DEEP SCRATCH

Tag: GOOGLE

  • DJ FLAI vs udio – HIP SLOP

    DJ FLAI vs udio – HIP SLOP

    Many of the great artists I admire said little about their work, leaving it to speak for itself. Generative AI provides a lens and amplifier to let what started as thoughts, evolve into sound waves and moving images. This is a part of the once fictional narrative of Deep Scratch (A Tribetable Novel). I’ve gone full pelt into the AI landscape and here present some of the highlights, as Hip Slop, a mux type.

    Read more: DJ FLAI vs udio – HIP SLOP

    Hip Slop is AI collaborative text to sound to video collage, as a beat tape, what was engineered to sound like a vinyl mixtape from 1999 or there abouts, the hey day of turntablism, old school boom bap, static, blunted beats, muted jazz, and weird lyrics. Note that all lyrics and turntable speak are original Steve Fly Agaric compositions, besides the few hallucinatory excursions into LLM garble-gumage. These audio selection were produced over the last 18 months, some AI remixed versions of old tracks, some only play out for a few bars, others are left alone.

    Many of these tracks are released via bandcamp in the Deep Scratch vs Udio series, here selected, mixed and blended using Djay (for I-Pad). No real turntables were harmed in the recording of this mix. No real singers, musicians, or real engineers were consulted, insulted or catapulted into orbit during this recording. This DJ Flai mix is a part of the Deep Scratch Universe. The Novel and accompanying works Deep Scratch Remix, and, Between The Groove, help add context. A DJ Mantis, DJ Tardigrade and DJ Fly become world champions in a human universe, but at what expense to the rest of humanity, history, time and spirit? Remind yourself this is science fiction, everything you see and hear is machine learning and neural nets, sewn together by the current author into sound things and moving light things, and any resemblance to real living things is purely coincidental. As a DJ and drummer, musician and writer my work entails building stronger ideas and methods and putting them into practice, performance IRL.

    I hope you strive for that too. In the meantime, as somebody who perpetually hears music and sees somewhat psychedelic visions, I shored a few from some deep dives, for your enjoyment, analysis and meditation. If the goal of the Deep Scratch project was musical time-travel, this mix demonstrates success in some sense. Outlines and new directions for The tale of the tribe. A snapshot from an alternate universe where turntables turn fables, narrative decodes, writes, reads. I hope this finds you well. All love. –Steve Fly

    deepscratch.net

    stevefly.bandcamp

    patreon.com/stevefly

  • mphdj

    mphdj

    WHAT AI? https://mphdj.blogspot.com/p/what-ai-said.html

    Tanmoy is here.

    https://mphdj.blogspot.com

    AI Album Amsterdam Art Art and Technology Artificial Intelligence Beatbox beats blues books Boris Johnson Brexit Corona Slayer Coronavirus Deep Scratch Deep Scratch Remix Design Science Detroit DJ Steve Fly finnegans wake fly agaric 23 Funk history James Joyce Jamm Pro jazz John sinclair maybe logic Music poem poetry Radio Free Amsterdam Remix Robert Anton Wilson Science Fiction Sixty Squintin Quarantino steve fly tale of the tribe Technology turntables Udio Video Vinyl writing

  • Pause Giant AI Experiments: An Open Letter

    Pause Giant AI Experiments: An Open Letter

    A lot of food for thought, I generally agree with the sentiments and without digressing to far from the point, would add that there should also be a pause on giant weapons development and giant financial institutions, for similar reasons.

    I strongly feel that the discussions about policy and regulation should include a wide cross section of people, not all of them AI professionals or computer scientists, or government officials and giant global institutions. A comprehensive open discussion must include a comprehensive array of human beings, their concerns, desires, and alternative solutions to these big problems and paradoxes.

