Category: Poetry

Poems, shards, fragments, prose, experiments

  • ‘If you push that button, your ass gotta’ go’

    …what necessary force

    to protect and serve

    by pushing the big

    button

    those insecure

    calling for more security

    naturally “protect me

    save me, oh mighty one,

    say you’ll keep us safe by

    pushing the button’

    we demand the three

    minutes extra life

    before we get hit back

    on the rebound

    equal with the nihilist

    terrorist philosophy

    ‘let’s wipe em’ all out

    every last stinking one of em’

    plus family and friends

    wipe em’ all off the map

    Can you feel the flinch

    of the people’s trigger finger

    quick to revenge slow to forgive

    insecure shaved chimps

    kicked through Primark

    ready to push the button to

    save Top Gear

    ‘It’s fucking end times

    quick act’ i hear em; scream

    kill kill kill

    It’s not often that

    a relatively honest bloke

    becomes a politician, even

    less often with a chance to

    lead the country

    I find myself

    agreeing with the chorus

    most of the time

    ‘they’re all the same,

    they’re all liars

    But no

    stop!

    Corbyn seems honest

    to me

    smart, and a man who’s

    keep his word,

    and experienced with world culture

    knows how to make peace

    through communication

    He’s a poet too

    i ask, who was the last

    Tory to have a conscience

    capable of poetry?

    ‘push the button’

    what a wuss’ they cheer

    how about you pull the trigger

    Silent But Dudley: Black Country Blues

    by Mr Steven James Pratt

    Link: http://a.co/7KhqHcL


    of a loaded gun pointed at an

    infants face, or you’re own

    mother gets her throat cut and

    head removed in front of you

    and the infant?

    the ‘will you push the button’

    metaphor for mass murder

    typified the Tory fetish

    for drama.

    Cant be easy for a human

    being with a soul still intact

    to murder, that most sacrilegious act

    and furthermore the passive

    complacency of your

    tacit support of arms deals

    and not free school meals

    makes me sick to my stomach

    drone strikes and suicide

    bombings are equally acts of

    cowardice

    what ever happened to

    gentleman’s combat

    fencing, martial arts, chess?

    from a relatively fair

    hand to hand contest depending

    on physical strength, skill

    strategy and a sporting fair

    play to pushing buttons and

    literally swiping people off

    the map

    whatever happened to common decency?

    since the gun and the bomb and

    the nuclear chemical biological warfare

    coupled with white washed language

    of surgical strikes and precision bombing

    (more…)

  • Unjust My Opinion

    Unjust My Opinion (UMO)
    (a freestyle driven by rhyme pressure)
    …unjust my opinion, makes me cry like a onion
    i feel my opinion, hurts my foot like a bunion
    opinion, i got a million, billion
    a trillion zillion 23 piece pinion
    I just can’t stand any more your opinions
    unless they be new ones, or clever funny uns’
    shoulda’ coulda’ woulda’ brudda’ what you sayin?
    why put me in a straight jacket of your wordplayin’ 
    pain, who’s paying
    you need an op to remove it
    that opinion, you can’t prove it
    logic in the way, just move it
    add to hard facts to soothe it
    like a bed of nails, you can’t smooth it
    like a sun in a ditch light groove it
    have you got more opinions than Trump
    cuz we got the funk to shake yo’ rump
    lance that opinion, remove the lump
    tomorrow your opinion lies dead in the trunk
    i think your opinion is your opinion
    so keep your eye on the group and beware the minion

    Fly: Selected Poetry

    by Steven Pratt

    Link: http://a.co/3of5XFj

    (more…)

  • 10 years on facebook

    10 years on facebook.

    you can see it in my face
    i got a message from god
    it said thankyou for letting
    us have you for 10 years

