
    • Foundation for Mid-Century Conspiracy Web laid

    Mid-Century Conspiracy Web (Conceptual)

    A tangled network involving: Dulles Bros, Turing, Shannon, Wiener, Gehlen, Von Neumann, A-Bomb, MK Ultra, Operation Mockingbird/Chaos, Cambridge Spies, Cold War tech/paranoia, Counter-culture emergence (Beats, Acid Rock, RAW), Media Theory (McLuhan), Systems Thinking (Fuller), JFK Assassination links (Dulles, Cord Meyer?), Project Blue Book…

    Plush’s Origins / TRB Genesis

    • Plush’s youthful awakening (Psychedelics, Ideograms).
    • Failed music career, violent attacks (pre-2012).
    • Early writing attempts (Our Histories Back 2009, Sixty 2011).
    • ~2008: TRB’s countdown to 21/12/2012 begins.
    • Plush develops early TribeTable Method concepts in Amsterdam.

    ~2012: The Main Event (Amsterdam)

    TRB Activation:

    • Plush, Max, Percy form TRB, inspired by RAW, aiming to map “Tale of the Tribe.”
    • Intense collaborative sessions: Developing Tribetable Tarot, Konnakol rhythms, scratch techniques, astrological mapping.
    • Plush experiences visions (tardigrades, finger), paranoia (Briq threat).

    External Forces & Strange Events:

    • Jake & Joe become involved (experiments, paranoia).
    • Richard & Marge plot activates (Sixty Window), perform “Peanut Method” ritual.
    • Accidental satellite explosion.
    • Richard/Marge kill Fang at studio (Chapter 14 climax).
    • Assange court case result due Dec 21st (linked to singularity/Mayan prophecy).
    • Voyager/tardigrade disc arrives from space (Nov 27th?).
    • Plush receives court summons for Scratch History (espionage, treason…).

    World State:

    Populism rising, media monopolies, climate anxiety, over-tourism/gentrification (Amsterdam), “stupefying elixir” / static tripping populace.

    Future Echoes & Alternate Streams

    • DJ Battle in San Francisco (Flash-forward?).
    • Tardigrade mission to Venus (Ongoing?).
    • Benevolent AI/Poltergeist record plant producing Voyager discs (Parallel?).
    • Hovertables launched (2023 Showcase).
    • Time-traveling tardigrades from 2323 influence Plush.
    • Planet Klaka / Mantis / Jellyfish sequence (Story-within-story?).
    • Post-singularity “genesis bomb” creates “comfortable numb” populace (Potential future?).
    • LA 2028 Olympics speculation…

    Meta-Time / Remix Layer

    • Author’s editing process (Sixty -> Deep Scratch).
    • *Deep Scratch Remix* project (Preface dated 23/3/23).
    • “PrattGPT” (Steve Fly/ChatGPT collaboration) explores AI ethics/use.
    • Moscow surveillance subplot introduced in Remix.
    • AI music generation (Udio/Flai Mixes) vs non-AI music (*Remix* album).
    • Tanmoy!
    BTG
  • between the groove intro

    between the groove intro

    Your hosts Fuckup and Hal dive into the Deep Scratch Universe.

  • poets who spoke in poetic characters’ Vico and the artificer

    While modern theories of knowledge begin with something present to the mind – e.g., Descartes begins with self-evidently true, clear, and simple innate ideas – Vico, begins by asking how it is that the mind comes to have anything present to it at all (Verene, 1981).
    And it is precisely to this question that Vico claims to have an answer, indeed, it is the master key of his science. “We find,” he says,

    “that the principle of these origins both of languages and of letters lies in the fact that the early gentile people, by a demonstrated necessity of nature, were poets who spoke in poetic characters. This discovery, which is the master key of this Science, has cost us the persistent research of almost all our literary life, because with our civilized natures we moderns cannot at all imagine and can understand only by great toil the poetic nature of these first men” (para.34, my emphasis).

    But to understand what he means here by saying that the early people were, by necessity, poets (where the word “poet” is from the Greek poitetes = one who makes, a maker, an artificer), we must divide the process of making involved into two parts: i) the first, to do with the forming of a sensory topic, and ii) the second, with the forming of an imaginary universal which, from a ‘rooting’ in it, ‘lends’ the topic a determinate form.–John Shotter, CMN/UNH, http://pubpages.unh.edu/~jds/VicoNotes.htm

  • A TALE OF THE TRIBE IN VERSE INVERSE.

    OUR HISTORYS BACK: SUMMARY INVERSE.

    Around August 1st, 1936 Berlingham:

    …and humanitas Y’all toegather geoglyficali hoisted dynastic games. Plush spun down to the stylus ship, set needle to breakers, past pretence future weave of atumz and wiffs froth broth on the godly wave riverum tumble of Sheanimate Gobjects.