    We may all eventually have to confront the AI singularity looming on the horizon, and therefore take this pause period to refresh our explanatory knowledge. Perhaps try reading some Shakespeare, James Joyce and Robert Anton Wilson, discover your inner and outer humanity and embrace the art of language charged to the highest degree. A panpsychist approach would pay respect and honor all entities, everywhere, all the time. Take caution. My 5c.
    –SJP

    “AI systems with human-competitive intelligence can pose profound risks to society and humanity, as shown by extensive research[1] and acknowledged by top AI labs.[2] As stated in the widely-endorsed Asilomar AI Principles, Advanced AI could represent a profound change in the history of life on Earth, and should be planned for and managed with commensurate care and resources. Unfortunately, this level of planning and management is not happening, even though recent months have seen AI labs locked in an out-of-control race to develop and deploy ever more powerful digital minds that no one – not even their creators – can understand, predict, or reliably control.”AI systems with human-competitive intelligence can pose profound risks to society and humanity, as shown by extensive research[1] and acknowledged by top AI labs.[2] As stated in the widely-endorsed Asilomar AI Principles, Advanced AI could represent a profound change in the history of life on Earth, and should be planned for and managed with commensurate care and resources. Unfortunately, this level of planning and management is not happening, even though recent months have seen AI labs locked in an out-of-control race to develop and deploy ever more powerful digital minds that no one – not even their creators – can understand, predict, or reliably control.

    Contemporary AI systems are now becoming human-competitive at general tasks,[3] and we must ask ourselves: Should we let machines flood our information channels with propaganda and untruth? Should we automate away all the jobs, including the fulfilling ones? Should we develop nonhuman minds that might eventually outnumber, outsmart, obsolete and replace us? Should we risk loss of control of our civilization? Such decisions must not be delegated to unelected tech leaders. Powerful AI systems should be developed only once we are confident that their effects will be positive and their risks will be manageable. This confidence must be well justified and increase with the magnitude of a system’s potential effects. OpenAI’s recent statement regarding artificial general intelligence, states that “At some point, it may be important to get independent review before starting to train future systems, and for the most advanced efforts to agree to limit the rate of growth of compute used for creating new models.” We agree. That point is now.

    Therefore, we call on all AI labs to immediately pause for at least 6 months the training of AI systems more powerful than GPT-4. This pause should be public and verifiable, and include all key actors. If such a pause cannot be enacted quickly, governments should step in and institute a moratorium.

    AI labs and independent experts should use this pause to jointly develop and implement a set of shared safety protocols for advanced AI design and development that are rigorously audited and overseen by independent outside experts. These protocols should ensure that systems adhering to them are safe beyond a reasonable doubt.[4] This does not mean a pause on AI development in general, merely a stepping back from the dangerous race to ever-larger unpredictable black-box models with emergent capabilities.

    AI research and development should be refocused on making today’s powerful, state-of-the-art systems more accurate, safe, interpretable, transparent, robust, aligned, trustworthy, and loyal.

    In parallel, AI developers must work with policymakers to dramatically accelerate development of robust AI governance systems. These should at a minimum include: new and capable regulatory authorities dedicated to AI; oversight and tracking of highly capable AI systems and large pools of computational capability; provenance and watermarking systems to help distinguish real from synthetic and to track model leaks; a robust auditing and certification ecosystem; liability for AI-caused harm; robust public funding for technical AI safety research; and well-resourced institutions for coping with the dramatic economic and political disruptions (especially to democracy) that AI will cause.

    Humanity can enjoy a flourishing future with AI. Having succeeded in creating powerful AI systems, we can now enjoy an “AI summer” in which we reap the rewards, engineer these systems for the clear benefit of all, and give society a chance to adapt. Society has hit pause on other technologies with potentially catastrophic effects on society.[5]  We can do so here. Let’s enjoy a long AI summer, not rush unprepared into a fall.”

    https://futureoflife.org/open-letter/pause-giant-ai-experiments/


    Pause Giant AI Experiments: An Open Letter

  • The Medium Is The Message: That Rogan Spotify Thing.