    I feel had
    I feel bad for the sad
    emoticons ;-(

    out of context
    the ads and the analytics
    the sale and resale of
    digital habits
    to vultures

    the devices and divisive
    slices of non-choices between
    brexit or remain
    trump and Clinton
    numb to the pain
    swipe on

    and all the goodness too
    the laughs and funnies
    the latest news and gossip
    pictures and video
    going live
    going live

    and hot tips on flame wars
    griefers and alt righters
    girls boys cats dogs
    and all those birthday wishes
    and virtual hugs

    not to moan or rant about facebook
    like ranting at the
    state that feeds you
    or fighting a ghost
    up in the clouds
    deal with it

    face up to the horrible
    fact that facebook is a
    king mob

    the largest mass spying machine
    ever made
    and what a laugh,
    i mean, look and all the funnies
    and those quotes
    read them
    get hip to some clicktavism

    and don’t complain on it
    just shut up and get off
    your face
    book

    Steve Fly
    28/04/2017

  • A tough question and a poem

    To celebrate 100’000 blog views, a blog tough question, and a poem


    I started writing this as a response to the question below, taken from an article that whizzed by on social media. Since starting i watched some Slavoj Zizek on youtube, and marveled at his diligent dance around philosophical questions, and then recalled his comments on punching a nazi, a theme of this blog, that i conclude to mean, don’t punch a nazi, please, it lowers any progressive movement and authenticity of the undeniable force for good. By using the oppressors method of violence. Zizek holds his place as public intellectual and comedic philosopher of our times IMHO.


    (more…)

  • Just one shoulder

    …to be still
    silent and ready
    to bless with fury
    what you thought
    what you know
    what’s new?
    horror and terror 
    error and mirror
    smoke everywhere 
    identity dented day
    after day by searching for
    the elusive other
    the you in them
    the us in we
    the feeling of solidarity
    littered lives
    splintered sentences
    the struggle to make
    it whole and new
    even the philosopher
    of science and magic
    can feel cold chill of doom de doom
    and yet the mad moon
    the number 1 sun and all stars
    and earth remain spun
    life coming and going 
    tragic and comic waltz
    orbit of causes pauses to
    the work you were doing
    what you worked on
    before the job sucked time off
    swim through the hate and
    hollywood revenge flu
    into creative love lake mate  
    dig deep and spark one
    bark if you have to

    how to make it all cohere? 
    push through
    stay high and keep smiling
    the world is too big
    for just one shoulder
    –Steve Fly Acrillic
    (First thought best thought technique)
  • Kevin ‘Memory’ Lane

    Kevin “memory” Lane.

    “Hero’s get remembered, legends never die”–Evil Kenevil

    Ouch, sometimes people are snatched away truly before their time, and Kev was snatched away from us, all who knew him, and from those who did not have the pleasure of meeting him, or reading him, too soon. Way too fucking soon!

    Thankfully, he passed in his sleep, and i suspect he was fully up for it, fully ready to ride that pale horse into eternity with a wide grin. “come fucking on reaper, what you got, ay?” And so it goes. A hero beyond measure, both personally and to all of my friends from my home town, Stourbridge, and surrounding areas, Lye, Brierley Hill, Hagley, and the greater Black Country.

    I often referred to Kev as the true voice of the Black Country, a unique individual with a rare and raw talent for writing, coupled with his full-on, up front and principled social presence. A true legend who will be terribly missed by those who new him, and by those who did not. Kevin held the kind of fierce intellect and wit and worldly experience our society and its so called leaders lack.

    On more than one occasion i had encouraged him to publish his writings, and not just limit his writing ability and insights to facebook. I am sure that some of you reading this know exactly what i mean, Kevin Lane consistently schooled us with his status updates, honest, raw, funny, smart. Kev was a psychedelic wizard and at the same time a top boy, a lad, one of the boys. He somehow combined a number of personalities together, and broke down stereotypes, followed his own path and was his own man. He had his own dance, his own philosophy of life, his own music tastes, his own humour, his unique way of putting it. Kev seemed to me to be a truly free man, always up for trying something new, consistantly making you think, and always, without fail making you, and anybody in earshot, laugh out loud.