    Plush set up mast in mist & sail in hail and antenna on that stylus ship which rings us buoy a turntabius vicus of recirculation back to back to No Yolk and Rapateen and Merlinghum environs: august 1st 1936. Giles Chase wrapped in nanotube paste fr’over the shirt snot sea with billyum canvases rearrived again from mouth Amorika heavy with weeping and winds from starboard blow to fight his pen-isolate war on the words at the Oilamp Trick Gums.

    Giles Chance cheesed in a close webbed soundcloud djinn’d by Ira Pod, Cutler Bates and Marten McLure doubling their mumper with a glitter of sun-rays, pitter-platter of Bates brewed by arclight humm’d by harplite. A prayer to the sickly death’s heads ringsome on the aquaface. The fall from centre. Foul you might rise up the well you mast!

    And the penmen rose’ shadows from a swarming disk memory stick, spirit smelliported to the oil-drums and their upturnpike point and place. Poured we libations unto each the dead retaled in bed. And drawing Stylus from hip I dug the humptyhill head upon the Altumble Tabletoe step.

    History clashes with wills, many men mauled by the scribes and the oystrygods. History HOAX HOAX. Singular hilarity singular. These historical forces and values gathered about me, where? Unsheath the narrow stylus I’m going into Berlingringstroms matey. But first came McLure our friend McLure, what chance cuddleys of going down the long ladder unguarded to engineer molecular mark’s.

    Chromatiq thunder strux, what chance cuddleys, what chance? holding his golden drumstick his tete in a tub of firewater for to watch the future of his fate, but ere he swiftly took it out again ouch from the pouch of pouk. Dunntales and gums wave intermixed disks on our Altable. Ira sailed by Sirens the trim-coifed goddess path outward, ebbs away from Eye duno to Amorica to your hopebridge where?

    Raptonne a blanket of fog:

    All-town myth to cypher city and to sing singing matter and shouting mountain mutter, dancing mitten of youth and old socks. Ira fell downdown the unguarded ladder and shattered a nape-nerve against the buttress. O, you’re vine to study reading books and history to cut and sew waves at R’ town.

    Flight of the blue spill abducted the town with music, painting and poetry. Bats flew in. In the best modern way. Hang it All Cutler Bates. Exit through the out door. No mystery about the Dunntales they are the tile of the fibre from the nib-nozzle of Ira and the Nob-Nuzzle of Chase.

    Compiling the Camel-fnord book of dates, Ira’s news comes in, and Bates and his ship landed twelve weeks later, eyes of Dali’ water cutting under his keel overdose. Indestructible mind of Gyres’ bringularity summert summit. Phallanx of Chase history Pod’s and economic triplicity books inexstiguishable.

    And the wave runs in the Rap beech grove, the stylus runs in the disk groove, RNA ink runs with atoms and quiffs in the Hawks well at noon and poor Giles blind as a bat. Invenci first doodle-cross search engine in 1922, but hark! some voice juice like thunder spake Mythalized and idealized twinned.

    Three mysters of celtic quantum indetermine to be seeing cling-film animations of the rocky shoreline from swerve of shore to bendy bay, the West’s awake to the yeats and the West’s awake to the beats, there is a wine-red glow in the shallows a tin flash in the sun dazzle.

    Ira, Giles and Cutler overthrow up history over the lingham wall, potting her soiled soul buck togather again wit murmur of great old one’s and the clash of our cries till we spring to be free radio. Wake running off from the bow of Rapallo. ‘Watch till death for Erin’s sake and by the Gerritsen rock pool a young boy loggy with vine must was spotted by musta’ Wools. Three quarks for Bygmester Shermon: Humanksi, Wools and Muller muttered Bates.

    Apollodelphi Now Yowlk.

    Young boy of four from Gerritsen beach plays McGraff’s younger cousin in McGraff’ by Carsun Wools, when they brought the young boy i said: he has god in him, though I do not know which god.” Carsun said of young Bob. The water-bugs mittens show on the bright rock below him. Shermon conceives midgital communi’ using the long moon for a churn stick.

    When the snow was like sea foam Humanski Carsun and Muller watch hawks circle a well, and Sonny Bob transfers fourier transfers to Shermon by spinning the head on him in a caster of his reasons. The wave-chord plashing around the theatre hollows of pine trunks, bebop bellowing out theatre ritual into blocks of light on the knight of July 31st, 1936. This holy platterplate place of turning.

    Finger Ring, Breastplate and Disk in dymaxion tension. Error Error 33 Midgital communication was error, who observes a design in process and dynamic maximum attension. These great tales told by Sherm and Shan in the gritty Shannani Wave brew Chase’s masterpiece of mathematical genius which launched the midgital information age off the page.