    (I wrote this on February 2nd, but left it here as a draft. In just a few days, both Joe Rogan and Russel Brand are trending on social media. The latest is that Donald Trump came out in support of Rogan, and Spotify CEO Daniel Elk doubled down on his support for Rogan’s Podcast. Neil Young has doubled down on his message to delete spotify and support creative artists. Here’s my take on it all.)

    “In our communication age, misinformation is the problem. Ditch the misinformers. Find a good clean place to support with your monthly checks. You have the real power. Use it.”

    —Neil Young.


    In sync with the major trends on social media, over the last week I’ve been tweeting and dropping a few one liners about the latest Joe Rogan Spotify story, but I feel it deserves a longer, edited overview to explain what I think and why. I confess, this scrawl is a personal rant in parts, but it also includes parts that reference terse and well balanced critiques of Spotify and other digital monopolies. Thanks in part to Cory Doctorow for being the clearest authority on the impact of digital media, and previously addressing the Joe Rogan Spotify deal in mid 2020, and to Matt Stoller for same sharpness and sense for constructive critique.       

    Yes, I’ve watched JR podcasts, multiple dozens of them over a protracted period of time since it launched over a decade ago. In particular, I was drawn to those featuring Doug Stanhope (who originally inspired Joe Rogan back in 2003) and Bill Burr, and other comedians, though I often feel deflated after listening to Joe’s shows, compared to the laugh out loud funny originals of Doug and Bill, to my taste buds. I’ve watched the Alex Jones car crash interviews and the Elon Musk smoke out, I watched the Oliver Stone interview, I watched David Choe, Paul Stamets, Lex Fridman, Bernie Sanders, Brian Muraresku, Jordan Peterson (help) and now I come to think of it, yeah, a lot of other dudes, mostly dudes chatting dude stuff: Secret Cults, Hidden Mysteries, DMT Magic, Lost Civilizations, Deep State, Big Tech, Big Pharma, Covid Conspiracies and other cliches. What’s not to laugh at, what’s funny?   

    Yet, personally I’ve never got the swift kick from Rogan’s podcasts that I detected some others around me seemed to be getting. It’s probably me, it has to be me, maybe I’m spoiled? Or is JR just not sharp? Am I expecting too much from popular Podcasters and Youtube celebrities? Same goes for Russel Brand, sadly, a descent into solipsism. I’m expecting much better and feel let down when I listen. It causes me to think, he ain’t processed any Karl Popper but he harps on about George Soros. I sense a third rate comedy, over stretched, too long and over-marketed, too much focus on subscribe and likes, a MAGMA MAFIA method? Furthermore, most but not all of these monopolists defend against criticism with that old chestnut, “I’m not a scientist or a doctor, I just want to talk to interesting people.” Yeah, right. And then there’s media monopoly which damages independent Podcast culture and independent music culture and erodes our trust in science.  

    Again, look, please, dear reader, don’t get me wrong, Spotify helps millions of songs reach billions of ears, music, that sacred beautiful powerful art that I’ve spent half my life studying and playing and promoting. Yes, we all benefit from hearing it. And please, listen to what you like. The deeper issue is not JR’s content, it’s about the business practice and strategy of Spotify and it’s detrimental effect on independent art and creativity. Mega rich and powerful media entities like Spotify sponsor huge events and festivals, but which financially benefit the tiny top tier of bands and performers, another kick in the maracas.   

    I do not receive any payment for my work uploaded to Spotify, I never use it. Most of my artist friends who do, also receive next to zip. It’s a bad deal for the majority, for 99.9% of artists on the platform, and yes, Apple Music, Amazon, Deezer, Tidal, Sony, TimeWarner, Universal aren’t much better. Cory Doctorow writes: “Spotify has been on an extraordinary, acquisition-and exclusivity-driven spending spree, buying 15 companies, and doing deals like this one with Rogan.”