    Everybody must find their own way to grieve, and for me personally i must write, and write, because one fact i have learn’t, and continue learning from his tragic early exit from the stage, is that eight or ten words on facebook don’t do him justice, for me, Kev deserves a book, a statue and street named in his honor. Although i fully understand that many people now use the dating website to express a wise variety of emotions and thoughts, personal and otherwise, for me, it’s not the place to begin to pay tribute to such a wide-reaching honey-monster of a legend like Kevin Lane. This motherfucker deserves a few thousand words just for starters. So, strap yourself in. Go make a cup of tea and roll a spliff. The present author is about to take you on a journey down Kevin Lane. A lord, and a real shit kicking black country bard. The very least i can do is spend a few days pulling together just a few memories.

    So, about the dance…Kev was well known for his unique dance moves, he could be spotted a mile off, doing the Lanebot, or whatever name you wish to put on it, which involved a lot of shoulder movement, little footwork and a lot of smiling. It was a mechanical, almost robotic looking movement, and it was certainly unique to Kev, to the point where other people would try to immitate his moves, with little success but equal enjoyment. Every music event, and every party in Stourbridge will sorely miss Kevin, he was literally the center of the dance, a mascot and life blood of any party. One time around 1999, at a local rave called “Lifted” i remeber Kevin going full tilt on the dance floor, and on the pole. At one point, in a most hilarious manner actually licking the pole, and dancing around it like a cross between a Native American indian worshipping his totem, and a Black Country porn star out on the piss.

    Kev loved his music, and supported independent and local acts, most recently championing the Sleaford Mods before anybody else i knew, and always had his ear to the underground sound. A healthy mixture of punk, indie rock, soul, reggae, funk, classic breakbeats and spoken word, Kev would always be up for having a good time at any party, if there were music to groove on, he would be grooving away with all three shoulders. Kev loved good film and TV too, besdes his fantastic collection of pornography (to be donated to Dudley libraries) he sticks in my mind as the guy who turned me onto loads of cult films and future classics, again, before anybody else. Clerks, South Park, Adult Swim, The Black Mirror, Saxondale, were all introduced to me by Kev. Kevin was a taste maker, and had a sharp eye for cultural memes and movements. I would often visit him just to get the low down on what was happening, since i had been away from the UK for large chunks of time, and he always had another movie, fresh album or book to suggest, never disappinting with his selections.

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  • The Pound Question: “Light lights in air”: Value, price, profit and Louis Zukofsky’s poetry By Andras Gyorgy



    On the Pound question,

    Quoted from the article “Light lights in air”: Value, price, 
    profit and Louis Zukofsky’s 
    poetry by Andras Gyorgy: 
    (wiki links edited by steve fly)

    The “Pound Question” is a complex one. At this stage we may conclude at the very least that his well-known fascist sympathy in the war and broadcasts on behalf of Mussolini need be set against his enthusiastic support of Zukofsky’s circle, mostly Jewish and avowedly Marxist. 

    British painter and writer Wyndham Lewis, with whom Pound worked on the Vorticist magazine Blast in 1913-14, offered some insight into the American poet’s personality. Lewis called Pound, “A bombastic galleon, palpably bound to, or from, the Spanish Main. Going on board, I discovered beneath its skull and cross-bones, intertwined with fleurs de lys and spattered with preposterous starspangled oddities, a heart of gold.”
    Pound had discovered the power of “movements” which consisted of little more than a manifesto, a special issue of a journal and an anthology. At his most enthusiastic, he would be praising and advising Zukofsky almost daily, sometimes more often, in letters, introducing his discovery to editors, giving him the benefit of his time, his wondrous editing, academic sponsorship. When his friend James Joyce was down on his luck, Pound sent him a pair of old shoes. According to Ernest Hemingway (in A Moveable Feast), Pound was “so kind to people that I always thought of him as a sort of saint.”
    The touching relationship between Zukofsky and Pound, which did not cease in warmth and respect to the end of their days, is an aspect of the passing on of the modernist tradition to another generation of Zukofsky’s Objectivist circle, and then again through Robert Creeley and his generation, or “company” as he called it. 