    Glass-glint of wave in the tide rips against sunlight. Mr. Adams saw waved through the bank hoax. Grey peak of the wave, wave crest woolsrusspower to all-around humanity. Pull down thy vanity fairez. From grosskopp to megapod as from the beginning of wonders Humanski went in for structure but consumption is still done by animals.

    Holy snakes chase me charley & Eva’s got barley under fluencies! Tempus tacendi, tempus loquendi. And the plot to alert Ira got underway by Wittgenstein. The scarab is bowed at the altar, dung beetle rolled and the green light gleams in its shell, folded hands bow as the head and gun sales lead to more gun sales, guns, guns, guns.

    Dollis and Skully Von cum to have Adolphted such a Adelphus! O, the singing contracts to secure guns and dope. Using the people as a mere dupe undercover: the oilympic troops. Mr Pope has conformed it to the notions of writtishmen and Americans in Tacitus and in Homer. Ingle end says now for know. No to greed and guns, enough already.

    Stevenscum, Dollis, Folly and Skully Von and the Berlingham faith exchange sickness. Germoney, Inkland, Mitale’ Amorica, Oh where in history will you find em? Isle wail for yews said Chase, the spooks grilled Pod, Bates and Chase, literally, electrochemically shocked them blotch and void.

    I am noman, my name is noman. Ira announced to the twelvepodstall inquisitors. The old moderns resisted Spengleton’s pet project Sadio: Trading Hallibut-Cola, Christy crude oilam, a kind of Christmess speedball for summer 36’ around the globe. Let those I love try to forgive what I have made. Do not move, let the wind speak for all their faults I am pissing out. “yes” Ira, Chase and Bates said, in beautiful synchrony, Noh tales.

    steve fly ‘Agaric 23’

  • OUR HISTORYS BACK: a tale of the tribe

    Back Cover Back Cover
    Spine

    Front Cover

    ID

    8149333
    Category Literature & Fiction
    Description The MPHDJ Method translates roughly as mixing special kinds of sampled literature using the approach of a musical DJ or turntablist. In our historys back this method is applied to ‘the tale of the tribe’ as defined by Dr. Robert Anton Wilson and brings together some of the greatest minds of the 20th century to rewrite history with their genius and invention. DJ Fly Agaric 23 lays out his vision for 2012 where the tribetable method becomes a tool for scholar activists and historical researchers who wish to move beyond rhetoric and into psycho-drama.
    Copyright Year 2009
    Language: English
    Country United Kingdom
    Keywords FLY AGARIC, OLYMPIC GAMES, 1936, 2012, ROBERT ANTON WILSON
  • SP is for Steven Pratt: Fly Agaric 23 Knotwerks

    BOOKS:

    https://www.amazon.com/Steven-James-Pratt/e/B078ZWY19Z/ref=dp_byline_cont_book_1

    MUSIC:
    https://ironmanrecords.bandcamp.com/album/robert-anton-wilson-meets-steve-fly-agaric-pratt

    BLOGS:
    A handful of posts and early freestyle writings from my time in America formulated my book: World Piss’ The Spore of the Woids. Last year in (2009) this project morphed into SHANNANIGUMS WAVE. Now available at Lulu, and partly at wordspore.blogspot.

    While living in New Orleans I started the poem TRANE YOURSELF: a homage to John Coltrane, inspired by Jazz ployrhythms and African American culture. A theme in my early poems crafted in America, while living in New Orleans, New York, and the Bay Area, surrounded by awe inspiring music and artists.

    ONLYMAYBE
    I feel honoured to collaborate on a blog with good friends and longtime memebers of the Maybelogic academy. (now sadly closed) The IMPERFECT INDEX of ONLYMAYBE acts like a prototype model for this post here. Onlymaybe or maybelogic.blogspot is kept up and running and brimming with content by Bogus Magus (Toby Philpott, and Bobby Campbell.

    Thanks Bogus, and thanks all the contributing artists for their voluntary efforts to keep the RAW web afloat with data and links. To Bobby, Borsky, Fuzzbuddy, Minja, Prop, Chris, NP, P.G, Quackenbush, P Smith, B Kane, Toby, Eva, all faculty staff and those I forget.

    (more…)

  • WORK OF THE TRIBE III

    THE WEIGHING OF THE TTOTT HEART (TTOTT 12)

    McJoy Brunosa stepped forward one more step towards the giant scales, his genius suspiciously dormant in his silence, yet his thoughts sparkled like lightening bolts behind his eyelids, externally McJoy Brunosa struggled to make out the unbelievable scenery before him.

    Brunosa’s heart was projected as a 3D hologram onto a weighing scale that was balanced on the other side by nothing but an ostrich feather, the scale was spread out over McJoy Brunosa’s shoulders. Large figures loomed in the background like overhead clouds obscuring the light.