    Support Independent Music Culture

    Add to this the fact I’m a DJ and vinyl lover, self inflicting physical injuries so as to continue occasionally getting the chance to set up and play records in a new way, striving to play a spectrum of music and do justice to the term disc jockey, hands on. I buy records and have done for over 30 years. I’ve spent tens of thousands of Pounds and hours listening, mixing, compiling music, and often zero payment. I don’t want sympathy. I want you to support the others struggling and bring hope in remaining fiercely independent to some lucky few out there now ready to give it everything.     

    In 2022, I’m rewarded for my 25 years service to music, both as a DJ and recording artist, by copyright infringement notices on Youtube (sometimes for my own works) and audio censoring on Twitch, and stipulations about what is and is not a DJ mix, or radio DJ mix, or a remix, depending on what platform and/or territory: Soundcloud / Mixcloud etc. My point is that I paid money for physical records, I’ve supported local record shops, independent labels, artists, small venues and clubs, for three decades across the United States, Holland and the UK. What better record of integrity than a record of playing records with integrity? I’m lucky in many respects, I’ve had breaks and gigs and releases and some very fine co-conspirators, god help the next generations coming up who have to navigate these shark infested digital waters. 

    The question remains, how, HOW do we better evaluate art and artists in 2022? How can we support independent artists to do what they love and keep it local and make it pay and give a glimmer of hope that some fortunate few may make a living off art? Blockchain, I hear you say, Spotify, I hear you chant, surely it’s not social media or bust? It’s either Facebook or no luck, if you want to promote your indie project? The elephants in the room are for-profit digital music monopolies, and variations on media monopolies. Is it hard cash and hard throttling of the competition based on numbers favoured by shareholders, internet spiraling down into a click-bait moneyball analytica con.

    “taking something from the federated, open, competitive web and sticking it inside a walled garden. It’s the App Store strategy, the Facebook strategy, the AOL strategy, the MSN strategy.”

    Cory Doctorow, 2020.

    MAGMA MAFIA

    Yes, I often moan about what goes viral but does not fit my own quality control. It’s tricky to avoid embittered whataboutism, and yes, artists can bring out the best and worst in purists. As the saying goes, a jack of all trades is a jack of no trades. But let’s not forget the good advice from Karl Popper, Marshall McLuhan and Robert Anton Wilson. A pinch of pluralism, multi model-agnosticism enriches the communication and experience of negotiating culture through the lens of art.      

    Besides the great thinkers and legendary artists and musicians, there’s the great unknowns, those millions of musicians and bands and performers who are aching to be seen and noticed, acknowledged. They deserve that break, that chance. Yet, pre and now post (ish) pandemic, artists have faced the colossal five headed beast MAGMA (Meta Amazon Google Microsoft Apple) and the new digital landscape where your latest work can get shared and played around the world a million times before you can afford to pay for a large coffee with the profits, after the skimming and scheming of the MAGMA posse. Cory adds, “Why does Wall Street like this? because acquisition-driven growth is a great way to establish a monopoly in which rents are extracted from suppliers and customers to the benefit of shareholders.”   

    Spotify is reported to be worth around 58 Billion USD. Joe Rogan was paid 100,000,000 by Spotify for a deal. Am I missing the part where Joe Rogan sets up 100 independent record labels, or opens a series of community music studio’s, or radio studio’s, starts indie record labels, supports local art music scenes? With 100,000,000 Joe could really help make a cultural impact on music, specifically, because that’s what Spotify does right, music culture? How ss a podcast like a musical composition, how is it different?

    Specifically, who benefits financially most from the JR Podcast boost? Jordan Peterson? Elon Musk, Alex Jones, Daniel Elk, Jeff Bezos, MAGMA? Is it those who lean into the intellectual dark web, have books and book tours and films and albums? Or the up-coming creatives, future Podcasters and musicians? And what about other super wealthy billionaires, why don’t they support indie music culture and put their money where they’re yacht is? Governments? Aren’t they also supposed to be here, having this conversation about funding and support and helping musicians and labels and venues and festivals burst back into life again, safely, the regenesis of culture? The discussion and action should tackle the root of the problem: paywalls and digital monopolies, and freeing creatives, leveling up with the big guys, and preventing cannibalism.    Why is there so little support for local and independent artists and groups and bands and labels, journalists, writers, why not give them equal air-time with deep-state conspiracies and spurious pseudo-science?  