    Zukofsky fought for years to have “A” 1-12 (1959, 1967) in print. The poetic sequence Anew (1943), also the name of the collection of shorter poems that New Directions is bringing back, was the last volume that a publisher brought out for a very long time. A testament to Zukofsky’s mood during the long period of his neglect is the title of the sequence “Barely and Widely” (1962), which refers to Louis’ complaining to his soul mate Celia, as he often did, about how “barely” he was known and how “widely” neglected. This was true at least until many of the poets represented in Donald Allen’s very influential anthology, The New American Poetry (1959), discovered and championed him in their war against “academic” poets and the Eliot-inspired “New Criticism”, which ruled English departments after the Second World War.
    https://www.wsws.org/en/articles/2016/02/03/zuko-f03.html

  • ALL sides defeated. WWI and TTOTT.

    The Great War (not so great in my humble opinion) has been an ongoing part of my study into the tale of the tribe, pivoting on the poetry and prose of Ezra Pound and James Joyce, who both lived through WW1, and who both lost friends.

    I understand, and respect why we have a period of silence in memory of those fallen, but i fail to understand why so few of the silent care to engage in the search for the main causes of war, or pay much attention to those who are brave enough to go there, into the complexity of the deep politics of war. To exhibit constructive criticism of authority, the industrial political economic war machine, those who make the guns and bombs and bullets, and sell them. And the apathy of the public, the sleeping masses who seem hoodwinked into supporting this monstrous killing machine in the name of patriotism. Or at least, not yet motivated to stand proud and say I AM AGAINST WAR, ALL WAR. And in saying that, imply a favour for life over death, compassion and sympathy, not hate and retribution.

    I favour an interconnected global network of co-operative humanity, not annexed and isolated sovereign states fighting over material wealth, atoms, oil and arms. Like weasels fighting in a hole, as Willy Yeats described war.

    Maybe…lets remember all our ancestors, ALL of them, and their struggles in a life lived against all the odds to bring us here. Stop the wars for our futures present sake. Stop the arms dealers. Or perhaps sign a petition, or star speaking out against the trident nuclear submarine plans? “Its a pity that ALL nations couldn’t be defeated”–Ezra Pound, letter to James Joyce concerning the slaughter of WW1

    A memorable line lifted from the Roman poet Horace, and used by the British Poet Winifred Owen: Dulce et decorum est Pro patria mori. “It is sweet and fitting to die for one’s country.” sounds to me, today, like the mantra of a maniac suicide bomber. What do you think? “1,2,3,4 what are we fighting for?”–Country Joe. As Ez wrote: the youth of WW1 have died “For an old bitch gone in the teeth, / For a botched civilization, / … / For two gross of broken statues, / For a few thousand battered books.” Peace means peace. Man! Look into the causes of war to oppose escalations of war. And yes, make room to honor the dead, all of them on all sides, love all the people. There is a time for silence and a time to speak. I suspect we could do with some more strong anti-war voices, poets, artists and perhaps a politician or two? with a basis in humanitarian principles, no fear, and a whole lot of luck. Fear leads to hate, as Yoda said. Yes mate. Steve Fly

  • BBC Radio 3: The Trial Of Ezra Pound

    BBC Radio 3, Sunday, 20 Jul 2008, 21:30.
    “To mark 2008’s 50th anniversary of his release, historian Sean Street investigates how Ezra Pound, one of the 20th century’s most important poets, was accused of treason by the US Government and held for years in a mental hospital after he made a series of anti-American and anti-Semitic broadcasts in Italy.
    The programme investigates the significance of the case today, asking whether he committed treason or inconveniently used his right to free speech. With contributions from Pound’s daughter Mary de Rachewiltz, his biographer David Moody and the playwright Bernard Kops, who wrote a play about Pound, in order to find out how we should view the complex and controversial poet.”