    Ezski Welleson stepped into the chamber about 10 feet from Brunosa and watched him hold up the scales on his back.

    “Thothttott” Brunosa said, in a deep booming voice.

    “Thothttott” Welleson replied, twisting his eyebrows through his long fingers.

    Brunos’a shoulders were like curved bananas, slightly bruised and splitting; Ezski Welleson thought

    “Thothttott” Brunosa said again, struggling to take the weight and stumbling on the spot.

    “tale-of-the-tribe” Brunosa continues…

    Shannico Yeatzscher crawled to the edge of the star-shaft, and poked his head out the end and drops the bag onto the floor. Yeatzscher jumps into the chamber, opens the bag to reveal an ‘egyptian mouth-breeder’ fish and quickly suckles the fish into Brunosa’s mouth. Yeatzscher stares at a winged figure hovering in space a few inches above Brunosa’s head. Welleson focuses his sights on Yeatzscher’s tail tucked away in his trousers, ‘the tail of the tribe’ he thought, and smiled.

    “I imagine my heart upon the scale, and guess the weight of the general heart, not lightly” Welleson said, gazing at the hieroglyphics carved into the walls that seemed to be depicting what was happening to them!

    “Thothttott Language vs. the thothttott equation measured by these scales?” Brunosa said.

    Welleson registered every wince and sigh that Brunosa made as his heart was interrogated and profiled by the great old ones.

    ‘Maybe we have the body as a reliable object of scientific study, opposed to the ‘imaginary’ ideas of the mind?” Brunosa said, with a bewildered look of concern on his face.

    ‘To weigh the general heart of history, the characters and their deeds, the thothttott; and transmit them into the head space and divine natural ” Brunosa said.

    Brunosa’s shoulders shrug and touch his ears, and he sits, quiet, and self-composed like a stalk-headed monk.

    Borskyopolos introduced us all to the wonders of short and sweet collaborative writing projects with his piece for MQ titled: THE WORK OF THE TRIBE 01.

    Last week, I decided to have another go, but used characters from my NOvel’ Our Historys Back’ but these can easily be changed, and put into the context of three, or more characters, we might wish to animate and narrate.

    Here’s what I came up with: Max’S eyelashes brushed up and down on the surface of the writing tablet, his saw a mosaic of colours and shapes flash by as if Jimi Hendrix had chose the interior colour scheme at Alhambra, inside a gyroscope.

    Max’s shin bones were pushing on a padded bar, that linked to the water pump that was filling up his head-chamber with gamma tea.

    Plush smoothly roller-skates into the laboratory studio like a snake, watching Max conduct his gamma experiment.

    “AILMS” said Max, gargling a little tea.

    “AILMS?” Plush replied, fingering his ring and touching it to his breast.

    Plush thought that Max’s eyes appeared as two large apples, seen through the transparent gamma tea cup.

    “AILMS” Max said, shaking his head a little due to the cold tea now seeping into his ears.

    “Share these seeds of love” Max went on, still pumping the chamber up with tea.

    (Just then some seeds fell from an apple Percy was eating in the room next door, and he was prompted to get up from his desk, walk into the laboratory and hand the large half eaten apple to Max, who’s head had stopped shaking now, and sat with his hand neatly folded together patiently)

    Plush detects the aroma of Marijuana and can see the pot baggy shaped like a long bud in Percy’s jeans.

    I’ll be rolling with you in a tick Percy” said Plush.

    Plush and Percy add the AILMS to the waterpump, and the gamma tea begins to heat up.

    Plush could now see the tea working on Max.

    “Gamma tea time works on the other sides of time, other side of the tea-leaf” said Max, pinching his lips and squinting his eyes.

    Max scoops an AILM from the tea with his tongue, as Plush watches his hand spasming, shaking with over-concentration.

    Max then lifts his legs right up and out from under the bar and brings them near his mouth so that his shin bones are on his tongue, that lulls out in a relaxed way, his expression was like that of Popeye after eating raw spinach.

  • THE TWELVE (12 the book) BY William Gladstone synchronicity

    While in the American bookstore on Thursday here in Amsterdam, I stumbled upon a book called THE TWELVE, I was shocked to see a book concerning the end of time, Mayan Prophecies and generally the 2012 phenomena that had a protagonist called MAX. I was a little shocked by this, in a good kind of epiphany shocked-way becasue I have a character called MAX in my new book called OUR HISTORYS BACK, which is set in 2012 and includes many of the 2012, Mayan, time-travel themes, except I am hinting at the possibility that by that date, somehow humanity has fully digested what Robert Anton Wilson might have been tryoing to tell us with his TALE OF THE TRIBE.

    I have not read the book, but as a loose 2012 drum beater’ I suspect I may, just to see what MAX gets up to.

    http://www.12thebook.com/