    When compared with the relatively speaking, waffle, on whatever political hot potato is in the oven that week, independent art and culture and music get very little air-time and that’s a shame. Coincidently, it’s similar to the strategy of Spotify and most other digital beasts, algorithms deciding what song to play next, or what fringe subject to exploit for maximum click bait. Vice media also comes to mind here. And sadly, the listeners don’t seem to mind, in a world where vinyl DJ’s are a thing of the past. It’s a digital matrix multiverse, I suppose, and we’re all trapped here behind a paywall like an imprisoned Tron. 

    Look, watch Joe Rogan and do the dance if you like, I really don’t care. This best critique is not about the specific details of his content, it’s the deal with Spotify and support of digital monopolies, while claiming to stand and speak for freedom and just a bit of a chat. I hope for a deeper conversation about digital monopolies (big tech?) which demonstrably, JR, Russel Brand and Jordan Peterson, my three punching bags, have problems getting to grips with at times, perhaps because they depend on others to do the monopolizing for them: Spotify, Google-Youtube, Microsoft, Apple, Amazon, Meta. We need to talk about this on a neutral platform, if one exists? Bring back public assembly!

    I’ve Seen The Stylus And The Damage Done. 

    Today, I supported an independent second hand record shop, I purchased physical discs that hold musical information and can be further manipulated with innovative hand movements if so desired. The digital platform monopolies and their main promoters don’t understand this or care. As Bruce Sterling summarized: whatever happens to musicians will happen to us all eventually.  Support your local record store, library, band, artist, label. Boycott the main offenders, if you really want to fight, put your attention where your mouth is.   

    The repeated, demonstrable lack of a clear ability to communicate scientifically about science is not entertainment. If saying, “I’m not a scientist” gives you a license to not at least attempt to communicate like a scientist (climbing toward an operationalist language that defines the instruments used to take measurements,) that’s a shame. See: Neurological relativity. I’m going off course again.

    JR’s coverage and selection of guests during the Sars 2 CoronaVirus pandemic, speaking about the Virus and the Vaccine and the Lab Leak turned me even further away from him, and changed my slight revulsion of the bald wrestling MC into something else, darker and even less funny and seemingly pandering to what’s best described as the Intellectual dark web, as floppy of a term that maybe. I thought JR’s video about Covid and Ivermectin and throwing the kitchen sink cocktail was irresponsible at best, outright dangerous at worst, but it sure got some traction and mileage on the old social media, just like Trump’s equally irresponsible proclamations.

    I fear that we’ve come to a dark-side digital meritocracy without the need for any helping hidden hand, no need for a nefarious secret cabal to insist we display our social tokens (like and subscribe?), instead of being led by a totalitarian dictator, the faithful and vulnerable follow happily singing of “Freedom” behind the likes of JR, RB and JP, believing they truly care about us, our independent voices and our creative community more than they care for book sales and tours, and paywall payouts. 

    Break The Monopolies. 

    Support local artists and with luck they with help you speak and communicate and gain agency in your society by means of cultural transformation, towards a new better place where every town and city can have it’s independent journalists and podcasters and media platforms, where we can all embrace these digital simulations beamed at our senses 24/7 for what they actually are: media monopoly games for a shrinking few MAGMA players. 

    Naturally I’m also wrong, hopefully less than 51% of the time. I’m not saying these podcasts or books or videos should be censored, but I am saying that a market monopoly on the means to communication, when combined with hazardous health advice, is an explosive recipe. Popular figures have a growing responsibility to study science, logic, reason and suspend their judgment and check their prejudice, in a post Q-anon world. With increased size and popularity comes added responsibility, climate awareness, mental health awareness and MAGMA monopoly awareness.      

    I support Neil Young, Joni Mitchell, Nils Lofgren, and others that challenge the media monopoly of Spotify. I’m not onside with some third rate edgy material that might get banned on some other platform because it’s toxic or harmful. I’m siding with beautiful music and a lifetime’s dedication to the artform, that’s where my heart is at. Plus, to me, the crazy horse sense of removing music based on their revulsion to edgy toxic misinformation, so effectively boycotting their label and/or platform, shows a degree of integrity lacking across entertainment media in 2022. 

    Platform/Label, what’s the difference besides the pay? I concede that Neil and Joni are rich and famous enough to get away with such a boycott, but they did it, and I can’t see clearly how they benefit from this, which suggests to me they’re sincere. JR is not sincere from where I’m sitting. He should have me on his show, I’d love to serve up a roast, he can invite Jordan Peterson and Russel Brand too. Let’s go. As long as I can have my band with me to demonstrate what we say and how we say it, how we play it. I’ve no need to delete Spotify, I’ve never used it and always stood for independent homegrown culture.    


    “It was Marx who said one capitalist will kill many other capitalists, that the system begins to consume itself.

    Michael Parenti, Democracy Now, 2009.


    –Steven Pratt
    DJ / Drummer / Writer
    #DeepScratch
    #SquintinQuarantino  #SteveFly

    02/02/22 (edited 04/02/22)

  • Cory Doctorow: re:publica 2019

    Watch and listen to Cory, he brings the low down facts, and with the no-shit delivery. Bravo, and cheers
    I picked up his latest book of fiction in hardback, Radicalized – highly recommended contemporary hair-shaving fiction.

  • Happy Termineater: John Connor’s Fission Chip Shop

    Happy Termineater: John Connor’s Fission Chip Shop

    The Happy Termineater & the T4Q-Batter-Bit System
    By John Connor a.k.a The Quark Whisperer.

    JC Ltd. wish to see architects of deep fried learning on every corner
    The cutting wedge, a multiverse of 2D bread and 3B Butter.
    JC mechanics specialize in control of various
    Frying parameters by applying force,
    To cool the fat and create optimum Q-batter-bit conditions

    Peer-reviewed potato peeling principles published daily
    and some intelligence machine arm scoopers
    to serve a battered message:
    cyberdyne in class.

    What is the portion, or minimum quanta of chip?
    How many patatoes fit within the frynet system?
    The teeny weeny angel or smallest of
    micro-demon imaginable: our holy
    JC Qbit Better Batter Bits.

    Control the flow of electrons in the background
    microwave in the back kitchen and
    we always D-Wave our mushy peas to make
    Jumbo Pea Wave servings. Rejoice!

    Like a photon is a quanta of light, we show that chips
    can be viewed like a quanta of potato
    and trillions can breakdance
    on the head of a pea

    Fried theology for cod’s sake
    quantum to mean any physical entity under
    observation, an all-seeing eye of cod or
    imagine a giant Roe rowing a boat
    to shore with a dude named Michael inside

    Every atom molecule and material nugget
    obeys the rule of our great cod almighty
    praise cod

    Q-Batter bits can be used for logistical potato counts
    cod breaking, and a batter understanding of
    deep learning fission fryers

    The Aliens love batter-bits
    Holy mackerel, yes, at JC we know our plaice
    in the frynet story

    Oily creators of order, your order
    the master builders of quantum fission chips
    and mushy peas-wave after wave after wave.

    Quantum Mechanics at the chip-shop
    invoke and evoke entities of the smallest unit
    symbolic manipulation
    too cheesy chips for you mate?

    Q-batter-bits are beyond binary bro
    maltiple choice and such crazy combinations
    maybe states of particles in a Maybe state.

    Flavour diffusions and quiver of chip tunneling
    now we’re talking superposition of flavours
    like one, or zero, versus the tantalising one & zero both
    like peas or gravy on your chips, but also the
    peas & gravy together. Like laser beans
    We aim to please.

    More than a single state tasted simultaneously
    beyond the two-valued logic of sweet & sour
    JC chip shops are entangled
    like a confused haddock on a superstring
    observe one haddock and know about the
    other haddock too

    entangled angels
    caught at weird angles like mini
    salmon jumping

    JC offers simultaneous haddock annealing
    maybe fancy a state and kidney pi?
    we’ve bread roll and spin angling to catch
    fission chips by the buttie

    Our frynet baited with 23 triliion
    Tetraflipin’ Q-batter-bit bites
    gated pickled onion security layer
    G-wave gravy control, we got it all.

    The hungry Quantummy split P-wave
    tends toward minimum microwave/frynet states
    because minimum knows best
    imagine a very small mum
    mother matrix most mysterious singing out:
    “The M-wave likes the P-wave
    to surf the D-wave now behave”

    If you can’t control the cooling,
    you can still model its behaviour
    expressed as an energy minimisation
    in short: always a really nice and hot bag of chips

    Grover’s algorithm runs the ketchup dispenser
    Google sauce runs out the freaking tap
    several D-wave systems are out back
    with the gate based stocks
    here in the front it’s annealing stuff
    we’re actually approaching quantum supremacy
    The Jason Bourne of A.I:
    Q-Batter-Bits

    Using the fat gates method
    our research team found that
    microsoft chips squashed to readily under pressure
    with only a few small fission top
    JC Chip Shops support the minimum
    energy state

    laser beans on holy wafer, a toast!
    We have all the best chips and the
    hottest chips

    The holy JC breadboard boasts
    23 Trillion unique gated Q-Battered-Bits
    And one elctrfied, pickled egg.

    Try our super cooled drinks, tango, coke, 7Up
    stored near the temperature that atoms
    stop moving

    More than one pi-state can be tasted simultaneously
    beyond the two-valued logic of sweet & sour.
    JC chip shops are entangled
    like a confused haddock on a superstring
    observe one haddock and know about the other too

    We feel that metal oxide semiconductor chips taste better
    with laser beans, you batter believe it.
    Our staff work around the clock
    engineering nano-fish cakes and
    processing each crumb
    calculating the spin and charge of every spring roll
    If you let us know beforehand we make a wicked
    Flying lasagna to go.

    At JC we promote probabilistic reasoning
    down the chippy
    like you thought, fission on microchips
    hundreds of complex
    fields and farms of mathematics
    physics and engineering combined
    bring you the most elegant chip in the
    malti-vinegar-verse.

    Way beyond my own capacity to truly describe
    like a thousand mini food stalls set up shop
    on your tongue
    just taste it yourself.

    From the deep learning fat fryer we moved
    on to the human biochip and chip shop
    behaviour work as started by Steve Fry

    Optimistic about A.I and not afraid of
    artificial ingredients and challenges confronting
    chip lovers: frynet
    We express caution and to consult
    “The Dangers of Deep Battered Qubit Fission Chips”

    Now, try some Incredibly Baked Motherchips (IBM)
    our tasty Google chips or
    hyper greasy Facebook wedges
    whatever you like
    there’s the deliciously sweet deep fried Apple chips
    and microsofties

    Relax don’t sweat it
    visit the Happy Termineater today
    You’ll be back before yesterday.

    This weeks John Connor, Fish & Chip Shop Specials are:

    Fission Quantum Blue Cheese Chips (FQBCC)
    Quantum Gravy Foam Chips (QGFC)
    Quantum Message & Chips (QMC)
    State Of The Pi & Chips  (SOTPAC)
    Fission Chips Mini Quantum (FCMQ)
    Fission ‘Universal Quantum’ Chips (FUQC)
    P-Wave Quantum Special (PWQS)
    D-Wave Soft Pineapple Gravy Face Goozon & Chips (DWSPGFGC)

    –The Quark Whisperer.

    TERMINEATER